SPRING SONGSTERS

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Early April sees the last contest which winter wages for supremacy, and often it is a half-hearted attempt; but after the army of the North has retreated, with its icicles and snowdrifts, spring seems dazed for a while. Victory has been dearly bought, and April is the season when, for a time, the trees and insects hang fire—paralysed—while the chill is thawing from their marrow. Our northern visitors of the bird world slip quietly away. There is no great gathering of clans like that of the tree swallows in the fall, but silently, one by one, they depart, following the last moan of the north wind, covering winter’s disordered retreat with warbles and songs.

One evening we notice the juncos and tree sparrows in the tangled, frost-burned stubble, and the next day, although our eye catches glints of white from sparrow tails, it is from vesper finches, not from juncos, and the weed spray which a few hours before bent beneath a white-throat’s weight, now vibrates with the energy which a field sparrow puts into his song. Field and chipping sparrows, which now come in numbers, are somewhat alike, but by their beaks and songs you may know them. The mandibles of the former are flesh-coloured, those of the latter black. The sharp chip! chip! is characteristic of the “chippy,” but the sweet, dripping song of the field sparrow is charming. No elaborate performance this, but a succession of sweet, high notes, accelerating toward the end, like a coin of silver settling to rest on a marble table—a simple, chaste vespers which rises to the setting sun and endears the little brown singer to us.

We may learn much by studying these homely little frequenters of our orchards and pastures; each has a hundred secrets which await patient and careful watching by their human lovers. In the chipping sparrow we may notice a hint of the spring change of dress which warblers and tanagers carry to such an extreme. When he left us in the fall he wore a dull-streaked cap, but now he comes from the South attired in a smart head-covering of bright chestnut. Poor little fellow, this is the very best he can do in the way of especial ornament to bewitch his lady love, but it suffices. Can the peacock’s train do more?

This is the time to watch for the lines of ducks crossing the sky, and be ready to find black ducks in the oddest places—even in insignificant rain pools deep in the woods. In the early spring the great flocks of grackles and redwings return, among the first to arrive as they were the last to leave for the South.

Before the last fox sparrow goes, the hermit thrush comes, and these birds, alike in certain superficialities, but so actually unrelated, for a time seek their food in the same grove.

The hardier of the warblers pass us in April, stopping a few days before continuing to the northward. We should make haste to identify them and to learn all we can of their notes and habits, not only because of the short stay which most of them make, but on account of the vast assemblage of warbler species already on the move in the Southern States, which soon, in panoply of rainbow hues, will crowd our groves and wear thin the warbler pages of our bird books.

These April days we are sure to see flocks of myrtle, or yellow-rumped warblers, and yellow palm warblers in their olive-green coats and chestnut caps. The black-and-white creeper will always show himself true to his name—a creeping bundle of black and white streaks. When we hear of the parula warbler or of the Cape May warbler we get no idea of the appearance of the bird, but when we know that the black-throated green warblers begin to appear in April, the first good view of one of this species will proclaim him as such.

We have marked the fox sparrow as being a great scratcher among dead leaves. His habit is continued in the spring by the towhee, or chewink, who uses the same methods, throwing both feet backward simultaneously. The ordinary call note of this bird is a good example of how difficult it is to translate bird songs into human words. Listen to the quick, double note coming from the underbrush. Now he says “towhee’!” the next time “chewink’!” You may change about at will, and the notes will always correspond. Whatever is in our mind at the instant, that will seem to be what the bird says. This should warn us of the danger of reading our thoughts and theories too much into the minds and actions of birds. Their mental processes, in many ways, correspond to ours. When a bird expresses fear, hate, bravery, pain or pleasure, we can sympathise thoroughly with it, but in studying their more complex actions we should endeavour to exclude the thousand and one human attributes with which we are prone to colour the bird’s mental environment.

John Burroughs has rendered the song of the black-throated green warbler in an inimitable way, as follows: “—— ——V——!” When we have once heard the bird we will instantly recognise the aptness of these symbolic lines. The least flycatcher, called minimus by the scientists, well deserves his name, for of all those members of his family which make their home with us, he is the smallest. These miniature flycatchers have a way of hunting which is all their own. They sit perched on some exposed twig or branch, motionless until some small insect flies in sight. Then they will launch out into the air, and, catching the insect with a snap of their beaks, fly back to the same perch. They are garbed in subdued grays, olives, and yellows. The least flycatcher has another name which at once distinguishes him—chebec’. As he sits on a limb, his whole body trembles when he jerks out these syllables, and his tail snaps as if it played some important part in the mechanism of his vocal effort.

When you are picking cowslips and hepaticas early in the month, keep a lookout for the first barn swallow. Nothing gives us such an impression of the independence and individuality of birds as when a solitary member of some species arrives days before others of his kind. One fork-tailed beauty of last year’s nest above the haymow may hawk about for insects day after day alone, before he is joined by other swallows. Did he spend the winter by himself, or did the heimweh smite his heart more sorely and bring him irresistibly to the loved nest in the rafters? This love of home, which is so striking an attribute of birds, is a wonderfully beautiful thing. It brings the oriole back to the branch where still swings her exquisite purse-shaped home of last summer; it leads each pair of fishhawks to their particular cartload of sticks, to which a few more must be added each year; it hastens the wing beats of the sea-swallows northward to the beach which, ten months ago, was flecked with their eggs—the shifting grains of sand their only nest.

This love of home, of birthplace, bridges over a thousand physical differences between these feathered creatures and ourselves. We forget their expressionless masks of horn, their feathered fingers, their scaly toes, and looking deep into their clear, bright eyes, we know and feel a kinship, a sympathy of spirit, which binds us all together, and we are glad.

Yet these sweet sounds of the early season,

And these fair sights of its sunny days,

Are only sweet when we fondly listen,

And only fair when we fondly gaze.


There is no glory in star or blossom

Till looked upon by a loving eye;

There is no fragrance in April breezes

Till breathed with joy as they wander by.

William Cullen Bryant.


                                                                                                                                                                                                                                                                                                           

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