Shakespeare's frequent horseback journeys from London to Stratford, and from Stratford to London, must have made him familiar with the county of Oxfordshire. He would have seen its northern uplands sprinkled over with white-fleeced sheep of the pure old breed, sheep so large that their mutton is too fat for modern palates: a smaller sheep, yielding inferior wool, is fast supplanting the original Cotswold. He would not have met upon the downs those once so frequent passengers, the Flemish merchants with their trains of sumpter mules and pack-horses, bound for Chipping Campden or some other market where wool might be "cheapened" in the way of bargaining, for by Shakespeare's day the cloth-making industry in the valley of the Stroud Water, Gloucestershire, had attained to such a flourishing condition that the export of raw material was forbidden.

It is not likely that his usual route would have given him the chance to refresh himself with Banbury cakes at Banbury and, profane player that he was, bring down upon himself a Puritan preachment from Ben Jonson's Zeal-of-the-land-Busy; but Shakespeare's way would almost certainly have lain through Woodstock. This ancient town has royal traditions reaching back to King Alfred and Etheldred the Redeless, but these are obscured for the modern tourist by the heavy magnificence of Blenheim Palace, the Duke of Marlborough's reward for his "famous victory." The legend of Fair Rosamund—how Henry II hid her here embowered in a labyrinth, and how the murderous Queen Eleanor tracked her through the maze by the clue of a silken thread—Shakespeare, like Drayton, could have enjoyed without molestation from the critical historian, who now insists that it was Eleanor whom the king shut up to keep her from interfering with his loves. Poor Rosamund! Her romance is not suffered to rest in peace here any more than was her fair body in the church of Godstow nunnery. There she had been buried in the centre of the choir, and the nuns honoured her grave with such profusion of broidered hangings and burning tapers as to scandalise St. Hugh, Bishop of Lincoln, who, on visiting the nunnery in 1191, gave orders that she be disinterred and buried "out of the church with other common people to the end that religion be not vilified." But after some years the tender nuns slipped those rejected bones into a "perfumed leather bag" and brought them back within the holy pale. The dramatist, who seems to have done wellnigh his earliest chronicle-play writing in an episode of the anonymous "Edward III," may have remembered, as he rode into the old town, that the Black Prince was born at Woodstock. But whether or no he gave a thought to Edward III's war-wasted heir, he could hardly have failed to muse upon that monarch's poet, "most sacred happie spirit," Geoffrey Chaucer, whose son Thomas—if this Thomas Chaucer were indeed the poet's son—resided at Woodstock in the early part of the fifteenth century. And still fresh would have been the memory of Elizabeth's imprisonment in the gate-house during a part of her sister Mary's reign. It was here, according to Holinshed, on whom the burden of pronouns rested lightly, that the captive princess "hearing upon a time out of hir garden at Woodstock a certaine milkemaid singing pleasantlie wished herselfe to be a milkemaid as she was, saieing that hir case was better, and life more merier than was hirs in that state as she was."

Charles I and the Roundheads had not then set their battle-marks all over Oxfordshire, and Henley, now famed for its July regatta as far as water flows, was still content with the very moderate speed of its malt-barges; but Oxford—I would give half my library to know with what feelings Shakespeare used to behold its sublime group of spires and towers against the sunset sky. This "upstart crow," often made to wince under the scorn of those who, like Robert Greene,—the red-headed reprobate!—could write themselves "Master of Arts of both Universities," what manner of look did he turn upon that august town

