(Vol. ix., pp. 392. 547.) I thank G. W. R. for his courteous remarks on my note on Cranmer. Perhaps I have overstated the effect of pain on the nervous system; certainly I was wrong in making a wider assertion than was required by my case, which is, that no man could hold his hand over unconfined flame till it was "entirely consumed" or "burnt to a coal." "BruslÉe À feu de souphre" does not go so far as that, nor is it said at what time of the burning Ravaillac raised his head to look at his hand. J. H. has mistaken my intention. I have always carefully avoided everything which tended to religious or moral controversy in "N. & Q." I treated Cranmer's case on physiological grounds only. I did not look for "cotemporaneous evidence against that usually received," any more than I should for such evidence that St. Denis did not walk from Paris to Montmartre with his head in his hand. If either case is called a miracle, I have nothing to say upon it here; and for the same reason that I avoid such discussion, I add, that in not noticing J. H.'s opinions on Cranmer, I must not be understood as assenting to or differing from them. J. H. says:
If favoured with one such fact, I will do my best to inquire into it. None such has fallen within my observation or reading. The heart remaining "entire and unconsumed among the ashes," is a minor point. It does not seem impossible to J. H., "in its plain and obvious meaning." Do the words admit two meanings? Burnet says:
U. U. Club. Permit me to offer to H. B. C.'s consideration the case of Mutius ScÆvola, who, failing in his attempt to kill Porsenna in his own camp, and being taken before the king, thrust his right hand into the fire, and held it there until burnt; at the same time declaring that he knew three hundred men who would not flinch from doing the same thing. To a certain extent, I am inclined to think with Alfred Gatty (Vol. ix., p. 246.), "that an exalted state of feeling may be attained;" which, though it will not render the religious or political martyr insensible to pain, it will yet nerve him to go through his martyrdom without demonstration of extreme suffering. This ability to endure pain may be accounted for in either of the following ways: 1. An exalted state of feeling; instance Joan of Arc. 2. Fortitude; instance Mutius ScÆvola. 3. Nervous insensibility; which carries the vanquished American Indian through the most exquisite tortures, and enables him to fall asleep on the least respite of his agony. Should these three be united in one individual, it is needless to say that he could undergo any bodily pain without a murmur. COLERIDGE'S UNPUBLISHED MANUSCRIPTS.(Vol. ix., pp. 496. 543.) Every admirer of Coleridge's writings must feel, as I do, grateful to Mr. Green for the detailed account he has rendered of the manuscripts committed to his care. A few points, however, in his reply call for a rejoinder on my part. I will be as brief as possible. I never doubted for an instant that, had I "sought a private explanation of the matters" comprised in my Note, Mr. Green would have courteously responded to the application. This is just what I did not want: a public explanation was what I desired. "N. & Q." (Vol. iv., p. 411.; Vol. vi., p. 533.; Vol. viii., p. 43.) will bear witness to the fact that the public required to know the reason why works of Coleridge, presumed to exist in manuscript, were still withheld from publication: and I utterly deny the justice of Mr. Green's allegation, that because I have explicitly stated the charge implied by Mr. Alsop (the editor of Letters, Conversations, and Recollections of Coleridge) in his strictures, I have made an inconsiderate, not to say a coarse, attack upon him (Mr. Green). When a long series of appeals to the fortunate possessor of the Coleridge manuscripts (whoever he might turn out to be) had been met with silent indifference, I felt that the time was come to address an appeal personally to Mr. Green himself. That he has acted with the approbation of Coleridge's family, nobody can doubt; for the