NEW TESTAMENT. By FREDERIC HENRY HEDGE. "????????????? ??? ????????????? ??????? ???????? ?????." Aristotle. When Dr. Strauss, thirty-five years ago, in his "Life of Jesus," advanced and applied to the narrative of the New Testament a theory of interpretation, in principle the same with that which a Christian Father of the third century had employed in his treatment of the Old, the theological world was profoundly shocked by what seemed to be the last impiety of criticism. A hundred champions rushed with drawn pen to the rescue of the old interpretation of the text. The truth of Christianity was supposed to be assailed; the belief in Christianity as divine revelation was felt to be imperilled by a theory which substituted mythical figment for historic fact. That no such harm was intended, or was likely to ensue from his labors, the author himself assures us in the preface to that extraordinary work. "The inner kernel of Christian faith," he declares, "is entirely independent of all such criticism. Christ's supernatural birth, his miracles, his resurrection and ascension, remain eternal truths, however their reality as facts of history may be called in question." In this declaration I find a fitting text for the following discourse. How far does the cause of Christianity depend on the facts, or alleged facts, of the Gospel narrative? Or, to state the question in other words, Is the truth of Christianity identical and conterminous with the literal truth of its record? It is obvious at the start that a certain amount of historic truth must be assumed as implied in the very existence of any religion which dates from a personal founder whose thought it professes to embody, and whose name it bears. Christianity purports to be founded on the ministry of a Jewish teacher, entitled by his followers "the Christ." We have the testimony of a nearly contemporary Latin historian to the fact that an individual so named was the leader of a numerous body of religionists, and was put to death by command of Pontius Pilate, in the reign of Tiberius. But, without this confirmation, the very existence of the Christian Church compels us to accept as historic facts, the ministry of Jesus, the strong impression of his word and character, his purity of manners and moral greatness, his life of beneficent action, his martyr death, and his manifestation to his disciples after death, however that manifestation be conceived, whether as subjective experience or as objective reality. So much, beyond all reasonable question, must stand as history, vouched by documentary evidence, and by the existence, in the first century, of a church universally diffused, which affirmed these facts as the ground of its being, and in the strength of them overcame the world. But, observe, it is Christianity that assures the truth of these facts, and not the facts that prove Christianity. To Christianity assures the truth of certain facts; but by no means of all the facts affirmed by the writers of the New Testament. Faith in Christianity as divine dispensation does not imply, and must not be held to the belief, as veritable history, of all that is recorded in the Gospel. Not the historic sense, but the spiritual import; not the facts, but the ideas of the Gospel, are the genuine topics of faith. Christianity, like every other religion, has its mythology,—a mythology so intertwined with the veritable facts of its early history, so braided and welded with its first beginnings, that history and myth are not always distinguishable the one from the other. Every historic religion, that has won for itself a conspicuous place in the world's history, has evolved from a core of fact a nimbus of legendary matter which criticism cannot always separate, and which the popular faith does not seek to separate, from the solid parts of the system. And in one view the legends or myths which gather around the initial stage of any religion are as true as the vouched and substantial facts of its record: they are a product of the same spirit working, in the one case, in the acts and experiences; in the other, in the visions, the ideas, the literary activity of the faithful. It is one and the same motive that inspires both the writer and the doer. When I speak of historic religions, I mean such as trace No distinction in religion is so fundamental as that between the wild religions and those which have sprung from the word of a human sower going forth to sow; the religions of sense and those of reflection, the "natural" and the "revealed." The prime characteristic of the former is polytheism; that of the latter, monotheism. Mosaism, Mohammedism, Buddhism,—so far as it knows any God,—even Parsism, is monotheistic in as much as its dualism is resolvable into the final triumph and supremacy of the good. No founder of a religion ever taught a plurality of gods. Another characteristic of the wild religions is their transitoriness. The Egyptian, the Greco-Roman, the Scandinavian, perished long ago. Bramanism, the last survivor of the ancient polytheisms, is fast melting beneath the advancing heats of Islam and the Brahmo Somaj. The "revealed" religions on the contrary are permanent. No religion of historic origin, so far as I know, has ever died out. Judaism, the eldest of them, still flourishes: never since the destruction of Jerusalem has it flourished with a greener leaf than now. Mohammedism is pushing its conquests faster than Christianity in the East, Parsism is still strong in Bengal, Buddhism in one or another form calls a third part of the population of the globe its own. All religions have their mythologies, but with this distinction: polytheism is mythical in principle as well as Before proceeding any farther, I desire to explain what I mean by myth in this connection. I shall not attempt a philosophic definition, but content myself with this general determination. I call any story a myth which for good reasons is not to be taken historically, and yet is not a wilful fabrication with intent to deceive, but the natural growth of wonder and tradition, or a product of the Spirit uttering itself in a narrative form. The myth may be the result of exaggeration, the expansion of a