Here in the midst of the valley of the Thames, Oxford had already kept for centuries a queenly state, chief city of the shire, with a university that ranked as one of the "two eyes of England." The university, then as now, was made up of a number of colleges which owned, by bequest and by purchase, a considerable portion of the county, though they by no means limited their estates to Oxfordshire. Almost all those "sacred nurseries of blooming youth" which delight us to-day were known to the dust-stained traveller who put up, perhaps twice a year, perhaps oftener, at the Crown Inn, kept by John Davenant, vintner. Apart from the painfully modern Keble, a memorial to the author of "The Christian Year," and the still more recent roof-trees for dissent, Congregational Mansfield and Unitarian Manchester, what college of modern Oxford would be utterly strange to Shakespeare? Even in Worcester, an eighteenth-century erection on the site of the ruined Benedictine foundation of Gloucester College, search soon reveals vestiges of the old monastic dwellings. Not a few of the very edifices that Shakespeare saw still stand in their Gothic beauty, but in case of others, as University, which disputes with Merton the claim of seniority, boasting no less a founder than Alfred the Great, new buildings have overgrown the old. Some have changed their names, as Broadgates, to which was given, eight years after Shakespeare's death, a name that even in death he would hardly have forgotten,—Pembroke, in honour of William, Earl of Pembroke, then Chancellor of the University. Already venerable, as the poet looked upon them, were the thirteenth-century foundations of Merton, with its stately tower, its library of chained folios, its memories of Duns Scotus; and Balliol, another claimant for the dignities of the first-born, tracing its origin to Sir John de Balliol, father of the Scottish king, remembering among its early Fellows and Masters John Wyclif the Reformer; and Hart Hall, where Tyndale was a student, the Hertford College of to-day; and St. Edmund Hall, which has been entirely rebuilt. Another thirteenth-century foundation, St. Alban Hall, has been incorporated with Merton.

The fourteenth-century colleges, too, would have worn a weathered look by 1600,—Exeter and Oriel and Queen's and New. The buildings of Exeter have been restored over and over, but the mediÆval still haunts them, as it haunted Exeter's latest poet, William Morris, who loved Oxfordshire so well that he finally made his home at Kelmscott on the Upper Thames. Oriel, which, as Shakespeare would have known, was Sir Walter Raleigh's college, underwent an extensive rebuilding in the reign of Charles I. To Oriel once belonged St. Mary Hall, where Sir Thomas More studied,—a wag of a student he must have been!—and now, after an independence of five hundred years, it is part of Oriel again. Queen's, named in honour of Philippa, the consort of Edward III, has so completely changed its outer fashion that George II's Queen Caroline is perched upon its cupola, but by some secret of individuality it is still the same old college of the Black Prince and of Henry V,—the college where every evening a trumpet summons the men to dine in hall, and every Christmas the Boar's Head, garnished with the traditionary greenery, is borne in to the singing of an old-time carol, and every New Year's Day the bursar distributes thread and needles among its unappreciative masculine community with the succinct advice: "Take this and be thrifty."

New College, unlike these three, has hardly altered its original fabric. If Shakespeare smiled over the name borne by a structure already mossed and lichened by two centuries, we have more than twice his reason for smiling; indeed, we have one excuse that he had not, for we can think of Sydney Smith as a New College man. Old it is and old it looks. The very lanes that lead to it, grey and twisted passages of stone, conduct us back to the mediÆval world. The Virgin Mary, the Archangel Gabriel, and, no whit abashed in such high company, Bishop Wykeham, the Founder, watch us from their storm-worn niches as we pass under the gateway into the majestic quadrangle. Here time-blackened walls hold the gaze enthralled with their ancientry of battlements and buttresses, deep-mullioned windows and pinnacle-set towers. Beyond lie the gardens, still bounded on two sides by the massive masonry, embrasured, bastioned, parapeted, of the old City Wall,—gardens where it should always be October, drifty, yellow, dreamy, quiet, with wan poplars and aspens and chestnuts whispering and sighing together, till some grotesque face sculptured on the wall peers out derisively through ivy mat or crimson creeper, and the red-berried hollies, old and gay with many Christmases, rustle in reassuring laughter. Meanwhile the rooks flap heavily among the mighty beeches, whose tremendous trunks are all misshapen with the gnarls and knobs of age.