public (thanks to Mr. Alsop) know too well how little the greatest of modern philosophers was indebted to that family in his lifetime, to attach much importance to their approbation or disapprobation. No believer in the philosophy of Coleridge can look with greater anxiety than I do for the forthcoming work of Mr. Green. That the pupil of Coleridge, and the author of Vital Dynamics, will worthily acquit himself in this great field, who can question? But I, for one, must enter my protest against the publication of Mr. Green's book being made the pretext of depriving the public of their right (may I say?) to the perusal of such works as do exist in manuscript, finished or unfinished. Again I beg most respectfully to urge on Mr. Green the expediency, not to say paramount duty, of his giving to the world intact the Logic (consisting of the Canon and other parts), the Cosmogony, and, as far as possible, the History of Philosophy. If his plea, that these works are not in a finished state, had been heretofore held good in bar of publication, we should probably have lost the inestimable privilege of reading and possessing those fragmentary works of the great philosopher which have already been made public. Birmingham. LIFE.(Vol. vii., pp. 429. 560. 608.; Vol. viii., pp. 43. 550.) Your correspondent H. C. K. (Vol. vii., 560.) quotes a passage from Sir Thomas Browne's Religio Medici, sect. xlii. The following passage from the same writer's Christian Morals is much more to the point:
"Looking back we see the dreadful train Of woes anew, which, were we to sustain, We should refuse to tread the path again." Prior's Solomon, b. iii. The crown is won by the cross, the victor's wreath in the battle of life:
Our grade in the other world is determined by our probation here. To use a simile of Asgill's, this life of time is a university in which we take our degree for eternity. Heaven is a pyramid, or ever-ascending scale; the world of evil is an inverted pyramid, or ever-descending scale. Life is motion. There is no such thing as stagnation: everything is either advancing or retrograding. Corruption itself is an activity, and evil is ever growing. According to the habits formed within us, we are ascending or descending; we cannot stand still. A man, then, in whom the higher life predominates, were he to live life over again, would The testimony of the Shunamite's son, Lazarus, and of those who rose from the dead at the crucifixion, is not recorded; but they who have escaped from the jaws of death, by recovery from sickness or preservation from danger, may in a certain sense be said to live life over again. After the fright is over the warning in most cases loses its influence, and we have a verification of the two proverbs, "Out of sight out of mind," and— "The devil was sick, the devil a monk would be; The devil was well, the devil a monk would he." In a word, this experiment of a second life would best succeed with him whose habits are formed for good, and whose life is already overshadowed by the divine life. Even of such an one it might be said, "Man is frail, the battle is sore, and the flesh is weak; even a good man may fall and become a castaway." The most unceasing circumspection is ever requisite. The most polished steel rusts in this corrosive atmosphere, and purest metals get discoloured. Finally, it is very probable that God gives every man a complete probation; that is to say, He cuts not man's thread of life till he be at the same side of the line he should be were he to live myriads of years. Every man is made up of a mixture of good and evil: these two principles never become soluble together, but ever tend each to eliminate the other. They hurry on in circles, alternately intersecting and gaining the ascendancy, till one is at last precipitated to the bottom, and pure good or evil remains. In the nature of things there are critical moments and tides of circumstances which become turning-points when time merges into eternity and mutability into permanence: and such a crisis may occur in the course of a short life as well as in many lives lived over again. "A field of battle is this mortal life!" Young, N. viii. See a recent novel by Frederick Souillet, entitled Si Jeunesse savait, Si Vieillesse pouvait. Life and Death (Vol. ix., p. 481.).