“Do you imagine that Robin Goodfellow—a mere name to you—conveys anything like the meaning to your mind that it did to those for whom the name represented a still living belief, and who had the stories about him at their fingers’ ends? Or let me ask you, Why did the fairies dance on moonlight nights? or, Have you ever thought why it is that in English literature, and in English literature alone, the fairy realm finds a place in the highest works of imagination?”—F. S. Hartland.

In British FaËrie there figures prominently a certain “Man in the Oak”: according to Keightley, Puck, alias Robin Goodfellow, was known as this “Man in the Oak,” and he considers that the word pixy “is evidently Pucksy, the endearing diminutive sy being added to Puck like Betsy, Nancy, Dixie”.[255] It is probable that this adjectival si recurring in sweet, sooth, suave, swan, etc., may be equated with the Sanscrit su, which, as in swastika, is a synonym for the Greek eu, meaning soft, gentle, pleasing, and propitious. When used as an affix, this “endearing diminutive” yields spook, which was seemingly once “dear little Pook,” or “soft, gentle, pleasing, and propitious Puck”. In Wales the fairies were known as “Mothers’ Blessings,” and although spook now carries a sinister sense, there is no more reason to suppose that “dear little Pook” was primarily malignant than to suggest that the Holy Ghost was—in the modern sense—essentially ghastly. Skeat suggests that ghost (of uncertain origin) “is perhaps allied to Icelandic geisa, to rage like fire, and to Gothic us-gais-yan, to terrify”. Some may be aghast at this suggestion, others, who cannot conceive the Supreme Sprite except as a raging and consuming fury, will commend it. In the preceding chapter I suggested that the elementary derivation of ghost was ’goes, the Great Life or Essence, and as te in Celtic meant good, it may be permissible to modernise ghoste, also Kostey of the egg, into great life good.

That there was a good and a bad Puck is to be inferred from the West of England belief in Bucca Gwidden, the white or good spirit, and Bucca Dhu, the black, malevolent one.[256] Puck, like Dan Cupid, figures in popular estimation as a pawky little pickle; in Brittany the dolmens are known as poukelays or Puck stones, and the particular haunts of Puck were heaths and desert places. The place-name Picktree suggests one of Puck’s sacred oaks; Pickthorne was presumably one of Puck’s hawthorns, and the various Pickwells, Pickhills, Pickmeres, etc., were once, in all probability, spook-haunted. The highest point at Peckham, near London, is Honor Oak or One Tree Hill, and Peckhams or Puckhomes are plentiful in the South of England. One of them was inferentially near Ockham, at Great and Little Bookham, where the common or forest consists practically solely of the three pre-eminently fairy-trees—oak, hawthorne, and holly. The summit of the Buckland Hills, above Mickleham, is the celebrated, box-planted Boxhill, and at its foot runs Pixham or Pixholme Lane. On the height, nearly opposite Pixham Lane, the Ordnance Map marks Pigdon, but the roadway from Bookham to Boxhill is known, not as Pigdon Hill, but Bagden Hill. In all probability the terms Pigdon and Bagden are the original British forms of the more modern Pixham and Bok’s Hill.

In the North of England Puck seems more generally Peg, whence the fairy of the river Ribble was known as Peg O’Nell, and the nymph of the Tees, as Peg Powler.[257] Peg—a synonym for Margaret—is generally interpreted as having meant pearl.

The word puck or peg, which varies in different parts of the country into pug, pouke, pwcca, poake, pucke, puckle, and phooka, becomes elsewhere bucca, bug, bogie, bogle, boggart, buggaboo, and bugbear.

According to all accounts the Pucks, like the Buccas, were divided into two classes, “good and bad,” and it was only the clergy who maintained that “one and the same malignant fiend meddled in both”. As Scott rightly observes: “Before leaving the subject of fairy superstition in England we may remark that it was of a more playful and gentle, less wild and necromantic character, than that received among the sister people. The amusements of the southern fairies were light and sportive; their resentments were satisfied with pinching or scratching the objects of their displeasure; their peculiar sense of cleanliness rewarded the housewives with the silver token in the shoe; their nicety was extreme concerning any coarseness or negligence which could offend their delicacy; and I cannot discern, except, perhaps, from the insinuations of some scrupulous divines, that they were vassals to or in close alliance with the infernals, as there is too much reason to believe was the case with their North British sisterhood.”[258]

The elemental Bog is the Slavonic term for God,[259] and when the early translators of the Bible rendered “terror by night” as “bugs by night” they probably had spooks or bogies in their mind. In Etruria as in Egypt the bug or maybug was revered as the symbol of the Creator Bog, because the Egyptian beetle has a curious habit of creating small pellets or balls of mud. In Welsh bogel means the navel, also centre of a wheel, and hence Margaret or Peggy may be equated with the nave or peg of the white-rayed Marguerite or Day’s Eye.[260]

It must constantly be borne in mind that the ancients never stereotyped their Ideal, hence there was invariably a vagueness about the form and features of prehistoric Joy, and Shakespeare’s reference to Dan Cupid as a “senior-junior, giant-dwarf,” may be equally applied to every Elf and Pixy. It is unquestionable that in England as in Scandinavia and Germany “giants and dwarfs were originally identical phenomenon”.[261]

In the words of an Orphic Hymn “Jove is both male and an immortal maid”: Venus was sometimes represented with a beard, and as the Supreme Parent was indiscriminately regarded as either male or female, or as both combined, an occasional contradiction of form is not to be unexpected. The authorities attribute the contrariety of sex which is sometimes assigned to the Cornish saints as being due to carelessness on the part of transcribers, but in this case the monks may be exonerated, as the greater probability is that they faithfully transmitted the pagan legends. The Moon, which, speaking generally, was essentially a symbol of the Mother, was among some races, e.g., the Teutons and the Egyptians, regarded as masculine. In Italy at certain festivals the men dressed in women’s garments, worshipped the Moon as Lunus, and the women dressed like men, as Luna. In Wales the Cadi, as we have seen, was dressed partially as a woman, partially as a man, and in all probability the cassock of the modern priest is a survival of the ambiguous duality of Kate or Good. In Irish the adjective mo—derived seemingly from Mo or Ma, the Great Mother—meant greatest, and was thus used irrespective of sex.

