SAINT-THOMAS D'AQUIN.

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This is another church for the smart people, but not the nouveaux riches, rather the old noblesse of the Faubourg S. Germain—tall, lean old gentlemen, with fine aquiline noses and distinguÉ figures; and old ladies in sober black, much lace and old-fashioned grey curls. There was a story told in one of the newspapers of a lady wanting an anniversary mass said at S. Thomas, but, the price being 10 fr., she could not afford it. "Eh bien, madame, vous pouvez en avoir À S. Pierre du Gros-Caillou pour 7 frs. 50 c." I cannot vouch for the truth of the tale; but it is well-known that masses for the dead could not possibly be said in sufficient number in the city churches except by uniting many heterogeneous souls, which would not be pleasant to those who wish to spare no expense, and to run no chances of failure as regards the future of their dear relatives and friends; and so commemorative and anniversary masses are farmed out, like the poor babies, to country priests; which has the double advantage of aiding the departed souls and of augmenting the miserable stipends of the unfortunate provincial curÉs, who have to be "passing rich" literally upon forty pounds a year—and fees, which are no small items in certain places. The system of stretching out an income by fees is terrible. So much for weddings and burials at the High Altar; so much less at a side one; a little more at the altar of the Blessed Virgin than at that of S. Holobellou, and so on; by which means the curÉs of the rich churches, the Madeleine, S. Augustin, La TrinitÉ, S. Thomas, S. Philippe and the like, multiply their incomes to an enormous extent. This is not the only country where equalization of the incomes of the clergy is desirable.

S. Thomas formerly belonged to the Jacobins; the conventual buildings are now used for the museum of artillery. The church was commenced in 1683, but only finished in 1740. The portal was designed by brother Claude, a religious of the monastery; the ceiling of the choir was painted in 1724 by Lemoine, and represents the Transfiguration.

                                                                                                                                                                                                                                                                                                           

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