—The following is on a monument at Lowestoft, co. Suffolk, to the memory of John, son of John and Anne Wilde, who died February 9, 1714, aged five years and six months: "Quem Dii amant moritur Juvenis." The following may be added to the parallel passages collected by Eirionnach. Chateaubriand says, in his Memoirs, that the greatest misfortune which can happen to a man is to be born, and the next greatest is to have a child. As Chateaubriand had no children, the most natural comment on the last branch of his remark is "sour grapes." Philadelphia. INSCRIPTIONS ON BELLS.(Vol. ix., p. 109.) St. Nicholas Church, Sidmouth.—Having, on October 21, 1850, taken intaglios in pressing-wax of the inscription forwarded by Mr. Gordon, from which plaster casts were made, the writer is able to speak of it with some degree of confidence. The inscription, however, is not peculiar to Sidmouth: it is found at other places in the county of Devon, and perhaps elsewhere. In Harvey's Sidmouth Directory for March, 1851, there is an article descriptive of all the six bells at this place, in which there is a fac-simile, engraved on wood, of the inscription in question. The words run all round the bell; and each word is placed on a cartouche. The Rev. Dr. Oliver of Exeter, in his communication to the writer on this subject, calls the bell the "Jesus Bell." The Directory observes:
Dr. Oliver to the writer says:
The ihc (black-letter) stands thus: ihc. The Directory, on this abbreviated word, remarks,—
This fourth bell is the oldest in the tower. The third, dated 1667, has quite a modern appearance as compared with it. The second, fifth, and sixth are all dated 1708, and the first, or smallest, was added in 1824. Sidmouth. An appropriate inscription is to be found on the bell of St. John's Cathedral in this colony, date London, 1845. It is in the words of St. Paul's mission, Acts xxii. 21.: "I will send thee far hence unto the Gentiles." Hong Kong. Here is a modern achievement in this kind of literature. It exists on one of the eight bells belonging to the church tower of Pilton, Devon: "Recast by John Taylor and Son, Who the best prize for church bells won At the Great Ex-hi-bi-ti-on In London, 1—8—5 and 1." I continue (from Vol. viii., p. 248.) my Notes of inscriptions on bells. Mathon, Worcestershire. A peal of six bells: 1. "Peace and good neighbourhood." 2. "Glory to God." 3. "Fear God and honour the King." 4. "God preserve our Church and State." 5. "Prosperity to the town." 6. "The living to the church I call, 6. "And to the grave do summon all." Bromsgrove, Worcestershire. Ten bells; the inscriptions on two are as follows, the rest merely bearing the names of churchwardens, &c.: 5. "God prosper the parish. A. R. 1701." 10. "I to the church the living call, 10. "And to the grave do summon all. 1773." The latter seems to be a favourite inscription. The Rev. W. S. Simpson mentions it (Vol. viii., p. 448.) on a bell in one of the Oxfordshire churches. Fotheringay, Northamptonshire. Four bells: 1. "Thomas Norris made me. 1634." 2. "Domini laudem, 1614, non verbo sed voce resonabo." The two others respectively bear the dates 1609, 1595, with the initials of the rector and churchwarden, and (on the fourth bell) the words "Praise God." On a recent visit to this church I copied the following inscription from a bell, which, being cracked, is no longer used, and is now placed within the nave of the church. This bell is not mentioned by Archdeacon Bonney in his Historic Notices of Fotheringay, though he gives the inscriptions on the four others.
The inscription is in Lombardic characters. Mr. Simpson notes the same at Girton, Cambridgeshire (Vol. viii., p. 108.). Godmanchester, Hunts. Eight bells: 1. "Thomas Osborn, Downham, fecit, 1794. 1. "Intactum sillo. Percute dulce cano."