The French word lune, like moon and choon, is radically une, the initial consonants being merely adjectival, and is just as sexless as our one, Scotch ane. In Germany hunne means giant, and the term “Hun,” meant radically anyone formidable or gigantic.

The Cornish for full moon is cann, which is a slightly decayed form of ak ann or great one, and this word can, or khan, meaning prince, ruler, king or great one, is traceable in numerous parts of the world. Can or chan was Egyptian for lord or prince; can was a title of the kings of ancient Mexico; khan is still used to-day by the kings of Tartary and Burmah and by the governors of provinces in Persia, Afghanistan, and other countries of Central Asia. In China kong means king, and in modern England king is a slightly decayed form of the Teutonic konig or kinig. The ancient British word for mighty chief was chun or cun, and we meet with this infinitely older word than king as a participle of royal titles such as Cunobelinus, Cunoval, Cunomor and the like. The same affix was used in a similar sense by the Greeks, whence Apollo was styled Cunades and also Cunnins. The Cornish for prince was kyn, and this term, as also the Irish cun, meaning chief, is evidently far more primitive than the modern king, which seems to have returned to us through Saxon channels. Prof. Skeat expresses his opinion that the term king meant “literally a man of good birth,” and he identifies it with the old High German chunig. Other authorities equate it with the Sanscrit janaka, meaning father, whence it is maintained that the original meaning of the word was “father of a tribe”. Similarly the word queen is derived by our dictionaries from the Greek gyne, a woman, or the Sanscrit jani, “all from root gan, to produce, from which are genus, kin, king, etc.”

The word chen in Cornish meant cause, and there is no doubt a connection between this term and kyn, the Cornish for prince; the connection, however, is principally in the second syllable, and I see no reason to doubt my previous conclusions formulated elsewhere, that kyn or king originally meant great one, or high one, whereas chun, jani, gyne, etc., meant aged one.

One of the first kings of the Isle of Man was Hacon or Hakon, a name which the dictionaries define as having meant high kin. In this etymology ha is evidently equated with high and con or kon with kin, but it is equally likely that Hakon or Haakon meant originally uch on the high one. In Cornish the adjective ughan or aughan meant supreme: the Icelandic for queen is kona, and there is no more radical distinction between king and the disyllabic kween, than there is between the Christian names Ion, Ian, and the monosyllabic Han.

Janaka, the Sanscrit for father, is seemingly allied to the English adjective jannock or jonnack, which may be equated more or less with canny. Uncanny means something unwholesome, unpleasant, disagreeable; in Cornish cun meant sweet or affable, and we still speak of sweets as candies.

In Gaelic cenn or ken meant head, the highest peak in the Himalayas is Mount Kun; one of the supreme summits of Africa is Mount Kenia, and in Genesis (14-19) the Hebrew word Konah is translated into English as “the Most High God”. Of this Supreme Sprite the cone or pyramid was a symbol, and the reverence in which this form was held at Albano in Etruria may be estimated from the monument here depicted.[262] In times gone by khans, cuns, or kings were not only deemed to be moral and intellectual gods, but in some localities bigness of person was cultivated. The Maoris of New Zealand, whose tattooings are identical in certain respects with the complicated spirals found on megaliths in Brittany and Ireland, and who in all their wide wanderings have carried with them a totemic dove, used to believe bigness to be a royal essence. “Every means were used to acquire this dignity; a large person was thought to be of the highest importance; to acquire this extra size, the child of a chief was generally provided with many nurses, each contributing to his support by robbing their own offspring of their natural sustenance; thus, whilst they were half-starved, miserable-looking little creatures, the chief’s child was the contrary, and early became remarkable by its good appearance.”[263]

The British adjective big is of unknown origin and has no Anglo-Saxon equivalent. In Norway bugge means a strong man, but in Germany bigge denoted a little child—as also a pig. The site of Troy—the famous Troy—is marked on modern maps Bigha, the Basque for eye is beguia; bega is Celtic for life. A fabulous St. Bega is the patron-saint of Cumberland; there is a Baggy Point near Barnstaple, and a Bigbury near Totnes—the alleged landing place of the Trojans. Close to Canterbury are some highlands also known as Bigbury, and it is probable that all these sites were named after beguia, the Big Eye, or Buggaboo, the Big Father.

At Canterbury paleolithic implements have been found which supply proof of human occupation at a time when the British Islands formed part of the Continent, and, according to a scholarly but anonymous chronology exhibited in a Canterbury Hotel, “Neolithic, bronze, and iron ages show continuous occupation during the whole prehistoric period. The configuration of the city boundaries and the still existing traces of the ancient road in connection with the stronghold at Bigbury indicate that a populous community was settled on the site of the present Canterbury at least as early as the Iron Age.”

The branching antlers of the buck were regarded as the rays of the uprising sun or Big Eye, and a sacred procession, headed by the antlers of a buck raised upon a pole, was continued by the clergy of St. Paul’s Cathedral as late as the seventeenth century.[264] A scandalised observer of this ceremony in 1726 describes “the whole company blowing hunters’ horns in a sort of hideous manner, and with this rude pomp they go up to the High Altar and offer it there. You would think them all the mad votaries of Diana!” On this occasion, evidently in accordance with immemorial wont, the Dean and Chapter wore special vestments, the one embroidered with bucks, the other with does. The buck was seemingly associated with Puck, for it was popularly supposed that a spectre appeared periodically in Herne’s Oak at Windsor headed with the horns of a buck. So too was Father Christmas or St. Nicholas represented as riding Diana-like in a chariot drawn by bucks.

