"You may smoke if you like, Mr. Cumshaw," Moira said graciously to our visitor. I said nothing; instead I silently handed the man my cigar-case. He selected a weed with a discriminating care that I felt cast an unwarranted reflection on the quality of the cigars I smoked. I watched him in silence while he cut off the end with a neat, precise stroke of his penknife, lit the cigar and blew a cloud of blue smoke out of his mouth. All the time I was staring at him I could feel Moira's eyes on me, and I knew that she was wondering what made me so boorish and morose. Or, perhaps, with a woman's keen instinct for ferreting out the things she shouldn't know anything about, she guessed just what was the matter. To tell the truth I was just beginning to feel a little jealous. Frankly I considered that she was paying too much attention to Mr. Albert Cumshaw, and I hadn't two sharp eyes without seeing that he openly admired her. Of course I had turned down her overtures of reconciliation, and I think I told her plainly enough that there was no possibility of my falling in love with her again; but, if all that were perfectly true, I shouldn't have been jealous because the two of them took to making eyes at each other. The fact remained that I was a little hurt by what I saw, and I had to recognise, even though I ran counter to the promptings of my common-sense, that I wasn't as indifferent to her as I would have myself believe. I brought myself back with a jerk to the matter in hand. "What do you propose doing about the matter?" I asked of Cumshaw. He did not reply immediately. His right little finger flipped the ash from off the end of his cigar, and then the dark curly head lifted and the glowing eyes looked straight into mine. "What do I propose doing!" he repeated. "Well, if it was left to me," he said, after a contemplative pause, "I'd say the treasure's there, and the sooner we go after it the better. We know already that there's other people on the job—they killed Mr. Bryce and they made a mess of the Dad—and it's all right thinking, as Mr. Bryce did, that they've come to the end of their tether and are waiting for us to set the pace for them. There's been so many miracles in this play already that it doesn't do to risk the chance of any more. We've got no absolute guarantee that they won't stumble on the key to everything while we're wasting time here. You say you've got a cypher Mr. Bryce left you. Well, that cypher contains the position of the treasure; there's no doubt about that in my mind. Bradby carved it on the wood—neither he nor the Dad had any paper with them at the time—and from what I've heard of the man I'm confident that it's the kind of thing he would do. Then when Mr. Bryce got hold of it he burnt the wood and threw what was on it into a sort of cryptogram. One way and another he was pretty cautious when the fit took him, though I must say that when it was a question of his own life he wasn't so particular. It boils down to this. The Dad's out of the game for good and we've got to use our own wits. Within limits we've got a fair idea of the position of the valley, and, once we've solved the cypher, we'll probably have something more definite to go on." "That," I remarked, "is supposing we do solve it. As far as I can see it's too weird for anything." "Uncle," said Moira severely, "wouldn't have written it if he didn't think you could solve it. That's why he made it easy." "If you think it's easy," I retorted, "take it yourself and see what you can make of it." "That's a good idea," Cumshaw cut in, turning my own shaft against myself. "Suppose we all have a shot at it and see what we can make of it. We might get it all out and again we mightn't. When we get as far as we can we'll all pool our efforts, and maybe we'll make something out of it that way." "An excellent suggestion, Mr. Cumshaw," Moira said, and darted a glance of triumph at me. It said as plainly as so many words that here was a champion for her, a man who would defend her against the whole world. Of course I ignored it. What man would do anything else under the circumstances? But there are some things, of which this was one, that the more one ignores them the more insistent as to their presence do they become. So, though I affected not to see Moira's little glance of triumph, it photographed itself upon my mind's eye and completely spoiled the evening for me. "We'll get Jim here to type out a copy for you before you go, Mr. Cumshaw," she promised, "and you can see what you can make of it." "Thanks," said the young man briefly. I had expected him to make a bigger mouthful of it than that, and I thought it odd that he did not. It struck me too as queer that he did not ask for a look at the cypher; an ordinary man would have known no peace until he had examined it in all its baffling details. As I was to learn, Mr. Cumshaw was no ordinary