Of the fifteenth-century foundations, All Souls, "The College of All Souls of the Faithful Departed," and especially of those who fell in the French wars, retains much of its original architecture; in the kitchen of Lincoln, if not in the chapel, Shakespeare would still find himself at home; and for him, as for all the generations since, the lofty tower of Magdalen rose as Oxford's crown of beauty. Magdalen College is ancient. The very speaking of the name (Maudlin) tells us that, all the more unmistakably because Magdalen Bridge and Magdalen Street carry the modern pronunciation. But Magdalen College, with its springing, soaring grace, its surprises of delight, its haunting, soul-possessing loveliness, has all the winning charm of youth. Its hundred acres of lawn and garden, wood and park, where deer browse peacefully beneath the shade of giant elms and where Addison's beloved Water Walks beside the Cherwell are golden with the primroses and daffodils of March and blue with the violets and periwinkles of later spring, are even more tempting to the book-fagged wanderer than Christ Church Meadow and "Mesopotamia." It is hard to tell when Magdalen is most beautiful. It has made the circle of the year its own. On May Day dawn, all Oxford, drowsy but determined, gathers in the broad street below to see—it depends upon the wind whether or no one may hear—the choir chant their immemorial hymn from the summit of the tower. When the ending of the rite is made known to the multitude by the flinging over of the caps,—black mortar-boards that sail slowly down the one hundred and fifty feet like a flock of pensive rooks,—then away it streams over Magdalen Bridge toward Iffley to gather Arnold's white and purple fritillaries, and, after a long and loving look at Iffley's Norman Church, troops home along the towing-path beside the Isis. Shakespeare may himself have heard, if he chanced to be passing through on St. John Baptist's Day, the University sermon preached from the curiously canopied stone pulpit well up on the wall in a corner of one of the quadrangles, while the turf was sweet with strewn rushes and all the buildings glistening with fresh green boughs. But even in midwinter Magdalen is beautiful, when along Addison's Walk the fog is frosted like most delicate enamel on every leaf and twig, and this white world of rime takes on strange flushes from the red sun peering through the haze.

Of the six Tudor foundations, Trinity occupies the site of Durham College, a thirteenth-century Benedictine institution suppressed by Henry VIII; St. John's, closely allied to the memory of Archbishop Laud, is the survival of St. Bernard College, which itself grew out of a Cistercian monastery; Brasenose, associated for earlier memory with Foxe of the "Book of Martyrs" and for later with Walter Pater, supplanted two mediÆval halls; and Jesus College, the first to be founded after the Reformation, endowed by a Welshman for the increase of Welsh learning, received from Elizabeth a site once held by academic buildings of the elder faith. Only Corpus Christi, where Cardinal Pole and Bishop Hooker studied to such different ends, although it is, as its name indicates, of Catholic origin, rose on fresh soil and broke with the past, with the mediÆval educational tradition, by making regular provision for the systematic study of Latin and Greek.

The great Tudor foundation was Christ Church, built on the sacred ground where, in the eighth century, St. Frideswide, a princess with a pronounced vocation for the religious life, had erected a nunnery of which she was first abbess. The nunnery became, after her death, a house of canons, known as St. Frideswide's Priory. Cardinal Wolsey brought about the surrender of this priory to the king, and its prompt transfer to himself, some fifteen years before the general Dissolution. His ambition, not all unrealised, was to found as his memorial a splendid seat of the New Learning at Oxford to be called Cardinal's College. He had gone so far as to erect a magnificent hall, with fan-vaulted entrance and carved oak ceiling of surpassing beauty, a kitchen ample enough to feed the Titans, "The Faire Gate" and, in outline, the Great Quadrangle, for whose enlargement he pulled down three bays of the Priory church, when his fall cut short his princely projects. His graceless master attempted to take over to himself the credit of Wolsey's labours, substituting the name of King Henry VIII's College, but on creating, a few years later, the bishopric of Oxford, he blended the cathedral and college foundations as the Church and House of Christ. The cathedral fabric is still in the main that of the old Priory church. Of the several quadrangles, Canterbury Quad keeps a memory of Canterbury College, which, with the other Benedictine colleges, Gloucester and Durham, went down in the storm. Christ's Church—"The House," as its members call it—is the aristocratic college of Oxford. Noblemen and even princes may be among those white-surpliced figures that flit about the dim quads after Sunday evensong. Ruskin's father, a wealthy wine-merchant of refined tastes and broad intelligence, hesitated to enter his son as a gentleman commoner at Christ's lest the act should savour of presumption. Yet no name has conferred more lustre on "The House" than that of him who became the Slade Professor of Fine Arts, waking all Oxford to nobler life and resigning, at last, because he could not bear that the university should sanction vivisection.