The Greek for buck or stag is elaphos, which is radically elaf, and it is a singular coincidence that among the Cretan paleolithic folk in the Fourth Glacial Period “Certain signs carved on a fragment of reindeer horn are specially interesting from the primitive anticipation that they present of the Phoenician letter alef”.[265]

Peg or Peggy is the same word as pig, and it is generally supposed that the pig was regarded as an incarnation of the “Man in the Oak,” i.e., Puck or Buck, because the bacco or bacon lived on acorns. There is little doubt that the Saint Baccho of the Church Calendar is connected with the worship of the earlier Bacchus, for the date of St. Baccho’s festival coincides with the vintage festival of Bacchus. The symbolism of the pig or bacco will be discussed in a subsequent chapter, meanwhile one may here note that hog is the same as oak, and swine is identical with swan. So also Meg is connected with muc or moch which were the Celtic terms for hog. Among the appellations of ancient Ireland was Muc Inis,[266] or Hog Island and Moccus, or the pig, was one of the Celtic sobriquets for Mercury. The Druids termed themselves “Swine of Mon,”[267] the Phoenician priests were also self-styled Swine, and there is a Welsh poem in which the bard’s opening advice to his disciples is—“Give ear little pigs”.

The pig figures so frequently upon Gaulish coins that M. de la Saussaye supposed it with great reason to have been a national symbol. That the hog was also a venerated British emblem is evident from the coins here illustrated, and that CUNO was the Spook King is obvious from Figs. 52 and 57, where the features face fore and aft like those of Janus. The word Cunobeline, Cunbelin, or Cymbeline, described by the dictionaries as a Cornish name meaning “lord of the Sun,” is composed seemingly of King Belin. Belin, a title of the Sun God, is found also in Gaul, notably on the coinage of the Belindi: Belin is featured as in Fig. 58, and that the sacred Horse of Belin was associated with the ded pillar is evident from Fig. 59.

Commenting upon Fig. 52 a numismatist has observed: “This seems made for two young women’s faces,” but whether Cunobelin’s wives, sisters, or children, he knows not. In Britain doubtless there were many kings who assumed the title of Cunobelin, just as in Egypt there were many Pharoahs; but it is no more rational to suppose that the designs on ancient coins are the portraits of historic kings, their wives, their sisters, their cousins, or their aunts, than it would be for an archÆologist to imagine that the dragon incident on our modern sovereigns was an episode in the career of his present Majesty King George.

We shall subsequently connect George, whose name means ploughman, with the Blue or Celestial Boar, which, because it ploughed with its snout along the earth, was termed boar, i.e., boer or farmer. With bacco or bacon may be connoted boukolos, the Greek for cowherd, whence bucolic. The cattle of Apollo, or the Sun, are a familiar feature of Greek mythology.

The female bacon, which inter alia was the symbol of fecundity, was credited with a mystic thirty teats. The sow figures prominently in British mythology as an emblem of Ked, and was seemingly venerated as a symbol of the Universal Feeder. The little pig in Fig. 60, a coin of the Santones, whose capital is marked by the modern town of Saintes, is associated with a fleur-de-lis, the emblem of purity. The word lily is all holy; the porker was associated with the notoriously pure St. Antony as well as with Ked or Kate, the immaculate Magna Mater, and although beyond these indications I have no evidence for the suggestion, I strongly suspect that the scavenging habits of the moch caused it, like the fly or mouche, to be reverenced as a symbol of Ked, Cadi, Katy, or Katerina, whose name means the Pure one or the All Pure. The connection between hog and cock is apparent in the French coche or cochon (origin unknown). Cochon is allied to cigne, the French for swan, Latin, cygnus, Greek, kuknos; the voice of the goose or swan is said to be its cackle, and the Egyptians gave to their All Father Goose a sobriquet which the authorities translate into “The Great Cackler”.

Among the meanings assigned to the Hebrew og is “long necked,” and it is not improbable that the mysterious Inn sign of the “Swan with two necks” was originally an emblem of Mother and Father Goose. In Fig. 61 the geis or swan is facing fore and aft, like Cuno, which is radically the same Great Uno as Juno or Megale, to whom the goose was sacred. Geyser, a gush or spring, is the same word as geeser, and there was a famous swan with two necks at Goswell Road, where the word Goswell implies an erstwhile well of Gos, Goose, or the Gush.[268] A Wayzgoose is a jovial holiday or festival, gust or gusto means enjoyment, and the Greengoose Fair, which used to be held at Stratford, may be connoted with the “Goose-Intentos,” a festival which was customarily held on the sixteenth Sunday after Pentecost. Pentecost, the time when the Holy Ghost descended in the form of “cloven tongues,” resolves into Universal Good Ghost.

The Santones, whose emblem was the Pig and Fleur-de-lis, were neighbours of the Pictones. Our British Picts, the first British tribe known by name to history, are generally supposed to have derived their title because they depicted pictures on their bodies. In West Cornwall there are rude stone huts known locally as Picts’ Houses, but whether these are attributed to the Picts or the Pixies it is difficult to say. In Scotland the “Pechs” were obviously elves, for they are supposed to have been short, wee men with long arms, and such huge feet that on rainy days they stood upside down and used their feet as umbrellas. That the Picts’ Houses of Cornwall were attributed to the Pechs is probable from the Scottish belief, “Oh, ay, they were great builders the Pechs; they built a’ the auld castles in the country. They stood a’ in a row from the quarry to the building stance, and elka ane handed forward the stanes to his neighbour till the hale was bigget.”

