When it was time for Thurley to go to New York, Miss Clergy intimated that she would spend the winter at the Fincherie, while the Corners said Thurley had returned “to get cured of something,” because she had stayed so at home and the only person in whom she expressed an interest had been Dan Birge’s son. “Oh, no, you must see me in my new opera. I’d be lonesome for you—” “Lonesome for the baby,” Miss Clergy corrected, smiling. “There are dozens of people you can have with you, Thurley—and I’m tired.” So Thurley packed her trunks and told Ali Baba to call her back if Miss Clergy seemed even inclined to want her. The day before she was to leave, she wandered along the shore of the lake, looking at the deserted mansions with a perplexed and disapproving air. She had found much of which to disapprove in the Corners. It was the queer war-madness in such as Lorraine and her following, destroying common sense and blinding their eyes. When this restless army returned, whether from overseas or from home service, for return they must, what then of the readjustment? The quiet tragedies that would be lived down slowly, so unsuspectedly—so bravely, really. After every one in the home town had heard their stories and their pictures had been locally printed—what then? They would assume the old jobs, the maddening procedure of “Good morning, help,” and “Good morning, boss”—the white shirtwaist on Monday Surely these people would turn in protest to art as their solace. What a task America had set for her, what herculean effort Bliss must make ... for these people would appeal to the accepted standards of art as their defense. The plays, poems, stories, songs, pictures, useless bohemian lives that would follow if permitted, the refusal to become one of many—to take an interest in the neighbors and not the enemies! Thurley rose with sudden determination. Right always ends by acquiring might, she told herself, and if Bliss Hobart possessed a vision he, himself, was powerless to execute it. Player and worker were like the wings of a bird, he had said, equal and necessary ... then so were dreamer and doer. Thurley could do—her ancestors probably toddled about in sabots a few generations ago but she thanked heaven for the sturdy, unknown peasant strain in her which gave her the virility to act. Hobart was the patrician dreamer—yet even gold cannot be used in its purest state, it requires a sterner, coarser alloy before it becomes either practical or fully beautiful. “After the boys fall out of step,” Thurley informed the little lake, “we must fall in step—teach them to go forth once more on a time clock.” “Gray angels”—that was what the people in the vanguard, not only the art vanguard but in all avenues of progress, should be called,—people with enough of the divine in them to have no fear and to believe in the The gray angels dyke a nation’s forceful common sense from becoming a flood of useless sentiment, expending itself no one knows where, lost to practical purposes. It would be the gray angels who would help win the violet crown because they gauge nothing in misleading blacks or whites, since life on this planet is not expressed in harsh, sweeping tones, but in neutral grays, partaking of both white and black, now foggy and bewildering, now serene and sweetly sad with lavender veiling, or rosy flecked and hopeful. Bliss was a gray angel—Ernestine, Polly, Collin and Caleb had the possibilities of becoming them. ... “I believe I’m a gray angel, too,” Thurley thought with sudden delight. |