Quotations wanted.—I shall be greatly obliged to any of the correspondents of your most interesting and useful publication who will kindly inform me in what authors the following passages are to be found, and will, if it can be done without too much trouble, give me the references necessary for tracing them:— "Par un peu de sang bien rÉpandu, L'on en Épargne beaucoup." And "Quadrijugis invectus equis Sol aureus extat, Cui septem veriis circumdant vestibus HorÆ: Lucifer antesolat: rapidi fuge lampada Solis, Aurora, umbrarum victrix, neo victa recedas." The latter I have only seen subjoined to a print of Guido's celebrated Aurora, at Rome; and I should have supposed it might have been written for the occasion, had I not been told, upon authority in which I put confidence, that it is to be found in some classic author. If so, the lines may possibly have given rise to the painting, and not the painting to the lines. Yarmouth, October 28. 1850. Avidius Varus.—Can you, or any of your readers, tell me who Avidius Varus was, referred to in the following passage: "Sed Avidii Vari illud hic valeat: 'Aut hoc quod produxi testium satis est, aut nihil satis.'" I find reference made to him as above, in one of the Smith manuscripts; but I cannot discover his name in any catalogue or biographical dictionary. Is he known by any other name? Death of Richard II.—By what authority has the belief that Richard II. died in Pontefract Castle, in Yorkshire, arisen? Every history that I have consulted (with the exception, indeed, of Lord Lyttleton's) coolly assumes it as a fact, in the teeth of the contemporary Froissart, who says plainly enough—
It is barely possible that our modern historians may have been misled by Shakspeare, who makes Pontefract the scene of his death. Another circumstance which militates against the received story, is the fact that all historians, I believe, agree that his dead body was conveyed to burial from the Tower of London. Now, it seems odd, to say the least, that if he really died at Pontefract, and his corpse was removed to London, that no one mentions this removal—that Froissart had not heard of it, although, from the nature of the country, the want of good roads, &c., the funeral convoy must have been several days upon the road. Can any one give me any information upon this question? I may just say that, of course, no reliance can be placed on the fact of the "very identical tower" in which the deposed king died being shown at Pontefract. Sir W. Herschel's Observations and Writings.—Will you permit me to propose the following Queries in your excellent paper. 1. I have a note to the following effect, but it is without date or reference. The late Sir W. Herschel, during an examination of the heavens in which he was observing stars that have a proper motion, saw one of the 7.8 magnitude near the 17th star 12 hour of Piazzi's Catalogue, and noted the approximate distance between them; on the third night after, he saw it again, when it had advanced a good deal, having gone farther to the eastward, and towards the equator. Bad weather, and the advancing twilight, prevented Sir William's getting another observation. Meantime the estimated movement in three days was 10 in right ascension, and about a minute, or rather less, towards the north. "So slow a motion," he says, 2. Have Sir W. Herschel's contributions to the Philosophical Transactions ever been published in a separate form? and if so, where they can be obtained? Swearing by Swans.—
What authority is there for this statement respecting the swans? What was the origin and significance of the usage to which allusion is here made? Winchester. Automachia.—I am the possessor of a little book, some 2½ inches long by 1½ wide, bound in green velvet, entitled Automachia, or the Self-conflict of a Christian, and dedicated
The book commences with an anagram on the lady's name: "Add but an A to Romanize your name Another Pallas is your anagram, Videlicet Maria Nevila Alia Minerva." And then follow some "Stanzes Dedicatory," subscribed—
On the last page is—