That the pig and the bogie were intimately associated is evidenced by a Welsh saying quoted by Sir John Rhys:—

In Ireland Pooka was essentially a November spirit, and elsewhere November was pre-eminently the time of All Hallows or All Angels. Hallow is the same word as elle the Scandinavian for elf or fairy, and at Michaelmas or Hallowe’en, pixies, spooks, and bogies were notoriously all-abroad:—

The time of All Hallows, or Michaelmas used to be known as Hoketide, a festival which in England was more particularly held upon St. Blaze’s Day; and at that cheerless period the people used to light bonfires or make blazes for the purpose of “lighting souls out of Purgatory”. In Wales a huge fire was lighted by each household and into the ashes of this bonfire, this alban or elphin fire,[269] every member of the family threw a white or “Alban,” or an elphin stone, kneeling in prayer around the dying fire.[270] In the Isle of Man Hallowtide was known as Hollantide,[271] which again permits the equation of St. Hellen or Elen and her train with Long Meg and her daughters. On the occasion of the Hallow or Ellie-time saffron or yellow cakes, said to be emblematical of the fires of purgatory, used to be eaten. To run amok in the East means a fiery fury—the words are the same; and that bake (or beeak as in Yorkshire dialect) meant fire is obvious from the synonymous cook. Coch is Welsh for red, and the flaming red poppy or corncockle, French—coquelicot, was no doubt the symbol of the solar poppy, pope, or pap. The Irish for pap or breast is cich, and in Welsh cycho means a hive, or anything of concave or hivelike shape. Possibly here we have the origin of quick in its sense of living or alive.

One of the features of Michaelmas in Scotland was the concoction and cooking of a giant cake, bun, or bannock. According to Martin this was “enormously large, and compounded of different ingredients. This cake belonged to the Archangel, and had its name from him. Every one in each family, whether strangers or domestics, had his portion of this kind of shew-bread, and had of course some tithe to the friendship and protection of Michael.”[272] In Hertfordshire during a corresponding period of “joy, plenty, and universal benevolence,” the young men assembled in the fields choosing a very active leader who then led them a Puck-like chase through bush and through briar, for the sake of diversion selecting a route through ponds, ditches, and places of difficult passage.[273] The term Ganging Day applied to this festival may be connoted with the Singin ’een of the Scotch Hogmanay, and with the leader of St. Micah’s rout may be connoted demagog. This word, meaning popular leader, is attributed to demos, people, and agogos, leading, but more seemingly it is Dame Gog or Good Mother Gog.

In Durham is a Pickburn or Pigburn; beck is a generic term for a small stream; in Devon is a river Becky, and in Monmouthshire a river Beeg. In Kent is Bekesbourne, and Pegwell Bay near St. Margarets in Kent, may be connoted with Backwell or Bachwell in Somerset. In Herefordshire is a British earthwork, known as Bach Camp, and on Bucton Moor in Northumberland there are two earth circles. In Devonshire is Buckland-Egg, or Egg-Buckland, and with the various Boxmoors, Boxgroves, Boxdales, and Boxleys may be connoted the Box river which passes Keynton and crosses Akeman Street. A Christmas box is a boon or a gift, a box or receptacle is the same word as pyx; and that the evergreen undying box-tree was esteemed sacred, is evident from the words of Isaiah: “I will set in the desert the fir tree, and the pine tree, and the box tree together”.[274]

Bacon, radically bac, in neighbouring tongues varies into baco, bakke, bak, and bache. Bacon is a family name immortally associated with St. Albans, and it is probable that Trebiggan—a vast man with arms so long that he could take men out of the ships passing by Land’s End, and place them on the Long Ships—was the Eternal Biggan or Beginning. In British Romance there figures a mystic Lady Tryamour, whose name is obviously Tri or Three Love, and it is probable that Giant Trebiggan was the pagan Trinity, or Triton, whose emblem was the three-spiked trident. Triton alias Neptune was the reputed Father of Giant Albion, and the shell-haired deity represented on Figs. 62 to 64 is probably Albon, for the inscription in Iberian characters reads BLBAN. In the East Bel was a generic term meaning lord: in the West it seemingly meant, just as it does to-day, fine or beautiful. The city of Blban or beautiful Ban is now Bilbao, and the three fish on this coin are analogous to the trident, and to numberless other emblems of the Triune.

The radiating fan of the cockle shell connects it with the Corn-cockle as the Dawn, standing jocund on the misty mountain tops, is related to the flaming midday Sun. All conchas, particularly the echinea or “St. Cuthbert’s Bead,” were symbols of St. Katherine or Cuddy, and in Art St. Jacques or St. Jack was always represented with a shell. Coquille, the French for shell, is the same word as goggle, and in England the cockle was popularly connected with a strange custom known as Hot Cockles or Cockle Bread. Full particulars of this practice are given by Hazlitt, who observes: “I entertain a conviction that with respect to these hot cockles, and likewise to leap-candle, we are merely on the threshhold of the enquiry ... the question stands at present much as if one had picked up by accident the husk of some lost substance.... Speaking conjecturally, but with certain sidelights to encourage, this seems a case of the insensible degradation of rite into custom.”[275]

Shells are one of the most common deposits in prehistoric graves, and at Boston in Lincolnshire stone coffins have been found completely filled with cockle-shells. There would thus seem to be some connection between Ickanhoe, the ancient name for Boston, a town of the Iceni, situated on the Ichenield Way, and the echinea or concha. As the cockle was particularly the symbol of Birth, the presence of these shells in coffins may be attributed to a hope of New Birth and a belief that Death was the yoni or Gate of Life.

