CHAPTER I

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Exile—Provincial Life—Conversation at Saint-Fargeau—Sentiment towards Nature in the Seventeenth Century—Differences between Mademoiselle and her Father—Mademoiselle Returns to Court.

THE Fronde was an abortive revolution. It was condemned in advance, the leaders having never clearly known what ends they were seeking. The consequences of its failure proved to be of profound importance to France. The civil disorders existing between 1648 and 1652 were the last efforts of the French against the establishing of absolute monarchy, to the strengthening of which the entire regency of Anne of Austria had tended. The end of these disorders signified that the nation, wearied and discouraged, had accepted the new rÉgime. The result was a great transformation, political and moral, so great that the Fronde may be considered as clearly marking a separation between two periods of French history—a deep abyss as it were between the times which precede and those which follow.

The leaders of the Fronde had been dispersed by the return of the King to his capital on October 21, 1652. When the exiles returned, some sooner, some later, the last after the Peace of the PyrÉnÉes (November 7, 1659), so great a change had taken place in ideas and customs that more than one exile felt himself in a strange land.

It was necessary to adjust oneself to the new atmosphere. It was very much the same situation—though the Frondeurs were under much lighter accusations—as that experienced by the ÉmigrÉs returning under the Consulate. The Princess, the events of whose heroic years have been related, offers an excellent example of this condition.

When the Grande Mademoiselle, who had urged on the civil war in order to force Louis XIV. into marriage with herself, obtained at the end of five years, permission to return to Court, she brought with her the old undisciplined habits which were no longer in fashion, and in the end incurred much that was disagreeable. Exile had not weakened her pride. According to a celebrated formula, she had learned nothing, she had forgotten nothing; she remained that person of impulse of whom Mme. de SÉvignÉ said, "I do not care to mix myself with her impetuosities."[1]

Far be it from me to reproach Mademoiselle! All honour be to her who stood firm in the age of servility which succeeded the Fronde! In other respects exile had been most healthful for her. She had been obliged to seek in herself resources the finding of which surprised her. Mademoiselle naÏvely admires herself in her MÉmoires[2] for never having experienced a single moment of ennui "in the greatest desert in the world," and surely she deserves praise, as her first experiences at Saint-Fargeau would have crushed most women.

The reader will be convinced of this if he imagines himself in her company the night of arrival in the early days of November, 1652. At the end of The Youth of La Grande Mademoiselle we left her weeping without shame before her entire suite. Her dream of glory had evaporated. Anne-Marie-Louise d'OrlÉans would never be queen of France. She would take no more cities; pass no more troops at review to the sound of trumpet and cannon. Three weeks previous, the great CondÉ had treated her as a companion in arms. She rejoiced the soldiers by her martial carriage, and any one of them would have been not only surprised but very indignant if it had been suggested that she was capable of being almost as cowardly as her father, the "triste Gaston."

Now all that was finished, even the romantic flight. While playing hide-and-seek with imaginary pursuers, the Grande Mademoiselle had fallen into a state of physical and moral prostration. The heroine of OrlÉans and of Porte Saint-Antoine sobbed like a little child because she "had too much grief" and was "too afraid"[3]; the aspect of her future home had taken away the last remnants of courage.

The ChÂteau of Saint-Fargeau, begun under Hugh Capet and often repaired, particularly during the fifteenth century, seemed more like a fortress than a peaceful dwelling. Its heavy mass dominated the valley of the Loing, a region of great and dense forests, with few clearings. Itself enveloped with brushwood and protected by deep moats, the chÂteau harmonised well with the surroundings. Its windows opened at a great height above the ground, and its towers were strong. The body of the building was massive and bare, united by strong ramparts forming an enceinte irregular with severe appearance.

The ensemble was imposing, never smiling. Saint-Fargeau, long uninhabited, was almost a ruin filled with rats at the time when Mademoiselle presented herself as a fugitive. She was shown into a room with a prop in the centre. Coming from the palace of the Tuileries, this sight overwhelmed her, and made her realise the depth of her fall. She had an access of despair: "I am most unfortunate to be absent from Court, to have only a dwelling as ugly as this, and to realise that this is the best of my chÂteaux." Her fear became terror when she discovered that doors and windows were lacking. A report came from a valet that she was sought for imprisonment, and she was too confused to reflect that if the King had ordered her arrest locks would have been useless.