veritable fact which gathers increments and a posse comitatus of additions as it travels from mouth to ear and ear to mouth in the carriage of verbal report; or it may be the reflection of a fact in the mind of a writer, who reproduces it in his writing with the color and proportions it has taken in his conception; or it may be the poetic embodiment of a mental experience; or it may be what Strauss calls "the deposit It has been assumed that the proof of divine revelation rests on precisely those portions of the record which are most offensive to unbelief. On this assumption the Christian apologists of a former generation grounded their plea. Prove that we have the testimony of eye-witnesses to the miracles recorded in the Gospels, and Christianity is shown to be a divine revelation. In the absence of such proof (the inference is) Christianity can no longer claim to be, in the words of Paul, "the power of God unto salvation." This is substantially Paley's argument. Planting himself on the premise that revelation is impossible without miracles, in which it is implied that miracles prove revelation, he labors to establish two propositions: 1. "That there is satisfactory evidence that many professing to be original witnesses of the Christian miracles passed their lives in dangers, labors, and sufferings, voluntarily undergone in attestation of the accounts which they delivered, and solely in consequence of their belief in those accounts; and that they also submitted from the same motives to new rules of conduct." 2. "That there is not satisfactory evidence that persons pretending to be original witnesses of any other similar miracles have acted in the same manner in attestation of the accounts which they delivered, and solely in consequence of their belief in the truth of those accounts." The argument is stated with the characteristic clearness of the author, and as well supported These considerations, though they do not discredit the essential facts of the Gospel history,—facts assured to us, It is not in the interest of criticism, much less of a wilful iconoclasm, from which my whole nature revolts, but of Christian faith, that I advocate the supposition of a mythical element in the New Testament. I am well aware that in this advocacy I shall lack the consent of many good people who identify the cause of religion with its accidents, and fancy that the sanctuary is in danger when a blind is raised to let in new light. I respect the piety that clings to idols which Truth has outgrown, as Paul at Athens respected the religion which worshipped ignorantly the unknown God. But Truth once seen will draw piety after it, and new sanctities will replace the old. No Protestant in these days feels himself bound to accept as history the ecclesiastical legends of the post-apostolic age. Some of them are quite as significant as some of those embodied in the canon; but no Protestant scruples to reject as spurious the story of the caldron of boiling oil into which St. John was thrown by order of the To me, I confess, the position of the Church of Rome in this matter seems less indefensible than that of Middleton and modern Protestantism. Either deny the possibility of miracles altogether to finite powers, or admit their possibility in the second century, and the third century, as well as the first, and in all centuries whenever a worthy occasion demands such agency. I can see no reason for separating, as Middleton does, the age of the Apostles from all succeeding. Had he drawn the line between the miracles of Christ and those ascribed to his followers, But the question here is not of the possibility or probability of miracles, as such, in one age rather than another. It is a question simply of Biblical interpretation,—whether the literal sense of the record is in every case the true sense, whether history or fiction is the key to certain Scriptures. Those who insist on the verbal inspiration of the New Testament will be apt to likewise insist on the literal historic sense of every part of every narrative. And yet that mode of interpretation is by no means a necessary consequence or logical outcome of that theory. Origen believed in the verbal inspiration of the Old Testament, but Origen did not accept in their literal sense the Hebrew theophanies: he allegorized whatever seemed to him to degrade the idea of God. The Spirit can utter itself in fiction as well as fact, and in communicating with Oriental minds was quite as likely to do so. And surely, for those who reject the notion of verbal inspiration, the way is open, in perfect consistency with Christian faith, for such interpretation as reason may approve or the credit of the record be thought to require. The credit of the record will sometimes require an allegorical interpretation instead of a literal one. It is a childish limitation which in reading stories can feel no interest in any thing but fact; and a childish misconception which supposes that where the form is narrative, historic fact must needs be the substance. Recount to a little child a fable of Pilpay or Æsop, and his questions betray his inability to apprehend it otherwise than And so all that is memorable out of the past, all that tradition has preserved, the veritable facts of history as well as the myths of legendary lore, pass finally into ideas. Only as ideas they survive, only as ideas have they any abiding value. The anecdote recorded of Aristides—his writing his own name at the request of an ignorant citizen on the shell that should condemn him—embodies a noble idea which has floated down to us from the head-waters of Grecian history. Do we care to know the evidence on which it rests? If by critical investigation the fact were made doubtful, would that doubt at all impair the truth of the idea? The story of Damon and Pythias, reported by Valerius Maximus, for aught that we know, may be a myth: suppose it could be proved to be so, the truth that is in it would be none the less precious. We do not receive it on the faith of the historian, but on the faith of its own intrinsic beauty. There is scarcely a fact in the annals of mankind so vouched and ascertained as to be beyond the reach of historic doubt, if