The word inimical implies un-amicable, or unfriendly, whence Michael was seemingly the Friend of Man. Maculate means spotted, and the coins here illustrated, believed to have been minted at St. Albans, obviously feature no physical King but rather the Kaadman or Good Man of St. Albans in his dual aspect of age and youth. The starry, spotted, or maculate effigy is apparently an attempt to depict the astral or spiritual King, for it was an ancient idea that the spirit-body and the spirit-world were made of a so-called stellar-matter—a notion which has recently been revived by the Theosophists who speak of the astral body and the astral plane. Our modern breath, old English breeth, is evidently the Welsh brith which means spotted, and it is to this root that Sir John Rhys attributes the term Brython or Britain, finding in it a reference to that painting or tattooing of the body which distinguished the Picts.[276] The word tattoo, Maori tatau, is the Celtic tata meaning father, and the implication seems to follow that the custom of tattooing arose from picking, dotting, or maculating the tribal totem or caste-mark.

In the Old English representation here illustrated either St. Peter or God the Father is conspicuously tattooed or spotted; Pan was always assigned a panther’s skin, or spotted cloak.

A speck is a minute spot, and among the ancients a speck or dot within a circle was the symbol of the central Spook or Spectre. This, like all other emblems, was understood in a personal and a cosmic sense, the little speck and circle representing the soul surrounded by its round of influence and duties; the Cosmic speck, the Supreme Spirit, and the circle the entire Universe. In many instances the dot and ring seems to have stood for the pupil in the iris of the eye. In addition it is evident that ? was an emblem of the Breast, and hieroglyphed the speck in the centre of the zone or sein, for the Greek letter theta written—? is identical with teta, teat, tada, dot or dad. The dotted effigy on the coins supposedly minted at St. Albans may be connoted with the curious fact that in Welsh the word alban meant a primary point.[277]

Speck is the root of speculum, a mirror, and it might be suggested by the materialist that the first reflection in a metal mirror was assumed to be a spook. The mirror is an attribute of nearly every ancient Deity, and the British Druids seem to have had some system of flashing the sunlight on to the crowd by means of what was termed by the Bards, the Speculum of the Pervading Glance. Specula means a watch-tower, and spectrum means vision. Speech, speak, and spoke, point to the probability that speech was deemed to be the voice of the indwelling spook or spectre, which etymology is at any rate preferable to the official surmise “all, perhaps, from Teutonic base sprek—to make a noise”.

The Egyptian hieroglyph here illustrated depicts the speculum of Thoth, a deity whom the Phoenicians rendered Taut, and to whom they attributed the invention of the alphabet and all other arts. The whole land of Egypt was known among other designations as “the land of the Eye,” and by the Egyptians as also by the Etrurians, the symbolic blue Eye of Horus was carried constantly as an amulet against bad luck. Fig. 69 is an Egyptian die-stamp, and Figs. 70 to 72 are British coins of which the intricate symbolism will be considered in due course. The arms of Fig. 73 are extended into the act of benediction, and utat, the Egyptian word for this symbol, resolves into the soft, gentle, pleasing, and propitious Tat. That the utat or eye was familiar in Europe is evidenced by the Kio coin here illustrated.

Spica, which is also the same word as spook, meant ear of corn; the wheatear is proverbially the Staff of Life, and loaf, old English loof, is the same word as life. Not infrequently the Bona Dea was represented holding a loaf in her extended hand, and the same idea was doubtless expressed by the two breasts upon a dish with which St. Agatha, whose name means Good, is represented. Christianity accounts for this curious emblem by a legend that St. Agatha was tortured by having her breasts cut off, and it is quite possible that this nasty tale is correctly translated; the original tyrant or torturer being probably Winter, or the reaper Death, which cuts short the fruit fulness of Spring. In the Tartar emblem herewith the Phrygian-capped Deity is holding, like St. Agatha, the symbol of the teat or feeder, or fodder.[278]

The wheatear or spica, or buck-wheat was a frequent emblem on our British coins, and to account for this it has been suggested that the British did a considerable export trade in corn; but unfortunately for this theory the spica figures frequently upon the coins of Spain and Gaul. As a symbol the buckwheat typified plenty, but in addition to the wheatear proper there appear kindred objects which have been surmised to be, perhaps, fishbones, perhaps fern-leaves. There is no doubt that these mysterious objects are variants of the so-called “ded” amulet, which in Egypt was the symbol of the backbone of the God of Life. This amulet, of which the hieroglyph has been rendered variously as ded, didu, tet, and tat, has an ancestry of amazing antiquity, and according to Mackenzie, “in Paleolithic times, at least 20,000 years ago, the spine of the fish was laid on the corpse when it was entombed, just as the ‘ded,’ amulet, which was the symbol of the backbone of Osiris, was laid on the neck of the Egyptian mummy”.[279] Frequently this “ded” emblem took the form of a column or pillar, which symbolised the eternal support and stability of the universe. On the summit of Fig. 85 is a bug, cockroach, or cockchafer: in Etruria as in Egypt the bug amulet or scarabeus was as popular as the Eye of Horus.

In Fig. 68 the spectral Eye was supported by Thoth, whose name varies into Thot, Taut, and numerous intermediate forms, which equate it with ded or dad: similarly it will be found that practically every place-name constituted from Tot or Tat varies into Dot or Dad, e.g., Llandudno, where is found the cradle of St. Tudno. Sometimes the Egyptians represented two or more pillars termed deddu, and this word is traceable in Trinidad, an island which, on account of its three great peaks, was named after trinidad, the Spanish for trinity. But trinidad is evidently a very old Iberian word, for its British form was drindod, as in the place-name Llandrindod or “Holy Enclosure of the Trinity”. The three great mounts on Trinidad, and the three famous medicinal springs at Llandrindod Wells render it probable that the site of Llandrindod was originally a pagan dedication to the trine teat, or triune dad.

Amid numerous hut circles at Llandudno is a rocking stone known as Cryd-Tudno, or the Cradle of Tudno. Who was the St. Tudno of Llandudno whose cradle or cot, like Kit’s Coty in Kent, has been thus preserved in folk-memory? The few facts related of him are manifestly fabulous, but the name itself seemingly preserves one of the numerous sites where the Almighty Child of Christmas Day was worshipped, and the no of Tudno may be connoted with new, Greek, neo, Danish, ny, allied to Sanscrit, no, hence new, “that which is now”.

