In the fall of 1823, Willis entered Yale. Commencement was then held in September and first term opened late in October. College life left a more enduring impress upon Willis than upon almost any other American writer. It furnished him with a fund of literary material. It brought him into the sunshine, and changed the homely school-boy chrysalis into a butterfly of uncommon splendor and spread of wing. During freshman year he lodged in the family of Mr. Townsend, opposite South College, with other members of the Andover contingent. One of these was Henry Durant, who was Willis’s chum all through the four years of the course. He was a serious-minded lad, a hard student, who took high rank in the appointment list, and his influence over his less steady room-mate was always for good. He became in time the founder and first president of the University of California, and a man Next after Willis himself, the most distinguished member of the class of 1827 was Horace Bushnell. In senior year the two roomed in the same hall—the north entry of North College; and in 1848, on the occasion of Bushnell’s preaching a sermon at Boston to the Unitarians, which excited much public comment, Willis gave some reminiscences of his quondam classmate in the “Home Journal,” telling, among other things, how Bushnell once came into his room and taught him how to hone a razor. He described him as a “black-haired, earnest-eyed, sturdy, carelessly dressed, athletic, and independent good fellow, popular in spite of being both Henry Wikoff of Philadelphia—afterwards, with the titular embellishment of “Chevalier,” a familiar, not to say flamboyant, figure in several European capitals, and the winner of fame at home as the importer of Fanny Elssler and founder of the “New York Republic”—happened to be in New Haven during the summer of 1827. He was preparing to enter college, which he did with the class of ’31, but was prematurely graduated by reason of sundry irregularities. In his amusing “Reminiscences of an Idler,” published in 1880, he gave the following description of two undergraduates with whom he was subsequently more nearly associated:— “I also remember two men who graduated in the class of 1827, that were frequently pointed out to me as its most conspicuous members. One was the son of a very prominent statesman, which, in fact, explained the notice he attracted; but there was enough of individuality about John Van Buren to command The genial chevalier’s memory misled him slightly in placing “Prince John,” as he was called, in the same class with Willis. He was a member of ’28, which he joined in junior year, and like Willis was a great wit and a great beau. These three contemporaries, senior, junior, and sub-freshman, were strangely juggled together again by Time, the conjurer. They met in the famous Forrest trial, where Van Buren figured as the defendant’s counsel, and Willis as a particeps criminis and witness Yale was then under the mild government of President Day. Silliman, Knight, Kingsley, Fitch, and Goodrich were among the professors, and among the tutors were Theodore Woolsey and Edward Beecher. The last afterwards sustained another relation to Willis, as pastor of Park Street Church. Student life in the twenties was a much simpler existence than it is in the eighties. That network of interests which makes the college world of to-day such a stirring microcosm,—with its athletic and social clubs, its regattas, promenade concerts, and class-day gayeties, its undergraduate newspapers and magazines, and its lavish expenditure upon society halls, boat-houses, ball-grounds, etc.,—was all undreamed of. Far from owning a yacht or a dog-cart, the Yalensian of those days seldom owned a carpet or a paper-hanging. When those unwonted luxuries were introduced into his room by Freshman Wikoff, the rumor of this offense against the unwritten sumptuary laws of the college reached the ear of Professor “The day,” wrote Willis in a freshman letter to his father, “is the greatest of the year at the South, and our Southern students seem disposed to be restless under the restriction of a lesson on playday. Wikoff tells of a fight in a college room, in which a dirk was used, between a South Carolina student named Albert Smith and another Southerner, which resulted in the expulsion of both. Smith, who stood at the head of his class, afterwards changed his name to Rhett, and became a member of his state’s legislature, but died prematurely. New Haven in 1823-27 was not the considerable manufacturing city of to-day, but a rural town with a population of about nine thousand. West of the college yard only two streets were laid out. Beyond these, along the Derby turnpike, stretched a level of sandy pastures, alive with grasshoppers, where the young orators, practicing for debates in “Linonia” or “Brothers,” But en revanche New Haven was a beautiful little city, with a homogeneous population and a charming society, and better fitted in some respects for the seat of a university than it is This was in the retrospect. He did not employ such fine language in 1823. His first letters from college are like those of any other freshman, simple in style, filled with affectionate messages to the folks at home, thanks for bundles, “All my friends have been to see me, and justify me in my conduct. There are two professors of religion in the sophomore class who have done exactly so, and will be treated accordingly. And though it is a matter of policy with the government to pursue this course, it is said, and justly, that they despise an informer. My meeting with this