any delver in ancient documents, or curious sceptic, shall see fit to call it in question. But, however the fact may be questioned, the idea remains. We have lived to see apologies for Judas Iscariot, and the literary rehabilitation of Henry VIII. But Judas is none the less, in popular tradition, the typical traitor, the impersonation of devilish malice; and Henry VIII. is no less the remorseless tyrant whose will was his God. When Napoleon I. pronounced all history a fable agreed on, he reasoned better perhaps than I do not underrate the importance of facts on their own historic plane. The historian, as annalist, is bound by the rules of his craft with conscientious investigation to ascertain, substantiate, and establish, if he can, the precise facts of the period he explores. I only contend that historic truth is not the only truth; that a fact,—if I may use that term in this connection for want of a better,—that a fact which is not historically true may yet be true on a higher plane than that of history, true to reason, to moral and religious sentiment and human need. The story of Christ's We have now attained a point of view from which to estimate on the one hand the real import of what I have ventured to call the myths of the New Testament, and on the other hand to overrule the petulant radicalism which, not distinguishing truth of idea from truth of fact, contemns these legends, and perhaps contemns the Gospel, on their account. I have wished to show how unessential it is to the right enjoyment or profitable use of those portions of the record that we receive them as fact; to show that, if we seize and appropriate the idea, those narratives are quite as edifying from a mythical as from an historical point of view; in other words, that the Holy Spirit may and does instruct by fiction as well as fact. If I am asked to draw the line which separates fact from fiction, or to fix the criterion by which to discriminate the one from the other, I answer that I do not pretend to decide this point for myself, much less should I presume to attempt to settle it for others. I am not disposed to dogmatize on the subject. It is a matter in which each must judge for himself. I will only say that for myself I do not place the line of demarcation between miracle and the unmiraculous, for the reason that it seems to me, as I said before, unphilosophical to make our every-day experience of the limits of human power and the capabili I content myself with a single illustration of what I regard as a mythical formation. My example is the story known as "The Annunciation." Luke alone, of all the evangelists, records the tale. The angel Gabriel is sent to a virgin named Mary, and surprises her with the tidings, "Thou shalt conceive in thy womb, and shalt bring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest. And the Lord God shall give unto him the throne of his father David. And he shall reign over the house of Jacob for ever, and of his kingdom there shall be no end." This beautiful legend, the most beautiful, I think, of all the legends connected with the birth of Christ, the favorite theme of Christian art, so lovingly handled by Fra Angelico, by Correggio, Raphael, Titian, Andrea del Sarto, and a host of others, is best understood as a Jewish-Christian conception, taking an historic form and "shaped into a fact." The legend represents the humility and faith of a pious maiden communing with the heavenly Presence, drawing to herself divine revelations of grace and promise, and thus sanctioning the hope so dear to every Jewish maiden,—that of becoming the mother of the Messiah. The sudden inspiration of that hope is the angel of the Annunciation. A word more. How far is our idea of Christ affected by a mode of interpretation which supposes a mingling of mythical with historic elements in the Gospel record? That idea is based on the representations of the evangelists. Will not our confidence in those representations be impaired by this view of their contents? I see no cause If the Christ of the Church, of Christian faith, is, as some will have it, an ideal being, it was Jesus of Nazareth who made the ideal. The ideal in him is simply the result of that disengagement from the earthly vestiture which death and distance work in all who live in history. By the very necessity of its function, history idealizes. The historic figure and the individual represented by it, though inseparably one in substance, are not so identical in outline that the one exactly covers the other, no more and no less. The individual is the bodily presence as it dwells in space; the historic figure is the image of himself which the individual stamps on his time, and, so far as his record reaches, on all succeeding time,—his import to human kind. That image is a veritable portrait, but not in the sense of a fac-simile. A material portrait, a portrait painted with hands, if the painter understands his art, is not a fac-simile: it presents the chronic idea or characteristic mode, not the temporary accidents, "the fallings off, the vanishings," of the person portrayed. In the hero We misread the Gospel and reverse the true and divine order, if we suppose the ideal Christ to be an essence distilled from the historical. On the contrary, the ideal Christ is the root and ground of the historical; and without It has not been my intention in any thing I have said to make light of the record. The record to me is a literary relic of inestimable value, aboriginal memorial of the dearest and divinest appearance in human form that ever beamed on earthly scenes. I sympathize with every attempt to clear up and verify its minutest details, with the labors of all critics and archÆologists devoted to this end. I rejoice in all topographical adjustments and illustrations; in all that local researches, following in the steps of "those blessed feet," have gleaned from the soil of Palestine. But all this is important only as it draws its inspiration from and leads my aspiration to the ideal Christ, "the same yesterday, to-day, and for ever." Dissociated from this idea, the acres of Palestine are as barren as any which the ebbing of a nation's life has left desolate. |