At Llanamlleck in Wales there is a cromlech known as St. Illtyd’s House, near which is a rude upright stone known as Maen-Illtyd, or Illtyd-stone. We may connote this Illtyd with All-tyd or All Father, in which respect Illtyd corresponds with the Scandinavian Ilmatar, Almatar, or All Mother.

It is told of Saint Illtyd that he befriended a hunted stag, and that like Semele, the wife of Jove, his wife was stricken with blindness for daring to approach too near him. The association of Illtyd with a stag is peculiarly significant in view of the fact that at Llandudno, leading to the cot or cradle of St. Tudno, are the remains of an avenue of standing stones called by a name which signifies “the High Road of the Deer”. The branching antlers of the deer being emblems of the dayspring, the rising or new sun, is a fact somewhat confirmatory of the supposition that the Cradle of Tudno was the shrine of the new or Rising Tud, and in all probability the High Road of the Deer was once the scene of some very curious ceremonies.

Many of our old churches even to-day contain in their lofts antlers which formed part of the wardrobe of the ancient mummers or guise dancers.

In the Ephesian coin herewith Diana—the divine Ana—the many-breasted Alma Mater, is depicted in the form of a pillar-palm tree between two stags. Among the golden treasures found by Schliemann at MykenÆ, were ornaments representing two stags on the top of a date palm tree with three fronds.[280] The date palm may be connoted with the ded pillar, and the triple-fronded date of MykenÆ with the trindod or drindod of Britain.

The honeysuckle, termed conventionally a palmette, is classically represented as either seven or nine-lobed, and this symbol of the Dayspring or of Wisdom was common alike both East and West. The palm branch is merely another form of the fern or fish-bone, and the word palm is radically alma, the all nourisher. The palm leaf appears on one of the stones at New Grange, but as Fergusson remarks, “how a knowledge of this Eastern plant reached New Grange is by no means clear”.[281] The feather was a further emblem of the same spiritual father, feeder, or fodder, and in Egypt Ma or Truth was represented with a single-feather headdress (ante, p. 136). From the mistletoe to the fern, a sprig of any kind was regarded as the spright, spirit, or spurt of new life or new Thought (Thaut?), and the forms of this young sprig are innumerable. The gist, ghost, or essence of the Maypole was that it should be a sprout well budded out, whence to this day at Saffron Walden the children on Mayday sing:—

Teat may be equated with the Gaulish tout, the whole or All, and it is probable that the Pelasgian shrine of Dodona was dedicated to that All One or Father One. It is noteworthy that the sway of the pre-Grecian Pelasgians extended over the whole of the Ionian coast “beginning from Mykale”:[282] this Mykale (Megale or Michael?) district is now Albania, and its capital is Janina, query Queen Ina?

It is probable that Kenna, the fairy princess of Kensington who is reputed to have loved Albion, was canna, the New King or New Queen. On the river Canna in Wales is Llangan or Llanganna: Llangan on the river Taff is dedicated to St. Canna, and Llangain to St. Synin. All these dedications are seemingly survivals of King, Queen, or Saint, Ina, Una, Une, ain or one. In Cornwall there are several St. Euny’s Wells: near Evesham is Honeybourne, and in Sussex is a Honey Child. Upon Honeychurch the authorities comment, “The connection between a church and honey is not very obvious, and this is probably Church of Huna”. Quite likely, but not, I think, a Saxon settler.

The ancients supposed that the world was shaped like a bun, and they imagined it as supported by the tet or pillar of the Almighty. It is therefore possible that the Toadstool or Mushroom derived its name not because toads never sit upon it, but because it was held to be a perfect emblem of the earth. In some districts the Mushroom is named “Pooka’s foot,”[283] and as the earth is proverbially God’s footstool, the Toad-stool was held seemingly to be the stool of earth supported on the ded, or pillar of Titan. The Fairy Titania, who probably once held sway in Tottenham Court Road, may be connoted with the French teton, a teat; tetine, an udder; teter, to milk; and tetin, a nipple.

It is probable that “The Five Wells” at Taddington, “the Five Kings at Doddington,” where also is “the Duddo Stone,” likewise Dod Law at Doddington; Dowdeswell, Dudsbury, and the Cornish Dodman, are all referable originally to the fairy Titan or the celestial Daddy.

In accordance with universal wont this Titan or Almighty, “this senior-junior, giant-dwarf, Dan Cupid,” was conceived as anon a tiny toddling tot or Tom-tit-tot, anon as Old Tithonus, the doddering dotard: the Swedish for death or dead is dod; the German is tod. Tod is an English term for a fox, and Thot was the fox or jackal-headed maker-of-tracts or guide: thought is invariably the guide to every action, and Divine Thought is the final bar to which the human soul comes up for judgment. It has already been seen that in Europe the holder of the sword and scales was Michael, and there is reason to suppose that the Dog-headed titanic Christopher, who is said to have ferried travellers pick-a-back across a river, was at one time an exquisite conception of Great Puck or Father Death carrying his children over the mystic river. By the pagans—the unsophisticated villagers among whom Pucca mostly survived—Death was conceived as not invariably or necessarily frightful, but sometimes as a lovely youth. In Fig. 91 Death is Amor or Young Love, and in Fig. 90 an angel occupies the place of Giant Christopher: the words death and dead are identical with dad and tod.

The Christian emblems herewith represent Christ supported by the Father or Mother upon a veil or scarf, which is probably intended for the rainbow or spectrum: the pagan Europa was represented, vide Fig. 93, holding a similar emblem. According to mythology, Iris or the Rainbow was like Thot or Mercury, the Messenger of the Gods, and the symbolists delighted to blend into their hieroglyphs that same elusive ambiguity as separates Iris from Eros and the blend of colours in the spectrum.

