(Vol. viii., p. 468.) About the year 1827, when the prosecutions for blasphemy were leading hundreds and thousands to see what could be said against Christianity, with a very powerful bias to make the most of all that they could find, some friends of mine, of more ingenuity than erudition, strongly recommended to my attention the works of a shoemaker at Norwich, named Mackey, who they said was more learned than any one else, and had completely shown up the thing. It is worth a note that I perfectly remember the cause of their excitement to have been the imprisonment of the Rev. Robert Taylor, for publishing various arguments against revelation. I examined several works of Mackey's, and I have yet one or two bound up among my wonders of nature and art. As in time to come, when neither love nor money will procure a copy of these books, some tradition may set inquirers looking after them, perhaps it may be worth while to preserve a couple of extracts for the benefit of those who have the sense to hunt the index of "N. & Q." before they give up anything.
In answer to the inquiry respecting this singular man, I beg to say that I remember him between the years 1826 and 1830, as a shoemaker in Norwich. He was in a low rank of trade, and in poor circumstances, which he endeavoured to improve by exhibiting at private houses an orrery of his own making. He was recognised as a "genius;" but, as may be seen by his writings, had little reverence for established forms of belief. At the period of which I speak, which was soon after the publication of his first work, I knew but little of his mind, and lost sight of him altogether till about 1840. Then circumstances connected with my own line of study led me to call on him in Doughty's Hospital, Norwich, an asylum for aged persons. I found him surrounded by astronomical apparatus, books, the tools of his former trade, and all kinds of strange litters. In the conversation that ensued, I learned much of the workings of his mind; though his high self-appreciation could not descend to unreserved converse with a woman. My object was, to ascertain by what steps he had arrived at his theory of the earth's motion, but I could gain nothing distinct. He mentioned the Asiatic Researches as containing vast information on his peculiar subject; quoted Latin, and I think Greek, authors; and seemed to place great dependence on Maurice and Bryant; but, above all, on Capt. Wilford's Essays. He showed me some elaborate calculations, at which he was then working and still fancied himself qualified, perhaps destined, to head a great revolution in the astronomical world. I cannot say how far his knowledge of geology went, as I am not well acquainted with that science. He had evidently read and studied deeply, but alone; his own intellect had never been brushed by the intellects and superior information of truly scientific men, and it appeared to me that a vast deal of dirt, real dirt, had accumulated in his mind. My visit disappointed and pained me, but he seemed gratified, and I therefore promised to call again, which I did, but he was not at home. I think this visit was soon after he had removed into the hospital, for I then purchased his last work, The Age of Mental Emancipation, published 1836, before he obtained that asylum. He died before 1849, but I do not know the exact year. In any next visit to Norwich, I will make inquiries on all points relating to Mackey, of the very few persons now left who took interest in him, and I think I can find the printer of his last pamphlet. I have not the work mentioned in "N. & Q.;" but, besides his last work, I have The Mythological Astronomy of the Ancients demonstrated, which is partly in poetry. I have been obliged to write this Note in the first person, as I can give only my own impressions respecting Mackey; and I wish that ere this you may have received clearer information from more competent persons. If your Querist have the least grain of faith in the theory of Mackey, I hope he will not let the subject drop, for I have long been deeply interested in it. Diss. Mackey, of whom your correspondent inquires, was an entirely self-educated man, but a learned shoemaker, residing in Norwich. He devoted all his leisure time to astronomical, geological, and
