LETTER XL

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MS.

O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM. VAIN HOPE! YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE. WE TRAVELLED MILES IN IMPENETRABLE SILENCE. AT LENGTH THEY STOPPED, CAST A CLOAK OVER MY FACE, AND CARRIED ME IN THEIR ARMS, ALONG WINDING PASSAGES, AND UP AND DOWN FLIGHTS OF STEPS. THEY THEN TOOK OFF THE CLOAK, AND I FOUND MYSELF IN AN ANTIQUE AND GOTHIC APARTMENT. MY CONDUCTORS LAID DOWN A LAMP, AND DISAPPEARED. I HEARD THE DOOR BARRED UPON ME. O SOUND OF DESPAIR! O MOMENT OF UNUTTERABLE ANGUISH! SHUT OUT FROM DAY, FROM FRIENDS, FROM LIFE—IN THE PRIME OF MY YEARS, IN THE HEIGHT OF MY TRANSGRESSIONS,—I SINK UNDER THE——


ALMOST AN HOUR HAS NOW PASSED IN SOLITUDE AND SILENCE. WHY AM I BROUGHT HITHER? WHY CONFINED THUS RIGOROUSLY? THE HORRORS OF DEATH ARE BEFORE MY EYES. O DIRE EXTREMITY! O STATE OF LIVING DEATH! IS THIS A VISION? ARE THESE THINGS REAL? ALAS, I AM BEWILDERED.


Such, Biddy, was the manuscript that I scribbled last night, after the mysterious event which it relates. You shall now hear the particulars of all that has occurred to me since.

After the ruffians had departed, and I had rallied my spirits, I took up the lamp, and began examining the chamber. It was spacious, and the feeble light that I carried could but just penetrate it. Part of the walls were hidden with historical arras, worked in colourless and rotten worsted, which depicted scenes from the ProvenÇal Romances; the deeds of Charlemagne and his twelve peers; the Crusaders, Troubadours, and Saracens; and the Necromantic feats of the Magician Jurl. The walls were wainscotted with black larchwood; and over the painted and escutcheoned windows hung iron visors, tattered pennons, and broken shields. An antique bed of decayed damask, with a lofty tester, stood in a corner; and a few grand moth-eaten chairs, tissued and fringed with threads of tarnished gold, were round the room. At the farther end, a picture of a soldier on horseback, darting his spear upon a man, who held up his hands in a supplicating attitude, was enclosed in a frame of uncommon size, that reached down to the ground. An old harp, which occupied one corner, proved imprisonment, and some clots of blood upon the floor proved murder.

I gazed with delight at this admirable apartment. It was a perfect treasure: nothing could be more complete: all was in the best style of horror; and now, for the first time, I felt the full consciousness of being as real a heroine as ever existed.

I then indulged myself with imagining the frightful scenes I should undergo here. Such attempts to murder me, such ghosts, such mysteries! figures flitting in the dusty perspective, quick steps along the corridor, groans, and an ill-minded lord of the castle.

In the midst of this pleasing reverie, methought I heard a step approaching. It stopped at the door, the bolts were undrawn, and an antiquated waiting-woman, in fardingale, ruffles, flounces, and flowered silk, bustled into the room.

'My lord,' said she, 'desires me to let your ladyship know that he will do himself the honour of waiting on you in half-an-hour.'

'Tell your lord,' said I, 'that I shall be ready to receive him: but pray, my good woman,' said I, 'what is the name of your lord?'

'Good woman!' cried she, bridling up; 'no more good woman than yourself: Dame Ursulina, if you please.'

'Well then, Dame Ursulina, what is his name?'

'The Baron Hildebrand,' answered she. 'The only feudal chieftain left in England.'

'And what is the name of his castle?'

'Gogmagog,' answered she: 'and it is situated in the Black Forest of Grodolphon, whose oaks are coeval with the reign of Brute.'

'And, alas!' cried I, 'why have I been seized? Why thus imprisoned? Why——'

The Dame laid her finger across her lips, and grinned volumes of mystery.

'At least, tell me,' said I, with a searching look, 'how comes that blood on the floor; for it appears but just spilt?'

