A Note on Dress.—Dress is mutable, who denies it? but still old fashions are retained to a far greater extent than one would at first imagine. The Thames watermen rejoice in the dress of Elizabeth: while the royal beefeaters (buffetiers) wear that of private soldiers of the time of Henry VII.; the blue-coat boy, the costume of a London citizen of the reign of Edward VI.; the London charity-school girls, the plain mob cap and long gloves of the time of Queen Anne. In the brass badge of the cabmen, we see a retention of the dress of Elizabethan retainers: while the shoulder-knots that once decked an officer now adorn a footman. The attire of the sailor of William III.'s era is now seen amongst our fishermen. The university dress is as old as the age of the Smithfield martyrs. The linen bands of the pulpit and the bar are abridgments of the falling collar. Other costumes are found lurking in provinces, and amongst some trades. The butchers' blue is the uniform of a guild. The quaint little head-dress of the market women of Kingswood, Gloucestershire, is in fact the gipsy hat of George II. Scarlet has been the colour of soldiers' uniform from the time of the Lacedemonians. The blue of the army we derived from the Puritans; of the navy from the colours of a mistress of George I. Curious Omen at Marriage.—In Miss Benger's Memoirs of Elizabeth, Queen of Bohemia, it is mentioned that,—
In a note, Echard is alluded to as the authority for this singular circumstance. Can any of your readers explain why such a coruscation of joy upon a wedding day should forebode evil? or whether any other instances are on record of its so doing? Ventriloquist Hoax (Vol. ii., p. 101.).—The following is extracted from Admirable Curiosities, Rarities, and Wonders in England, Scotland, and Ireland, by R.B., Author of the History of the Wars of England, &c., Remarks of London, &c., 12mo., 1684, p. 137. It may serve as a pendant to the ventriloquist hoax mentioned by C.H., Vol. ii., p. 101.:—
Barker, the original Panorama Painter.—Mr. Cunningham, at p. 376. of his admirable Handbook of London, says that Robert Barker, who originated the Panorama in Leicester Square, died in 1806. Now, Barker, who preceded Burford, and eventually, I think, entered into partnership with him, married a friend of my family, a daughter of the Admiral Bligh against whom had been the mutiny in the Bounty. I remember Mr. Barker, and his house in Surrey Square, or some small square on the Surrey side of London Bridge; also its wooden rotunda for painting in; and this, too, at the time when the picture of Spitzbergen was in progress If there have not been two Messrs. Barker connected with the Panorama, Mr. Cunningham must be incorrect in his date, for I was not in existence in 1806. Ecclesfield. |