squirt was entirely unavoidable, not originating (as perhaps you may suppose) from being in company where I ought not to be.” Willis suffered frequently from homesickness and low spirits during the winter of his freshman year. He had the poetic temperament, and was subject to his moods, easily elated and easily depressed. His chum was away somewhere teaching, and Willis, in his loneliness, had recourse to his pen. “I find but few among the students,” he wrote to his father, “whom I should choose as companions. Most of them are profane and dissipated, and their highest ambition seems to be to show off as a high fellow, and one who can overreach the government and laugh at its officers. The pious students in my class are mostly men, without any refinement either As the youthful scribe gained readier power of expression his home correspondence became fuller and more effusive. He wrote with much minuteness a narrative of an evening spent at a country parsonage in West Haven, of a walk to the light-house, a visit to the cave of the hermit of East Rock, and of a trip by steamboat to New York. He dwelt at length upon all the impressions which the varying seasons and his daily experiences made upon his mind. There is, of course, no literary art in most of these juvenile confidences. The language is apt to be sophomorical, and the letters, as a whole, will seldom repay quotation, but an extract may be given here and there as a specimen of his epistolary style. The following is from a letter of “I wish you were here to walk with me these beautiful moonlight evenings. I have seldom gone to bed and left the mild Queen of the Night riding in the heavens, for it seems a waste of noble feelings. When I am walking on such evenings as we have had this week past, and amidst such scenery as New Haven presents, chastened and softened in its beauty by the pure and quiet light of the moon, I have an elevation of thought and sentiment which I cannot drown in sleep without reluctance. I really think we had better lay it down as a rule never to go to sleep while the moon is shining. In fact, Julia, I suspect (for I find no one who sympathizes with me in this feeling) that I am something of a lunatic,—affected by the rays of that beautiful planet with a kind of happiness which is the result of a heated imagination, and which is not felt by the generality of the common-sense people of the world. Last Friday evening, you know, was beautiful. I attended a meeting of the professors of religion, statedly held on that evening in the theological chamber, and when it was out went alone to walk. I strolled along upon the shore of the bay towards the light-house a mile or more, and never did I meet with so delightful a scene. There was no wind stirring, or not enough to make a ripple on the wave, and the hardly perceptible swell of the tide cast its waters upon the pebbles without a sound. You know the appearance of a bay when the light is shed obliquely upon it—looking like one immense This fancy, that he was peculiarly affected by the light of the moon, was the first suggestion of his wild tale, “The Lunatic’s Skate,” one of his most imaginative stories, and not unworthy of comparison with the weird fictions of Edgar Poe. In the summer term of his sophomore year Willis was again suspended for a few weeks, this time in common with a majority of his In some recollections of Willis by his classmate, Hugh Blair Grigsby, published in the latter’s journal, the “Norfolk Beacon,” in the autumn of 1834, he says:— “The first notice that the public had of his budding genius was a little poem in six verses, the two first lines of the first verse being,— ‘The leaf floats by upon the stream Unheeded in its silent way,’ We cannot recall the whole stanza; but our fair readers may remember that their albums contained, some time since, a beautiful vignette representing a lady ‘The bird that sings in lady’s bower, To-morrow will she think of him?’” Grigsby says that this poem took the prize offered by the “New York Mirror.” He also recalls a division-room composition, of a humorous character, read by Willis in the winter of 1824-25, about an old man planting a cabbage on his wife’s grave, which produced great merriment in the class. In the same year verses signed “Roy,” mainly on scriptural subjects, began to appear in the poet’s corner of the “Boston Recorder,” where they jostled the selections from Watts or original contributions from the pens of “Maro,” “Eliza,” and “The Green Mountain Bard.” Some of these juvenilia were too imperfect to merit preserving, and were never put between covers. Others, like “Absalom,” “The Sacrifice of Abraham,” and “The Burial of Arnold,” were among his most successful things. They were widely quoted and admired, copied about in the newspapers, inserted in readers and collections of verse, and have done as much to upbear his memory as any of his later writings. They were not all contributed to the “Recorder.” Some came out in “The Christian Examiner,” All this literary glory gave the young undergraduate great Éclat in New Haven. He received Taken up more and more with social distractions, he ceased to apply himself to his college duties. Indeed, he had never felt much interest in the studies of the curriculum, excepting Latin, for which he had a taste and in which his scholarship was fairly good. Mathematics was his pet aversion. He did considerable miscellaneous reading, and cultivated a liking for the old British dramatists and Commonwealth prose writers, like Burton, Taylor, and Browne; his studies in whom he afterwards imparted