Wadham College, though the lovely garden with its hoary walls starred by jasmine and its patriarchal cedars casting majestic shadows—a garden that rivals for charm even those of St. John's and Worcester and Exeter—has such a venerable air, is the youngest of all these. Its first stone was laid, on a site formerly occupied by a priory of Augustinian Friars, only six years before Shakespeare's death. In his later journeys he would not have failed to note the progress of its erection.

But if Shakespeare saw, as he rode through Oxford, almost all the colleges that may now be seen, he also saw much that has crumbled away into an irretrievable past. Not only were the various colleges, halls, priories, and friaries of the monastic orders still in visible ruin, but the great abbeys of Osney and of Rewley, the former one of the largest and richest in all England, still made the appeal of a beautiful desolation. No wonder that Shakespeare compared the naked branches of autumn, that wintry end of the season

to

If, as seems probable, the Arden sympathies lingered long with the Mother Church, if Shakespeare did not forget, even in those closing years when his homeward trips brought him to a Puritan household and an ever more Puritan town, the bitter fate of his kinsmen of Wilmcote and Wootton-Wawen, he must have been keenly alive to these ravages of the Reformation. Yet he had been some twenty years at the vortex of Elizabethan life, in the very seethe of London; he had witnessed many a wrong and many a tragedy; he was versed to weariness of heart in the "hostile strokes" that befall humanity, in all the varied

and he knew, no man better, that Right is not of one party, nor Truth of a single creed. He must have mused, as he took the air in Oxford streets after Mistress Davenant had served his supper, on the three great Protestant Martyrs of whose suffering some of the elder folk with whom he chatted had been eyewitnesses. The commemorative cross that may now be seen in front of Balliol, near the church of St. Mary Magdalen whose tower was a familiar sight to Shakespeare's eyes, displays in richly fretted niches the statues of "Thomas Cranmer, Nicolas Ridley, Hugh Latimer, Prelates of the Church of England, who near this spot yielded their bodies to be burned." Most of all, his thought would have dwelt on Cranmer, that pathetic figure whose life was such a mingled yarn of good and evil. He had won the favour of Henry VIII by approving the divorce of Queen Catherine. He had beheld—and in some cases furthered—the downfalls of Sir Thomas More, of Anne Boleyn, of Wolsey, of Cromwell, of Catherine Howard, of Seymour, and of Somerset. He had stood godfather to Elizabeth and to Edward. He had watched over the death-bed of the tyrant; he had crowned that tyrant's frail young son as Edward VI. When by his adherence to the cause of Lady Jane Grey he had incurred sentence of treason, he was pardoned by Queen Mary. Yet this pardon only amounted to a transfer from the Tower of London to the Bocardo in Oxford, that prison-house over the North Gate from whose stone cells used to come down the hoarse cry of cold and hunger: "Pity the Bocardo birds." There were those still living in Oxford who could have told the dramatist, as he gazed up through the moonlight (for who does not?) to the pinnacled spire of St. Mary-the-Virgin, all the detail of those April days, only ten years before his birth, when Cranmer, with Ridley and Latimer, was brought into the church and bidden, before a hostile assemblage of divines, to justify the heresies of the new prayer-book. On the Tuesday Cranmer pleaded from eight till two; Ridley was heard on the Wednesday, and on the Thursday the aged Latimer, a quaint champion as he stood there "with a kerchief and two or three caps on his head, his spectacles hanging by a string at his breast, and a staff in his hand." On the Friday all three were condemned. After a year and a half of continued confinement, Archbishop Cranmer, whose irresolution was such that, from first to last, he wrote seven recantations, was made to look out from his prison window upon the tormented death of his friends. Then it was that the stanch old Latimer, bowed with the weight of fourscore years, but viewing the fagots undismayed, spake the never-forgotten words: "Be of good comfort, Master Ridley. We shall this day light such a candle, by God's grace, in England, as I trust shall never be put out." Cranmer's own end came six months later, on March 21, 1556. He was first brought to St. Mary's that he might publicly abjure his heresies. But at that desperate pass, no longer tempted by the hope of life,—for hope there was none,—his manhood returned to him with atoning dignity and force. Prison-wasted, in ragged gown, a man of sixty-seven years, he clearly avowed his Protestant faith, declaring that he had penned his successive recantations in fear of the pains of death, and adding: "Forasmuch as my hand offended in writing contrary to my heart, my hand therefore shall be first punished; for if I may come to the fire, it shall be the first burnt." And having so "flung down the burden of his shame," he put aside those who would still have argued with him and fairly ran to the stake,

