There was once a little Whig….

Ugh! The oiliness, the public theft, the cowardice, the welter of sin! One cannot conceive the product save under shelter and in the midst of an universal corruption.

Well, then, there was once a little Tory. But stay; that is not a pleasant thought….

Well, then there was once a little boy whose name was Joseph, and now I have launched him, I beg you to follow most precisely all that he said, did and was, for it contains a moral. But I would have you bear me witness that I have withdrawn all harsh terms, and have called him neither Whig nor Tory. Nevertheless I will not deny that had he grown to maturity he would inevitably have been a politician. As you will be delighted to find at the end of his short biography, he did not reach that goal. He never sat upon either of the front benches. He never went through the bitter business of choosing his party and then ratting when he found he had made a mistake. He never so much as got his hand into the public pocket. Nevertheless read his story and mark it well. It is of immense purport to the State.

* * * * *

When little Joseph was born, his father (who could sketch remarkably well and had rowed some years before in his College boat) was congratulated very warmly by his friends. One lady wrote to him: "Your son cannot fail to add distinction to an already famous name"—for little Joseph's father's uncle had been an Under Secretary of State. Then another, the family doctor, said heartily, "Well, well, all doing excellently; another Duggleton" (for little Joseph's father's family were Duggletons) "and one that will keep the old flag flying."

Little Joseph's father's aunt whose husband had been the Under Secretary, wrote and said she was longing to see the last Duggleton, and hinted that a Duggleton the more was sheer gain to This England which Our Fathers Made. His father put his name down that very day for the Club and met there Baron Urscher, who promised every support "if God should spare him to the time when he might welcome another Duggleton to these old rooms." The baron then recalled the names of Charlie Fox and Beau Rimmel, that was to say, Brummel. He said an abusive word or two about Mr. Gladstone, who was then alive, and went away.

Little Joseph for many long weeks continued to seem much like others, and if he had then died (as some cousins hoped he would, and as, indeed, there seemed to be a good chance on the day that he swallowed the pebble at Bournemouth) I should have no more to write about. There would be an end of little Joseph so far as you and I are concerned; and as for the family of Duggleton, why any one but the man who does Society Notes in the Evening Yankee should write about them I can't conceive.

Well, but little Joseph did not die—not just then, anyhow. He lived to learn to speak, and to talk, and to put out his tongue at visitors, let alone interrupting his parents with unpleasing remarks and telling lies. It was early observed that he did all these things with a je-ne-scais-quoy and a verve quite different from the manner of his little playmates. When one day he moulded out, flattened and unshaped the waxen nose of a doll of his, it was apparent to all that it had been very skilfully done, and showed a taste for modelling, and the admiration this excited was doubled when it was discovered that he had called the doll "Aunt Garry". He took also to drawing things with a pencil as early as eight years old, and for this talent his father's house was very suitable, for Mrs. Duggleton had nice Louis XV furniture, all white and gold, and a quaint new brown-paper medium on her walls. Colour, oddly enough, little Joseph could not pretend to; but he had a remarkably fine ear, and was often heard, before he was ten years old, singing some set of words or other over and over again very loudly upon the staircase to a few single notes.

It seems incredible, but it is certainly true, that he even composed verses at the age of eleven, wherein "land" and "strand", "more" and "shore" would frequently recur, the latter being commonly associated with England, to which, his beloved country, the intelligent child would add the epithet "old".

He was, a short time after this, discovered playing upon words and would pun upon "rain" and "reign", as also upon "Wales" the country (or rather province, for no patriot would admit a Divided Crown) and "Whales"—the vast Oceanic or Thalassic mammals that swim in Arctic waters.

He asked questions that showed a surprising intelligence and at the same time betrayed a charming simplicity and purity of mind. Thus he would cross-examine upon their recent movements ladies who came to call, proving them very frequently to have lied, for he was puzzled like most children by the duplicity of the gay world. Or again, he would ask guests at the dinner table how old they were and whether they liked his father and mother, and this in a loud and shrill way that provoked at once the attention and amusement of the select coterie (for coterie it was) that gathered beneath his father's roof.

