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ICHARD, on coming to the throne, rushed into Westminster Hall, and took his seat on a sort of marble slab or mantel-piece, between the great Lord Howard and the Duke of Suffolk. The precious trio looked like a set of chimney ornaments, of which Richard formed the centre. He declared that he commenced his reign in that place, because it had been once a judgment-seat, and he was anxious to administer justice to his people. Ten days after, on the 6th of July, he was crowned in Westminster Abbey, and to prevent any murmurs at his usurpation, he was lavish of gifts, promotion and bribery. The Duke of Norfolk, the celebrated jockey mentioned by Shakspeare, who had put Richard in training for the throne, became Earl Marshal, and his son was created Earl of Surrey, in honour, perhaps, of the surreptitious manner in which the crown had been obtained for his master Richard. The Archbishop of York and the Bishop of Ely were set at liberty, "which caused them to dance with joy," according to one of the chroniclers, though we cannot imagine a pair of prelates indulging in Terpsichorean diversions on their release from prison.
In the course of the summer, Richard made a royal progress, and was enthusiastically received, though it is believed that much of the enthusiasm was got up by frequent rehearsals with a set of supernumeraries, who were sent on before from town to town, to give a reception to the new sovereign. If Richard was expected to arrive anywhere at two, the populace would be called at one, to run through—in rehearsal—the cheers and gestures of satisfaction that were required to give brilliance to the usurper's entry. When he arrived at York, a wish was expressed by the inhabitants to see a coronation; and though the ceremony had already been performed in London, it was announced that the spectacle would be repeated, "by particular desire of several families of distinction."
While Richard's starring expedition was most successful in the provinces, things in London were by no means looking up, for conspiracies were being formed to release the two young princes from the Tower. The usurper, not relishing these proceedings, sent a certain John Green—whose unsuspecting innocence has made viridity synonymous with stupidity ever since—as the bearer of a message, the purport of which he was wholly unconscious of. It was addressed to Sir Thomas Brackenbury, the governor of the Tower, requesting him to put to death the two royal children, by smothering them—in onions, or anything else that might be found convenient. Brackenbury refused the commission, not so much out of regard to the little princes as from fear on his own account, and he sent back the monosyllable "No" as an answer to the sovereign. Green, who knew not the purport of the message, returned with the curt reply, and upon his reiterating "No" as all he was desired to say, Richard angrily desired him "not to show his nose again at court for a considerable period." The tyrant was not, however, to be daunted, and he called his Master of the Horse, Sir James Tyrrel, whom he desired to go and lock every door in the Tower, and put the keys in his pocket. One night in August, Tyrrel took with him a fellow named Miles Forrest, a professional assassin, and John Dighton, an amateur, a big, broad, square, and strong knave, who, notwithstanding his squareness, was living on the cross for a long period. The precious trio went together to the Tower, and Tyrrel waiting at the door, Miles Forrest entered with John Dighton, who jointly smothered the children in the bedclothes.
Dighton and Forrest entered with savage earnestness into this horrible transaction, and conducted themselves after the cruel fashion of a clown and pantaloon in a pantomime when an infant falls into their formidable clutches. Dighton danced on the bed, while Forrest flung himself across it with fearful vehemence. Tyrrel, who was standing outside, acted the part of an undertaker in this truly black job, and buried the princes at the foot of the staircase.
Various accounts have been given of this atrocious deed, and antiquarians have quarrelled about the form of the bed the princes used to sleep upon. Some declare it was a turn-up, in which the children were suddenly inclosed; whilst others affirm that the princes had the thread of their existence cut on that useful form of bedstead familiarly known as the scissors. Thus, to use the language of the philosopher, a feather-bed and pillows were made to bolster up the title of Richard, who from his artifice was exceedingly likely to have recourse to such a downy expedient. We may be excused for adding from the same high authority we have taken the liberty to quote, that this assassination on a palliasse was an act that nothing could palliate.
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Richard, by whom the outward decencies of life were very scrupulously observed, in order to make up for the inward deficiencies of his mind, determined to go into mourning for the young princes and repaired to the same maison de deuil which he had honoured with his patronage on a former occasion, when requiring the "trapping of woe" for himself and his retainers on the death of his dear brother.
