THE RHYTHM OF STYLE

Previous

There are persons who imagine that I am ignorant of the three or four elementary rules of good writing, which everybody knows, while others believe that I am unacquainted with syntax. SeÑor Bonilla y San MartÍn has conducted a search through my books for deficiencies, and has discovered that in one place I write a sentence in such and such fashion, and that in another I write something else in another, while in a third I compound a certain word falsely.

With respect to the general subject of structural usage which he raises, it would be easy to cite ample precedent among our classic authors; with respect to the word misticidad occurring in one of my books, I have put it into the mouth of a foreigner. The faults brought to light by SeÑor Bonilla are not very serious. But what of it? Suppose they were?

An intelligent friend once said to me:

"I don't know what is lacking in your style; I find it acrid." I feel that this criticism is the most apt that has yet been made.

My difficulty in writing Castilian does not arise from any deficiency in grammar nor any want of syntax. I fail in measure, in rhythm of style, and this shocks those who open my books for the first time. They note that there is something about them that does not sound right, which is due to the fact that there is a manner of respiration in them, a system of pauses, which is not traditionally Castilian.

I should insist upon the point at greater length, were it not that the subject of style is cluttered up with such a mass of preconceptions, that it would be necessary to redefine our terminology, and then, after all, perhaps we should not understand one another. Men have an idea that they are thinking when they operate the mechanism of language which they have at command. When somebody makes the joints of language creak, they say: "He does not know how to manage it." Certainly he does know how to manage it. Anybody can manage a platitude. The truth is simply this: the individual writer endeavours to make of language a cloak to fit his form, while, contrarywise, the purists attempt to mould their bodies till they fit the cloak.

                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page