8. "Rev. Castel Sherard, rector; Jno. Martin, Robert Waller, bailiffs; John Scott, Richard Mills, churchwardens; T. Osborn fecit. 1794." Morborne, Hunts. Two bells: 1. "Cum voco ad ecclesiam, venite." 2. "Henry Penn fusore. 1712." Stilton, Hunts. Two bells: 1. "Thomas Norris made me. 1689." At Bedale, in Yorkshire, is a bell weighing by estimation twenty-six hundredweight, which is probably of the same date, or nearly so, as the Dyrham bell. It measures four feet two inches and a half across the lip, and has the following inscription round the crown:
the commencement of which I do not understand. There are five smaller bells belonging to the peal at Bedale, and a prayer bell. They bear inscriptions in the following order: The prayer bell: "Voco. Veni. Precare. 1713." "Voco. Veni. Precare. 1S.S. The first, or lightest of the peal:
Jno Pullein, churchwarden." The second: "Iesus be ovr speed. P. S., T. W., H. S., I. W., M. W. 1664." The third: "Deo Gloria pxa Hominibus. 1627." The fourth: "Jesus be our speed. 1625." The fifth: "Soli Deo Gloria Pax Hominibus. 1631." The letters P. S., on the second bell, are the initials of Dr. Peter Samwaies, who died April 5, 1693, having been thirty-one years rector of Bedale. On the fly-leaf of one of the later registers at Hornby, near Bedale, is written the following memorandum:
Charwelton Church, Northants: 1. Broken to pieces: some fragments in the vestry. On one piece, "Ave Maria." 2. "Jesus Nazarenus rex Judeorum fili Dei miserere mei. 1630." 3. appears a collection of Saxon letters put together without connexion. 4. "Nunquam ad preces cupies ire, 4. "Cum sono si non vis venire. 1630." Heyford Church, Northants: 1. "God saue the King. 1638." 2. "Cum cum Praie. 1601." 3. "Henry Penn made me. 1704. 3. "John Paine, Thmoas [sic] Middleton, churchwardens." 4. "Thomas Morgan, Esquier, gave me 4. "To the Church of Heford, frank and free. 1601." With coat of arms of the Morgans on the side. Floore Church, Northants: 1. "Russell of Wooton, near Bedford, made me. 1743. 1. "James Phillips, Thomas Clark, churchwardens." 2. "Cantate Domino cantum novum. 1679." 3. "Henry Bagley made mee. 1679." 4. "Matthew Bagley made mee. 1679." 5. "John Phillips and Robert Bullocke, churchwardens. 1679." 6. "To the church the living call, 6. "And to the grave do summonds [sic] all. 6. "Russell of Wooton made me, 6. "In seventeen hundred and forty-three." Three coins inserted round the top. Slapton Church, Northants: 1. [The Sancte bell] "Richard de Wambis me fesit" [sic]. 2. "Xpe audi nos." 3. "Ultima sum trina campana vocor Katerina." All in Saxon letters. No dates. Inscription cut on the frame of Slapton bells: "BE . IT . KNO WEN . UN TO . ALL . TH IS . SAME . TH AT . THOMAS COWPER . OF WOODEND . MADE . THIS . FRAME. 1634." Hellidon Church, Northants: 1. "God save the King. 1635." 2. "Ihs Nazarenus rex JudÆorum fili Dei miserere mei. 1635." 3. "Celorum Christe platiat [sic] tibi rex sonus iste. 1615." 4. Same as 2. Dodford Church, Northants: 1. "Matthew Bagley made me. 1679." 2. "Campana gravida peperit filias. 1674." 3. "Ihs Nazarenus [&c., as before]. 1632." 4. "Ex Dono Johannis Wyrley Armiger. 1614." And five coins round the lip. 5. Inscription same as 3. Date 1626. 6. DittodittoDate 1624. Wappenham Church, Northants: 1. "Henry Bagley made me. 1664." 2. "R. T. 1518. +" 3. "Praise the Lord. 1599." 4. "GOD SAVE KING JAMES. R. A. 1610." Three coins on lip and bell-founder's arms. The Sancte bell was recast in 1842, and hangs now in the north window of belfry. Brackley, St. Peter's Church, Northants: 1. "Jesus Nazarenus [&c., as before]. 1628." 2. "God save the King. 1628." 3. Same as 1. 4. "Celorum Christe platiat [sic] tibi rex sonus iste. 1628."
