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Martenz de la Rosa. Bacchus, the youngest of the gods, was the son of Jupiter and Semele. His mother, instigated by the jealous Juno, who appeared to her in disguise, demanded of Jupiter that he should reveal himself to her in all his power and majesty. Jupiter unwillingly complied and, making his thunder bolts milder than usual, appeared before her. The lightning which played about his head set fire to the palace and Semele was consumed. The child, Bacchus, was snatched from the flames by his brother Mercury and borne away to the nymphs, who guarded him most faithfully.
While still a youth Bacchus was appointed god of wine. Spring was a season of gladness for him, winter a time of sorrow. He delighted in roaming over the world borne by his followers or riding in his chariot drawn by wild beasts. His train was composed of men and women, nymphs, fauns and satyrs who drank wine made from water and sunshine, ate grapes, and sang the praises of their leader.
“We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him through kingdoms wide.”
—Keats.
INTERPRETATION.
Semele is the personification of a fertile soil in spring which brings forth the productive vine. Bacchus is regarded as the spiritual form of the new vernal life, the sap of vegetation as manifest in the juice of the grape.
The orgies were but a poetic incarnation of blithe, spiritual youth. The idea of Bacchus is not a simple one. His many titles have given rise to an almost endless number of variations of his story which are in many cases inconsistent and complicated.
ART.
Of the many representations of Bacchus this statue in the Naples Museum is considered one of the most lovely. It is full of gladness and is simple, delicate and beautiful. The child Bacchus is carried on the shoulders of a faun. He holds a bunch of grapes in one hand and clasps the head of the faun with the other. The faun is playing on cymbals and looks back and up at Bacchus with a happy smile.