T To an ordinary observer, nothing could be more commonplace than Kempton, a decrepit little apology for a village, lying on the coast of Maine. Properly speaking, however, no sea-port can be utterly commonplace, with its suggestion of the mystery of the sea, the ships, the sailors who have been to far lands, the glimpses of unwritten tragedies on every hand. But among sea-side villages Kempton was surely dull enough, and dry enough, and lifeless enough,—as if the sea-winds had sucked its vitality, leaving it empty and pallid and juiceless, like the cockle-shells which bleached upon its sandy beaches. Yet Kempton had one peculiarity which marked it as singular among all New England towns. It had a woman to dig its graves. Its one church stood stark and doleful upon the hill at whose foot lay the rotting wharves; and back from the church stretched the church-yard in which the Kempton dead took their long repose, scarcely more monotonous To and fro among the grass-grown mounds the sexton went daily, quite unmindful of being the unique feature of Kempton by belonging to the weaker sex. With masculine stride and coarse hands, her unkempt locks blown by the salt winds, the woman went her way and did her work with a steadfastness and a vigor which might have put to shame many a man idling about the boats under the hill. She was not an old woman,—not even middle-aged, except with the premature age of toil and sorrow; but the weather-beaten face, the stooping shoulders, and the faded hair made her seem old. To look at her, it was difficult to realize what her youth could have been like, or to call up any image of sweet or gracious maidenhood in which she could have shared. It was a gray November day. The white-caps made doubly black the dark waves of His gaze was not that of one who beheld the scene for the first time. He gazed down at the irregular houses under the hill, cuddled like frightened and weak-kneed sheep. He looked over the bay to the lighthouse, looming ghastly and white against the dark sea and sky. His glance took in all the details of the picture, cold and joyless, devoid alike of warmth and color. He shivered and sighed, his brows drooping more heavily yet over his dark piercing eyes, and then turned his gaze to objects nearer at hand. Close by was the stark church, with weather-beaten steeple, wherein half a dozen generations of Kempton women,—the men, for the most part, being at sea,—had worshipped the power of the storm, praying more for the escape from evil of the absent than for good to themselves. Beyond the church appeared the first headstones of the As Mr. Farnsworth opened the sagging and unpainted gate of the enclosure, he became aware that the place was not empty. The head and shoulders of a human being were visible half-way down the hill, now and then obscured by the dull-reddish heap of earth thrown up from a partially dug grave. The visitor made his way down the irregular path, so steep as to be almost like a rude flight of stairs, and as he neared the worker, he suddenly perceived, with something of a shock, that the grave-digger was a woman. She worked as if familiar with her task, a man’s battered hat pushed back from her forehead, over which her faded hair straggled in confusion, and across which certain grimy streaks bore witness that she had not escaped the primal curse, but labored in the sweat of her brow. Kempton’s peculiarity in the matter of its sexton had not come to the knowledge of the stranger before, although he once had known the village life somewhat intimately. He regarded the woman with a double curiosity,—to see what she was like and to discover whether perchance he had ever known her. He paused as he neared her, resting one nicely gloved hand upon a tilted stone which perpetuated the memory and recorded the virtues of a captain who reposed in some chill cave under the Northern seas. Some slight sound caught the ear of the sexton, who until then had not perceived his approach; she looked up at him stolidly, and as stolidly looked down again, continuing her work without interruption. If there remained any consciousness of the strangeness of her occupation, or if there stirred any womanly shame to be so observed, they were betrayed by no outward sign. She threw up the dull-yellow earth at the feet of the new-comer as unmoved as if she had still only the dwellers in the graves as companions of her labor. “Don’t you find this rather hard work, my good woman?” the gentleman inquired at length, more by way of breaking the silence than from any especial interest. “Yes,” the sexton returned impassively, “it’s hard enough.” “It is rather unusual work for a woman, too,” he said. To this very obvious remark she returned no answer, a stone to which she had come in her digging seeming to absorb all her attention. She unearthed the obstacle with some difficulty, seized it with her rough hands, and threw it up at