ANNE_MARIE ANNE MARIE LOUISE D'ORLÉANS, DUCHESSE DE MONTPENSIER
From the enamel by Petitot in the South Kensington Museum

She continued her journey to reach a little chÂteau, situated two leagues from Saint-Fargeau, which was reported safer. "Imagine," says she, "with what pleasure I made the extra journey. I had risen two hours before daylight; I had ridden twenty-two miles upon a horse already worn out with previous travel. We arrived at our destination at three in the morning; I went to bed in haste." The crisis was short. The next day it was explained to Mademoiselle that Saint-Fargeau had two exits in case of alarm. She returned in consequence on the fourth day, and there was no more question of grief, nor even ill-temper; from that moment the place was "good and strong."

The Princess adapted herself to the glassless windows, the broken ceilings, the absence of doors, and all the rest. The great ladies of the seventeenth century were fortunately not too particular. Mademoiselle encamped in a cellar while the apartment above was being repaired, and was forced to borrow a bed. She recovered all her gaiety before the comicality of the situation: "for the first cousin of the King of France." "Happily for me," wrote she, "the bailiff of the chÂteau had been recently married; therefore he possessed a new bed." The bed of Madame the Bailiff was the great resource of the chÂteau. It was returned as soon as the Princess received her own from Paris, but it was again used to give a resting-place to the Christmas guests, many of whom appeared—a fact to the credit of the French nobility—as soon as it was known where the illustrious unfortunate was passing her period of banishment.

Mademoiselle did not know how to provide for these guests and the most important were lodged with the bailiff. The Duchess of Sully and her sister, the Marquise of Laval, came together for a prolonged sojourn and performed the office of shuttle between the cellar in which the Grande Mademoiselle held her court and "the new bed of the city of Saint-Fargeau." Ladies of quality arriving at this time lodged where they could with small regard to comfort, and this condition lasted until the chÂteau was put in order. Every one suffered but nobody complained. There was a certain elegance in this haughty fashion of ignoring comfort, the importance of which in our own days seems in comparison rather bourgeois, in the worst sense of the word.

Gradually all was arranged. The chÂteau was restored, the apartments enlarged.[4] The overgrowth of the approaches gave place to a terrace from which to the surprise of all a charming view was discovered. The Saint-Fargeau of the Capets and of the first Valois, "a place so wild," says Mademoiselle, "that when I arrived, only herbs fit for soup were to be found," became a beautiful residence, hospitable and animated.

The mistress of the place loved open air and movement, as did all the French nobility before an absolute monarchy, in the interest of order and peace, had trained them to rest tranquilly in the salons of Versailles. Muscular decadence commenced with the French at the epoch when it became the fashion to pass the days in silk stockings and practising bows, under punishment of being excluded from all society. Violent exercises were abandoned or made more gentle.[5] Attention was paid only to what gave majestic grace to the body in harmony with the Versailles "Galerie of Mirrors."

The bourgeoisie were eager to imitate the people of quality, and the higher classes paid for their fine manners or their attempts at fine manners with the headaches and nervous disorders of the eighteenth century. The taste for sport has only reappeared in France during our own times. We are now witnessing its resurrection.

This taste, however, was still lively immediately after the Fronde, and Mademoiselle abandoned herself to it with passion. She ordered from England a pack of hounds and hunters. She possessed many equipages. With a game of marl before the chÂteau, indoor games for rainy days, violins from the Tuileries to play for dancing, it would be difficult to find a court more brisk, more constantly in joyous movement.

Mademoiselle, whom nothing tired, set an example, and seasoned these "games of action" with causeries, some of which happily have been preserved for us by Segrais,[6] her Secretary of the Commandments. Thanks to him, we know, even admitting that he may have slightly rearranged his reports, what they talked about at the court of Saint-Fargeau, and one cannot fail to be somewhat surprised. He tells us all sorts of things of which we never should have dreamed, things that we have never imagined as subjects of interest in the seventeenth century. In this age which believed itself entirely indifferent towards nature, conversation nevertheless fell ceaselessly upon the beauties of landscape. People paused to admire "points of view," sought them, and endeavoured to explain why they were beautiful. The reasons given were, that those who knew how to enjoy a large forest and "the beautiful carpet of moss at the feet," actually preferred landscapes made more intelligible through the intervention of man. A desert pleased them less than an inhabited country, a wild landscape less than sunny collections of cultivated fields and orchards symmetrically planted, recalling "the agreeable variety of parterres made by the ingenuity of man."