Another competitor now appeared for the crown, in the person of Henry Tudor, Esquire, commonly called the Earl of Richmond, who came with a drawn sword in his hand and a pedigree already drawn up in his pocket. He was considered to represent the line of Lancaster by right of his mother, who was a great-granddaughter of John of Gaunt, whose extreme tallness proved him to be a worthy scion of the house to which the title of Lanky-shire—as it then might have been spelled—was obviously appropriate. In order to strengthen Richmond's party and give him a spice of Yorkism, a marriage was proposed with Elizabeth, of York, on the same principle that beef is sometimes cut with a hammy knife to give it a flavour. Richmond was joined by several nobles hitherto favourable to Richard, and even Buckingham, who had been indebted to him for wealth and office, suddenly turned against him. When Richard heard the news he put a price on the heads of all the leaders of the insurrection; and Buckingham's head, though a very empty one, was ticketed at a considerable figure.
Henry, Earl of Richmond, appeared with a fleet off Devonshire, but finding no one on the coast to meet him, he sailed back to St. Malo. Buckingham, who ought to have been on the look-out, was blundering about the right bank of the Severn, which he was unable to cross in consequence of the rains, when his army, finding themselves short of rations, declined continuing such a very irrational enterprise. Buckingham was left without a man, except his own servant—a fellow of the name of Banister—upon whose fidelity he threw himself. He soon found that he had been leaning upon a fragile prop, for this Banister broke down and betrayed his miserable master. Buckingham was accordingly captured, and sneakingly solicited an interview with Richard the Third, who, on hearing of his being taken, coolly drew on his glove and roared with a stentorian voice, "Off with his head!—so much for Buckingham!"
Richard now came to town, and summoned a Parliament, which was exceedingly complaisant; declaring him the lawful sovereign, by birth, by election, by coronation, by consecration, and by inheritance. Thus the usual attempt was made to make up by quantity for the deficiency as to quality in the title of the usurper, and the Princedom of Wales was settled on his boy Edward. Attainders were dealt out pretty freely among Richard's opponents, who were pronounced traitors in the usual form, which was kept to be filled up with the name of the unsuccessful party; while oaths of loyalty were always to be had—in blank—for the use of that numerous class which followed the crown with the fidelity of the needle to the pole,—the pole being the head that happened to be wearing—pro tem.—the precious bauble.
Richard, being afraid that Richmond would gain strength by the project of marriage with Elizabeth of York, determined on marrying the young lady himself; an idea which both herself and her intriguing old mother most indelicately jumped at. The king being already married, difficulties arose, but it was proposed to poison Lady Anne, which, as quack medicines had not been yet invented, was a somewhat difficult process. There was no specific then in existence for curing every disease, or the matter might have been arranged at once; nor had the fatal art of punning become known, or Richard might have placed the author of the triple jeu de mot in attendance upon the Lady Anne, to be, in time, the death of her. The quarrelsome and cat-like disposition of this unhappy female may account for the tenacity of life which she exhibited; and the young Elizabeth kept continually writing up to inquire why the queen took so much time in dying. It was now the middle of February, 1484, and Lady Anne was still alive; but her obstinacy was soon cured by her husband, and in the course of March she was got rid of. Richard immediately opened to his friends and admirers his scheme for marrying Elizabeth; but they strongly opposed it, and he then pretended that he had never meant anything of the sort, but that the minx—for as such he stigmatised the young lady—had for some time persisted in setting her cap at him.
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Henry was now preparing to make a descent upon England, when Richard did all he could to damage him by proclamations, in which Richmond was alluded to as "one Tudor," and his adherents were stigmatised as cut-throats and extortioners. Had this been the fact, it was certainly a case of pot pitching into kettle; and the usurping saucepan poured out its sauce with wondrous prodigality. Numerous were the expedients resorted to for the purpose of damaging the cause of Henry Tudor. Descriptions of his person were issued, and the people were warned against admitting to their confidence the individual of whom a caricature representation, or rather mis-representation, was sent abroad, to give an unfavourable idea of Richmond's exterior. Among other schemes to obtain popularity, Richard affected the character of a practical man, and personally attended to the administration of justice in a few cases, where, having no interest of his own to serve, he gave somewhat fair decisions.