The university church, this beautiful St. Mary's, has other memories. From its pulpit Wyclif proclaimed such daring doctrines that Lincoln College was founded to refute them,—Lincoln, which came to number among its Fellows John Wesley and to shelter those first Methodist meetings, the sessions of his "Holy Club." In St. Mary's choir rests the poor bruised body of Amy Robsart. The spiral-columned porch was erected by Laud's chaplain, and its statue of the Virgin and Child so scandalised the Puritans that they pressed it into service for one of their articles of impeachment directed against the doomed archbishop.

What could the thronging student life of Oxford have meant to the author of "Hamlet"? Of his careless young teachers in stage-craft—so soon his out-distanced rivals—Lyly and Peele and Lodge would have been at home beside the Isis and the Cherwell, as Greene and Nash and Marlowe by the Cam; but Shakespeare—did those fluttering gowns, those gaudy-hooded processions, stir in him more than a stranger's curiosity? The stern day of that all-learned Master of Balliol, Dr. Jowett, who stiffened examinations to a point that would have dismayed Shakespeare's contemporaries, save, perhaps, the redoubtable Gabriel Harvey, was still in the far future; the magnificent New Schools, with their dreaded viva voces, had not yet come; the Rhodes Scholarships were beyond the dream-reach of even a Raleigh or a Spenser; but academic tests and academic pomps there were. The Old Schools Quadrangle, not quite complete, had been building in a leisurely way since 1439 and was in regular use, though the Divinity School, whose arched, groined, boss-studded roof is one of the beauties of Oxford, had nearly suffered wreck, in the brief reign of Edward VI, at the hands of that class of theological reformers who have a peculiar aversion to stained glass. The exercises of the Encaenia Shakespeare would have heard, if he ever chanced to hear them, in St. Mary's, but half a century after his death they were transferred to the new Sheldonian Theatre. In St. Mary's, which was not only "Learning's receptacle" but also "Religion's parke," these exercises, the Acts, naturally took the form of disputations concerning "wingy mysteries in divinity." When they passed out from the church to an unconsecrated edifice, political and social themes, still treated in scholastic Latin, were added, but even so the entertainment was of the dullest. Professional fun-makers, successors of the mediÆval minstrels, had to be called in to enliven the occasion with a peppering of jests, but these became so scurrilous that the use of hired buffoons was forbidden by Convocation. Then the resourceful undergraduates magnanimously came forward, volunteering to take this delicate duty upon themselves, and manfully have they discharged it to this day. These young Oxonians have developed the normal undergraduate gift for sauce into an art that even knows the laws of proportion and restraint. The limits allowed them are of the broadest, but only twice in living memory has their mischief gone so far as to break up the assemblage.

The threefold business of the annual Encaenia is to confer honorary degrees, to listen to the prize compositions, and to hear an address delivered by the Public Orator in commemoration of Founders and Benefactors, with comment on current events. On the one occasion when I was privileged to be present, the hour preceding the entrance of the academic procession was the liveliest of all. The lower galleries were reserved for guests, but the upper, the Undergraduates' Gallery, was packed with students in cap and gown, who promptly began to badger individuals chosen at whim from the throng of men standing on the floor.

"I don't like your bouquet, sir. It's too big for your buttonhole. If the lady wouldn't mind—"

The offending roses disappeared in a general acclaim of "Thank you, sir," and the cherubs aloft pounced on another victim. The unfortunates so thrust into universal notice usually complied with the request, whatever it might be, as quickly as possible, eager to escape into obscurity, but a certain square-jawed Saxon wearing a red tie put up a stubborn resistance until all the topmost gallery was shouting at him, and laughing faces were turned upon him from every quarter of the house.