to the readers of the “American Monthly.” He wrote to his father, shortly before graduation, that he had devoted his whole time in college to literature. Always more of a ladies’ man than a man’s man, fastidious too in the choice of acquaintances, he took small part in college affairs, and preferred the social life of the town. He was not a frequenter of Linonia, that forum whose decay furnishes an annual theme for lamentation to returning graduates at Commencement. But once he debated that perennial question, “Were the Crusades a Benefit to Europe?” and once he composed a comedy, which was acted in the society with applause, though not without scandal. The following reminiscences will find an echo in the breast of many an alumnus who in his salad days has sparkled out “I sunk some pocket money in a blank book on reading Wilson’s ‘Noctes.’ Celestial nights I thought we had of it, at old black Stanley’s forbidden oyster house in New Haven; and it struck me it was robbery of posterity (no less!) not to record the brilliant efflorescence of our conviviality. Regularly on reaching my chambers (or as soon after morning prayers as my head became pellucid), I attempted to reduce to dialogue the wit of our Christopher North, ‘Shepherd’ and ‘Tickler;’ but alas! it became what may be called ‘productive labor.’ Either my memory did not serve me, or wit (I shouldn’t be surprised) reads cold by repentant daylight. It was heavy work, as reluctant as a college exercise, and after using up for cigar-lighters the short-lived ‘Noctes,’ I devoted the remainder of the book to outlines of the antique (that is to say, of old shoes), my passion just then being a collection of French slippers from the prettiest feet in the known world (‘known,’ to me).” Among the uncollected “Recorder” verses is a series of three divertingly Byronic performances, “Misanthropic Hours,” from which it would seem that the poet, in his junior year, had a momentary attack of cynicism, produced by his discovery of the soullessness of “woman.” Most boys who tag lines have gone through this species of measles. “I do not hate, but I have felt Indifferent to woman long: I bow not where I once have knelt, I lisp not what I poured in song. They are too beautifully made For their tame earthliness of thought; Ay, their immortal minds degrade The meaner work His hands have wrought.” The specifications of this painful charge were several. He had been walking with a beautiful girl one glorious night, with his soul uplifted by the influences of the hour, when she rudely jarred upon his mood by remarking that “their kitchen chimney smoked again.” Another young woman, with whom he was viewing a Crucifixion in a picture gallery, had “coldly curled her lip and praised the high priest’s garment.” A third had profaned one of his religious hours. “I turned me at the slow Amen And wiped my drowning eyes, and met A trifling smile! Think ye of men? I tell you man hath heart:—no, no, It was a woman’s smile. They tell Of her bright ruby lip, and eye That shames the Arabic gazelle; They tell of her cheek’s glowing dye, Of her arch look and witching spell: But there is not that man on earth Who at that hour had felt like mirth.” Worse than all, he had been watching by a corpse, in company with a young lady of his acquaintance, when “She trifled, ay, that angel maid, She trifled where the dead was laid!” These misogynistic musings called forth a remonstrance,—“Woman—to Roy,”—by one of the “Recorder’s” poetesses, who signed herself “Rob.” “Ye know her not,” she sang, “An idle name Ye give to toys of fashion’s mould, And well ye scorn those guilty ones Who curl their smiles of pride to heaven. Oh, seek her not in halls of mirth, But in those calm dwellings of earth,” etc. Meanwhile, rumors of his idleness and dissipation began to reach Boston, and caused his family much distress. These reports were absurdly exaggerated, and were warmly denied by his friends, who asserted that the head and front of his offending were an occasional moonlight drive to “the Lake” and a supper, with a glass of ale at “Barney’s.” Willis was gay in college, but very far from dissipated. In the select circles where he was made at home nothing like dissipation was tolerated. The society of the little university town was as simple as it was refined. He was cordially welcomed in such families as the Whitings, the Bishops, the Hubbards, and the entire Woolsey, Devereux, and Johnson connection in New Haven, Stratford, and New York. His winter holidays were spent partly at New York with his classmates Rankin and That his head was a little turned by his literary and social successes is not wonderful. He had his share of vanity, and in his confidential letters to his parents and sisters he made no effort to conceal his elation. A passage from one of these, dated January 7, 1827, will give a good idea of his occupations and his frame of mind at this point in his senior year:— “I stayed in Stratford till Friday, and then the Johnsons offered me a seat in the carriage to New York. This, of course, was irresistible; and Friday night at ten o’clock I was presented to the mayor of the city, at a splendid levee. It was his last before leaving his office, and I never saw such magnificence. The fashion and beauty and talent of the city were all there, crowding his immense rooms to show their respect for his services.