IN WHICH I WILLINGLY TURN MY FACE WESTWARD “Grow old along with me. The best is yet to be, The last of life, for which the first was made. Our times are in His hand Who saith, ‘A whole I planned, Youth shows but half; trust God, see all, nor be afraid.’” The years cannot go on without destroying the old landmarks, and I am so old-fashioned that change of any kind saddens me. People move away, strangers take their houses, the girls marry, children grow up, and everything is so mutable that sometimes my cheerfulness has a haze to it. I am in a mood of retrospection to-night. I am living over the past and knitting up the ravelled ends. Dear Rachel! I am thankful that she and Percival continue so happy. It is Both Percival and Rachel are becoming very generally recognized now. People are discovering how wonderfully clever their work is, and they share themselves with the public, although it is a sacrifice every time they do so. Rachel’s rather turbulent cleverness has softened down. She says it is because it is “billowed in another greater and gentler sort.” She looks at me rather wistfully sometimes. I know what she thinks, but she does not bore me with questions. I wonder if she thinks I regret anything. Unless I consider that the Percivals have redeemed the record I am keeping, there is nothing especially tempting in the marriages I am watching. I cannot think that they are any happier than I am. “I’m glad I’m shallow,” she said to me once. “Shallow hearts do not ache long. If I had a deep nature I should go mad or turn into a saint. As it is, I wear the scars.” Once, when I went with her to Rachel’s, she sat and looked around the simple, inexpensive house, with the walls all lined with books and no room too good to live in every day, and she said, “This is the prettiest home I ever was in in my life, and there is not a lace curtain in the house!” We laughed—everybody laughs at Sallie—and Rachel said gently, “We don’t need them.” Sallie looked up quickly and took in the full significance of the words, as she answered in the same tone, “No, you do not, but I do.” And each woman had told her heart history. Now, Sallie said she went home and hated every room in her house separately and specifically; then she had a good cry over “the perfectness of the Percivals,” and issued invitations to a masked ball. “That ball was full of significance, Ruth,” she told me afterwards with her most whimsically knowing look. “It was bristling with it. But nobody thought of it except a certain little goose I know named Sara Cox Osborne.” Jack Whitehouse and Pet Winterbotham are married. They had the most beautiful wedding I ever saw; but it was like watching the babes in the wood, for they are such a young-looking pair. I understand better now what Pet meant when she talked about Jack’s appearance so much. I think he expressed to her the idea of perpetual youth and eternal spring-time. To me, too, it seems as if he ought always to be yachting in blue and white, or lying at full length on the grass at some girl’s feet. And Pet herself makes an admirable It is too soon to judge them finally. Norris Whitehouse’s nephew will outgrow the ball-room, and Pet will find in Louise an incentive to grow womanly. The Asburys have built a fine house since Alice’s father died, and go about a great deal, but seldom together. Asbury lives at the club, and Alice has her mother with her. Alice has embraced Theosophy and spells her name “Alys.” She always is interested in something new and advanced, and whenever I meet her I am prepared to go into ecstasies over a plan to save men’s souls by electricity, or something equally speedy in the moral line. She is daft on spiritual rapid transit. She does these things because she is a disappointed, clever, ambitious woman, who would have made a noble character What would have been the result if Alice had taken as her creed: “The situation that has not its duty, its ideals, was never yet occupied by man. Yes, here in this poor, miserable, hampered, despicable Actual, wherein thou even now standest, here or nowhere is thy Ideal; work it out therefrom, and working, live, be free. Fool! the Ideal is in thyself; thy condition is but the stuff thou art to shape that same ideal out of; what matters whether such stuff be of this sort or that, so the form thou give it be heroic, be poetic? Oh, thou that pinest in the imprisonment of the Actual and criest bitterly to the gods for a kingdom wherein to rule and create, know this of a truth: the thing thou seekest is already with thee, ‘here or nowhere,’ couldst thou only see”? Ah, well, she could not. She still is crying to the gods and spelling her name “Alys.” Her cleverness must have an outlet, and, with worse than no husband to lavish it upon, she scatters it to the four winds May Brandt has bitten into her apples of Sodom, and the taste of ashes is bitter indeed to her. She knows now that Brandt never loved her, and did love Alice. I do not know whether she thinks he still cares for