[1] Vinet, L’Art et l’ArchÆologie, Mission de PhÉnicÉe, Paris, 1862.

[2] Fauriel, Hist. de la PoÉsie ProvenÇale, 1846, i., pp. 169-171.

[3] Renaissance in Italy: “The Catholic Revival,” ii. c. 12.

[4] So Virgil speaks of the soldiers singing as they marched, according to rhythmic music—

“With measured pace they march along,
And make their monarch’s deeds their song.”

Æneid, viii., 698-9.

[5] Renaissance in Italy. “Italian Literature,” i., c. 2.

[6] See Elton’s Origins of English History. London: 1890, pp. 6-32.

[7] Stanley Poole, The Barbary Pirates.

[8] La Provence Maritime, 1897, p. 356.

[9] The tomb of Raimond de Cabane, the maÎtre d’hÔtel, is in the Church of S. Chiara, Naples.

[10] The portraits of Joanna and of Louis of Tarentum may be seen in the Church of Sta. Maria l’Incarnata, which she built in Naples. Her marriage is there represented in a fresco by one of the pupils of Giotto; again, another picture is of her in Confession. She is also represented on the tomb of King Robert, her grandfather, in the Church of S. Chiara, Naples.

[11] His tomb and statue, a life-like portrait, by Ciaccione, is in the church of S. Giovanni a Carbonara, Naples.

[12] La Provence Maritime, Paris, 1897.

[13] Les Grands Artistes, Fragonard, par C. Mauclair, Paris (n.d.)

[14] A fantastic derivation. Actually, Arluc is By the Mere.

[15] Hopkins (Tighe) The Man in the Iron Mask, Lond. 1901.

[16] A fine head, dug out from the ruins, and supposed to be that of Drusus, is now in the Copenhagen museum.

[17] Bennet, Winter and Spring on the Mediterranean. London, 1870.

[18] Age of the Despots, ch. ii.

[19] J. A. Symonds, Age of the Despots.

[20] Hare, Cities of Northern Italy, i. p. 34.

[21] Lane Poole, The Barbary Corsairs, p. 104.

[22] “Tre sue famigliari e care anzelle, lussuria, simonia, e crudeltade” (Opere, Flor., 1843, p. 882).