… I found many old acquaintances there and made some new ones,—among the latter, a Mrs. Brunson, as beautiful a woman as I “On Saturday evening I went to a genuine soirÉe at the great Dr. Hosack’s. This man is the most luxurious liver in the city, and his house is a perfect palace. You could not lay your hand on the wall for costly paintings, and the furniture exceeds everything I have seen. I met all the literary characters of the day there, and Halleck, the poet, among them. With him I became quite acquainted, and he is a most glorious fellow. More of him when we meet.… You know on New Year’s day in New York all the gentlemen call on all their acquaintances. I began at twelve o’clock at the Battery, and went up to St. John’s Park, merely running in and right out again till four, the dinner hour. I called on everybody. William Woolsey went with me, and, by appointing a rendezvous in every street, we kept along together. At four I went to Mr. George Richards’s to dine. He is no relative of Robert’s, and lives in the best style in a large house on St. John’s Park. We sat down to dinner between five and six, and sat several hours with a very large party. I got a seat next In another letter he says:— “I was much flattered in vacation by the attentions of literary men and women; the latter more particularly, who seemed to consider it quite the thing to find a poet who was not a bear, and who could stoop so much from the excelsa of his profession as to dress fashionably and pay compliments like a lawyer. I heard of a very blue young lady who said, ‘La, how I should love to see Mr. Willis! I am sure I should fall in love with a man who writes such sweet poetry.’ She is both belle and bluestocking, they say.” One of the families in which Willis was an habituÉ was the household of Mrs. Apthorp, a widow with four lovely daughters, who conducted one of the seminaries for young ladies for which New Haven was famous. This was the original of Mrs. Ilfrington’s school in “The Cherokee’s Threat.” Willis was much ridiculed by the reviewers for his very high-colored description of this educational establishment, and in particular for declaring that “in the united pictures of Paul Veronese and Raphael” he had “scarcely found so many lovely women, of so different models and so perfect, as were assembled in my sophomore year,” in this Connecticut “sugar-refinery.” His lines “On the Death of a Young The religious impressions which had been stamped upon Willis’s mind by the Andover revival were gradually obliterated by the preoccupations of undergraduate life. He did not definitely renounce his profession, and remained till graduation in communion with the college church. But the state of his soul gave deep anxiety to his good parents, who looked upon him, as he did upon himself, as a backslider. In a letter to his father during a season of “ingathering” in the college, stimulated by the eloquent preaching of Professor Fitch, he wrote as follows:— “My own experience makes me very much alive to the frequent fallacy of the hopes which are experienced in revivals. I understand your anxiety for me, and I understand the feelings which prompted mother’s most tender and affectionate addition to your letter. If I perish it will not be because I do not know my duty, for there are few who have been better instructed. But my feelings are most peculiar and most trying. I am under one ceaseless and enduring conviction of sin; one wearing anxiety about my soul, without making any visible progress. I know what you will write about it. I could anticipate every word you can say upon the point. But so it is, and I have done with all discussion of it.” At the completion of the senior examinations Willis delivered the valedictory poem to his class, “with a simplicity and feeling which thrilled the audience,” says one who was present. Portions of this were printed in his “Sketches” and in subsequent editions of his poems. It is one of the hardest things in the world to write a good occasional poem, and Willis’s Class Day address does not differ much from other performances of the kind. It is in blank verse, laboriously didactic, and expresses the usual conventional sentiments and noble moral reflections proper to the occasion. It is by no means as good as another occasional poem of his, “The Death of Arnold,” written upon the burial of the Willis spent the senior vacation—a halcyon period of six weeks that formerly intervened between Class Day and Commencement—in a trip through New York State and Canada; taking what is now known as the grand tour, and gathering impressions which he ultimately worked into the texture of his vivid sketches of “Niagara, Lake Ontario, and the St. Lawrence.” He traveled by the Erie Canal, then newly opened through an almost unbroken wilderness, dotted here and there with stripling cities, Utica, Palmyra, Rochester,—the last only a few years old. “The burnt stumps of the first settlers are all over the town: you find them close by the doors and in the yards of the people, and you may look between elegant blocks of stone and brick buildings and see the natural forest within five minutes’ walk. It is complete mushroom. We saw Colonel Rochester, who first settled it. He and his wife were sitting at their front door, enjoying the evening under trees which twelve years ago were the depth of the wilderness.” There was a perpetual novelty in these contrasts. He saw the country, as it were, in the making. The canal-boat went only four miles an hour, and the voyager could get out, when so minded, to stretch his legs and pick the wild “On Sunday morning I saw a girl on a hillside in the wildest part of the Mohawk Valley, milking. So I leaped ashore, to the great amusement of the passengers, and ran up to give her a lecture. She was quite pretty, and