His efforts were now directed to putting the country in a state of defence, and he sent his friends to the coast to bear the brunt of the first attack, while he smuggled himself up pretty comfortably in the middle of a large army in the centre of the kingdom. Several of his friends betrayed him, while others sent excuses on the score of ill health, and Stanley apologised in a coarse note, declaring he was confined to his bed by "a sweating sickness." Richard merely muttered, "Oh! indeed, and I suppose he sends me a wet blanket to prove the fact;" but he, nevertheless, ordered Stanley to be closely looked after. Henry landed at Milford Haven on the 7th of August, 1484, with about five thousand men, and on the 21st of the month the two armies met in a field near Bosworth. There a battle was fought, of which Shakespeare has furnished a series of pictures, which, on the stage, attempts are frequently made to realise. The contest, according to this authority, appears to have been carried on amid a mysterious flourish of drums and trumpets, to which soldiers, on both sides, kept running to and fro, without doing any serious mischief. Richmond's people, to the extent of about ten, then encountered about an equal number of Richard's adherents, and striking together, harmlessly, the tips of some long pikes, the two parties became huddled together, and retired in the same direction, apparently to talk the matter over and effect a compromise.
The field then seems to have become perfectly clear, when Richard ran across it, fearfully out of breath, fencing with a foil at nothing, and calling loudly for a horse in exchange for his kingdom, though there was not such a thing as a quadruped to be had for love or money. He then seems to have shouted lustily for Richmond, and to have asserted that he had already killed him five different times, from which it is to be inferred that the crafty Henry had no less than half a dozen suits of armour all made alike to mislead his antagonist. Richard then rushed away, with a hop, skip and jump, after some imaginary foe; and Richmond occupied the field; when Richard, happening to come back, they stood looking at each other for several seconds. We may account for Gloucester's temporary absence by referring to the historical authorities, for he had probably chosen the interval in question to make Sir John Cheney bite the dust, a most unpleasant process for Sir John, who must have ground his teeth horribly with a mouthful of gravel.
The two competitors for the throne then stood upon their guard, and a beautiful fencing-match ensued, to which there were no witnesses. A few complimentary speeches were exchanged between some of the home thrusts, and the combatants occasionally paused to take an artistical view of each other's gallant bearing. Business is, however, business in the long run, which, in this instance, ended in Richard being run through by the victorious Richmond. The soldiers of the latter, who appear to have been waiting behind a hedge to watch in whose favour fortune might turn, ran forward at the triumph of their master being complete, and formed a picture round him, while Stanley, taking the battered crown which Richard had worn in battle, placed it—in its smashed state looking like a gilt-edged opera hat—on the head of Richmond. The manner in which Stanley became possessed of the ill-used bauble is quite in accordance with the dramatic colouring that tinges and tinfoils this beautiful period of our history. It is said that an old soldier kicked against something in an adjacent field, and began actually playing at football with the regal diadem. Placing his foot inside the rim, he sent it flying into the air, when a ray of sunshine, lighting on one of the jewels, revealed to him that it was no ordinary plaything he had got hold of. Running with it as fast as he could to Stanley, the honest fellow placed it in his lordship's hands, with a cry of "See what I have found!" after the manner of the pantaloon under similar circumstances in a pantomime. Stanley was about to put it in his pocket, when another noble roared out, "Oh, I'll tell!" and a cry of "Somebody coming!" being raised, the diadem was ingeniously dropped on to the head of Richmond. The crown was fearfully scrunched by the numerous heavy blows its wearer had received, and Henry the Seventh, taking it off for a moment to push it a little into shape, exclaimed—half mournfully, half jocularly—"Well, well, to the punishment of the usurper this indenture witnesseth." The Duke of Norfolk—our old friend the jockey—shared his master's fate, or rather had a similar fate all to himself, though as he received the fatal crack, he expressed a wish that he might be allowed to split the difference.
The fierce and interesting battle we are now speaking of was one of those short but sharp transactions, which leave their marks no less upon posterity than upon the heads and helmets of the warriors engaged in the fearful contest. The great importance of the event deserves something more than the prosaic narrative in which we have recorded it; and having sent our boy to the Pierian spring with a pitcher, for the purpose of getting it filled with the source of inspiration, we proceed to attempt a poetical account of the Battle of Bos-worth. The celebrated Mr. Thomas Babington Macaulay has, we acknowledge, kindled our poetic fire, by his "Lays of Ancient Rome;" and our imagination having been once set in a blaze it must needs continue to burn, unless, by blowing out our brains, we put a suicidal extinguisher on the flame. Philosophy, however, teaches us that "L'ame est un feu qu'il faut nourrir" (Voltaire) and alere flammam is a suggestion so familiar to our youth, that we do not scruple to throw an entire scuttle of the coals of encouragement upon the incipient flame of our poetic genius. We know that poetry is often an idle pursuit, and that he is generally lazy who addicts himself to the composition of lays, but the Battle of Bosworth Field is an event which fully deserves to have poetical justice done to it. Following the example of the illustrious model, whose style we consider it no humility, but rather an audacity, to imitate, we will suppose the recital to be made some time after the event has occurred, and we will imagine some veteran stage manager giving directions for, or superintending the rehearsal of, a grand dramatic representation of one of the grandest and—if we may be allowed the privilege of a literary smasher in coming a word—the dramaticest battles in English history.