The book contains a variety of subjects, but principally treats of the Hindoo, Greek, and Roman mythology; and endeavours to deduce all the fables and symbols of the ancients from the starry sphere. It also contains a singular hypothesis of the author's upon the celebrated island of Atlantis, mentioned by Plato and other Greek authors; and some very curious speculations concerning the doctrine of the change in the angle which the plane of the ecliptic makes with the plane of the equator. Urania's Key to the Revelations is bound up with the above work. I forgot to say that his Ancient Mythology demonstrated is written in verse, and afterwards more fully explained by notes. His poetical abilities, however, neither suit the subject, nor are of a very high order. His prose is better, but here and there shows the deficiency of education. Grantham. SINCERE, SIMPLE, SINGULAR.(Vol. viii., pp. 195. 328. 399.) When a hive of bees is taken, the practice is to lay the combs upon a sieve over some vessel, in only that the honey may drain out of the combs. Whilst the combs are in the hive, they hang perpendicularly, and each cell is horizontal; and in this position the honey in the cells which are in the course of being filled does not run out; but when the combs are laid on the sieve horizontally, the cells on the lower side of the combs hang perpendicularly, and then the honey begins to run out of those that are not sealed up. The honey that so runs out is perfectly pure, and free from wax. The cells, however, that are sealed up with wax still retain their honey; and the ordinary process to extract it is to place the sieve with the combs upon it so near a fire as gradually to melt the wax, so as to let the honey escape. During this process, some portion of wax unavoidably gets mixed with the honey. Here then we have two kinds of honey: one in a perfectly pure state, and wholly sine cerÂ; the other in some degree impure, and mixed cum cerÂ. Can anything be more reasonable than to suppose that the former was called sincerum mel, just as we call it virgin honey? And this accords with Ainsworth's derivation, "ex sine et cerÂ: ut mel purum dicitur quod cer non est permixtum." If it be said that there is nothing to show that the old Romans adopted the process I have described, I reply it is immaterial what process they followed in order to extract what would not flow out of itself; as whatever did flow out of itself would be mel sine cerÂ. If such were the origin of the term, it is easy to see how appropriately, in a secondary sense, it would denote whatever was pure, sweet, unadulterated, and ingenuous. Now if we apply this sense to the line: "Sincerum est nisi vas quodcunque infundis acescit,"— it will mean, "unless the vessel be sweet and pure, it will turn whatever you pour into it sour." This is the interpretation that has always hitherto been put upon the line; which is thus translated by Tommaso Gargallo, vol. iii. p. 19. edit. 1820: "Se non È puro il vase, ecco giÀ guasto Che che v' infondi." And by Francis (vol. iv. p. 27., 6th edit.):— "For tainted vessels sour what they contain." The context shows that this is the correct translation, as sincerum vas is obviously in opposition to "auriculas collect sorde dolentes," in the preceding line. The line itself plainly refers to the well-known fact, that if wine or other liquor be poured into a foul vessel, it will be polluted by it. Nor can I avoid noticing the elegant opposition, according to this construction, between the sweetness in sincerum, and the acidity in acescit. I also think that Mr. Inglesby's version cannot be correct for the following reason. Cracks may exist in every part of a vessel alike; and as the part filled by the liquor is always many times greater than the remainder of the vessel, cracks would more frequently occur in the former; and, as where air can get in the liquor can get out, it "Sincerum cupimus vas incrustare" is well rendered by Gargallo (vol. ii. p. 37.): " . . . . Insudiciar bramiamo Anco il vase piÙ puro;" and by Francis (vol. iii. p. 39.): "And joy th' untainted vessel to begrime." The passage is well explained in the note to Baxter's Hor. (p. 310. edit. 1809):