In the ninth century a learned monk expressed the opinion that only two words of the old Iberian language had then survived: one of these was fern, meaning anything good, and with it we may connote the Fern Islands among which stands the Megstone. Ferns, the ancient capital of Leinster, attributes its foundation to a St. Mogue, and St. Mogue’s Well is still existing in the precincts of Ferns Abbey. The equation of Long Meg and her Daughters with Ursula and the Eleven Thousand Virgins is supported by the tradition that the original name of St. Ursula’s husband was Holofernes,[284] seemingly Holy Ferns or Holy Phoroneus. What is described as “the highest term in Grecian history” was the ancestral Inachus, the father of a certain Phoroneus. The fabulous Inachus[285]—probably the Gaelic divinity Oengus[286]—is the Ancient Mighty Life, and Phoroneus is radically fern or frond. There figures in Irish mythology “a very ancient deity” whose name, judging from inscriptions, was Feron or Vorenn, and it is noteworthy that Oengus is associated particularly with New Grange, where the fern palm leaf emblem has been preserved. The Dutch for fern is varen, and the root of all these terms is fer or ver: the Latin ferre is the root of fertile, etc., and in connection with the Welsh ver, which means essence, may be noted ver the Spring and vert, green, whence verdant, verdure, vernal, and infernal(?).

Among the ferns whose spine-like fishbone fronds seemingly caused them to be accepted as emblems of the fertile Dayspring or the permeating Spirit of all Life, the osmunda was particularly associated with the Saints and Gods: in the Tyrol it is still placed over doors for Good Luck, and one species of Osmunda (Crispa) is in Norway called St. Olaf’s Beard. This is termed by Gerarde the Herb Christopher, and the Latin crispa somewhat connects it with Christopher. The name Osmund is Teutonic for divine protector, but more radically Osmunda was oes munda, or the Life of the World. In Devonshire the Pennyroyal is also known as organ, organy, organie, or origane, all of which are radically the same as origin.

The British coins inscribed Ver are believed to have emanated from Verulam or St. Albans, but the same VER, VIR, or kindred legend is found upon the coins of Iberia and Gaul. It is not improbable that Verulam was at one time the chief city in Albion, but the place which now claims to be the mother city is Canterbury or Durovern. The ancient name of Canterbury is supposed to have been bestowed upon it by the Romans, and to have denoted evergreen; but Canterbury is not physically more evergreen than every other spot in verdant England: Canterbury is, however, permeated with relics, memories, and traditions of St. George; and St. George is still addressed in Palestine as the “evergreen green one”. Green was the symbol of rejuvenescence and immortality, and “the Green Man” of our English Inn Signs, as also the Jack-in-Green who used to figure along with Maid Marian and the Hobby Horse in the festivities of May Day, was representative of the May King or the Lord of Life. The colour green, according to the Ecclesiastical authorities, still signifies “hope, plenty, mirth, youth, and prosperity”: as the colour of living vegetation, it was adopted as a symbol of life, and Angels and Saints, particularly St. John, are represented clad in green. In Gaul the Green Man was evidently conceived as Ver Galant, and the two cups, one inverted, in all probability implied Life and Death. According to Christian Legend, St. George was tortured by being forced to drink two cups, whereof the one was prepared to make him mad, the other to kill him by poison. The prosperity of an emblem lies entirely in the Eye, and it is probable that all the alleged dolours to which George was subjected are nothing more than the morbid misconceptions of men whose minds dwelt normally on things most miserable and conceived little higher. Thus seemingly the light-shod Mercury was degraded into George’s alleged torture of being “made to run in red hot shoes”: the heavy pillars laid upon him suggest that he was once depicted bearing up the pillars of the world: the wheel covered with razors and knives to which he was attached imply the solar wheel of Kate or Catarina: the posts to which he was fastened by the feet and hands were seemingly a variant of the deddu, and the sledge hammers with which he was beaten were, like many other of the excruciating torments of the “saint,” merely and inoffensively the emblems of the Heavenly Hercules or Invictus.

Maid Marion, who was not infrequently associated with St. George, is radically Maid Big Ion, or Fairy Ion, and that St. George was also a marine saint is obvious from the various Channels which still bear his name. The ensign of the Navy is the red cross on a white ground, known originally as the Christofer or Jack, and in Fig. 106 the Green Man is represented with the scales of a Merman, or Blue John. The Italian for blue is vera; vera means true; “true blue” is proverbial; and that Old George was Trajan, Tarchon, Tarragone, or Dragon is obvious from the dragon-slaying incident. Little George has already been identified by Baring-Gould with Tammuz, the Adonis, or Beauty, who is identified with the Sun:[287] “Thou shining and vanishing in the beauteous circle of the HorÆ, dwelling at one time in gloomy Tartarus, at another elevating thyself to Olympus, giving ripeness to the fruits”.[288]

The St. George of Diospolis, the City of Light, who by the early Christians was hailed as “the Mighty Man,” the “Star of the Morning,” and the “Sun of Truth,” figures in Cornwall, particularly at Helston, where there is still danced the so-called Furry dance: Helston, moreover, claims to show the great granite stone which was intended to cover the mouth of the Nether Regions, but St. Michael met Satan carrying it and made him drop it.

It is unnecessary to labour the obvious identity between Saints George and Michael: “George,” meaning husbandman, i.e., the Almighty in a bucolic aspect, is merely another title for the archangel, but more radically it may be traced to geo (as in geology, geography, geometry) and urge, i.e., earth urge. It is physically true that farmers urge the earth to yield her increase, and until quite recently, relics of the festival of the sacred plough survived in Britain. Within living memory farmers in Cornwall turned the first sod to the formula “In the name of God let us begin”:[289] in China, where the Emperor himself turns the first sod, much of the ancient ceremonies still survive.