man, and, for a young chap of his age, had his emotions and inclinations under rather remarkable control. I stood up. "If you want that cypher," I said, "I'll type it out now, and you can study it on the way home if you wish." "It's very kind of you," Cumshaw murmured with a well-bred lack of enthusiasm. "I think," said Moira, "that we'd all better adjourn to the study. I don't like to think of anyone being in there alone, especially at night. You see," she explained to Cumshaw, "the room hasn't been used since Uncle's death. He was killed in that very room ... in front of my eyes." "I understand," said Cumshaw softly, and he rose to his feet and held the door open for Moira to pass out. She led the way to the study and unlocked the door. It had been a fad of hers ever since the tragedy to keep the room sealed, and, as I saw no reason for gainsaying her, I had never interfered. She switched on the light and we stood for a moment on the threshold, dazzled by the unaccustomed radiance. Nothing in the place had been touched—we had not disturbed anything during our search for Bryce's papers—and, save for the absence of some of the actors in the scene, it might have been the very night of the tragedy itself. I broke the spell by walking into the room and proceeding to take the cover off the typewriter. The machine had not been used since its owner had died. Despite the manner in which I had lied to Bryce, I knew a thing or two about typewriters. As a matter of fact I transcribed the greater part of my father's three volumes of Solomon Island Ethnology on just such another machine. I sat down at the table and drew from my pocket the letter and the cypher, both of which I had thrust out of sight when Albert Cumshaw had been announced that afternoon. "There's the cypher," I said, and I spread the sheet out on the table. Cumshaw bent over it and read out aloud from beginning to end. "2@3; 5@3 &9; 3 5433-3/4 5@ 3 @75 £994 1/4;£ 5@3 48½8;? ½7; ¼43 8; & 8;3 —3¼½743 ½3:3; "335 3¼½5.5@3; "¼/3 £843/5 ;945@¾£4¼2 ¼;95@34 &8;3 ¼5 48?@5 ¼;?&3½ 59 5@3 043:897½ 9;3¾3)53;£8;? " 94 523&:3 "335.£8? 5@3;," he said, stumbling every now and then at the unfamiliar expressions. "What do you make of it?" I asked. He looked up at me with just the flicker of a smile about the corners of his mouth. "I can't say just yet," he replied. "All these things take time. You can't solve them in an instant." "I thought we might," I said, with just the least hint of offensiveness in my tone. I don't know whether or not he noticed it, but if he did he was gentleman enough to ignore it. "All right," I ran on, "I'll type this out if one of you'll read it to me. Go slowly, as I don't want to have any mistakes. It's bad enough to have to do it once without having to do it again." "I'll read it," Cumshaw volunteered. I nodded to show my agreement. I then threaded the paper through and said, "I'm ready." He began to read it very slowly and carefully, and I typed away as he spoke. I had just got the first four or five combinations down when Moira interrupted me. "I knew you'd make a mess of it," she said coldly. "I told you so at the beginning." As a matter of fact she had said no such thing, but I let it pass. "What's wrong?" I queried, looking up at her. "I've been watching you," said she, "and you haven't depressed your figure lever once. You must have it all wrong. It'll just be simple letters instead of the signs." I had been typing all the time with my eyes on the keyboard, and I hadn't once glanced at the finished work. Now I looked at it I saw that she was right. I had been typing letters all along when I should have been printing figures. And then something queer about the letters struck me. My heart gave a jump. "Go on," I said huskily to Cumshaw. "Give me a few more." He read out two or three more combinations and then I leaned back in the chair. "Look," I said triumphantly, "look what I've done!" Two heads bobbed down over my work, stared at it for a moment, and then two pairs of eyes smiled at me. "You've solved it by accident," said Cumshaw. "I'm sorry for what I said," Moira said simply. "It's just the simplest cypher in existence," I said. "You've got a keyboard with letters and figures on it. When you want letters you type straight out, and when you want figures you just depress the lever. Now look at this. That 5 is on the same key as T, @ is on H's key, 3 means E, and so on. When Bryce worked it out he simply pressed down the figure lever and left it down, and now to reverse the process all we've got to do is to hit the keys these signs are on and leave the lever alone. Simple, isn't it?" "Very," said Cumshaw. "Get it all out, Jim, quick!" said Moira with feminine impatience. I did. I pressed 2 and I got W, and so on all along the keyboard, and when I had finished I pulled the sheet out and handed it to them. "Read it out, Moira," I said. "It's your