the feet of the stranger, who watched her with that idle interest which labor begets in the unconcerned observer. “Do you always do this work?” Farnsworth asked at length. “Yes,” was the laconic return. “But the old sexton,—Joe Grimwet,—is he gone?” The woman looked up with some interest at this indication that the other had some previous acquaintance with Kempton and its people. She did not, however, stop her labor, as a man would probably have stopped. “Yes,” she said. “He’s buried over yonder,—there beyond the burdocks.” The gentleman changed his position uneasily. Some subtile disquietude had arisen to disturb his serenity. The wind rustled mournfully among the dry leaves, the pebbles rattled against the spade of the grave-digger, “But how long has he been dead?” he asked. “And his daughter; what became of her?” The grave-digger straightened herself to her full height; brushing back her wind-blown hair with one grimy hand, she raised her face so that her deep-set eyes were fixed upon the questioner’s face. “So you knew Delia Grimwet?” she said. “When was you here before? It’d go hard for you to make her out now, if it’s long since.” “Is she here still?” Farnsworth persisted, ignoring her question. “Yes,” the sexton replied, suddenly sinking back into the unfinished grave as a “Alone?” “Her and the boy.” He recoiled a step, as if the mention of a child startled or repelled him. Yet to a close observer it might have seemed as if he were making an effort to press her with further questions. If so his courage did not prove sufficient, and he watched in silence while the woman before him went steadily on with her arduous work. Presently, however, he advanced again toward the edge of the pit, which was rapidly approaching completion under her familiar labor. “Should I find her at home at this time?” he inquired. “Or would she be out at work?” The woman started and crouched, much as if she had received or expected a blow. “She’s out, most likely,” she replied in a muffled voice. “She’ll be home along about sundown.” Farnsworth lingered irresolutely a moment or two, as if there were many things concerning which he could wish to ask; but, as the woman gave him no encouragement, he turned at last and climbed the slippery, ragged path up to the church, untethered his Cap’n Nat Hersey was just coming out of the village store, and to him Farnsworth addressed an inquiry where he might find shelter for himself and horse. “Well,” the cap’n responded, with the deliberation of a man who has very little to say and his whole life to say it in, “well I dunno but ye might get a chance with Widder Bemis, an’ I dunno as ye could; but there ain’t no harm trying, as I knows of.” Further inquiry regarding the whereabouts of the domicile of the Widow Bemis led to an offer on the part of Cap’n Hersey to act as pilot to that haven. He declined, however, to take a seat in the buggy. The Cap’n had his own opinion of land-vehicles. A man might with perfect assurance trust himself in a boat; but, for his own part, the cap’n had no faith in those dangerous structures which roam about with nothing better than dry land under them. He walked along by the side of the carriage, conversing affably with the stranger under his convoy. “Isn’t it a queer notion to have a woman for a sexton?” Farnsworth asked, as they wended along. “Well, yes,” the captain returned reflectively. The cap’n paused to recover from his astonishment at having been betrayed into so long a speech; but, as the stranger had the air of expecting him to continue, he presently went on again: “There was them that wanted her turned out when old Grimwet died. Some said a woman of that character hadn’t ought to have no connection with the church, even to digging its graves. But Parson Eaton he was good for ’em—I’ve always noticed that when these pious men gets their regular mad up they most generally have things their own way; and he preached ’em a sermon about They moved on in silence a moment or two. Farnsworth’s gaze was fixed upon the darkening bay, and no longer interrogated his companion; but the latter soon again took up his narrative:— “’Twas well the parson stood up for Dele, too; women-folks is so cussed hard on each other. They wouldn’t ha’ let the girl live, I believe. I always were of the notion there warn’t no harm in Dele. Some —— city chap got the better of her. She never was over-smart, but she was awful pretty; and I never believed there was any harm in her. At any rate, she digs a grave as well as a man, and I guess them that’s in ’em don’t lay awake none thinking who tucked ’em in.” The house of the Widow Bemis was by this time reached, and that estimable lady, who in the summer furnished accommodations to a boarder whenever that rare blessing was to be secured in Kempton, readily undertook Whatever may have been Farnsworth’s feelings at the discovery that the daughter of the dead sexton and