The Automachia is a poem of 188 lines, in heroic metre, and is followed by a shorter poem, entitled "A Comfortable Exhortation to the Christian in his Self-conflict." Do any of your correspondents know of the existence or authorship of this little work? It is not in the British Museum, nor could the curators of the library there, to whom it was shown, make out anything about it. The discovery of its authorship might tend to throw some light on that of "The Pedlar's Song," attributed to Shakspeare, and appearing in Vol. i., p. 23. of "Notes and Queries." The song contains the line— "Such is the sacred hunger for gold." And in the Automachia I find the "auri sacra fames" described as— "Midas' desire, the miser's only trust, The sacred hunger of Pactolian dust." Poa cynosuwides.—Poa cynosuwides, the sacred grass of India, is mentioned in Persoon's Synopsis, as also an Egyptian plant: does it appear on the Egyptian monuments? Theophrastus, quoted in the PrÆparatio Evangelica of Eusebius, mentions the use of a certain p?a in the ancient sacrifices of Egypt. Vineyards.—Besides those at Bury St. Edmonds and Halfield, are there any other pieces of land bearing this name? and if so, when were they disused for their original purpose? Martin, Cockerell, and Hopkins Families.—Can any one give information respecting the families of Martin, Cockerell, and Hopkins, in or near Wivenhoe, Essex? Camden's Poem on Marriage of the Thames and Isis.—I should esteem it a favour if any reader of the "Notes and Queries" would inform me where I can find a Latin poem of Camden's on the "Marriage of the Thames with the Isis." In his work styled Britannia (which was enlarged by Richard Gough, in 3 vols., fol. Lond. 1789), in vol. i. p. 169., under Surrey, Camden himself quotes two passages; and in vol. ii., under Middlesex, p. 2., one passage, from the above-mentioned poem. I have in vain made many endeavours to find the entire poem. I have examined the original work, as well as all the translations of Britannia, sive Florentissimorum Regnorum AngliÆ, etc., chorographica descriptio; Gulielmo Camdeno, authore, Londini, 1607, folio. All these contain the quotations I have specified, but no more, and I am anxious to see the whole of the poem. National Airs of England.—Among the national gleanings which are sent to your journal, I have not seen any that relate to the traditional music of England. We allow our airs to be stolen on all sides, and, had not Mr. Chappell acted the part of a detective, might never have recovered our own property. Ireland has taken "My Lodging is on the cold Ground" and "The Girls we leave behind us," while Scotland has laid claim to all her own at least, and Germany is laying violent hands on "God save the Queen." Under these circumstances, would it not be a good thing, for those who have the power, to communicate the simple air of any song which appears native to our country, together with the words? I fancy that in this way we should gain many hints, besides musical ones, highly interesting to your readers. P.S. It has struck me that the origin of the word mass may be found in the custom, referred to in an early number of "Notes and Queries," of messing persons together at dinner in former times. Poor Pillgarlick.—Whence comes the expression, "Poor Pilgarlick," and how should the words be spelt? Exeter. Inscription on a Portrait.—Can any of your correspondents explain the meaning of the following inscription:— io par. pla vx placed at the top left-hand corner of an old portrait in my possession, supposed to be that of Philip II. of Spain? Burton's Parliamentary Diary.—The sale of clergymen for slaves is alluded to in vol. iv. of Burton's Diary. This has received elucidation at p. 253. of your present volume. Tobacconists.—At p. 320, vol. i., of Burton's Parliamentary Diary it is stated, that
What and who were the persons designated as tobacconists? "The Owl is abroad."—On what ground is the fine base song, "The Owl is abroad," attributed to Henry Purcell? Dr. Clarke has done so in his well-known selections from Purcell's works; and Mr. G. Hogarth, in his Memoirs of the Musical Drama, speaking of Purcell's Tempest, says:
Is it not really the property of John Christopher Smith, the friend of Handel? Amongst the few books of printed music in the British Museum Catalogue is The Tempest, an Opera, composed by Mr. Smith, in which is the base song in question. On the other hand, I do not find it in Purcell's Tempest. If, as I imagine, it belongs to Mr. Smith, it seems peculiarly hard that the credit of the composition should be taken from him, to be given to one who stands in no need of it. Scandal against Queen Elizabeth.—The following note occurs in vol. iv. p. 135. of Burton's Parliamentary Diary:—
Is this rumour any where else alluded to? and if so, upon what foundation? Letters of Horning.—What is the meaning of "letters of horning," a term occasionally, though rarely, met with in documents drawn up by notaries? And, À propos, why should "notaries public," with regard to the noun and adjective, continue to place the cart before the horse? Cromwell Poisoned.—At p. 516. vol. ii. of Burton's Parliamentary Diary it is stated, in a note upon the death of Oliver Cromwell, that his body exhibited certain appearances "owing to the disease of which the Protector died, which, by the by, appeared to be that of poison." The words, "Prestwich's MS." are attached to this note. Is there any other authority for this statement? |