Mademoiselle praises in her MÉmoires the view from the end of the terrace. She attempts to describe it and fails. Segrais also tries in vain. It was impossible at that epoch. The vocabulary did not exist which could furnish words to describe a landscape. The creation of our descriptive vocabulary is one of Bernardin de Saint-Pierre's[7] greatest glories. In compensation, Segrais knew very well how to explain why the beauty of the view, about which he had so ineffectively written, pleased him and his companions. He said that, arranged by chance, it conformed to the rules of classic pictures and in no way appeared the sole work of nature. Neither the valley of the Loing nor the immense marsh which closed this side of the chÂteau, nor the island in the midst of this marsh, with clumps of trees, nor the church and small height which could be perceived, seemed placed without human intervention. "And this," writes Segrais, "is so well represented in those excellent landscapes of the great artists, that all who look upon it believe that they have seen the marsh, church, and little island in a thousand pictures."

Literature, imaginative literature at least, also held a considerable place in the conversation. Mademoiselle, who had read nothing before her sojourn at Saint-Fargeau, was anxious to make up for lost time. "I am a very ignorant creature," writes she, at the beginning of her exile, "detesting reading and having seen only the gazettes. Henceforth I am going to apply myself and see if it be possible to like a thing from deliberate determination."

Success surpassed her hopes; she conceived a passion for reading. In the winter of 1652-1653, during which there were few distractions, and the chÂteau was given over to workmen; when the bad weather and the rough roads rendered Saint-Fargeau unapproachable, and left the castle solitary, she read, or listened to reading while plying her needle, without being bored.

I laboured from morning till night at my work and descended from my chamber only to dine or to be present at mass. The winter weather was so bad that walking was impossible. If there ever was a moment of fine weather I rode, or if the ground was too frozen I walked a little to watch my workmen. While I sewed some one read to me, and it was at this period that I began to love reading as I have done ever since.

At the end of some years of banishment her "erudition" struck Dr. Huet, who met her at the baths of Forges. "She loves history passionately," says he in his MÉmoires, "but above all, romances, so-called. While her women were dressing her hair, she desired me to read aloud, and no matter what the subject, it provoked a thousand questions on her part. In this I well recognised the acuteness of her mind."

The fashionable romances easily pleased a Princess who had a grandeur of soul and loved to meet it in others. They were the works of Gomberville,[8] of La CalprenÈde, and of Mlle. de ScudÉry, in which the sheepfolds and dove-cotes of l'AstrÉe had yielded to the heroic adventures and grand sentiments of princes warlike and proud, who, notwithstanding their exotic names, were the same who resisted under Richelieu, and lead the Fronde under Mazarin. The generations born in the first third of the century were charmed with the resemblance to their own heroes which these tales offered them. They went wild with delight over Scythe, Oroondate, or the Grand Cyrus, as they were fascinated with Saint-Preux and Lelia, and many readers remained faithful till death to these writers who had so well expressed the ideals of their youth.

At sixty, La Rochefoucauld re-read La CalprenÈde. Mme. de SÉvignÉ was a grandmother when she found herself "glued" to ClÉopÂtre. "The beauty of the sentiments," writes she, "and the violence of the passions, the grandeur of the events, and the marvellous successes of the redoubtable swords, all enchain me as if I were still a little child. The sentiments are of a perfection which satisfy my conception of beautiful souls."[9]

Realism and Naturalism have in the present day destroyed the capacity for enthusiasm for heroes of romance. One's imagination can hardly be kindled by a Coupeau or a Nana, nor even by a Madame Bovary, whatever may be the literary value of the works in which they figure. For the little court of Saint-Fargeau it was hardly possible to speak calmly of the favourite heroes. One day, followed by a numerous assemblage, Mademoiselle drove in the fresh valley of the Loing and descended from her chariot under the tall willows which bordered the little river. It was spring and the sun was radiant. The new grass and the growing leaves offered a picture so "laughing" that nothing else could at first be spoken of. While walking, the conversation finally turned upon romance, and each fought for the favourite hero. The discussion was waxing warm when the Princess, who had hardly spoken, intervened to moderate its ardour. After avowing that she had read but little, she gave an eulogium upon Roman history, or rather what it might become, better comprehended in the hands of a learned writer, and criticised the custom of giving French manners to Greeks, Persians, or Indians.