As is so often the case with highly strung natures, he was morbidly sensitive in his self-respect. Upon one occasion he had invented some boyish nickname or other for an elderly matron who was present in his mother's drawing-room, and when that lady most forcibly urged his parent to chastise him he fled to his room and wrote a short note in pencil forgiving his dear mamma her intimacy with his enemies and announcing his determination to put an end to his life. His mother on discovering this note pinned to her chair gave way to very natural alarm and rushed upstairs to her darling, with whom she remonstrated in terms deservedly severe, pointing out the folly and wickedness of self-destruction and urging that such thoughts were unfit for one of his tender years, for he was then barely thirteen.

This incident and many others I could quote made a profound impression upon the Honourable Mr. and Mrs. Duggleton, who, by the time of their son's adolescence, were convinced that Providence had entrusted them with a vessel of no ordinary fineness. They discussed the question of his schooling with the utmost care, and at the age of fifteen sent "little Joseph", as they still affectionately called him, to the care of the Rev. James Filbury, who kept a small but exceedingly expensive school upon the banks of the River Thames.

The three years that he spent at this establishment were among the happiest in the life of his father's private secretary, and are still remembered by many intimate friends of the family.

He was twice upon the point of securing the prize for Biblical studies and did indeed take that for French and arithmetic. Mr. Filbury assured his father that he had the very highest hopes of his career at the University. "Joseph," he wrote, "is a fine, highly tempered spirit, one to whom continual application is difficult, but who is capable of high flights of imagination not often reached by our sturdy English boyhood…. I regret that I cannot see my way to reducing the charge for meat at breakfast. Joseph's health is excellent, and his scholarship, though by no means ripe, shows promise of that …" and so forth.

I have no space to give the letter in full; it betrays in every line the effect this gifted youth had produced upon one well acquainted with the marks of future greatness;—for Mr. Filbury had been the tutor and was still the friend of the Duke of Buxton, the sometime form-master of the present Bishop of Lewes and the cousin of the late Joshua Lambkin of Oxford.

Little Joseph's entry into college life abundantly fulfilled the expectations held of him. The head of his college wrote to his great-aunt (the wife of the Under Secretary of State) "… he has something in him of what men of Old called prophecy and we term genius …", old Dr. Biddlecup the Dean asked the boy to dinner, and afterwards assured his father that little Joseph was the image of William Pitt, whom he falsely pretended to have seen in childhood, and to whom the Duggletons were related through Mrs. Duggleton's grandmother, whose sister had married the first cousin of the Saviour of Europe.

Dr. Biddlecup was an old man and may not have been accurate in his historical pretensions, but the main truth of what he said was certain, for Joseph resembled the great statesman at once in his physical appearance, for he was sallow and had a turned-up nose: in his gifts: in his oratory which was ever remarkable at the social clubs and wines—and alas! in his fondness for port.

Indeed, little Joseph had to pay the price of concentrating in himself the genius of three generations, he suffered more than one of the temptations that assault men of vigorous imagination. He kept late hours, drank—perhaps not always to excess but always over-frequently—and gambled, if not beyond his means, at least with a feverish energy that was ruinous to his health. He fell desperately ill in the fortnight before his schools, but he was granted an aegrotat, a degree equivalent in his case to a First Class in Honours, and he was asked by one or other of the Colleges to compete for a Fellowship; it was, however, given to another candidate.

After this failure he went home, and on his father's advice, attempted political work; but the hurry and noise of an election disgusted him, and it is feared that his cynical and highly epigrammatic speeches were another cause of his defeat.

Sir William Mackle, who had watched the boy with the tenderest interest and listened to his fancied experiences with a father's patience, ordered complete rest and change, and recommended the South of France; he was sent thither with a worthless friend or rather dependent, who permitted the lad to gamble and even to borrow money, and it was this friend to whom Sir William (in his letter to the Honourable Mr. Duggleton acknowledging receipt of his cheque) attributed the tragedy that followed.