the woman of whom he had asked tidings of her were identical,—and they must have been both deep and strong—he had given no outward sign. But now the settling of his brows, and the disquiet apparent in his eyes betrayed his inward conflict. He strolled out upon one of the rotting wharves about which the tide lapped in mournful iteration, folded his arms upon a breast-high post, and stood gazing seaward. The retrospect which occupied his mind was scarcely more cheerful than the gray scene which spread before his eyes. How awful are the corpses of dead sins which memory casts up, as the sea its victims! The betrayal of a woman is a ghastly thing when one looks back upon it stripped of the He had been unprepared, however, for the woman he found. He had left a fresh, beautiful young girl; ten years had transformed He lingered upon the bleak wharf, unconsciously the object of much mildly speculative curiosity, until the twilight began to fall. Then with a shiver, no less of mind than of body, he shook off his painful abstraction, and turned his steps toward the path, once well known, which led to the house of Delia Grimwet. It seemed to him, as he paused a brief instant with his hand upon the old knocker, as if nothing here had changed in ten years. The sunlight would have shown him traces of decay, but in the gathering dusk the house seemed a pallid phantom from the past, unchanged but lifeless. But his knock at once destroyed all illusions, since it summoned the woman who When Farnsworth had left her in the afternoon, Delia crouched in the bottom of the grave she was digging, her first feeling being an unreasoning desire for concealment. She thought she should remain passive if the sides of the pit collapsed and buried her. In the old days before her boy was born she had been night after night out on the old wharves, praying for courage to drown herself. After the child came, her feelings changed, and she longed only to escape and to take her son away from the scorn and the sordid life which surrounded them. Gradually she had become hardened; hers was one of those common natures to which custom and pain are opiates, mercifully dulling all sensibilities. To-day the appearance of her betrayer had revivified all the old impressions, and for a moment seemed to transport her to the early days when her anguish was new. The keenest pangs of sorrow stabbed her afresh, and she lived again the bitter moments of her sin and shame. Her instinct was to flee from the man whose presence meant to her only pain. But habit is strong, and presently the fading light reminded the sexton that her work was still unfinished, and that Widow Pettigrove, who was past all earthly tribulation, must have her last bed prepared, whatever the woe of the living woman who worked at it with trembling hands and a sensation as if a demon had clutched her by the throat. Yet work was not unmerciful; it brought some relief, since it served to dilute the thought which rushed dizzyingly to her brain, and by the time her toil was completed she was steadier. When she opened the door to Farnsworth she was not unlike her usual stolid self. She perceived at a glance that he had learned who she was, and she hoped in a blind, aching way, that he had not betrayed his presence to the neighbors, thus to re-awaken all the old stinging flight of bitter words. Farnsworth followed Delia into the kitchen, without even those greetings which habit renders so involuntary that only in the most poignant moments are they disregarded. With their past between them it was not easy to break the silence. Farnsworth seated himself, and the woman stood regarding him. There was in her attitude all the questioning, all the agony, of her years of suffering. Her With each moment the silence became more oppressive; yet as each moment dragged by it became more difficult to break the stillness. Only a man utterly devoid of remorse or feeling could have framed upon his tongue commonplace phrases at such a time. It seemed to Farnsworth as if he were brought to judgment before the whole universe. His throat became parched. He He broke the silence at last with a cry:— “Ah, my God, Delia! What have I done?” She wavered as she stood, putting out her hand as if reaching for support. Then she half staggered backward into a chair. “There is nothing I can say!” Farnsworth went on vehemently. “There is nothing I can do! I came here dreaming of making reparation; but there is no reparation I can make. There is nothing that can change the past,—nothing that will undo what I have done to you. Oh, my God! How little I dreamed it would be like this!” “No,” she said slowly, almost stupidly, “nothing can undo it.” “Why did you not tell me?” he began. “Why—” But the words rebuked him before they were spoken. He buried his face in his hands, and again they were silent. What the woman,—this woman who had never been able to think much, even in