And the passage in the 18th satire of Lucilius shows that this is an accurate explanation: " . . . . . Regionibus illis Incrustatu' calix rut caulive bibetur." A practice, I rather think, prevails in some parts of England of rubbing the inside of a vessel with sweet herbs, in order to flavour cyder or other liquor. It appears from the same note:
If these passages show the practice of sealing vessels with wax, they also show that the wax was what affected the flavour of the liquor. Mr. Jeffcock plainly errs in saying that simplex "does not mean without a fold, but once folded." In Latin we have the series simplex, duplex, triplex, &c., corresponding precisely to the English single, double, treble, &c. And as single denotes a thing without a fold, so does simplex. Mr. Jeffcock's derivation would make simplex and duplex mean the same thing. Now duplex does not mean twice folded, but double. Nor can I think that singulus can be "semel and termination." Ainsworth derives it from the Hebrew ?????, which denotes whatever is peculiar or singular. It occurs to me to suggest whether it may not be derived from sine angulis. The term denotes unity—one person, one thing. Now the Roman mark for one is a straight line, and that is "that which lies evenly between its extreme points;" it is emphatically a line without bend, angle, or turning—"linea sine angulis:" angulus, like its Greek original, denoting any bend, whether made by a straight or curved line. Though I cannot at this moment refer to any other Latin words compounded of sine, we have in Spanish simpar, without equal: sinigual, sinjusticia, sinrazon, sinnumero, sinsabor. The delight I take in endeavouring to attain the correct meaning of the classics will, I hope, form some apology for the length of this Note. Newcastle-upon-Tyne. POETICAL TAVERN SIGNS.(Vol. viii., p. 242.) In an old collection of tavern signs of the last century, among many others I find the following. On the sign of the "Arrow," at Knockholt, in Kent,— "Charles Collins liveth here, Sells rum, brandy, gin, and beer; I made this board a little wider, To let you know I sell good cyder." On the sign of the "Shoulder of Mutton and Cat," at Hackney, in Middlesex,— "Pray Puss don't tear, For the mutton is so dear; Pray Puss don't claw, For the mutton yet is raw." On the sign of the "Gate," at Blean Hill, in Kent,— "Stop, brave boys, and squench your thirst, If you won't drink, the horses must." On the sign of the "Ship in Distress," in Middle Street, Brighton, Sussex,— "With sorrows I am compass'd round; Pray lend a hand, my ship's aground." On the sign of the "Waggon and Horses," in Black Lion Street, Brighthelmstone,— "Long have I travers'd both far and near, On purpose to find out good beer, And at last I found it here." At a small way-side beer-shop in the parish of Werrington in the county of Devon, a few years since there was the following sign: "The Lengdon Inn, kept by M. Vuller. Gentlemen walk in and sit at your aise, Pay for what you call for, and call for what you plaise; As tristing of late has been to my sorrow, Pay me to-day and I'll tristee to-morrow." Launceston. Not far from Kilpeck, Herefordshire, I have seen a wayside public-house, exhibiting the sign of the "Oak," under which is the following couplet: "I am an oak, and not a yew, So drink a cup with good John Pugh." As "good John Pugh" sold excellent cider, I did not repent complying with the injunction. Temple. This is at a roadside public-house near Maidenhead, known by the sign of the "Gate." It is thus: "This gate hangs high, It hinders none; Drink hearty, boys, And travel on." I remember a sign near Marlborough of the "Red Cow," and the landlord, being also a milkman, had inscribed under the rude drawing of a cow these lines: "The Red Cow Gives good milk now." HOMO UNIUS LIBRI.(Vol. viii., p. 440.) I have not verified in the works of St. Thomas this saying ascribed to him, but I subjoin a passage from Bishop Taylor, where it is quoted:
He also quotes Ecclus (xi. 10.), St. Gregory, St. Bernard, Seneca, Quintillian, and Juvenal to the same purpose. Southey quotes part of this passage from Bishop Taylor (in the Doctor) and adds:
The truth of this dictum of St. Thomas cannot be too much insisted on in this age of many books, which affords such incentives to literary dissipation and consequent shallowness.