"Had he not," wrote the distinguished physician, "permitted our poor Joseph to borrow money of him; had he resolutely refused to drink wine at dinner; had he locked Joseph up in his room every evening at the opening hour of the Casino, we should not have to deplore the loss of one of England's noblest." Nor did the false friend make things easier for the bereaved father by suggesting ere twelve short months had elapsed that the sums Joseph had borrowed of him should be repaid.

Joseph, one fatal night, somewhat heated by wine, had heard a Frenchman say to an Italian at his elbow certain very outrageous things about one Mazzini. The pair were discussing a local bookmaker, but the boy, whose passion for Italian unity is now well known, imagined that the Philosopher and Statesman was in question; he fell into such a passion and attacked these offensive foreigners with such violence as to bring on an attack from which he did not recover: his grave now whitens the hillside of the Monte Resorto (in French Mont-resort).

He left some fifty short poems in the manner of Shelley, Rossetti and Swinburne, and a few in an individual style that would surely have developed with age. These have since been gathered into a volume and go far to prove the truth of his father's despairing cry: "Joseph," the poor man sobbed as he knelt by the insanitary curtained bed on which the body lay, "Joseph would have done for the name of Duggleton in literature what my Uncle did for it in politics."

His portrait may be found in Annals of the Rutlandshire Gentry, a book recently published privately by subscriptions of two guineas, payable to the gentleman who produced that handsome volume.

ON A LOST MANUSCRIPT

If this page does not appal you, nothing will.

If these first words do not fill you with an uneasy presentiment of doom, indeed, indeed you have been hitherto blessed in an ignorance of woe.

It is lost! What is lost? The revelation this page was to afford. The essay which was to have stood here upon page 127 of my book: the noblest of them all.

The words you so eagerly expected, the full exposition which was to have brought you such relief, is not here.

It was lost just after I wrote it. It can never be re-written; it is gone.

Much depended upon it; it would have led you to a great and to a rapidly acquired fortune; but you must not ask for it. You must turn your mind away. It cannot be re-written, and all that can take its place is a sort of dirge for departed and irrecoverable things.

"Lugete o Veneres Cupidinesque," which signifies "Mourn oh! you pleasant people, you spirits that attend the happiness of mankind": "et quantum est hominum venustiorum," which signifies "and you such mortals as are chiefly attached to delightful things." Passer, etc., which signifies my little, careful, tidy bit of writing, mortuus est, is lost. I lost it in a cab.

It was a noble and accomplished thing. Pliny would have loved it who said: "Ea est stomachi mei natura ut nil nisi merum atque totum velit," which signifies "such is the character of my taste that it will tolerate nothing but what is absolute and full." … It is no use grumbling about the Latin. The nature of great disasters calls out for that foundational tongue. They roll as it were (do the great disasters of our time) right down the emptiness of the centuries until they strike the walls of Rome and provoke these sonorous echoes worthy of mighty things.

It was to have stood here instead of this, its poor apologist. It was to have filled these lines, this space, this very page. It is not here. You all know how, coming eagerly to a house to see someone dearly loved, you find in their place on entering a sister or a friend who makes excuses for them; you all know how the mind grows blank at the news and all nature around one shrivels. It is a worse emptiness than to be alone. So it is with me when I consider this as I write it, and then think of That Other which should have taken its place; for what I am writing now is like a little wizened figure dressed in mourning and weeping before a deserted shrine, but That Other which I have lost would have been like an Emperor returned from a triumph and seated upon a throne.

