Meanwhile Bideabout was on his way to the town of Guildford. He made slow progress, for old Clutch had no mind for speed. The horse was mistrustful as to whither he was going, and how he would be treated on reaching his destination. No amount of beating availed. He had laid on his winter growth of hair, which served as a mat, breaking the force of the strokes administered. He was proof against kicks, for whenever Jonas extended his legs for the purpose of bringing his heels sharply against the sides of Clutch, the old horse drew a deep inspiration and blew himself out; thus blunting the force of the heels driven into him.

At length, however, Jonas and old Clutch did reach Guildford. To old Clutch's great astonishment he found himself in a town new to him, more populous than Godalming; and being strongly convinced that he had done enough, and that every house was an inn open to receive him, and being eager to make himself comfortable, he endeavored to carry his master into a china-shop, then into a linen-draper's shop, and next into a green-grocer's.

Jonas was constrained to stable his obstinate steed in the first tavern he came to, and to make the rest of his way on foot.

Guildford is, to this day, a picturesque old town, dominated by the ruins of a fine royal castle, and with a quaint Grammar School and hospital. At the present time it is going through immense transformation. It has become a favorite retiring place for old officers of the army, supplanting in this respect Cheltenham. But at the period of this tale it was a sleepy, ancient, county town that woke to life on market days, and rested through the remainder of the week. It did not work six days and keep one Sabbath, but held the Sabbath for six days and woke to activity on one only.

Now nobody quite knows who are all the new people that flow into the villas, and flood the suburbs. At the period whereof we tell there were no invaders of the place. Everybody knew every one else in his own clique, and knew of and looked down on every one else in the clique below him, and thanked God that he only knew of him, and did not know him; and looked up at and slandered every one else in the clique above him.

At the time of which we tell there was no greater joy to those in each of the many cliques than to be able to stare at those who belonged to a clique esteemed lower, and to ask who those people were, and profess never to have heard their names, and to wonder out of what dungheap they had sprung.

At that time the quintessence of society in the town consisted of such as were called upon and returned the calls of the county families. Now, alas, almost every country gentleman's house in the neighborhood is no longer occupied by its ancient proprietors, and is sold or let to successful tradespeople, so that the quintessence of society in the town plumes itself on not knowing the occupants of these stately mansions.

At that time the family that inhabited a house which had been built fifty years before regarded with contempt those who occupied one built only thirty years before. At that time those who had a remote connection by cousinship twice removed with an Honorable, deemed themselves justified in considering every one else, not so privileged, as dishonorable.

Now all this is past, or is in process of passing away, and in Guildford and its suburbs, as elsewhere, the old order changeth, and the poll of a Parish Council teaches men their levels in the general estimation.

Without much difficulty, Jonas Kink was able to discover where the artist, Iver Verstage, had his house and his studio. The house was small, in a side street, and the name was on the door.

Jonas was ushered into the workshop by an elderly maid, and then saw Iver in a blouse with his arms tied about with string; a mahl-stick in one hand and a brush in the other.

Iver was surprised to see the Broom-Squire, and indisposed to welcome him. He purposely retained stick and brush in his hands, so as not to be able to strike palms with the man who had deprived him of the woman he admired and loved best in the world; and whom he suspected of misusing her.

Jonas looked about the studio, and his eye was caught by a picture of Mehetabel at the well head. The young artist had devoted his best efforts to finishing his study, and working it up into an effective and altogether charming painting.

The Broom-Squire held in the right hand the stick wherewith he had thrashed old Clutch, and this he now transferred to the left, whilst extending his right hand and forcing a smile on his leathery face. The artist made a pretence of seeking out some place where he could put down the articles encumbering his hands, but finding none, he was unable to return the salutation.

"Let bygones be bygones," said Jonas, and he dropped his hand. "Fine pictur' that, very like my wife. What, now, have you sold that for?"

"It is not sold at all. I do not think I shall part with the painting."

"Why not?" asked Jonas, with a malevolent twinkle in his eyes and a flush on his cheek-bones.

"Because it is a good sample of my ability which I can show to such as come as customers, and also because it reminds me of an old friend."

"Then you may take my portrait," said Jonas, "and sell this. Mine will do as well, and you knowed me afore you did Matabel."

"That is true," laughed Iver, "but I am not sure that you would make so striking subject, so inspiring to the artist. Did you come all the way from the Punch-Bowl to see the painting?"

"No, I didn't," answered Jonas.

"Then had you business in the town?"

"None particular."

"Was it to give me the pleasure of seeing you and asking after old friends at Thursley?"