"Take off that red tie, sir."

"Indeed, sir, you don't look pretty in it."

"It doesn't go well with your blushes."

"Will you take off that tie, sir?"

"It's not to our cultured taste, sir."

"It's the only one he's got."

"Dear sir, please take it off."

"It gives me the eye-ache, sir."

"Have you paid for it yet?"

"Was there anybody in the shop when you bought it?"

"Are you wearing it for an advertisement?"

"Hush-h! She gave it to him."

"Oh, SHE put it on for him."

"You're quite right, sir. Don't take it off."

"We can sympathize with young romance, sir."

"Be careful of it, sir."

"Wear it till your dying day."

"It's the colour of her hair."

But by this time the poor fellow's face was flaming, and he jerked off the tie and flung it to the floor amid thunders of derisive applause.

Then the Undergraduate Gallery turned its attention to the organist, who in all the hubbub was brilliantly going through the numbers of his program.

"Will you kindly tell us what you're playing, Mr. Lloyd?"

"We don't care for classical music ourselves."

"'Auld Lang Syne,' if you please."

The organ struck into "Auld Lang Syne," and the lads sprang up and sang it lustily with hands clasped in the approved Scotch fashion.

"'Rule, Britannia,' Mr. Lloyd."

Again he obliged them and was rewarded by a rousing cheer, followed by cheers for the Varsity and the ladies, groans for the Proctors, who are the officers of discipline, and barks for their assistants, the so-called Bulldogs. In the midst of this yelping chorus the great doors were flung wide, and an awesome file of dignitaries, in all the blues and purples, pinks and scarlets, of their various degrees, paced slowly up the aisle, escorting their distinguished guests, savants of several nations, and headed by the Vice-Chancellor, whose array outwent Solomon in all his glory.

The top gallery was on its feet, but not in reverence. The organ-march was drowned in the roar of lusty voices greeting the Head of the University thus:

The uproar was no whit diminished when presently the Vice-Chancellor was seen to be making an address.

"Who wrote it for you, sir?"

"Oh, that's shocking bad Latin."

"Jam! What kind of jam?"

"It's just what you said to those other blokes last year."

"It's always the same thing."

"It's all blarney."

"The guests wish you were done, sir."

"You may sit down, sir."

But the Vice-Chancellor, unperturbed, kept on with his inaudible oratory to its natural end.

A professor of illustrious name was next to rise, throwing up a laughing look at the boys, whose tumult bore him down after the first few sentences. What matter? It was idle to pretend that that great audience could follow Latin speeches. They were all to go into print, and he who would and could might read them at his ease. The phrase that undid this genial personage was clarior luce.

"Oh, oh, sir! Lucy who?"

"Clare or Lucy? Try for both, sir."

"We'll surely tell your wife, sir."

"A sad example to our youth, sir."

"You shock our guest from Paris, sir."

The prize English essayist was hardly allowed to recite the first paragraph of his production.

"Very nice."

"But a great bore."

"It's not as good as mine."

"That'll do, sir."

"The Vice-Chancellor is gaping, sir."

"Three cheers for the lady who jilted the Senior Proctor!"

Under the storm of enthusiasm evoked by this happy suggestion, the English essayist gave place to the Greek poet, a rosy-cheeked stripling who stood his ground barely two minutes.

"Aren't you very young, my dear?"

"Will some kind lady kiss him for his mother?"

The English prize poem, the Newdigate, founded by Sir Roger Newdigate of the George Eliot country, was heard through with a traditional attention and respect, though the poet's delivery came in for occasional criticism.

"You're too singsong, sir."

"Please give him the key, Mr. Lloyd."

Even those few world-famed scholars and statesmen on whom the University was conferring the high distinction of her D. C. L. were showered with merry impudence, as one by one they advanced to receive the honour, though there were no such lucky shots of wit as have signalised, on different occasions, at Oxford or at Cambridge, the greeting of certain popular poets. Holmes was asked from the gallery if he had come in the one-hoss shay, and Longfellow, wearing the gorgeous vestments of his new dignity, was hailed by a cry: "Behold the Red Man of the West." Even the Laureate, whose prophet locks were flung back from his inspired brow somewhat more wildly than their wont, was assailed by a stentorian inquiry:

"Did your mother call you early, call you early, Alfred dear?"

