No. 45

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West with his own great soul the canvass warms, Creates, inspires, impassions human forms.
Book VIII. Line 587.

Benjamin West, president of the Royal Academy in London, was born and educated in Pennsylvania. At the age of twenty-three he went to Italy to perfect his taste in the art to which his genius irresistibly impelled him; in which he was destined to cast a splendor upon the age in which he lives, and probably to excel all his cotemporaries, so far at least as we can judge from the present state of their works. After passing two years in that country of models, where canvass and marble seem to contribute their full proportion of the population, he went to London.

Here he soon rendered himself conspicuous for the boldness of his designs, in daring to shake off the trammels of the art so far as to paint modern history in modern dress. He had already staggered the connoisseurs in Italy while he was there, by his picture of The Savage Chief taking leave of his family on going to war. This extraordinary effort of the American pencil on an American subject excited great admiration at Venice. The picture was engraved in that city by Bartolozzi, before either he or West went to England. The artists were surprised to find that the expression of the passions of men did not depend on the robes they wore. And his early works in London, The Death of Wolfe, The Battles of the Boyne, Lahogue, &c., engraved by Woollett and others, not only established his reputation, but produced a revolution in the Art. So that modern dress has now become as familiar in fictitious as in real life; it being justly considered essential in painting modern history.

The engraving from his Wolfe has been often copied in France, Italy and Germany; and it may be said that in this picture the revolution in painting really originated. It would now be reckoned as preposterous in an artist to dress modern personages in Grecian or Roman habits, as it was before to give them the garb of the age and country to which they belonged.

The merit of Mr. West was early noticed and encouraged by the king; who took him into pay with a convenient salary, and the title of historical painter to his majesty. In this situation he has decorated the king's palaces, chapels and churches with most of those great pictures from the English history and from the Old and New Testament, which compose so considerable a portion of his works.

The following catalogue of his pictures was furnished me by Mr. West himself in the year 1802. It comprises only his principal productions in historical painting, and only his finished pictures; without mentioning his numerous portraits, or his more numerous sketches and drawings.

The pictures marked thus * have been engraved. The ciphers express the size of the pictures. When the same subject is mentioned more than once, there is more than one picture on that subject.

IN THE QUEEN'S HOUSE.

* Regulus departing from Rome.
* Hannibal sworn when a child.
* Death of Wolfe.
Damsel accusing Peter.
* Death of Epaminondas.
Apotheosis of the two young princes.
* Death of chevalier Bayard.
Germanicus, with Segestus and his daughter prisoners.
* Cyrus, with a king and family captives.

IN THE KING'S APARTMENTS AT WINDSOR.

Edward III crossing the Somme.
Battle of Cressy, Edward embracing his son.
Edward III crowning Ribemond at Calais.
St. George destroying the Dragon.
The Six Burgesses of Calais before Edward.
Battle of Poietiers, king of France prisoner to the Black Prince.
Institution of the Order of the Garter.
Battle of Nevilcross.
Christ's Crucifixion.
The same on glass for the west window of the church at Windsor, 36 feet by 28.
Peter, John and women at the Sepulchre.
The same on glass for the east window of the same church, 36 feet by 28.
The Angels appearing to the Shepherds.
Nativity of Christ.
Kings presenting gifts to Christ.

IN THE MARBLE GALLERY, WINDSOR CASTLE.

Hymen dancing with the Hours before Peace and Plenty.
Boys with the insignia of the Fine Arts.
Boys with the insignia of Riches.

IN THE KING'S CHAPEL AT WINDSOR.

A complete history of Revealed Religion, divided into four dispensations, and comprised in thirty-eight pictures.

PATRIARCHAL DISPENSATION.

Adam and Eve created. 9 feet by 6.
Adam and Eve driven from Paradise. do.
The Deluge. do.
Noah sacrificing. do.
Abraham going to sacrifice Isaac. do.
Birth of Jacob and Esau. do.
Death of Jacob, surrounded by his sons. do.
Bondage of the Israelites in Egypt. do.