Mademoiselle desired greater "historic truth" and what might be designated as more local colour. Why not frankly take characters from French contemporaries? "I am astonished," she said in ending, "that so many people of intelligence who have created for us such worthy Scythians and such generous Parthians have not taken the same pleasure in imagining as accomplished French cavaliers or princes: whose adventures would not have been less pleasing." After a moment's silence, objections were advanced. The idea of writing a romance upon the "war of Paris" seemed very daring. One young lady very naÏvely urged that the author would not know how to name his characters. "The French," said she, "naturally love foreign names. Arabaze, Iphidamante, Crosmane, are beautiful names; Rohan, Lorraine, Montmorency, are nothing of the kind."

The old Mme. de Choissy, with the authority given by her noted intelligence, tried to prove that in an imaginative recital both time and space must be distant. One Marquise appeared wearied of the kings and emperors of romance, and desired heroes taken from the middle class. Another, Mme. de Mauny, who was supposed[10] to have invented the expression "s'encanailler" asserted that it was forbidden to heroes of romance to do or say anything derogatory to pure sentiment, which was possible to those of "high birth only." Mademoiselle maintained the necessity of observation and truth for the tale, but she admitted that the author of a great romance, writing as a "poet," had the right to imagine events, instead of servilely copying them. "The tale," said she, "relates things as they are, the romance as they should be."

This distinction neither lacks acuteness nor a certain justice, and we should like to know how much Segrais had contributed to it. No one having replied to this last remark, the Princess remounted her carriage, and gave the order to follow the pack of hounds, which had just started a hare a few steps off. She was obeyed, in spite of the obstacles which the country presented, and she returned to the chÂteau, very well satisfied with her afternoon.

At Saint-Fargeau they talked more frequently of love than of either literature or the beauties of nature. Love is a subject of which women never weary, and about which they always have something to say. Mademoiselle lent herself completely to such conversation; it was she who one day posed a question the subtlety of which the HÔtel Rambouillet might have enjoyed. "Whose absence causes the greater anguish, a lover who should be loved or one who should not be?"

She consented to admit the ideas of l'AstrÉe upon the fatality of passion, on the condition that the effects should be limited to personages of romance, or in real life to those of humble birth. Segrais makes her say without protest in a tale[11] ascribed to her "Man is not free to love or not to love as he pleases." In the depths of her soul, in her most intimate thoughts, Mademoiselle had never been further from comprehending love, never had she more energetically refused for it any beauty, any grandeur. One of her ladies, the gracious Frontenac, with her eyes "filled with light," had made a marriage of inclination, an act absurd, base, and shameful in the judgment of Mademoiselle, her mistress. The marriage turned out badly. M. de Frontenac was eccentric. His young wife at first feared, then hated him, and at Saint-Fargeau there passed between the couple tragi-comic scenes, of which no one could be ignorant.

Mademoiselle had just commenced her MÉmoires.[12] She eagerly relates the conjugal quarrels of M. and Mme. de Frontenac with more details than it would be suitable to repeat, and this was the opportunity for an outburst against the folly of trying to found marriage upon the most fickle of human feelings. She writes:

I have always had a strong aversion for even legitimate love. This passion appears to me unworthy of a noble soul; but I am now confirmed in this opinion, and I comprehend well that reason has but little to do with affairs of passion. Passion passes quickly, is never, in fact, of long duration. One may be unhappy for life in entering upon marriage for so transient a feeling, but on the other hand, happy if one marries for reason and other imaginable considerations, even if physical aversion exists; for I believe that one often loves more with this aversion conquered.

The principle may be sage, but the Grande Mademoiselle is too sure of her fact. This "even if aversion exists" is difficult to digest. The Princess was nearing her thirtieth year, when she treated love with contempt, and nothing had yet warned her of the imprudence of defying nature; so she believed herself well protected.