Dunton Church, Leicestershire: 1. "Ihs Nazarenus [&c., as before]. 1619." 2. "Be it knone to all that doth me see, 1. "That Clay of Leicester made me. 1. "Nick. Harald and John More, churchwardens. 1711." 3. Same as 1. Date 1621. Leire Church, Leicestershire: 1. "Jesus be oure good speed. 1654." 2. "Henricus Bagley fecit. 1675." 3. "Recast A.D. 1755, John Sleath, C.W.; 3. "Thos Eyre de Kettering fecit." Frolesworth Church, Leicestershire: 1. "Jesus Nazarenus [&c., as before]. 1635." 2. In Old English characters (no date): 2. "Dum Rosa precata mundi Maria vocata." 3. Same as 1. The legend noted from a bell at Sidmouth (Vol. ix., p. 109.), namely,— "Est michi collatum Ihc istud nomen amatum," is not an unusual inscription on mediÆval black-letter bells, if I may use the expression. The characters are small. It is on two bells at Teignmouth, and is on one of the bells in this tower: 1. "+ Voce mea viva depello cuncta nociva." 2. "+ Est michi collatum Ihc istud nomen amatum." 3. "Embrace trew museck." A correspondent, Mr. W. S. Simpson (Vol. viii., p. 448.), asks the date of the earliest known examples of bells. Dates on mediÆval bells are, I believe, very rare in England. I have but few notes of any. My impression is that such bells are as old as the towers which contain them, judging from the character of the letter, the wear and tear of the iron work, aye, of the bell itself. Many old bells have been recast, and on such there is often a record of the date of its prototype. For instance, at St. Peter's, Exeter: "Ex dono Petri Courtenay," &c., "1484;" "renovat," &c., "1676." At Chester-le-Street: "Thomas Langley dedit," &c., "1409;" "refounded," &c., "1665." I will add two or three with dates. Bruton, Somerset: "Est Stephanus primus lapidatus gracia plenus. 1528." At St. Alkmond's, Derby: "Ut tuba sic resono, ad templa venite pii. 1586." At Lympey Stoke, Somerset: "W. P., I. A. F. 1596." Hexham. Old bells taken down 1742: 1. "Ad primos cantus pulsat nos Rex gloriosus." 2. "Et cantare ... faciet nos vox Nicholai." 3. "Est nobis digna Katerine vox benigna." 4. "Omnibus in Annis est vox Deo grata Johannis. A.D. MCCCCIIII." 5. "Andrea mi care Johanne consociare. A.D. MCCCCIIII." 6. "Est mea vox orata dum sim Maria vocata. A.D. MCCCCIIII." Any earlier dates would be acceptable. On the Continent bells are usually dated. I will extract, from Roccha De Campanis, those at St. Peter's at Rome. The great bell: "In nomine Domini, Matris, Petriq., Pauliq. Accipe devotum, parvum licet, accipe munus, Quod tibi Christe datu Petri, Pauliq. triuphum, Explicat, et nostram petit, populiq. salutem Ipsorum pietate dari, meritisq. refundi Et verbum caro factum est. Anno milleno trecento cum quinquageno Additis et tribus Septembris mense colatur; Ponderat et millia decies septiesq. librarum." 2. "In nomine Patris, et Filii, et Spiritus Sancti. Ame. Ad honorem Dei, et BeatÆ MariÆ Virginis, Et Beatorum Apostolorum Petri et Pauli, Verbum Caro factum est, Solve jubente Deo terraru Petre cathenas, qui facis, Ut pateant coelestia Regna beatis,
Post consumptionem ignito fulgure, anno precedente imminente, fusa est, anno Domini MCCCLIII. Mense Junii, et ponderat hÆc MX et centena librarum. Amen." 3. "Nomine Dominico Patris, prolisq. spirati Ordine tertiam Petri primÆ succedere noscant. Per dies paucos quotquot sub nomine dicto Sanctam Ecclesiam colunt in agmine trino. Amen."