This writer follows up the subject very ably, and his remarks on that spurious philosophism which shows itself in what, for want of a better word, he calls "viewiness," are worth the attention of all homines unius libri. P.S.—As I think of it, I shall make a cognate Query. Some facetious opponent of the schoolmen fathered on St. Thomas Aquinas an imaginary work in sundry folio volumes entitled De Omnibus Rebus, adding an equally bulky and imaginary supplement—Et Quibusdam Aliis. This is as often used to feather a piece of unfledged wit, as the speculation concerning the number of angels that could dance on the point of a needle, and yet I have never been able to trace out the inventor of these visionary tomes. THE FORLORN HOPE.(Vol. viii., p. 411.) My attention was directed to the consideration of this expression some years ago when reading in John Dymmoks' Treatise of Ireland, written about the year 1600, and published among the Tracts relating to Ireland, printed for the Irish ArchÆological Society, vol. ii., the following paragraph:
The terms rearelorne hope and forlorne hope occur constantly in the same work, and bear the same signification as in the foregoing. Remarking upon this circumstance to my friend the late Dr. Graves, he wrote the following notice of the word in the Dublin Quarterly Journal of Medical Science, of which I was then the editor, in Feb. 1849:
'The full of hope, misnamed forlorn.'" Dublin. TIECK'S "COMŒDIA DIVINA."(Vol. viii., p. 126.) The title-page of this work is: Comoedia Divina, mit drei Vorreden von Peter Hammer, Jean Paul, und dem Herausgeber, 1808. The absence of publisher's name and place of publication leaves little doubt that the name W.G.H. Gotthardt, and the date "Basel, Mai 1, 1808," are both fictitious. But for finding the passage cited by M.M.E. at p. 38., I should have supposed that the Munich critic had referred to some other book with the same title. No one who has read this can suppose it was written by Tieck. The Catholic-romantic school, of which he was the most distinguished member, furnishes the chief objects of the author's ridicule. Novalis, GÖrres, and F. Schlegel are the most prominent; but at p. 128. is an absurd sonnet "an Tieck." The Comoedia Divina is a very clever and somewhat profane satire, such as Voltaire might have written had he been a German of the nineteenth century. It opens with Jupiter complaining to Mercury of ennui (eine langweilige Existenz), and that he is not what he was when young. Mercury advises a trip to Leipzig fair, where he may get good medical advice for his gout, and certainly will see something new. They go, and hear various dealers sing the catalogues of their goods. The lines quoted by M.M.E. are sung by a young man with a puppet-show and barrel-organ to the burden: "Orgelum Orgelei, Dudeldum Dudeldei." He exhibits things taken from the physics of Oken, the metaphysics of Schelling, and the Æsthetics of GÖrres. The whole of the song is good; and I quote one stanza as showing a sound appreciation of the current metaphysicians: "Die Intelligenz construirt sich in der Zeit Als Object, und erkennt sich, und das ist gescheidt, Denn aus diesen und andern Constructuren Entstehen LehrbÜcher und Professuren." They visit the garret of Herr Novalis Octavianus Hornwunder, a maker of books to order upon every subject: they learn the mysteries of the manufacture. The scene is clever, but much of the wit is unappreciable as directed against productions which have not survived. Jupiter, in compassion to Hornwunder, changes him to a goose, immediately after which a bookseller enters, and, mistaking the gods for authors, makes them an offer of six dollars and twelve groschen the octavo volume, besides something for the kitchen. Jupiter, enraged, changes him to a fox, which forthwith eats the goose "feathers and all." They then go to see the play of the Fall of Man (Der SÜndenfall). The subject is treated after the manner of Hans Sachs, but with this difference, that the simple-minded old Nuremberger saw nothing incongruous in making Cain and Abel say their catechism, and Cain go away from the examination to fight with the low boys in the street; whereas the author of Der SÜndenfall is advisedly irreverent. Another proof, if one were wanted, that he was not Tieck. Die UngÖttliche ComÖdie is not by Batornicki, but translated by him from the Polish. In the preface he apologises for inelegant German, as that is not his native language; and I presume he is a Pole, as he says the author's name is known among us (unter uns). As he calls it a poem (Dichtung) the original is probably in verse. I think the Munich critic could have seen only some extracts from the Comoedia Divina; for, so far from Batornicki "plundering freely," I do not find any resemblance between the works except in the sole word comoedia. The Comoedia Divina is a mockery, not political, but literary, and as such anti-mystic and conservative. Die UngÖttliche ComÖdie is wild, mystical, supernatural, republican, and communistic. It contains passages of great power, eloquence, and pathos. German critics are often prosy and inefficient, but not given to wilful misrepresentation or carelessness in examining the books they review. The writer in the Munich journal must be held an exception. U. U. Club. LIVERIES WORN BY GENTLEMEN.(Vol. vi., p. 146.; Vol. viii., p. 473.) The prevalence of the custom of the liveries of noble and other persons being worn by others than the retainers of the family, in the reigns of Henry VI. and Elizabeth, is exemplified by two documents preserved amongst the MSS. of the corporation of this borough. The first, which is also curious as a specimen of the language of the period, is an award under the seal of Margaret of Anjou; under whom, as they had previously done under Katherine, queen of Henry V., the corporation farmed the bailiwick of the town:
The above extracts show one of the evils to which the practice led; another, mentioned in the deed, was that of deerstealing. William Newby was mayor of the town in 1425, 1433, and 1444-5. The second document is a curious letter from the mayor and some members of the corporation to George Earl of Huntington, lord-lieutenant of the county, and a frequent resident in the town, where a part of his mansion, called "Lord's Place," and in which James I. was entertained, still exists. The draft of this letter forms part of an interesting series of correspondence between the corporation and the earl, respecting the nomination of the parliamentary representatives of the town in 1601. The earl recommended that Mr. (afterwards Sir) William Herrick and Mr. Bromley should be chosen, and in strong language warned them against electing Mr. George Belgrave of Belgrave (who had greatly offended him), as he hears "that Belgrave still contineweth his great practising in labouring to be chosen;" and he adds, "Goode Mr. Mayor, be carefull of this, as you and the rest will looke to make accompt of me." It appears that many members of the corporation were secretly favourable to Mr. Belgrave, and he was elected, as explained in the following letter:
"Youre honor's most humble to comaunde, Signed by "Willm ROWES, Maior, ROBERT HEYRICKE," And ten others. An angry and characteristic reply from the earl follows, but with which, as it is printed in Thompson's History of Leicester (p. 318.), I will not trespass upon your valuable space. It may be sufficient to say, that he tells the mayor that—
In pursuance of this determination, the earl exhibited an information against Mr. Belgrave in the Star Chamber. The subsequent proceedings which took place on the subject in parliament will be found noticed in D'Ewes's Journal, and quoted in Thompson's History of Leicester, pp. 319-323. Leicester. PHOTOGRAPHIC CORRESPONDENCE.Queries on Dr. Diamond's Calotype Process.—Would you kindly ask Dr. Diamond, to whom I should imagine all of us are more or less indebted, the following questions respecting the very valuable paper on the calotype in the last Photographic Journal? 1. As to the white spots which make their appearance in developing, on Turner's paper especially, and which he says are owing to minute pieces of metal in the paper, what is the best way of hiding them in the negative, so that they may as little as possible injure the positive? I have suffered sadly from this cause; and have tried to stop them with ammonio-nitrate, which turns after a time to red, and stops the light effectually; but I should prefer some black colouring the strength of which one could measure by seeing its immediate effect. 2. And again, when one has black spots, what is the best means of lessening their intensity, if not of wholly removing them? [Where light spots occur in a negative, Dr. Diamond recommends, as the most effectual mode of stopping them, a little gamboge neatly applied with a camel-hair pencil. Where a great intensity is desired, Indian ink may be applied in the same manner, taking care in both cases to smooth off the edges with a dry brush. The cyanide of potassium applied in the same way, but with very great care, will remove the black spots. Before it appears to have quite accomplished its object, a negative should be immersed in water, as its action is so energetic.] Albumenized Paper.—I have followed Dr. Diamond's directions for albumenizing paper (thin Canson negative) as accurately as I can, but I cannot prevent the albumen in drying, when pinned up, from forming into waves or streaks. This will be best understood from a specimen of a sheet which I inclose, and I shall be much obliged if you can tell me how this can be avoided. Some albumenized paper which I have purchased is quite free from this defect, but being at a distance from London, it is both convenient and economical to prepare my own paper. [We would recommend our correspondent to remove his paper from the albumen still more slowly; and to take care not to draw it along, but so to lift it that the last corner is not moved until it is raised from the albumen. In pinning up be careful that the paper takes the inward curl, otherwise the appearances exhibited will be almost sure to take place. As the albumenizing liquid is of very trifling cost, we recommend the use of two dishes, as by that means a great economy of time is obtained.] |