turn." "'When the Lone Tree, the hut door and the rising sun are in line measure seven feet east. Then face direct north, draw another line at right angles to previous one, extending for twelve feet. Dig then.'" "If it hadn't been for you," said Cumshaw, "we wouldn't have found it. I congratulate you," and he held out his hand to me. "Rubbish!" I said. "It was all a lucky accident." But all the same I took the proffered hand. "We can go right on with it now," Moira cried joyously. "There's nothing to stop us." "Only that we've got to find the valley yet," said Cumshaw gloomily. "My father made several attempts but couldn't locate it." "You've got to bear in mind," I told them, "that we've got some information your father hadn't, strange though it seems." "And that?" Cumshaw queried quickly. "We're looking for a valley that's got a lone tree overlooking it. Your father didn't seem to be aware of that." Cumshaw seized the paper and read it through quickly. "By the Lord Harry, you're right, Carstairs! That's one piece of information he didn't have. If he had known that when he went after the gold himself he'd have got it." "Maybe he would," I said doubtfully. "You don't seem too sure of it, Carstairs," Cumshaw remarked, with a sidelong glance at Moira. "No more I am," I told him. "I don't like our chances either." "But," he protested with a puzzled indrawing of his eyebrows, "as far as we're concerned it's as easy as falling off a log." "Just as easy," I agreed, "providing our friends the enemy don't interfere. They don't seem to be the kind of men who rest on their oars, that is if we can judge anything from their past exploits." "You're right there, Carstairs," Cumshaw said. "I never gave them a thought, but I see now that they're likely to prove a pretty active menace to our safety." "That," I said, turning to Moira, "cuts out all possibility of your coming with us. You can't be running into danger." "Can't I just," she said with an assertive toss of her head, "and, whether I can or not, I'm going," she finished. I looked at Cumshaw. I could not tell from his expression whether he was pleased or sorry. His face was as devoid of emotion as that of a china doll. "What do you think about it?" I asked him straight out. He glanced at me in his turn with a curious baffling light in his dark eyes, and I felt as if he had stripped my soul bare of all pretences and was reading my thoughts in all their nakedness. "I should think," he said at length with an air of absolute impartiality, "that Miss Drummond is the mistress of her own actions and neither you nor I have any right to dictate what she is to do." "Have it your own way then," I said, with difficulty suppressing my rising anger. "But if anything goes wrong remember that I warned you beforehand." "I'll remember that," Moira said, and she favored Cumshaw with a little smile of gratitude. She never smiled at me like that, not even in those far-away days when we were all the world to each other or thought we were. Which in the end amounts to much the same thing. "Well, if you don't mind," said Cumshaw, breaking an awkward silence, "I'll go home now and think matters over. And then to-morrow we'll decide what to do." "Home?" I echoed. "I thought——" And then I stopped. "I'm staying in town," he said with a smile. "That's what I meant when I said home." "In that case," I said, "you'll be handy whenever we want you. You'd better leave your address in case we want you in a hurry." He scribbled his address—a leading city hotel—on a blank card and handed it to me. I glanced at it and then thrust it into my pocket. When I looked up again he was holding Moira's hand in his, just a trifle longer than convention demanded I thought, and saying something to her that I did not catch. She smiled in return, a dazzling smile, and said quite distinctly, "Please call whenever you feel inclined. There is no need for us to stand on ceremony with each other now we're partners." I saw him to the door. At the threshold he turned and spoke with one foot on the step and the other on the ground, taking up that attitude of unaffected ease that gives an air of friendliness to even the most formal conversation. "I'm rather pleased I met you, Carstairs," he said. "In one way and another I've heard a lot about you, and I think you've got the kind of level head we'll need before we've seen this business through." "Thank you," I replied. I was nearly going to say 'Soft words butter no parsnips,' but my common-sense came to my aid just in time to prevent me making a fool of myself. He held out his hand, and I took it in the spirit in which he had offered it to me. Nevertheless I was absurdly jealous of the man, though Heaven knows I hadn't the least reason to be. I could see with half an eye that he had made a good impression on Moira, and the way she had spoken to him, especially that last remark of