The conferring of degrees upon Oxford students takes place—at irregular intervals, but not infrequently—in the Convocation House. Into a long, narrow room, dignitaries grouped at the top and candidates at the bottom, with guests seated in rows on either side, sweeps the Vice-Chancellor in his gorgeous red and white. He is preceded by the mace-bearer and followed by two Proctors. Taking the place of honour, he reads a page or two of Latin, lifting his cap—the Proctors raising theirs in solemn unison—whenever the word Dominus occurs. The lists of candidates for the various degrees are then read, and the Proctors, at the end of each list, rise simultaneously, march a few steps down the hall, wheel with military precision, and, like the King of France, march back again. These apparently wayward promenades are supposed to give opportunity for tradesmen with unpaid bills to imperil a candidate's degree by plucking the Proctor's gown. The Oxford tradesmen have not availed themselves of this privilege for a century or so, but the term plucked is only too familiar. With many bows and much Latin, even with kneeling that the Vice-Chancellor may tap the learned pates with a Testament, the higher degrees are conferred. Each brand-new doctor withdraws into the robing-room, where his waiting friends eagerly divest him of his old plumage and trick him out in gayer hood and more voluminous gown. So arrayed, he returns for a low bow to the Vice-Chancellor, who touches his own mortar-board in response. The larger company of candidates for the first degree come forward in groups, each head of a college presenting his own men, and these are speedily made into bachelors.

Out of that student multitude have come—not all, be it confessed, with degrees—many of England's greatest. Glorious phantoms haunt by moonlight the Gothic shadows of High Street. The gallant Lovelace, the resolute Pym, Admiral Blake, Sir Philip Sidney, Francis Beaumont, Lord Herbert of Cherbury, Sir Thomas Browne, Dr. Johnson, Dean Swift, Wellington, Peel, Gladstone, Adam Smith, Hamilton, Locke, Hobbes, Blackstone, Newman, Manning, Stanley, Maurice, Faber, Heber, Clough, Jeremy Taylor, Whitfield, the Wesleys, the Arnolds,—and this is but the beginning of a tale that can never be told. Yet Oxford, "Adorable Dreamer" though she be,

has not done as well by her poets as by the rest of her brood. With all her theology, she did not make a churchman out of Swinburne, nor a saint of Herrick, and as for Landor and Shelley, her eyes were holden and she cast them forth.

Of Shakespeare, an alien figure crossing the path of her gowned and hooded doctors, or watching her "young barbarians all at play"—for Oxford lads knew how to play before ever "Eights Week" was thought of—she seems to have remembered nothing save that he stood godfather to his landlady's baby-boy, little William Davenant, in the old Saxon church of St. Michael's. Oxford let him pay his reckoning at the Crown and go his way unnoted. He was none of hers. Even now, when his name is blazoned on rows upon rows of volumes in window after window of Broad Street, I doubt if the Oxford dons would deem Shakespeare capable of editing his own works.

One would like to fancy that Duke Humphrey's library, beautiful as a library of Paradise, made the poet welcome; but the King's Commissioners had despoiled it in 1550, and more than half a century went by before, toward the close of Shakespeare's life, Sir Thomas Bodley had refounded and refitted it as The Bodleian.

Yet the grey university city, "spreading her gardens to the moonlight, and whispering from her towers the last enchantments of the Middle Age,"—how could she have failed deeply to impress the sensitive spirit of that disregarded wayfarer? Although she had suffered so grievously under the flail of the Reformation, although she was destined to become the battered stronghold of Charles I, the voice within her gates was, and is, not the battle-cry, but the murmurous voice of meditation and dream and prayer. As we enter into the sanctuary of her grave beauty, personal chagrins and the despair of our own brief mortality fall away. The unending life of human thought is here, enduring, achieving, advancing, with its constant miracle of resurrection out of the old form into the new.