On a small bell: "Mentem Sanctam Spontaneam, honorem Deo, Et Patris liberationem. Ave Maria gratia plena Dominus tecum; Benedicta tu in mulieribus Et benedictus fructus ventris tui." In the Church of St. John Lateran was a bell with a mutilated inscription; but the date is plain, 1389. The name of Boniface IX. is on it, who was Sum. Pont. in that year. In the Church of St. MariÆ Majoris were two bells dated anno Dom. 1285; and another 1291. In the Church of the Jesuits was a bell with this inscription, brought from England: "Facta fuit A. Dom. 1400, Die vi Mesis Septebris. Sancta Barbara, ora pro nobis." Roccha, who published his Commentary 1612, says:
So that it would appear that the practice of inscribing dates on bells was usual on the Continent, though for some reason or other it did not generally obtain in England till after the Reformation. I have a Note of another foreign bell or two with an early date. At Strasburg: "+ O Rex gloriÆ Christe, veni cum pace! MCCCLXXV. tertio Nonas Augusti." On another: "Vox ego sum vitÆ, voco vos, orate, venite. 1461." On a bell called St. D'Esprit: "Anno Dom. MCCCCXXVII mense Julio fusa sum, per Magistrum Joannem Gremp de Argentina. Nuncio festa, metum, nova quÆdam flebile lethum." A bell called the Magistrates: "Als man zahlt 1475 Jahr War Kaiser Friedrick hier offenbar: Da hat mich Meister Thomas Jost gegossen Dem Rath zu laÜten ohnverdrossen." On another: "Nomen Domini sit benedictum. 1806." I would beg to add a Note of one more early and interesting bell which was at Upsala: "+ Anno . Domini . MDXIIII . fusa . est . ista . Campana . in . honorem . Sancti . Erici . Regis . et . Martiris . Rex . erat . Ericus . humilis . devotus . honestus . prudens . V." What V. means is rather a puzzle. I fear I have already extended this reply to a length beyond all fair limit. I may at some future time (if desirable) send you a long roll of legends on mediÆval bells without dates, and others of the seventeenth and eighteenth centuries, some of a devotional character, and others of the style of unseemly and godless epitaphs. But it is to be hoped that in these, as in other like matters, a better taste is beginning to predominate; and it must be a subject of congratulation that "Jam nova progenies coelo demittitur alto." Rectory, Clyst St. George. In the steeple of Foulden Church, South Greenhoe Hd., Norfolk, are six bells with inscriptions as under: 1. "Thos. Osborn fecit. 1802. 1. "Peace and good neighbourhood." 2. "The laws to praise, my voice I raise." 3. "Thos. Osborn fecit, Downham, Norfolk." 4. "Our voices shall with joyful sound 4. "Make hill and valley echo round." 5. "I to the church the living call, 5. "And to the grave I summon all." 6. "Long live King George the Third. 6. "Thomas Osborn fecit, 1802." DE BEAUVOIR PEDIGREE.(Vol. ix., p. 349.) Your correspondent Mr. Thomas Russell Potter inquires whether any descendants of the De Beauvoirs of Guernsey are still existing. The family was, at one time, so numerous in that island that there are few of the gentry who cannot claim a De Beauvoir among their ancestors; but the name itself became extinct there by the death of Osmond de Beauvoir, Esq., in 1810. Some few years later, the last of a branch of the family settled in England died, leaving a very large property, which was inherited by a Mr. Benyon, who assumed the name of De Beauvoir. The name is also to be found in the Irish baronetcy; a baronet of the name of Brown having married the daughter and heiress of the Rev. Peter de Beauvoir, the widow I believe of an Admiral M‘Dougal, and thereupon taking up his wife's maiden name. With respect to the pedigree which Mr. Potter quotes, and of which many copies exist in this island, it is without doubt one of the most impudent forgeries in that way ever perpetrated. From internal evidence, it was drawn up at the latter end of the reign of Elizabeth, or at the beginning The pedigree itself, however, suggests two or three Queries which I should like to see answered. The heading is signed Hamlet Sankye or Saukye. Is anything known of such a person? The pedigree speaks of Sir Robert de Beauveir of Tarwell, Knt., now living. Was there ever a family of the name of De Beauveir, De Beauvoir, or Beaver, of Tarwell, in Nottinghamshire? And if there was, what arms did they bear? If there was such a family, was it in any way connected with any of the early proprietors of Belvoir Castle? Is anything known of a family of the name of Harryes or Harris of Orton, and what were their arms? Guernsey. RIGHT OF REFUGE IN THE CHURCH PORCH.(Vol. ix., p. 325.) The following entry appears in a Corporation Book of this city, under the year 1662:
How they were supported during the year does not appear, or if he belonged to the parish; nor is it said that it was considered he gained settlement on the parish by continuing in the porch one year. I have heard of similar instances under an idea that any person may lodge in a church porch, and are not removable; but I believe it is an erroneous idea. In proof of the idea being current among the lower orders, that the church porch is a place of refuge for any houseless parishioners, I beg to state that a poor woman of the adjoining parish of Langford, came the other day to ask whether I, as a magistrate, could render her any assistance, as, in consequence of her husband's father and mother having gone to America, she and her family had become houseless, and were obliged to take up their abode in the church porch. West Tofts Rectory, Brandon, Norfolk. I know an instance where a person found a temporary, but at the same time an involuntary, home in a church porch. There was a dispute between the parishes of Frodingham and Broughton, co. Lincoln, some twelve months ago, as to the settlement of an old woman. She had been living for some time in, and had become chargeable to the latter parish, but was said to belong to the former. By some means or other the woman's son was induced to convey his mother to the parish of Frodingham, which he did; and as he knew quite well that the overseer of the parish would not receive her at his hands, he adopted the somewhat strange course of leaving her in the church porch, where she remained until evening, when the overseer of Frodingham took her away, fearing that her life might be in danger from exposure to the cold, she being far advanced in years. Until I saw Cheverells' Query, I thought the depository of the old woman in the church porch was, so far as the place of deposit was concerned, more accidental than designed; but after all it may be the remnant of some such custom as that of which he speaks, and I, for one, should be glad to see farther inquiry made into it. To which of J. H. Parker's Parochial Tales does Cheverells allude? Kirton-in-Lindsey. FERDINAND CHARLES III., DUKE OF PARMA.(Vol. ix., p. 417.) The late Duke of Parma was not the first lineal representative of the Stuarts, as stated by E. S. S. W. Victor Emanuel, King of Sardinia, who succeeded in 1802, left by his wife Maria Theresa of Austria four daughters. The eldest of these four, Beatrix, born in 1792, married, in 1812, Francis IV., Duke of Modena, and by him (who died on the 21st of January, 1846) had issue two sons and two daughters. The eldest of these sons, Francis V., the present reigning Duke of Modena, is therefore the person who would be now sitting on the English throne had the Stuarts kept the succession. He has no children, I believe, by his wife Adelgonda of Bavaria; and the next person in succession would therefore be Dorothea, the infant daughter of his deceased brother Victor. Victor Emanuel's second daughter was Maria Theresa, who married Charles Duke of Parma, as stated by E. S. S. W. The present Countess of Chambord is Maria Theresa Beatrice-GaËtana, the eldest of the two sisters of Francis V., Duke of Modena. She is therefore wife of the representative of the House of Bourbon, and sister to the representative of the House of Stuart. Oxford and Cambridge Club. Allow me to correct the statement made by your correspondent, that the Duke of Parma represented the Royal House of Stuart. The mother of the late Duke of Parma had an elder sister, Maria Beatrice, who married Francis IV., late Duke of Modena, and upon her death, in 1840, the representation devolved upon her son, Francis V., the present Duke of Modena, who was born in 1819. Allow me to remark on the article of E. S. S. W. (Vol. ix., p. 417.) respecting the House of Stuart, that he is in error in assigning that honour to the late Duke of Parma, and, as a consequence, to his infant son and successor, Robert, now Duke of Parma. The late Duke was undoubtedly a descendant of Charles I. through his mother; but his mother had an elder sister, Beatrice, late Duchess of Modena, whose son, Francis V., now Duke of Modena, born 1st June, 1819, is the unquestionable heir to the House of Stuart, and, as a Jacobite would say, if any such curiosity there be in existence, legitimate King of Great Britain and Ireland. Bristol. PHOTOGRAPHIC CORRESPONDENCE.Mr. Townsend's Wax-paper Process.