I am deeply grateful to many friends who have helped in the preparation of material for this book, and have freely granted permission to reprint their brain children.

To the Typophiles of New York, and to the individual authors in their series of Chap Books, I am indebted for including: T. M. Cleland's Harsh Words; W. A. Dwiggins' celebrated "Investigation Into the Physical Properties of Books," first published for the Society of Calligraphers and included in Mss. by WAD; Evelyn Harter's Printers As Men of the World; and Lawrence C. Wroth's "First Work With American Types," from Typographic Heritage.

To the editors of The Colophon, and the three authors, I am indebted for reprinting the essays of Earnest Elmo Calkins on "The Book and Job Print," Ruth S. Granniss on "Colophons" and Sir Francis Meynell's "Some Collectors Read."

To the individual authors, the editors of The Publishers' Weekly and its publisher, R. R. Bowker Company, I am indebted for permission to include W. A. Dwiggins' "Twenty Years After," the sequel to his "Investigation"; excerpts from two articles by Robert Josephy; and Will Ransom's introduction from his Private Presses and Their Books.

To Beatrice Warde, who has graciously permitted reprinting her classic "Printing Should Be Invisible."

I appreciate greatly the counsel of the good friends who made possible the symposium on "The Anatomy of the Book": Peter Beilenson, Joseph Blumenthal, P. J. Conkwright, Morris Colman, Milton Glick and Evelyn Harter, William Dana Orcutt, Ernst Reichl, Carl Purington Rollins, Bruce Rogers and Arthur W. Rushmore. To Mergenthaler Linotype Company I am indebted for reprinting the text of the "Anatomy," now slightly revised, from The Manual of Linotype Typography.

To both authors and their publisher, William E. Rudge's Sons, I am indebted for including the extracts from Bruce Rogers' Paragraphs on Printing and Merle Armitage's Notes on Modern Printing.

To George Macy, and the directors of the Limited Editions Club, I am indebted for reprinting Porter Garnett's prize-winning essay, "The Ideal Book." And also for the illustration of the punch-cutting machine (from The Dolphin, No. 2) to accompany Carl Purington Rollins' essay, "American Type Designers and Their Work," for which permission to reprint was granted by R. R. Donnelley & Sons Company, Chicago.

To my good friend, James Shand, publisher of Alphabet and Image in London, I am indebted for including his account of George Bernard Shaw's relations with his printer (first published in A & I No. 8), and for assistance in securing electrotypes of the illustrations.

To Oscar Ogg and the editors of The American Artist I owe thanks for reprinting his "Lettering and Calligraphy," with its illustrations.

To Edwin Grabhorn I am indebted for including "The Fine Art of Printing," his address to the Roxburghe Club of San Francisco.

I particularly appreciate the assistance of the late Otto Ege, Mrs. Anne Lyon Haight and Lawrence C. Wroth in revising their essays for publication here, and the thoughtfulness of Robert Josephy, Will Ransom and Arthur W. Rushmore in writing postscripts to enhance their essays.

I am thankful to Mrs. Caroline Anderson of Los Angeles; my colleague Jackson Burke at Linotype; to Christopher Morley of Roslyn, L. I., and Arthur W. Rushmore of Madison, N. J., for valuable suggestions and help in research.

For assistance in securing illustrative material I am indebted to my Typophile friends: John Archer, A. Burton Carnes, Lester Douglas, George L. McKay and William Reydel. To Fred Anthoensen of Portland, Maine, I am thankful for help in securing electrotypes to illustrate two articles.

The publisher, and I as editor, acknowledge our appreciation to the authors of the other essays included, and to their editors and publishers, for permission to reprint this valuable material, for which detailed mention of copyright and publication date is printed elsewhere.

And I hope my apologies may be accepted, should there be inadvertent omission of appreciation to the numerous other individuals who have so generously assisted me in preparing this book for the printer.

P.A.B.

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