The legend of St. George and the dragon has had its local habitation fixed in many districts notably in Berkshire at the vale of the White Horse. The famous George of Cappadocia is first heard of as “a purveyor of provisions for the Army of Constantinople,” and he was subsequently associated with a certain Dracontius (i.e., dragon), “Master of the Mint”. The same legend is assigned at Lambton in England not to George but to “John that slew ye worm”: in Turkey St. George is known as Oros, which is obviously Horus or Eros, the Lord of the HorÆ or hours, and the English dragon-slayer Conyers of Sockburn is presumably King Yers, whose burn or brook was presumably named after Shock or Jock. In some parts of England a bogey dog is known under the title of “Old Shock,” and in connection with Conyers and John that slew ye worm may be noted near Conway the famous Llandudno headlands, Great and Little Orme or Worm.

The St. George of Scandinavia is named Gest: that Gest was the great Gust or Mighty Wind is probable, and it is more likely that Windsor, a world-famous seat of St. George, meant, not as is assumed winding shore, but wind sire. That St. George was the Ruler of the gusts or winds is implied by the fact that among the Finns, anyone brawling on St. George’s Day was in danger of suffering from storms and tempests. The murmuring of the wind in the oak groves of Dodona was held to be the voice of Zeus, and the will of the All Father was there further deduced by means of a three-chained whip hanging over a metal basin from the hand of the statue of a boy. From the movements of these chains, agitated by the wind and blown by the gusts till they tinkled against the bowl, the will of the Ghost was guessed, and the word guess seemingly implies that guessing was regarded as the operation of the good or bad geis within. In Windsor Great Forest stood the famous Oak or Picktree, where Puck, alias Herne the Hunter, appeared occasionally in the form of an antlered Buck. The supposition that St. George was the great Gush or geyser is strengthened by the fact that near the Cornish Padstow, Petrock-Stowe, or the stowe of the Great Pater, there is a well called St. George’s Well. This well is described as a “mere spring which gushes from a rock,” and the legend states that the water gushed forth immediately St. George had trodden on the spot and has ne’er since ceased to flow.

The Italian for blue—the colour of the deep water and of the high Heavens—is also turchino, and on 23rd April (French Avril), blue coats used to be worn in England in honour of the national saint whose red cross on a white ground has immemorially been our Naval Ensign.[290] St. George figured particularly in the Furry or Flora dance at Helston, and the month of Avril, a period when the earth is opening up its treasures, seemingly derives its name from Ver or Vera, the “daughter deare” of Flora. On 23rd April “the riding of the George” was a principal solemnity in certain parts of England: on St. George’s Day a White Horse used to stand harnessed at the end of St. George’s Chapel in St. Martin’s Church, Strand, and the Duncannon Street, which now runs along the south side of this church, argues the erstwhile existence either here or somewhere of a dun or down of cannon. A cannon is a gun, and our Dragoon guards are supposed to have derived their title from the dragons or fire-arms with which they were armed. The inference is that the first inventors of the gun, cannon, or dragon, entertained the pleasing fancy that their weapon was the fire-spouting worm.[291] The dragon was the emblem of the Cynbro or Kymry: associated with the red cross of St. George it is the cognisance of London, and a fearsome dragon stands to-day at the boundary of the city on the site of Temple Bar.

In the reign of Elizabeth an injunction was issued that “there shall be neither George nor Margaret,” an implication that Margaret was once the recognised Consort of St. George, and the expression “riding of the George,” points to the probability that the White Horse, even if riderless, was known as “the George”. The White Horse of Kent with its legend Invicta implies—unless Heraldry is weak in its grammar—not a horse but a mare: George was Invictus or the Unconquerable, and, as will be seen, there are good reasons to suppose that the White Horse and White Mare were indigenous to Britain long before the times of the Saxon Hengist and Horsa. It is now generally accepted that Hengist, which meant horse, and Horsa, which meant mare, were mythical characters. With the coming of the Saxons no doubt the worship of the White Horse revived for it was an emblem of Hanover, and in Hanover cream-coloured horses were reserved for the use of royalty alone. With the notorious Hanoverian Georges may be connoted the fact that opposite St. George’s Island at Looe (Cornwall) is a strand or market-place named Hannafore: at Hinover in Sussex a white horse was carved into the hillside.

The White Horse—which subsequently became the Hobby Horse, or the Hob’s Horse, of our popular revels—has been carved upon certain downs in England and Scotland for untold centuries. That these animals were designedly white is implied by an example on the brown heather hills of Mormond in Aberdeenshire: here the subsoil is black and the required white has been obtained by filling in the figure with white felspar stones.[292] It will be noticed that the White Horse at Uffington as reproduced overleaf is beaked like a bird, and has a remarkable dot-and-circle eye: in Figs. 110 to 113 the animal is similarly beaked, and in Fig. 111 the object in the bill is seemingly an egg. The designer of Fig. 109 has introduced apparently a goose or swan’s head, and also a sprig or branch. The word BODUOC may or may not have a relation to Boudicca or Boadicea of the Ikeni—whose territories are marked by the Ichnield Way of to-day—but in any case Boudig in Welsh meant victory or Victorina, whence the “very peculiar horse” on this coin may be regarded as a prehistoric Invicta. The St. George of Persia there known as Mithras was similarly worshipped under the guise of a white horse, and Mithras was similarly “Invictus”. The winged genius surmounting the horse on Fig. 114, a coin of the Tarragona, Tarchon, or dragon district—is described as “Victory flying,” and there is little doubt that the idea of White Horse or Invictus was far spread. At Edgehill there used to be a Red Horse carved into the soil, and the tenancy of the neighbouring Red Horse Farm was held on the condition that the tenant scoured the Red Horse annually on Palm Sunday: the palm is the emblem of Invictus, and it will be noticed how frequently the palm branch appears in conjunction with the horse on our British coinage.

Fig. 120.—Gaulish. From Akerman.