"Ho! trumpets, sound a note or two!
Ho! prompter, clear the stage!
A chord, there, in the orchestra:
The battle we must wage.
Your gallant supers marshal out—
Yes, I must see them all;
The rather lean, the very stout,
The under-sized, the tall:
The Yorkites in the centre,
Lancastrians in the rear,
Not yet the staff must enter—
The stage, I charge ye, clear
Those warriors in the green-room
Must have an extra drill;
Where's Richard's gilt-tipp'd baton?
They charged it in the bill.
Those ensigns with the banners
Must stand the other way,
Or else how is it possible
The white rose to display?"
Thus spoke the old stage manager,
The day before the night Richard and
Richmond on the field Of Bosworth had to fight.
And thus the light-heel'd call-boy
Upon that day began
To read of properties a list—
'Twas thus the items ran
"Four dozen shields of cardboard,
With paper newly gilt,
Six dozen goodly swords, and one
With practicable hilt;
The practicable hilt, of course,
Must be adroitly plann'd,
That when 'tis struck with mod'rate force,
'Twill break in Richard's hand.
Eight banners—four with roses white,
And four with roses red—
Six halberds, and a canopy
To hang o'er Richard's head;
A sofa for the tyrant's tent,
An ironing-board at back,
Whereon the ghosts may safely stand,
Who come his dreams to rack;
A lamp suspended in the air
By an invis'ble wire,
And—for the ghosts to vanish in—
Two ounces of blue fire."
Thus spoke the gallant call-boy,
The boy of many fights;
Who'd seen a battle often fought
Fifty successive nights.
The moment now approaches,
The interval is short,
Before the fearful battle
Of Bosworth must be fought;
Now Richmond's gallant soldiers
Are waiting at the wing,
Expecting soon that destiny
Its prompter's bell will ring;
Now at the entrance opposite
The troops of Richard stand,
Two dozen stalwart veterans—
A small but gallant band.
Hark I at the sound of trumpets,
They raise a hearty cheer,
Their voices have obtained their force
From recent draughts of beer.
Their leader, the false Richard,
Is lying in his tent,
But ghosts to fret and worry him
Are to his bedside sent.
Convulsively he kicks and starts,
He cannot have repose,
A guilty conscience breaks his rest,
By tugging at his toes.
A gentleman in mourning,
With visage very black,
When the tent curtain draws aside,
Is standing at the back;
And then a woman—stately,
But pale as are the dead—
Stood, in the darkness of the night,
To scold him in his bed.
There came they, and there preached they,
In most lugubrious way
Delivering curtain lectures
Until the east was grey;
Or rather, till the prompter,
Who has the proper cue,
Had quite consumed his quantity
Of fire, so bright and blue.
The conscience-stricken Richard
Now kicks with greater force,
Bears up, and plunges from his couch,
Insisting on a horse;
When, hearing from the village cock
A blithe and early scream,
He straightway recollects himself,
And finds it all a dream.
Now, on each side, the leaders
Long for the battle's heat,
But, by some luckless accident,
The armies never meet;
We hear them both alternately
Talking extremely large,
But never find them, hand to hand,
Mixed in the deadly charge.
"March on, my friends!" cries Richmond,
"True tigers let us be;
Advance your standards, draw your swords—
On, friends, and follow me!"
'Tis true, they follow him indeed,
But then, the way they go
Is just the way they're not at all
Likely to meet the foe.
So Richard, with his "soul in arms,"
Is "eager for the fray,"
But, with a hop, a skip, and jump,
Runs off—the other way.
He's to the stable gone, perchance,
Forgetting, in his flurry,
He has kept waiting all this time
His clever cob, White Surrey.
The brute is "saddled for the field,"
But never gains the spot,
For on his way Death knocks him down
In one—the common—lot.
[Illustration: 342]
Richard, a momentary pang
At the bereavement feels;
But, being thrown upon his hands,
Starts briskly to his heels.
And now the angry tyrant
Perambulates the field,
Calling on each ideal foe
To fight him or to yield.