her best days, and who now was blunted and dulled almost to stupidity,—what she felt in those “But,” Farnsworth said at length, a new idea seizing him, “but the—our child, Delia? The boy?” A shuddering seized her. Unused to giving way to her emotions, she was torn by her excited feelings almost to the verge of convulsions. She clutched the arms of her chair and set her teeth together. In her incoherent attempts at thought, as she had delved among her graves, there had occurred to her the possibility that the father might sometime take his child from her. Now this fear possessed her like a physical epilepsy. Twice she tried to speak, and only emitted a gurgling sound as if strangling. He sprang toward her, but a sudden repulsion gave her self-control. She put out her hands as if to ward him off. “Oh, my boy, my boy!” she cried, breaking out into hysterical sobs. “My boy, my boy!” She wrung her hands, and twisted them together in fierce contortions which frightened Farnsworth; but she still would not allow him to approach her. She struggled “Oh, my child!” she cried out, in a tone new and piercing; “no, no! not him! Oh, God! You cannot have my boy!” Farnsworth retreated sharply. He had not considered this. Indeed, so different was everything he found from everything he had expected, that whatever he had preconsidered was swept out of existence as irrelevant. He was confronted with a catastrophe in which it was necessary to judge unerringly and to act instantly, yet which paralyzed all his powers by its strangeness and its horror. He groped his way back to his chair and sat down, leaving the silence again unbroken save by her convulsive breathing and his deep-drawn sighs. All at once a new sound broke in upon them, and the mother started to her feet. “He is coming!” she gasped hoarsely. “I sent him away; but he has come back. He could not keep away, my beautiful boy.” Her face was illumined with a love which wellnigh transfigured it. The door was opened violently, and the boy came rudely in,—a gaunt, rough whelp of a dozen summers, defiant, bold, and curious. “I knew there was something up,” the Neither the mother nor the father returned any answer. Ordinary feelings were so absolutely swept away that the woman did not even remember that she should have attempted to quiet and to excuse the intruder. Even the maternal pride which would usually have been troubled by the impression the child’s rudeness must make upon her guest was overwhelmed by the greater emotion which possessed her whole being. Farnsworth had never been more keenly alive in every fibre of his being than at this moment. All his family pride, his refined tastes, his delicate nature, revolted from a kinship with the ugly, uncouth child who stood grinning maliciously upon his guilty parents. His impulse, almost too strong to be resisted, was to turn back and hide himself again in the world from which he had come,—to leave this woman and her loutish child in the quiet and obscurity in which he had found them. But he was nobler than his impulses and had paid already too dearly for rashness; the claim of a son upon the father He rose to his feet firm and determined. “Go away now,” he said to the boy quietly, but in a voice which even the urchin felt admitted of no disobedience. “I wish to talk with your mother. I will see you to-morrow.” “Yes, Farnsworth,” the mother said pleadingly. “Go to bed now. I will come to you before long. That’s a good boy.” The boy slowly and unwillingly withdrew, his reluctance showing how rare obedience was to him, and the parents were once more alone. “You have given him my name,” were Farnsworth’s first words, as the door closed behind his son. “It was father who did that. He said he should remember to curse you every time the name was spoken.” “And you?” the other asked, almost with a shudder. “I did not care. Cursing could not change things. Only I would not let him do it before the boy. I didn’t want him to know what sort of a father he had.” In the midst of his self-abasement some hidden fibre of resentment and wounded vanity tingled at her words; but he would not heed it. “I am not so wholly bad, Delia,” he said in a moment. “I came back to marry you. It will not change or mend the past; but it is the best I can do now.” “It is no use to talk of that,” she returned wearily; “you and I are done with each other. Even I can see that.” She was spent with the violence of her emotions, and only longed to have Farnsworth leave her. She was keenly sensitive now of the nicety of his attire, the contrast between him and her meagre surroundings. The shamefacedness of the poor overwhelmed her. She rose with uneven steps and trembling hands, and began to put things to rights a little. She snuffed the ill-conditioned candle, and trimmed the fire, whose drift-wood sent out tongues of colored flame. She set back into their usual gaunt and vulgar order the chairs