Alice or not. May never had much beauty to lose, but she looks worn and unhappy, and watches Alice with a degree of feeling which would appear vulgar to me if I did not know just how miserable she is. She is hopelessly plain now, and Alice is still like a tall, stately lily. Brandt devours her with his eyes, but Alice makes him keep his distance. Sallie Cox has been diplomatic and harmless enough to make Alice forgive her, and they are quite good friends; but Alice is magnificent in her scorn of Brandt’s wife, who almost cowers in her presence. Poor May! I wish I could take that look of suffering from her little pinched, three-cornered face for just one hour. But how could I? How could anybody who knew all about it? She does not understand Alice in all her It is a fortunate thing for some people’s chances for a future life that there are a reasonable number of consciences distributed through the world, although it would be an Old Maid’s suggestion that sometimes they be allowed to drive instead of being used as a liveried tiger—for ornament and always behind. It is a great pity that people who are supplied with them—and well-cultivated consciences too—have not the courage to live up to them, but allow themselves to be gently and feebly miserable all their lives. Louise Whitehouse is coming home soon. Her year abroad has lengthened into several years, and they have been the most beautiful of her life, she writes. “Living with a song in one’s life may be the sweetest while it lasts and before one thinks; but to live by a psalm is to find life infinitely more beautiful and worthier. I never can be thankful enough that my life was taken out of my hands at the time when I clung to it most blindly, and ordered anew by One stronger and wiser than I.” Tears come to my eyes whenever I think of this girl. I do not quite know why, unless it is that there always is something I have been at great pains to have Charlie Hardy realize how happy Louise is, but his conscience still troubles him at times. He says he knows he did the right thing for every one concerned, but he dislikes the idea of himself in so disagreeable a rÔle; and Louise’s opinion of him now, after the one she did have, is a constant humiliation to him. Women always have admired him, and he objects very strongly to any exception to the rule. I think he misses the mental ozone which he found in Louise. I often wonder if men who have loved superior women and married average ones do not have occasional wonderings and yearnings over lost “might have beens.” The Mayos still live in the brown house, which has been enlarged and greatly beautified recently. I have an enthusiastic friendship with the children, who are growing into slim slips of girls and sturdy, clear-eyed boys, and their house is still a home. Frank’s Bronson does not stand as straight as he did when I first knew him. Rachel says he has “a scholarly stoop.” But she knows, and I know, that something besides law-books and parchment has taken the elasticity out of his step. Many years have gone by since I became an Old Maid. I want to call my Alter Ego’s attention to this fact gently but firmly, because I have an idea that she still considers herself “only thirty,” and that she thinks she has just begun to be an Old Maid. I have no worries which I do not borrow from my married friends. I keep up with the fashions; my clothes fit me; my fingers still come to the ends of my gloves; I feel no leaning towards all-over cloth shoes; I have not gone permanently into bonnets. I have tried to be a pleasant Old Maid, and my reward is that my friends make me feel as if they liked to have me about. I am not made to feel that I am passÉ. One’s clothes and one’s feelings are all that ever make one passÉ. Nevertheless, I have turned my face resolutely towards the setting sun. I am resting now. I have given up struggling against the inevitable. That is a privilege and an attribute of youth. I feel as though I were “’Tis greatly wise to talk with our past hours, And ask them what report they bore to Heaven, And how they might have borne more welcome news.” Yet there is a sadness in looking back. I see the many lost opportunities lifting to me their wistful faces, and dumbly pleading with me to accept them and their promises; yet I carelessly passed them by. I see worse. I see the rents in the hedge, where I forced my wilful way into forbidden fields, and only regained my path after weary “Time has laid his hand Upon my heart gently; not smiting it, But as a harper lays his open palm Upon his harp to deaden its vibrations.” And so I am looking forward to-night to an old age more peaceful, less turbulent, than my youth has been. I reach forward gladly, too, for life holds much that is sweet to old age, which youth can in no wise comprehend. Possibly this is one reason why youth is so anxious to concentrate enjoyment. But I am tired of concentration. There is a wear and tear about it which precludes the possibility of pleasure. I want THE END |