"What, ho!" he cries, "Young Richmond!
But, 'mid the noise of drums,
Young Richmond doesn't hear him—
At least he never comes.
Now louder, and still louder,
Rise from the darken'd field
The braying of the trumpets.
The clang of sword and shields
But shame upon both armies!
For, if the truth be known,
'Tis not each other's shields they smite—
The clang is all their own;
For six of Richmond's people
Are standing in a row
(Behind the scenes), and with their swords
They give their shields a blow.
Wild shouts of "Follow, follow!"
Are raised in murmuring strain,
To represent the slayer's rage,
The anguish of the slain.
But now, in stem reality,
The battle seems to rage;
For Catesby comes to tell the world
How fiercely they engage.
He gives a grand description,
And says the feud runs high:
We won't suppose that such a man
Would stoop to tell a lie.
He says the valiant king "enacts
More wonders than a man; "
In fact, is doing what he can't,
Instead of what he can.
That all on foot the tyrant fights,
Seeks Bichmond, and will follow him
Into the very "throat of Death"—
No wonder Death should swallow him!
Now meeting on a sudden,
Each going the opposite way,
Richard and Richmond both advance,
Their valour to display.
Says Richard, "Now for one of us,
Or both, the time is come."
Says Bichmond, "Till I've settled this,
By Jove, I won't go home."
One, two, strikes Richard with his foil,
When Richmond, getting fierce,
Repeats three, four, and on they go,
With parry, quatre, and tierce.
Till suddenly the tyrant
Is brought unto a stand;
His weapon snaps itself in twain,
The hilt is in his hand.
The gen'rous Richmond turns aside,
Till someone at the wing
Another weapon to the foe
Good-naturedly doth fling.
Richard advances with a rush;
Richmond in turn retires;
Their weapons, every time they meet,
Flash with electric fires.
Posterity, that occupies
Box, gallery, and pit,
Applauds the pair alternately,
As each one makes a hit.
Now "Bravo, Richmond!" is the cry,
Till Richard plants a blow
With good effect, when to his side
Round the spectators go.
As fickle still as when at first,
The nation, undecided,
Was 'twixt the Roses White and Red
Alternately divided,
So does the modern audience
Incline, with favour strongest,
To him who in the contest seems
Likely to last the longest.
Then harsher sounds the trumpet,
And deeper rolls the drum,
Till both have had enough of it,
When Richard must succumb.
Flatly he falls upon the ground,
Declaring, when he's down,
He envies Bichmond nothing else,
Except the vast renown
Which he has certainly acquired
By being made to yield
Himself, that had been hitherto
The master of the field.
And then the soldiers, who have stood
Some distance from the fray,
Bush in to take their portion of
The glory of the day.
And men with banners in their hands,
At eighteen-pence a night,
Some with red roses on the flags,
And some with roses white,
By shaking them together,
The colours gently blend,
And the Battle of the Roses
Is for ever at an end.
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The Battle of Bosworth Field terminated the War of the Roses, or rather brought the roses into full blow, and cut off some of the flower of the English nobility. Richmond was proclaimed king on the field, as Henry the Seventh; and as the soldiers formed themselves into a tableau the curtain descended on the tragedy of the War between the Houses of York and Lancaster.
Richard had reigned a couple of years and a couple of months when he received his quietus on the field of Bosworth. If ever there was a king of England whose name was bad enough to hang him, this unfortunate dog has a reputation which would suspend him on every lamp-post in Christendom. The odium attaching to his policy has been visited on his person, and it has been asserted that the latter was not straight because the former was crooked. His right shoulder is said by Rouse, who hated him, to have been higher than his left; but this apparent deformity may have arisen from the party having taken a one-sided view of him. His stature was small; but in the case of one who never stood very high in the opinion of the public, it was physically impossible for the fact to be otherwise. Walpole, in his very ingenious "Historic Doubts," has tried to get rid of Richard's high hump, but the operation has not been successful, in the opinion of any impartial umpire. Imagination, that tyrant which has such a strange method of treating its subjects, has had perhaps more to do than Nature in placing an enormous burden on Richard's shoulders. His features were decidedly good-looking; but on the converse of the principle that "handsome is as handsome does," the tyrant Gloucester has been regarded as one of those who "ugly was that handsome didn't."