which had been disturbed. Farnsworth watched her with an aching heart. “Delia,” he said at length, “come and sit down. We must decide what it is best to do.” She obeyed him, although with evident reluctance. All the brief dignity which her elevation of mood had imparted had vanished now, leaving her more haggard and worn than ever. A faded, prematurely old woman, “Delia,” he said, “I must think for us both, and for the boy. He must be considered. For his sake we must be married.” It was at once with a sense of relief and of humiliation that he saw how she shrank from this proposition. To have fallen from godhood in the meanest woman’s eyes is the keenest thrust at man’s pride. It gave Farnsworth a new conception that the gulf between them must look as impassable from her side as from his. He had thus far been too much absorbed in the sacrifices he himself was making to consider that all the desirabilities of his world would not appeal to her as to him,—that its very fulness and richness which so held and delighted him would confuse and repel her. “It is of no use!” he exclaimed, starting up. “I must have time to think. I will come back in the morning. Think yourself, Delia,—not of me, or even of yourself, so much as of the boy. It is of him that we must have the first care. Nothing can much However different may have been the reflexions of Farnsworth and of Delia Grimwet through that long, sad night, their conclusions must have been in some respects identical, for when the former came to the house in the morning with the astonished clergyman the woman acquiesced without any discussion in the performance of the marriage ceremony. It was an occasion which the Rev. Mr. Eaton long remembered, and of which he told to the end of his life, filling out, it must be confessed, as time went on, its spare facts with sundry incidents, trifling, it is true, yet gradually overlaying the bare truth with a completeness which the clerical gossip himself, whose belief always kept pace with his invention, was far from realizing. The only thing he could with accuracy have told, beyond the simple fact of the marriage, was that when, according to his wont, he attempted to add a few words of exhortation and moral reflection, the bridegroom cut him short and showed him to the door with a courtesy perfect but irresistible, the rebuff somewhat softened by the liberality of the fee which accompanied the dismissal. The boy during these singular proceedings The forenoon was well worn when Farnsworth came to the door with his carriage, for which he had gone in person. “Come, Delia,” he said, entering the house. “We may as well leave everything as it is. I told Mrs. Bemis to lock up the house and see to it. Are you ready?” “Farnsworth is,” she replied, seating herself in a low chair and drawing to her side the uncouth boy, who struggled to get free. He broke in rudely, announcing his readiness, his joy at leaving Kempton, and his satisfaction “But you, Delia?” her husband inquired, putting up his hand to quiet the child. “Are you ready?” “I am not going.” Whether it was relief, remorse, or astonishment which overwhelmed him, John Farnsworth could not have told. He stood speechless, looking at his wife like one suddenly stricken dumb. The boy filled in the pause with noisy expostulations, depriving the tragedy of even the poor dignity of silence. The father knew from the outset that remonstrances would not be likely to avail, yet he remonstrated; perhaps, for human nature is subtle beyond word, he was unconsciously for that reason the more earnest in his pleading. He would have been glad could this woman and her child have been swept out of existence. Already he had to hold himself strongly in check, lest the reaction which had followed his heroic resolve to marry Delia should show itself; but he choked back the feeling with all his resolution. “No,” Delia persistently said, her eyes dry, her voice harsh from huskiness. “I’ve no place anywhere but here. It is too late now. She spoke calmly enough, but with a certain poignant stress which made every word fall like a weight. He did not urge her further. He held out his hand, into which she laid hers lifelessly. “Good-bye,” he said. “As God sees me, Delia, I’ll do my best by the boy. I will write to you. If you change your decision,—but no matter now. I will write to you and to the minister.” All other words of parting were brief and soon spoken. The boy showed no emotion at leaving his mother, as he had throughout exhibited no tenderness. He climbed noisily into the carriage, and the father and son, so Delia had been calm until the two were gone,—so calm that her husband thought her still half dazed by the excitement and anguish of the previous night. She stood steadily at the window until the carriage disappeared behind the grave-covered hill. Then she threw herself grovelling upon the floor in the very ecstasy of woe. She did