'Lauk!' cried she, 'that blood is there these fifty years. Sure your ladyship has often read in romances of blood on floors, and daggers, that looked as fresh as a daisy at the end of centuries. But, alas-o-day! modern blood won't keep like the good old blood. Ay, ay, ay; the times have degenerated in every thing;—even in harps. Look at that harp yonder: I warrant 'tis in excellent tune at this moment, albeit no human finger has touched it these ten years: and your ladyship must remember reading of other cobwebbed harps in old castles, that required no tuning-hammer, after lying by whole ages. But, indeed, they do say, that the ghost keeps this harp in order, by playing on it o' nights.'

'The ghost!' exclaimed I.

'Ay, by my fackins,' said she; 'sure this is the haunted chamber of the northern tower; and such sights and noises—Santa Catharina of Sienna, and St. Bridget, and San Pietro, and Santa Benedicta, and St. Radagunda, defend me!'

Then, aspirating an ejaculation, she hastily hobbled out of the room, and locked the door after her, without giving me farther satisfaction.

However, the visit from Baron Hildebrand occupied my mind more than the ghost; and I sat expecting it with great anxiety. At last, I heard a heavy tread along the corridor: the door was unbarred, and a huge, but majestic figure, strode into the chamber. The black plume towering on his cap, the armorial coat, Persian sash, and Spanish cloak, conspiring with the most muscular frown imaginable, made him look truly tremendous.

As he flung himself into a chair, he cast a Schedoniac scowl at me; while I felt, that one glance from the corner of a villain's eye is worth twenty straight-forward looks from an honest man. My heart throbbed audible, my bosom heaved like billows: I threw into my features a conventual smile, and stood before him, in all the silence of despair, something between Niobe, patience, and a broken lily.

'Lady!' cried he, with a voice that vibrated through my brain; 'I am the Baron Hildebrand, that celebrated ruffian. My plans are terrible and unsearchable. Hear me.

'My daughter, the Lady Sympathina, though long betrothed to the Marquis De Furioso, has long been enamoured of the Lord Montmorenci. In vain have I tried entreaties and imprecations: nothing will induce her to relinquish him; even though he has himself confessed to her that you reign sole tormentress of his heart.

'While doubtful what course to take, I heard, from my vassals, of your having seized on a neighbouring castle, and of Montmorenci's being there with you. The moment was too precious to be lost. I planted armed spies about the castle, with orders to make you and him prisoners the first opportunity. These orders are executed, and his lordship is a captive in the western turret.

'Now, Madam, you must already guess my motive for having taken this step. It is to secure your immediate marriage with his lordship, and thus to terminate for ever my daughter's hopes, and my own inquietude. In two days, therefore, be prepared to give him your hand, or to suffer imprisonment for life.'

'My lord,' said I, 'I am a poor, weak, timid girl, but yet not unmindful of my noble lineage. I cannot consent to disgrace it. My lord, I will not wed Montmorenci.'

'You will not?' cried he, starting from his seat.

'I will not,' said I, in a tone of the sweetest obstinacy.

'Insolent!' exclaimed he, and began to pace the chamber with prodigious strides. Conceive the scene;—the tall figure of Hildebrand passing along, with folded arms; the hideous desolation of the room, and my shrinking figure. It was great, very great. It resembled a Pandemonium, where an angel of light was tormented by a fiend. Yet insult and oppression had but added to my charms, as the rose throws forth fresh fragrance by being mutilated.

On a sudden he stopped short before me.

'What is your reason for refusing to marry him?' said he.

'My lord,' answered I, 'I do not feel for his lordship the passion of love.'

'Love!' cried he, with yells of laughter. 'Why this is Sympathina's silly rhodomontade. Love! There is no such passion. But mark me, Madam: soon shall you learn that there is such a passion as revenge!' And with these words he rushed out of the chamber.

Nothing could be better than my conduct on this occasion. I was delighted with it, and with the castle, and with every thing. I therefore knelt and chaunted a vesper hymn, so soft, and so solemn; while my eyes, like a magdalen's, were cast to the planets.

Adieu.

                                                                                                                                                                                                                                                                                                           

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