"Old friends," sneered Bideabout; "much the like o' you cares for them as is old. It's the young and the bloomin' as is to your fancy. And I reckon it ain't friends as you would ask about, but a friend, and that's Matabel. Well, I don't mind tellin' of yer that she's got a baby, but I s'pose you've heard that, and the child ain't over strong and healthy, such as ort to be in the Punch-Bowl, where we're all hard as nails."

"Aye, not in physique only?"

"I don't know nothin about physic. I didn't take it when I were poorly, and nobody ever did in the Punch-Bowl as I've heard tell on. I sent once to Gorlmyn (Godalming) for a sleepin' draught, when I were bad wi' that shot in my shoulder as you knows of. But I never took it, not I."

"So you've come to see me?"

"Oh, yes, I've come, civil and neighbor-like, to see you."

"What about? Will you sit down?"

"Thanky, I just about like to stand. Yes, I've come to see you—on business."

"On business!"

"Yes, on business. You're trustee, I hear, for the child."

"To be sure I am. Mother put away a hundred pounds, and father has added fifty to it—and it is for your little one, some day."

"Well," said Jonas, "what I've come about is I wants it now."

"What, the hundred and fifty pounds?"

"Aye, I reckon the hundred and fifty pounds."

"But the money is not left to you."

"I know it b'aint; I want it for the child."

"You are not going to have it."

"Look here. Master Iver Verstage, you never ort to ha' been made trustee for my child. It's so much as puttin' a slight and an insult on me. If that child be mine then I'm the one as should have the trust. Don't I know best what the child wants? Don't I know best how to lay it out for its advantage? The money ort to ha' been put in my hands and in none other. That's my opinion."

"Bideabout!" answered Iver, "it is not a question as to what my father and mother should have done. I did not seek to be made trustee. It was a freak on the part of my dear mother. As she has done it, there it is; neither you nor I can alter that."

"Yes. You can renounce trusteeship."

"That will not help. Then I suppose the money would go into Chancery, and would be consumed there without any of it reaching the child."

Jonas considered, and then shook his head.

"You can hand it over to me."

"Then I should be held responsible and have to refund when the little fellow comes of age."

"He may never come of age."

"That neither you nor I can tell."

"Now look here," said the Broom-Squire, assuming an air of confidence, "between you and me, as old acquaintances, and me as gave you the feathers out o' a snipe's wing to make your first brush—and, so to speak, launched you in your career of greatness—between you and me I'm in an awkward perdic'ment. Through the failure of the Wealden Bank, of which you've heard tell, I've lost pretty much everything as I had managed to save through years of toil and frugality. And now I'm menaced in my little property. I don't know as I shall be able to hold it, unless some friend comes to the help. Well, now, who'll that little property go to but my son—that there precious darlin' baby as we're talkin' about. He'll grow out o' his squawlin', and he'll want his property unincumbered and clear, as it came to me. That I can't give him unless helped. I don't ask that there hundred and fifty pounds for myself. I know very well that I can't have it for myself. But I demand it for the child; it is now or never can the little estate in the Punch-Bowl be saved from fallin' into the hands of them darned lawyers. A stitch in time saves nine, and a little help now may be all that is wanted to keep the property clean and clear and unembarrassed wi' debt. If once we get our heads under water we'll all get drowned, me and Matabel and the kid—sure as crabs ain't garden apples."

"That may be very true, Bideabout," answered Iver, "but for all that I cannot let the money out of my control."

"Ain't you bound to spend it on the child?"

"I am bound to reserve it whole and intact for the child."

"But can you not see," persisted Jonas, "that you are doing that for the child, it would wish above all, when come to years of discretion."

"That is possible, but my hands are tied."

"In truth you will not."

"I cannot."

"I don't believe you. It is because you want to spite me that you will not help."

"Not at all, Bideabout. I wish well to the child and its mother, and, of course, to you. But I cannot break a trust."

"You will not?"

"If no other word will suit you—be it so—I will not."

Jonas Kink fumed blood red.

"You think to have me there. I shouldn't be surprised but it's you who are at the bottom of all—and will buy me up and buy me out, that you and Matabel may have the place to yourselves. It shall never be. I know what was meant when Sanna Verstage made you trustee. I am to be reckoned with. I can assure you of that. I shall find means to keep my property from you and my wife also."

He raised his stick and fell to beating the picture of Mehetabel with it; till it was rent to rags.

"Not even her picture shall you have—and I would it were her I were slashin' and breakin' to pieces as I've done to this picture. It may come to that in the end—but out of my power and into your hands she shall never go."