not shriek, strangling in her throat into inarticulate moans and gurglings the cries which rent their way from her inmost soul; but she beat her head upon the bare floor; she caught at the furniture like a wild beast, leaving the print of her strong teeth in the hard wood; she was convulsed with her agony, a speechless animal rage, a boundless, irrepressible anguish which could not be measured or expressed. She clutched her bosom with her savage hands, as if she would tear herself in pieces; she wounded In the midst of her wildest paroxysm there came a knocking at the door. She started up, her face positively illuminated. “They have come back!” she murmured in ecstasy. She rushed to the door and undid its fastenings with fingers tremulous from eager joy. A neighbor confronted her, staring in dismay and amazement at her strange and dishevelled appearance. “What’s come to ye, Dele?” he demanded roughly, though not unkindly. “When ye goin’ to put the box in Widder Pettigrove’s grave?” She confronted him for an instant with a wandering look in her eye, as though she had mercifully been driven mad. Then the tyranny of life and habit reasserted itself. “I’ll come up now, Bill,” she said. And she went back to her graves. THE END. Messrs. Roberts Brothers’ Publications. A Lad’s Love. By ARLO BATES. 16mo, Cloth. Price, $1.00. Paper Covers, 50 Cents. It is just the kind of a story to suit the majority of watering-place people who wish to help pass the time with light reading. The scene is laid in Campobello; and the social life at a sea-side resort, with its impromptu festivities, is attractively set forth. The persons who form the principal group in the story are above the usual watering-place gossips, that magnify every innocent flirtation they see; and the lad who at twenty-one falls desperately in love with a charming widow of thirty-five years, at last sensibly turns to the daughter, loves her and marries her, through the shrewd management of her mother. The object of the book is to show how often and how fervently a callow youth is attracted to some one older and more cultivated than himself; and the analysis of his passion is very well done.—Hartford Times. This time Mr. Bates, who wields a facile pen, has taken up a facile subject, for the burden of his story is the evolution of a young man’s love in the cool shades and sylvan retreats of Campobello.... Incidentally he pictures certain aspects of society and gives a fair account of Campobello. A Lad’s Love is a readable story, and young women will read it not only with pleasure but also with profit. It will teach them how love acts in a pure lad.—The Beacon. Arlo Bates is favorably known as a writer of pleasant and healthy verse, and he appears to equal advantage as the author of this bright novel, which is as breezy as the air of Mount Desert, where the scene is laid. The “Lad” is a youth of twenty-two or so, just through Harvard; and the depth, strength, and variety of his love are well illustrated by his frantic passion for a widow old enough to be his mother, by his rapid transfer of affection to her lovely daughter, and by his nearly getting entangled with a third woman before he secures the right one. There is a thorough-bred air about the book which leaves a good impression, and a liveliness of fancy and description which promises more good stories from Mr. Bates’s pen. The minor characters, though merely sketched in lightly, fill their places admirably, and the two heroines are quite delicious.—Pittsburgh Bulletin. The author delights in making an analytical study of the mental condition of the principal actors at various stages of the story, and now and then brightens the pages with a crisp epigram that betrays a habit of close observation of human nature in the lines of the story’s theme.... The people of the story are lifelike, however, and there is not an impossible nor even an improbable person among them.—Springfield Union. Sold everywhere. Mailed, post-paid, on receipt of the price, by the Publishers, ROBERTS BROTHERS, Boston. Poems by Arlo Bates. Including “BERRIES OF THE BRIER,” and “SONNETS IN SHADOW.” One Volume. 16mo, Cloth. Price, $1.50. decoration These poems are always poetical; they are carefully finished; they are not vers de sociÉtÉ; they do not affect American humor, and they are utterly unpretentious. Mr. T.B. Aldrich might own a good many of them. They reveal Mr. Bates’ mind and temper at their very best, and will be enjoyed by those who have an ear for fine, light impressions finely and delicately expressed.—The Beacon. The poems, all very short, except the “Ballad of the Spinner,” are almost all flavorous with love’s delicious essence. The perennial passion receives fresh illumination in a hundred ways. Warmth, richness, suggestiveness, smooth-flowing melody,—these are some of the traits of Mr. Bates’ verses, which are well worthy the tasteful setting here given them. They are almost invariably the setting of some pretty and thoroughly poetic thought; and the writer’s expression is clear and precise, and studded with bits of exquisite imagery.