Built by LibÉral Bruant from 1671 to 1679, this church has a certain grandeur, and could the dome be seen from it by taking away the intervening partition of ugly painted glass, it would be very imposing. The latter, the burial-place of Napoleon and of some of his generals, contains also monuments and statues of other military heroes. This part, the cupola (or Tombeau as it is generally termed), was built by Jules Hardouin Mansard, and dedicated by the Cardinal de Noailles in 1706. The exterior is very fine, and, with its gilding, forms a beautiful landmark for all parts of the city and suburbs. The interior, if somewhat pompous, and over addicted to yellow glass, is nevertheless very grand; and the general effect of the magnificent baldachino over the altar (just such an arrangement as was wanted in S. Paul's), and the subdued light, make a decidedly striking coup d'oeil.

LE TOMBEAU DE NAPOLÉON.
LE TOMBEAU DE NAPOLÉON.

The statues of Charlemagne and of S. Louis are by Coyzevox and Nicolas Coustou; the cupola was painted by Charles de Lafosse and by Jouvenet. The statue of Turenne, which has at last found a resting-place, after having been shunted about since its departure from S. Denis, is the work of Tuby and Marsy. In the centre, under the beautiful dome, is Napoleon's tomb, sunk some feet below the surface.

In the chapel proper are rows of flags of all nations suspended from each side of the roof; but beyond these there is little that is picturesque except during the military mass on Sunday morning. Then, when the pensioners line the aisle, bearing their swords and halberds; when the drums beat at the Elevation, and the old men present arms, the effect is both grand and intensely pathetic. Formerly the military band played throughout the offices; now the duty is done by the organ.