It is a remarkable fact that Richard the Third during his short reign received no subsidy from Parliament, though we must not suppose that he ruled the kingdom gratuitously; for, on the contrary, his income was ample and munificent. He got it in the shape of tonnage and poundage upon all sorts of goods, and when money was not to be had he took property to the full value of the claim he had upon it. The result was that his treasury became a good deal like an old curiosity shop, a coal shed, or a dealer's in marine stores, for anything that came in Richard's way was perfectly acceptable. The principle of poundage was applied to everything, even in quantities less than a pound, and he would, even on a few ounces of sugar, sack his share of the saccharine. If he required it for his own use he never scrupled to intercept the housewife on her way from the butcher's and cut off the chump from the end of the chop; nor did he hesitate, when he felt disposed, to lop the very lollipop in the hands of the schoolboy. This principle of allowing poundage to the king was in the highest degree inconvenient. It rendered the meat-safe a misnomer, inasmuch as it was never safe from royal rapacity.
It has been said of Richard, that he would have been well qualified to reign, had he been legally entitled to the throne; or, in other words, that he would have been a good ruler if he had not been a bad sovereign. To us this seems to savour of the old anomaly—a distinction without a difference. He certainly carried humbug to the highest possible point, for he exhibited it upon the throne, which serves as a platform to make either vice or virtue—as the case may be—conspicuous.
The trick by which he obtained possession of his nephew, the young King Edward, whose liberty was likely to prove a stumbling-block in Richard's own path to the throne, is remarkable for its cunning, and for the intimate knowledge it displayed of the juvenile character. Proceeding to the residence of the baby monarch's mamma, he began asking after "little Ned" with apparently the most affectionate interest. He had previously provided himself with a lot of sweetstuff as he came along, for it was his deep design to intoxicate with brandy-balls the head of the infant sovereign. "Where is the little fellow?" inquired Richard, who would take no excuse for his nephew not being produced, but declared that being in no hurry, he could wait the convenience of the nursery authorities. Finding further opposition useless, Elizabeth reluctantly ordered the boy to be brought down, when Richard asked him "Whether he would like to go with Uncle Dick?" and got favourable answers by surreptitiously cramming the child's mouth with lollipops.
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Whenever the little fellow was about to say "He would rather stay with his mamma," the Protector called his attention (aside) to a squib or brandy-ball, and York consented at last to go with his uncle. "Oh! I thought you would," cried the wily duke, as he clutched his little nephew up and jogged with him to the Tower. Such was the artful scheme by which the tyrant originally got possession of the subsequent victim of avuncular cruelty. It has been urged in extenuation of his cruel murder of the little princes, that their deaths were a necessary sequel to those of Hastings and others; but it would have been a poor consolation to the victims had they known that they were only killed by way of supplement. We cannot think that any portion of the catalogue of Richard's crimes should be printed in colours less black because it formed a continuation or an appendix to his atrocities; nor can we excuse Part II. of a horribly bad work because Part I. has rendered it unavoidable.
It is urged by those writers who have defended him, that the crimes he committed were only those necessary to secure the crown; but this is no better plea than that of the highwayman who knocks a traveller on the head because the blow is necessary to the convenient picking of the victim's pockets. Richard's crimes might have been palliated in some trifling degree, had they been essential to the recovery of his own rights, but the case is different when his sanguinary career was only pursued that he might get hold of that which did not belong to him. It is true he was ambitious; but if a thief is ambitious of possessing our set of six silver tea-spoons, we are not to excuse him because he knocks us down and stuns us, as a necessary preliminary to the transfer of the property from our own to our assailant's possession. The palliators of Richard's atrocities declare that he could do justice in matters where his own interest was not concerned; but this fact, by proving that he knew better, is in fact an aggravation of the faults he was habitually guilty of. It has been insinuated that when he had got all he wanted, he might have improved, but that by killing him after he had come to the throne, his contemporaries gave him no chance of becoming respectable. It must be clear to every reasonable mind that the result, even had it been satisfactory, would never have been worth the cost of obtaining it, and that in tolerating Richard's pranks, on the chance of his becoming eventually a good king, his subjects might well have exclaimed le jeu n'en vaut pas la chandelle. In the vexata questio of the cause of the death of the princes, the guilt has usually been attributed to Richard, because he reaped the largest benefit from their decease; but this horrible doctrine would imply that a tenant for life is usually murdered by the remainder-man, and that the enjoyer of the interest of Bank Stock is frequently cut off by the reversioner who is entitled to the principal. We admit there is a strong case against Richard upon other more reasonable evidence: and thus from the magisterial bench of History do we commit him to take his trial, and be impartially judged by the whole of his countrymen.