Indeed, indeed it was admirable! If you ask me where I wrote it, it was in Constantine, upon the Rock of Cirta, where the storms come bowling at you from Mount Atlas and where you feel yourself part of the sky. At least it was there in Cirta that I blocked out the thing, for efforts of that magnitude are not completed in one place or day. It was in Cirta that I carved it into form and gave it a general life, upon the 17th of January, 1905, sitting where long ago Massinissa had come riding in through the only gate of the city, sitting his horse without stirrups or bridle. Beside me, as I wrote, an Arab looked carefully at every word and shook his head because he could not understand the language; but the Muses understood and Apollo, which were its authors almost as much as I. How graceful it was and yet how firm! How generous and yet how particular! How easy, how superb, and yet how stuffed with dignity! There ran through it, half-perceived and essential, a sort of broken rhythm that never descended to rhetoric, but seemed to enliven and lift up the order of the words until they were filled with something approaching music; and with all this the meaning was fixed and new, the order lucid, the adjectives choice, the verbs strong, the substantives meaty and full of sap. It combined (if I may say so with modesty) all that Milton desired to achieve, with all that Bacon did in the modelling of English…. And it is gone. It will never be seen or read or known at all. It has utterly disappeared nor is it even preserved in any human memory—no, not in my own.

I kept it for a year, closely filing, polishing, and emending it until one would have thought it final, and even then I continued to develop and to mould it. It grew like a young tree in the corner of a fruitful field and gave an enduring pleasure. It never left me by night or by day; it crossed the Pyrenees with me seven times and the Mediterranean twice. It rode horses with me and was become a part of my habit everywhere. In trying to ford the Sousseyou I held it high out of the water, saving it alone, and once by a camp fire I woke and read it in the mountains before dawn. My companions slept on either side of me. The great brands of pine glowed and gave me light; there was a complete silence in the forest except for the noise of water, and in the midst of such spells I was so entranced by the beauty of the thing that when I had done my reading I took a dead coal from the fire and wrote at the foot of the paper: "There is not a word which the most exuberant could presume to add, nor one which the most fastidious would dare to erase." All that glory has vanished.

I know very well what the cabman did. He looked through the trap-door in the top of the roof to see if I had left anything behind. It was in Vigo Street, at the corner, that the fate struck. He looked and saw a sheet or two of paper—something of no value. He crumpled it up and threw it away, and it joined the company which men have not been thought worthy to know. It went to join Calvus and the dreadful books of the Sibyl, and those charred leaves which were found on the floor where Chatterton lay dead.

I went three times to Scotland Yard, allowing long intervals and torturing myself with hope. Three times my hands thought to hold it, and three times they closed on nothingness. A policeman then told me that cabmen very rarely brought him written things, but rather sticks, gloves, rings, purses, parcels, umbrellas, and the crushed hats of drunken men, not often verse or prose; and I abandoned my quest.

There are some reading this who may think me a trifle too fond and may doubt the great glory to which I testify here. They will remember how singularly the things we no longer possess rise upon the imagination and enlarge themselves, and they will quote that pathetic error whereby the dead become much dearer to us when we can no longer smile into their faces or do them the good we desire. They will suggest (most tenderly) that loss and the enchantment of memory have lent a thought too much of radiance and of harmony to what was certainly a noble creation of the mind, but still human and shot with error.

To such a criticism I cannot reply, I have no longer, alas! the best of replies, the Thing Itself, the Achievement: and not having that I have nothing. I am without weapons. Who shall convince of personality, of beauty, or of holiness, unless they be seen and felt? So it is with letters, and if I am not believed—or even if I am—it is of little moment, for the beloved object is rapt away.

Its matter—if one can say that anything so manifold and exalted had a mere subject—its matter was the effect of the piercing of the Suez Canal upon coastwise trade in the Mediterranean, but it is profane to bring before the general gaze a title which can tell the world nothing of the iridescence and vitality it has lost.

I will not console myself with the uncertain guess that things perished are in some way recoverable beyond the stars, nor hope to see and read again the artistry and the result whose loss I have mourned in these lines; but if, as the wisest men imagine, there is a place of repose for whatever most deserves it among the shades, there either I or others worthier may read what will never be read by living eyes or praised by living lips again. It may be so. But the loss alone is certain.