MOSAICAL DISPENSATION.

Moses called. do.
Moses and Aaron before Pharaoh, their rods turned to serpents. 15 feet by 10.
Pharaoh's Army lost in the sea.
Moses receiving the Law. 18 feet by 12.
Hoses consecrating Aaron and his sons to the Priesthood. 15 feet by 10.
Moses shows the Brazen Serpent. 15 feet by 10.
Moses on Mount Pisgah sees the Promised Land and dies. 9 feet by 6.
Joshua passing the Jordan, do.
The twelve Tribes drawing their lots. do.
David called and anointed, do.

GOSPEL DISPENSATION.

John Baptist called and named. do.
Christ born. do.
Christ offered gifts by the Wise Men. do.
Christ among the Doctors, do.
Christ baptized, and the Holy Spirit descending on him. 15 feet by 10.
Christ healing the Sick. do.
Christ's last Supper. do.
Christ's Crucifixion. 36 feet by 28.
Christ's Resurrection, Peter, John and the women at the Sepulchre. do.
* Christ's Ascension. 18 feet by 12.
Peter's first Sermon, Descent of the Holy Spirit. 15 feet by 10.
The Apostles preaching and working miracles. do.
Paul and Barnabas turning from the Jews to the Gentiles. do.

APOCALYPTIC DISPENSATION.

John seeing the Son of Man, and called to write. 9 feet by 6.
The Throne surrounded by the Four Beasts, and Saints laying down their crowns. 9 feet by 6.
Death on the Pale Horse, and the Opening of the Seals. do.
The White Horse and his legions, and the Man destroying the Old Beast. do.
General Resurrection, the end of Death. do.
Christ's Second Coming. do.
The New Jerusalem. do.

IN THE COLLECTION OF MR. BECKFORD.

Michael and his angels casting out the Red Dragon and his angels.
The Woman clothed with the Sun.
John called to write the Apocalypse.
The Beast rising out of the sea.
The mighty Angel, one foot on sea the other on land.
St. Anthony of Padua.
The Madre Dolorosa.
Simeon with the Child in his arms.
Landscape, with a Hunt in the back ground.
Abraham and Isaac going to sacrifice.
Thomas À Becket.
Angel in the Sun.
Order of the Garter, differing in composition from that at Windsor.

IN THE COLLECTION OF EARL GROSVENOR.

The Shunamite's son raised to life by Elisha.
Jacob blessing the sons of Joseph.
* Death of Wolfe.
* Battle of Lahogue.
* Battle of the Boyne.
* Restoration of Charles II.
* Cromwell dissolving the Parliament.
The Golden Age.
General Wolfe when a boy.

IN THE COLLECTION OF MR. HOPE.

* Telemachus and Calypso.
* Angelica and Madora.
The Damsel and Orlando.
Cicero at the tomb of Archimedes.
St. Paul's Conversion.
St. Paul persecuting the Christians.
His restoration to sight by Ananias.
Mr. Hope's family; nine figures, size of life.

IN THE HISTORICAL GALLERY, PALLMALL.

The Queen soliciting king Henry to pardon her son John.

IN GREENWICH HOSPITAL.

Paul shaking the Viper from his finger.
Paul preaching at Athens.
Elymas the Sorcerer struck blind.
Cornelius and the Angel.
Peter delivered from prison.
Conversion of St. Paul.
Paul before Felix.
Return of the Prodigal Son.

LARGE FIGURES OF

Faith,
Hope,
Charity,
Innocence,
Matthew,
Mark,
Luke,
Matthias,
Thomas,
Simon,
James major,
James minor,
Philip,
Peter,
Malachi,
Micah,
Zachariah,
Daniel,
Jude,
John,
Andrew,
Bartholomew.

