So the picture came. And other pictures like it. And since the living that had made them was past for a little they were both fainter and in a measure brighter with more elfin colors than even that living had been which had made them glow at first. White memory had taken them into her long house of silence where everything is cool with the silver of Spring rain on leaves, she had washed from them the human pettiness, the human separateness, the human insufficiency to express the best that must come in any mortal relationship that lasts longer than the hour. They were not better in memory than they had been when lived, for the best remembrance makes only brilliant ghosts, but they were in their dim measure nearer the soul's perfection, for the tricks of the sounding board of the mind and the feckless instrument of the body had been put away. “We've had infinites already—infinites,” thought Oliver, and didn't care about the ludicrous ineptness of the words. He smiled, turning back to the unwritten letter. If they hadn't had infinites already—he supposed they wouldn't want more so badly right now. He smiled, but this time without humor. It had all seemed so easy at first. Nancy had been in Paris at fourteen before “business reverses” of the kind that mild, capable-looking men like Mr. Ellicott seem to attract, as a gingerbread man draws wasps, when they are about fifty, had reduced him to a position as chief bookkeeper and taken Nancy out of her first year in Farmington. Oliver had spent nine months on a graduate scholarship in Paris and Provence in 1919. Both had friends there and argued long playful hours planning just what sort of a magnificently cheap apartment on the Rive Gauche they would have when they went back. For they were going back—they had been brilliantly sure of it—Oliver had only to finish his novel that was so much better already than any novel Nancy had ever read—sell a number of copies of it that seemed absurdly small in proportion to the population of America—and then they could live where they pleased and Oliver could compose Great Works and Nancy get ahead with her very real and delicate talent for etching instead of having to do fashion-drawings of slinky simperers in Lucile dresses or appetite-arousing paintings of great cans of tomato soup. But that had been eight months ago. Vanamee and Company's—the neat vice-president talking to Oliver—“a young hustler has every chance in the world of getting ahead here, Mr. Crowe. You speak French? Well, we have been thinking for some time of establishing branch-offices in Europe.” The chance of a stop-gap job in St. Louis for Nancy, where she could be with her family for a while—she really ought to be with them a couple of months at least, if she and Oliver were to be married so soon. The hopeful parting in the Grand Central—“But, Nancy, you're sure you wouldn't mind going across second-class?” “Why Ollie, dear, how silly! Why, what would it matter?” “All right, then, and remember, I'll wire just as soon as things really start to break—” And then for eight months, nothing at all but letters and letters, except two times, once in New York, once in St. Louis, when both had spent painful savings because they simply had to see each other again, since even the best letters were only doll-house food you could look at and wish you could eat—and both had tried so hard to make each disappearing minute perfect before they had to catch trains again that the effort left them tired as jugglers who have been balancing too many plates and edgy at each other for no cause in the world except the unfairness that they could only have each other now for so short a time. And the people, the vast unescapable horde of the dull-but-nice or the merely dull who saw in their meetings nothing either particularly spectacular or pitiful or worth applause. And always after the parting, a little crippled doubt tapping its crutches along the alleys of either mind. “Do I really? Because if I do, how can I be so tired sometimes with her, with him? And why can't I say more and do more and be more when he, when she? And everybody says. And they're older than we are—mightn't it be true? And—” And then, remorsefully, the next day, all doubt burnt out by the clear hurt of absence. “Oh how could I! When it is real—when it is like that—when it is the only thing worth while in the world!” But absence and meetings of this sort told on them inescapably, and both being, unfortunately, of a rather high-strung intelligence and youth, recognized it, no matter how much consciousness might deny it, and wondered sometimes, rather pitiably, why they couldn't be always at one temperature, like lovers in poetry, and why either should ever worry or hurt the other when they loved. Any middle-aged person could and did tell them that they were now really learning something about love—omitting the small fact that Pain, though he comes with the highest literary recommendations is really not the wisest teacher of all in such matters—all of which helped the constant nervous and psychological strain on both as little as a Latin exorcism would help a fever. For the very reason that they wished to be true in their love, they said things in their letters that a spoken word or a gesture would have explained in an instant but that no printed alphabet could; and so they often hurt each other while meaning and trying to help all they could. Not quite as easy as it had seemed at first—oh, not on your life not, thought Oliver, rousing out of a gloomy muse. And then there was the writing he wanted to do—and Nancy's etching—“our damn careers” they had called them—but those were the things they did best—and neither had had even tolerable working conditions recently— Well, sufficient to the day was the evil thereof—that was one of those safe Bible-texts you seemed to find more and more use for the older you grew. Bible-texts. It was lucky tomorrow was Sunday when slaves of the alarm-clock had peace. Oliver straightened his shoulders unconsciously and turned back to the blank paper. He did love Nancy. He did love Nancy. That was all that counted. “Oh, felicitous Nancy! Your letter was—” |