hers, showed me that she was egging him on. It didn't matter one single solitary damn to me. I had told her clearly and definitely that we were business partners and that love was altogether out of the question. Yet here was I, the moment a potential rival appeared on the scene, behaving for all the world like a spoilt child. And, like a spoilt child, for my own good I needed someone to bring me sharply and suddenly to my bearings. Cumshaw bade me a cheerful good-night. I saw his lithe figure swing along through the sub-tropical darkness of a moonless summer night. Then the latch on the gate clicked with the ringing sound of metal striking against metal. I closed the door and went inside. Moira was standing in the study just as I had left her, standing as motionless and devoid of life as a statue of carven stone. I don't think she heard me at first. "Well," I said conversationally, "how is it now?" She turned at the sound of my voice and faced me squarely. I could see that her eyes were bright with unshed tears, and something inside of me moved me with a sudden impulse to go up to her. I placed my hands on her shoulders and was amazed to find how unsteady they were. They trembled, my hands trembled! And yet they used to tell me in the old Island days that I hadn't a nerve in my body. I was quite prepared for anything except what really happened. I could feel a sort of tension in the atmosphere, and I expected her to do something theatrical. But she didn't. She backed away from me, but she didn't go far. The table was behind her. I don't know how long we stood looking at each other. It seemed a lifetime to me, and the silence was the sort that a man feels it sacrilege to break. "You make it very hard for me, Jim," Moira said calmly. The tears were still in her eyes, but her voice was under excellent control. It didn't vibrate a note. She looked at me as she spoke, looked me straight in the eyes, and I think it was then that I began to realise what an ass I had been making of myself. "How do I make it hard?" I asked. My voice was curiously low, almost husky in fact. I rather think she noticed it and took heart therefrom. A man is very easy to handle when he is not quite sure of himself. "I've got to pretend," she said in answer to my question. "Pretend that you are nothing to me when——" She stopped short. It seemed almost as if she regretted that she had said so much. "Go on," I urged. "There's not much to say," she continued. "I just want to tell you, to tell you in such a way that you'll believe me, that if I've treated you shamefully I've suffered for it. I can't make any reparation for it; you were quite right in saying that it is too late now to alter things. I just want you to know that I'm sorry. I can't say much more than that, though I don't want to take any credit for it now, seeing that it's been practically forced out of me." I remembered the way she had been standing when I came in, the tears in her eyes, and the way she had backed out of my reach the moment I put my hands on her shoulders. It would have been so easy for her to have done the other thing, but she hadn't, and I admired her all the more for it. She might easily have captured me in the first flush of emotion, but she had instead given me time to think and a chance to get away if I wanted to. There was something in her attitude that appealed to my sense of fair play and at the same time prevented me from in any way misinterpreting her last remark. "Moira," I said, "were you crying when I came in just now?" Her lip trembled a little as she asked, "Why do you want to know?" "Because," I said slowly, "I've solved one riddle already to-night, and I've a mind to solve another before I go to bed." "I was crying," she admitted, "only I didn't mean you to see." "And why was that?" "I thought you might imagine I was just doing it." I knew what she meant; there was no need for her to explain further. She didn't want to influence me in any way; whatever I did must be done of my own free will. "I'm beginning to understand," I said slowly. "Then you'll forgive?" she said quickly, and one hand went up to her throat as if she were choking. I nodded and impulsively she held out her hand to me. I did not take it, and she half-turned so that I would not see what was in her eyes. "Can't we even be friends?" she said, with a queer little catch in her words. Something snapped in my head at that, and the words I had been holding back all the evening came to my lips in a rush of speech. "I didn't mean you to take it that way," I said desperately. "I wouldn't shake hands because ... that's not what I want. It's too stand-offish. I'm going to do more than forgive, and we're going to me more than friends, if you still want me." "You know I want you," she said softly with her head bowed shyly and the blushes rising in her cheeks. I took her in my arms and kissed her. |