IN DIFFERENT CHURCHES.

Michael chaining the Dragon.
Angels announcing the birth of Christ.
St. Stephen stoned to death.
Raising of Lazarus.
Paul shaking off the Viper.
The last Supper.
Resurrection of Christ.
Peter denying Christ.
Moses showing the Brazen Serpent.
John seeing the Lamb of God.
A Mother leading her children to the Temple of Virtue.

IN VARIOUS COLLECTIONS.

Lord Clive taking the dunny from the Mogul.
The same.
Christ receiving the Sick. Pensyl. hospital.
* Leonidas exiling Cleombrotus and family.
The two Marys at the Sepulchre.
Alexander and his Physician.
Cesar reading the Life of Alexander.
Death of Adonis.
Continence of Scipio.
* Savage Warrior taking leave of his family.
Venus and Cupid.
Alfred dividing his loaf with the Beggar.
Helen presented to Paris.
Cupid stung by a bee.
Simeon and the Child.
* William Penn treating with the Savages.
Destruction of the Spanish Armada.
Philippa soliciting of Edward the pardon of the citizens of Calais.
Europa on the Bull.
Death of Hyacinthus.
Death of Cesar.
Venus presenting her cestus to Juno.
Rinaldo and Armida.
Pharaoh's Daughter with the child Moses.
The stolen Kiss.
Angelica and Madora.
Woman of Samaria at the well with Christ.
Agrippina leaning on the urn of Germanicus.
Death of Wolfe.
The same; smaller size.
Romeo and Juliet.
King Lear and his Daughters.
Belisarius and the Boy.
Sir Francis Baring and family.
* Mr. West and family.
A Mother and Child.
Jupiter and Semele.
Petus and Arria.
Venus and Cupid smiling at Europa when Jupiter had left her.
Rebecca coming to Jacob.
Rebecca receiving the bracelets at the well.
Agrippina landing at Brundusium with the ashes of Germanieus,
The same.
The same.
Endymion and Diana.

IN THE COLLECTION OF ROBERT FULTON.

Ophelia distracted, before the king and queen
*King Lear in the storm,

IN MR. WEST'S OWN COLLECTION.