—At the last meeting of the Photographic Society a paper was read by Mr. Townsend, giving the results of a series of experiments instituted by him in reference to the wax-paper process. One of the great objections hitherto made to this process has been its slowness, as compared with the original calotype process, and its various modifications; and another, that its preparation involved some complexity of manipulation. Mr. Townsend has simplified the process materially, having found that the use of the fluoride and cyanide of potassium, as directed by Le Gray, in no way adds to the efficiency of the process, either in accelerating or otherwise. The iodide and bromide of potassium with free iodine give a paper which produces rapid, sure, and clean results. He discards whey, sugar of milk, grape sugar, &c., hitherto deemed essential, but which his experience shows to be unnecessary. He exhibited three negatives of the same view taken consecutively at eight o'clock in the morning, with the respective exposures of thirty seconds, two and a half minutes, and ten minutes, each of which was good and perfect. The formula he adopts is:
The waxed papers are wholly immersed in this solution, and left to soak at least two hours, and are then hung to dry in the usual way. The papers are made sensitive by wholly immersing them in aceto-nitrate of silver of the following proportions:
The papers remaining in this solution not less than eight minutes. They are washed in two waters for eight minutes each, and then blotted off in the ordinary manner. Mr. Townsend states that there is no need to fear leaving the paper in the sensitive bath too long. He has left it in the bath fourteen hours without any injury. The paper thus prepared will keep ten or twelve days; it may be longer, but his experience does not extend beyond that time. With paper thus prepared a portrait was exhibited, taken in fifty-five seconds, in a room with a side light; but it must be added, that in this instance the paper was not washed, but was blotted off immediately on its leaving the sensitive bath, though not used until two hours had elapsed. Mr. Townsend uses for developing a saturated solution of gallic acid with a drachm of aceto-nitrate to every four ounces of it, but he considers that this proportion of aceto-nitrate may be beneficially lessened. He finds that by this process he is certain of success, and is never troubled with that browning over of the paper which so often attends the use of the other methods of preparation. Besides the rapidity of action which he states, there is the farther advantage that a lengthened exposure is not injurious. The proportion of bromide may vary from 150 grs. to 250 grs.; less than 150 is not sufficient to produce a maximum of rapidity, whilst more than 250 adds nothing to the effect. Photographic Litigation.—Will you allow me, through the medium of "N. & Q.," to suggest to those who It does not appear just that one person should bear the whole expense of a defence in which so many are interested; and I have no doubt that if a subscription be set on foot, many photographers will willingly contribute. A subscription, besides its material aid to Mr. Henderson, would also serve to show that public opinion is opposed to such absurd and unjust attempts at monopoly. It is difficult to imagine how a claim can be established to a right in an invention made many years subsequent to the date of the patent under which the claim is made—not only made by another person, but differing so widely in principle from the patent process. The advertisement in the AthenÆum of Saturday last (June 10) shows plainly that it is intended, if possible, to prevent the production of portraits on collodion by any person not licensed by Mr. Talbot; and the harshness of this proceeding, after the process has been in public use for several years, needs no comment. 30. Spring Gardens, Bradford. [We insert this communication, because we believe it gives expression to a sentiment shared by many. Subscriptions in favour of M. La Roche, whose case stands first for trial, are received by Messrs. Horne and Thornthwaite. Our correspondent does not, however, accurately represent the caution issued by Mr. F. Talbot's solicitors, which is against "making and selling" photographic portraits by the collodion process. When giving up his patent to the public, Mr. Fox Talbot reserved "in the hands of his own licensees the application of the invention to the taking photographic portraits for sale," and we have always regretted that Mr. F. Talbot should have made such reservation, founded, as it is, upon a very questionable right.—Ed. "N. & Q."] |