blushed when I asked her if she knew it was wicked to milk on Sunday. She had a pretty little clean foot, probably washed by the wet grass, and held up the milking-pail for me to drink with considerable grace. I should have begged a kiss if the boat had not been in sight. I have just been called up to look at Palmyra. It is curious to sail through the centre of a town, and see people in the windows above you and on the steps of the houses, crowding to see the strange faces on board. They look so much at home and you come so near them that you can hardly believe you shall be in ten minutes in the depth of the forest again.” At Utica he found a host of friends, was received Willis always looked back with tenderness to his college days. Years after, in his “Slingsby” papers, contributed to an English magazine, he made New Haven and the university the scene or background of some of his best stories and sketches of American life, such as “Edith Linsey,” “F. Smith,” “Scenes of Fear,” “Larks in Vacation,” and “The Cherokee’s Threat.” These, however, are not college stories in the common meaning of the term. The heroes of these amusing and often incredible adventures are undergraduates, but they have the easy savoir faire of men of the world, and the incidents of the narrative are mainly enacted outside the college fence, and consist for the most part of love-making, driving stanhope, and touring about the country in an independent manner. The academic life of the time offered but a meagre field to the romancer, nor indeed is the case much altered since. There have been loud calls, at present “Bright as seems to me this seat of my Alma Mater, however,” wrote Willis in “Edith Linsey,” “and gayly as I describe it, it is to me a picture of memory, glazed and put away; if I see it ever again it will be but to walk through its embowered streets by a midnight moon. It is vain and heartbreaking to go back after absence to any spot of earth, of which the interest was the human love whose home and cradle it had been. There is nothing on earth so mournful and unavailing, as to return to the scenes which are unchanged, and look to return to ourselves and others as we were when we thus knew them.” On leaving college, Willis signalized his entrance “The spice lamps in the alabaster urns Burned dimly and the white and fragrant smoke Curled indolently on the chamber walls;” or that the Shunamite’s little son, on his way to the field, passed “Through the light green hollows where the lambs Go for the tender grass;” or that the scene of Christ’s baptism “Was a green spot in the wilderness Touched by the river Jordan. The dark pine Never had dropped its tassels on the moss Tufting the leaning bank, nor on the grass Of the broad circle stretching evenly To the straight larches had a heavier foot Than the wild heron’s trodden. Softly in Through a long aisle of willows, dim and cool, Stole the clear waters with their muffled feet, And, hushing as they spread into the light, Circled the edges of the pebbled tank Slowly, then rippled through the woods away.” For the merely literary quality of these poems, independent of their sacred associations, not “But to the mighty heart That in Gethsemane sweat drops of blood, Taking for us the cup that might not pass— The heart whose breaking chord upon the cross Made the earth tremble and the sun afraid To look upon his agony—the heart Of a lost world’s Redeemer—overflowed, Touched by a mourner’s sorrow! Jesus wept!” This is what Lowell called “inspiration and water.” Alfred de Vigny, a fine spirit and good poet, has tried the same thing in French and Upon the whole the most genuine expression of Willis’s talent in this early volume was in the piece entitled “Better Moments,” which remains one of his best, because one of his most spontaneous poems. It makes one realize the startling growth of the United States in the last fifty years, to remember that Willis had already won a “national reputation” by his poetry when he left college. The air was much thinner then, American literature much scantier, the population so small and so comparatively homogeneous, that the suffrages of a few hundreds of readers in New York, Boston, New Haven, and Philadelphia, and the praises of a few dozen journals were enough to bestow fame. What undergraduate nowadays, however clever or precocious, could hope to make his voice heard beyond the limits of the college yard? It remains only to mention that the presence in New Haven of the two poets Percival and Hillhouse, when Willis was a student there, was not without influence on his literary development. Percival went to West Point as Professor of Chemistry in 1824 and did not come back to New Haven until 1827, but Hillhouse resided constantly at his beautiful home in the outskirts of the city, “Sachem’s Wood.” His Master’s Oration, “The Education of a Poet,” and his Phi Beta Kappa poem, “The Judgment,” had given him great fame in the university as an orator and poet. “‘Hadad’ was published in 1825,” wrote Willis, “during my second year in college, and to me it was the opening of a new heaven of imagination. The leading characters possessed me for months, and the bright, clear, harmonious language was, for a long time, constantly in my ears.” Of its author he said, “In no part of the world have I seen a man of more distinguished mien.… Though my acquaintance with him was slight, he confided to me, in a casual conversation, the plan of a series of dramas, different from all he had attempted, upon which he designed to work with the first mood and leisure he could command.” |