Hector taking leave of his Wife and Child.
Elisha raising the Shunamite's Son.
The raising of Lazarus.
Macbeth and the Witches.
The return of Tobias.
Return of the Prodigal Son.
Ariadne on the sea shore.
Death of Adonis.
King of France brought to the Black Prince.
* Death of Wolfe.
Venus and Adonis.
Battle of Lahogue.
Edward III crossing the Somme.
Philippa at the Battle of Nevilcross.
Angels announcing the birth of Christ.
Kings bringing presents to Christ.
View on the river Thames.
View on the Susquehanna.
Picture of Tankers Mill at Eton.
Chryseis restored to her Father.
Antiochus and Stratoftice.
King Lear and his Daughters.
Chryseus on the sea shore.
Nathan and David. Thou art the man.
Elijah raising the widow's Son.
Choice of Hercules.
Venus and Europa.
Daniel interpreting the Writing on the Wall.
Marius on the ruins of Carthage.
* Cymon and Iphigenia.
Cicero at the tomb of Archimedes.
* Alexander, king of Scotland, rescued from the Stag.
Battle of Cressy.
* Mr. West and his family.
* Anthony shows Cesar's Robe and Will.
Egysthus viewing the body of Clytemnestra.
Recovery of king George in 1789.
A large landscape in Windsor Forest.
Ophelia before the King and Queen.
Leonidas taking leave of his family.
Phaeton receiving from Apollo the chariot of the Sun.
The Eagle giving the cup of water to Psyche.
Moonlight and the Beckoning Ghost. Pope.
Angel sitting on the stone at the Sepulchre.
The same subject differently composed.
* Angelica and Madora.
The Damsel and Orlando.
The Good Samaritan.
Old Beast and False Prophet destroyed.
Christ healing the sick in the temple.
Death on the Pale Horse.
Jason and the Dragon.
Venus and Adonis seeing the Cupids bathe.
Moses and Aaron before Pharaoh.
Passage boat on the Canal.
Paul and Barnabas rejecting the Jews and turning to the Gentiles.
Diomed, his horses struck with lightning.
Milk-woman in St. James's Park.
Expulsion of Adam and Eve from Paradise.
Order of the Garter.
Orion on the Dolphin's back.
The Deluge.
Queen Elizabeth's Procession to St. Paul's.
Christ showing a child, emblem of heaven.
Harvest Home.
Washing Sheep.
St. Paul shaking off the Viper.
Sun setting at Twickenham on Thames.
Driving sheep and cows to water.
Cattle drinking, and Mr. West drawing, in Windsor Park.
Pharaoh and his boat in the Red Sea.
Telemachus and Calypso.
Moses consecrating Aaron and his sons.
A Mother inviting her little boy to come to her thro a brook.
Brewer's porter and hod carrier.
Venus attended by the Graces.
Naming of Samuel.
Birth of Jacob and Esau.
Ascension of Christ.
Samuel presented to Eli.
Moses shown the Promised Land.
Christ among the Doctors.
Reaping scene.
Adonis and his dog.
Mothers with their children in water.
Joshua crossing the Jordan with the Ark.
Christ's Nativity.
* Pyrrhus when a child before king Glaucus.
The Man laying his bread on the bridle of the dead Ass. Sterne.
The Captive. Ditto.
Cupid letting loose two Doves.
Cupid asleep.
Children eating cherries.
St. Anthony of Padua and the Child.
Jacob and Laban with his two daughters.
The Women looking into the Sepulchre and seeing two Angels where the Lord lay.
The Angel unchaining Peter in prison.
Death of sir Philip Sidney.
Death of Epaminondas.
Death of chevalier Bayard.
Death of Cephalus.
* Kosciusko on a couch.
Abraham and Isaac. Here is the wood and fire, but where is the lamb to sacrifice?
Eponina with her children giving bread to her husband when in concealment.
King Henry pardoning his brother.
John at the prayer of his mother.
Death of lord Chatham. Presentation of the Crown to William the Conqueror.
Europa crowning the Bull with flowers.
West's garden, gallery and painting room.
Cave of Despair. Spencer.
Arethusa bathing.
Cupid shows Venus his finger stung by a bee.
Ubald brings his three daughters to Alfred for him to choose one for his wife.
* Pylades and Orestes.

Besides the two hundred and ninety-nine large finished pictures here mentioned, Mr. West has done about one hundred portraits, and upwards of two hundred drawings with the pen; which last, for sublimity of conception, are among the finest of his works. So that the whole of his pieces amount to above six hundred. Some of them are larger in size than any in the national gallery of France; and he has not been assisted by any other painter.

Mr. West is now about sixty-eight years of age. He discovers no abatement in the activity of his genius, nor in the laborious exercise of his talents. He has painted several fine pictures since the above catalogue was made. Three of which I have particularly noticed in his painting room: Tobet and Tobias with the fish; Abraham sending away Hagar with her child; Achilles receiving from Thetis the new armor; and we hear that he has lately painted the Death of Nelson. He may yet produce many more original works; tho it is presumed he has already exceeded all other historical painters, except Rubens, in the number and variety of his productions. With regard to the merit of his pictures, I cannot pretend to form a judgment that would be of any use in directing that of others. He is doubtless the most classical painter, except Raphael, whose works are known to us.

The critics find fault with the coloring of Mr. West. But in his works, as in those of Raphael, we do not look for coloring. It is dignity of character, fine expression, delicate design, correct drawing and beautiful disposition of drapery which fix the suffrage of the real judge. All which qualities can only spring from an elevated mind.

                                                                                                                                                                                                                                                                                                           

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