—Argonaut. There are many who will welcome another volume from the pen of Arlo Bates, although it be a sad one. The twenty-nine sonnets which make up this little collection are but variations of one melody, and that played in the minor key. They will sink deep into many hearts, for they are the expressions of various moods which all who have known grief and loss will have felt and be able to comprehend. The men and women who have no artistic gifts, and who sit and shed salt tears in stony silence, unable to give their woe adequate words, will feel that a human heart has here been revealed to them able to sympathize with every throb and pulsation of their own. There is not a cry of a bruised soul but will find its echo in some one of these sonnets, and the knowledge that they are the expression of a real and personal sorrow gives them a power and interest that no ideal or imaginary work could possess.—Transcript. ROBERTS BROTHERS, Boston. A WOODLAND WOOING. By ELEANOR PUTNAM. 16mo, Cloth. Price, $1.00. Paper Covers, 50 Cents. A thoroughly wholesome story is A Woodland Wooing, by Eleanor Putnam (the late Mrs. Arlo Bates). It is as sweet as a meadow of clover and as bright as a crisp October morning. Its simplest events are made fascinating by their rare naturalness. The motherless children of a country doctor figure prominently in the tale, and they devise all sorts of original modes of amusing themselves, of course omitting whatever is incompatible with self-respect or unapproved by conscience. Boys and girls are for the most part the story’s heroes and heroines, and when they find themselves quite unexpectedly grown into men and women and realize all that maturity means, their natures are strong and unhurt by the evils of self-consciousness or of unwholesome speculations regarding the significance of this life or the next. They are children of fine, vigorous intellectual fibre and noble impulses that lead them toward worthiness, happiness, and usefulness, and the story of their progress toward higher things is charmingly told.—The Delineator. Like a cool breeze on a sultry day comes this little book, A Woodland Wooing, by Eleanor Putnam, fresh and sparkling, with almost child-like fun, and not even the shadow of a moral spectre to be found stalking anywhere between its dainty covers.... The Yankee country-folks all around are photographed very accurately to our mind’s eye, and it is difficult to say whether they are more amusing than the widely-travelled and elegantly-Bohemian family of Sparhawks, whose advent in the village makes such a sensation. The infant Sparhawks are especially droll, and remind one strongly of those famous personages, “Toddy and Budge.” In fact it is just the sort of book to read aloud, so as to have some one to laugh with over its joyous humor.—Home Journal. One of the breeziest, brightest books of the year. It is not only charmingly original, but thoroughly amusing. Its characters are drawn with all the skill of the literary artist, and stand out in the mind of the reader like beautiful pictures upon the canvas. The reading will make old gray heads feel again young. It will revive the visions of youth, with spring flowers, when all the world stretched away in brightness. The story is a summer camping-out, told in alternate chapters by a brother and sister, in which all sorts of people are introduced to the reader in a most delightful and amusing way. It matters not that it contains much nonsense; life needs a good deal of such to spice it up. The woodland wooing, it may be remarked, is carried on under many and trying circumstances. But it all ends well. It is indeed a bright, breezy, pleasing book, and tears will only come in the remembrance that the hand that penned the lines has ceased forever from such pleasing earthly tasks.—Chicago Inter-Ocean. Sold everywhere. Mailed, post-paid, on receipt of the price, by the Publishers, ROBERTS BROTHERS, Boston. PRINCE VANCE. A Story of a Prince with a Court in His Box. By Eleanor Putnam and Arlo Bates. Illustrated by Frank Myrick. Prince Vance “Prince Vance” is an Entertaining Fairy Story of the wildest and most fantastic adventures and of amusing and original impossibilities, which, however, carry with them a stern puritan moral. This allegiance of unfettered imagination and straightforward, wholesome, moral teaching is unusual, and gives the little book a special value. Small 4to. Cloth gilt. Price, $1.50. ROBERTS BROTHERS, Boston. Transcriber’s Note In the Table of Contents “283” was changed to “285” (Interlude Eighth: A Cuban Morning 285). Also the following corrections were made, on page Otherwise the original was preserved, including archaic and inconsistent spelling and hyphenation. |