In the spring of 1683, the rumour had spread that she and M. le Prince de CondÉ had promised to marry, in the expectation and hope of being soon relieved of the Princess de CondÉ, now a hopeless invalid, and that the imagination of Mademoiselle, for lack of heart, pressed her "furiously" in this affair. The Parisian salons had discovered no other explanation for the hostile attitude which she persisted in maintaining towards the Court of France, which she had so much interest in conciliating. It was inconceivable that without some reason of this kind she should compromise herself as she did, for a Prince who had become an alien and whom she might never again see. Why betray news through letters which always fell into the hands of Mazarin? Why leave to CondÉ, now a Spanish General, the companies raised under the Fronde with the funds of Mademoiselle and bearing her name? Either she had lost her senses or one might expect some romantic prank, which could only be unravelled by marriage.

"Have you told everything?" demanded Mademoiselle of the old Countess de Fiesque, her former governess, one morning, when this last poured out the comments of the world. "No," said the good woman. Her mistress let her proceed, then expressed herself as indignant that she should have been believed capable of marrying on account of a sudden passion; the other reproaches had not touched her.

She declared that M. le Prince had never spoken of marriage, that it would be time to think of this if Madame la Princesse should die, when M. le Prince should be pardoned, when he should formally demand her hand, and the King should approve the affair.

I believe [continued she] that I should marry him finding in his personality only what is grand, heroic, and worthy of the name I bear. But that I should marry like a young lady of romance, that he should come to seek me upon a palfrey destroying all barriers in the road; and on the other hand that I should mount another palfrey like Mme. Oriane[13]; I assure you this would not suit my temper, and I am very indignant against those people who have thought it possible.

At this point the Princess was silent. It would have been the moment to confess the true key to her conduct; but one must avow that, in spite of her fine words and her expressed contempt for lovers, she was after all a true Princess of romance, led by her imagination.

The idea of making war upon the King from the bottom of a cellar had amused her, and still more the thinking of herself as the price of peace between her cousin and CondÉ, and she had not wished to look further.

While the tempest gathered over her head, the great preoccupation of Mademoiselle was the installation of a theatre in her dilapidated chÂteau, in which the country workmen had not yet succeeded in arranging a suitable bedroom for her. She could no longer live without the comedy; the theatre must come first. It was ready in February, 1653, and inaugurated immediately by a wandering troop, engaged for the season. The hall was commodious, but very cold. The court of Saint-Fargeau descended from its garrets entirely muffled, the ladies in fur hoods. The country people, only too delighted to be invited to shiver in such good company, hastened from distances of ten leagues. Mademoiselle was perfectly contented: "I listened to the play with more pleasure than ever before."

We no longer understand what it means to love truly the theatre. According to the gazette of Loret, the opening piece was a pastoral, "half gay, half moral." Mademoiselle loved this sort, slightly out of fashion; Segrais has preserved an agreeable reminiscence of a summer's evening passed in the forest, with the natural background of high trees, listening to an ancient "Amaryllis" repolished and arranged for the stage by some penny-a-liner.

Mademoiselle loved, what is more, everything pertaining to the theatre from tragedy to trained dogs. One reads in a little squib written by her as a pastime,[14] and printed for the diversion of her friends, "Comedians are essentials—at least for the French and Italians. Jugglers, rope dancers, buveurs d'eau, without forgetting marionettes and bell players, dogs trained to leap, and monkeys as examples to our own; violins and merry-andrews and good dancers." This skit should not be taken too seriously, but it well accords with the account left us by an eye-witness of one of the representations at Saint-Fargeau. The piece was called Country Pleasures, an operetta. The greatest applause fell neither to the Goddess Flora, nor to the "melancholy lover," but to two children disguised as monkeys, and executing songs with the "cadence which belongs to those animals."

Twice a week, the pleasures and cares of Saint-Fargeau were varied by the arrival of messengers bringing letters and gazettes. News not to be trusted to the post was received through guests from Paris or by special messengers. The news consisted mainly of political events, but it fell to the exiles to discover the springs and to draw the morals from the facts. This talent of divining, possessed in a high degree by the Parisians, has never passed the banlieue. It cannot be carried away.

Mademoiselle herself had never attained the art. Even at the Tuileries she used to say: "I can never guess anything." Once in her place of refuge, she comprehended nothing of the real significance of passing events. For those who were not Provincials there was nothing clearer than the conduct of the Court of France, after its return to the capital. Mademoiselle had fled from the Tuileries October 21, 1652. The next day the young King held a Lit de Justice, in which the Parliament was forbidden to occupy itself with the general affairs of the kingdom. Banishments and pursuits immediately commenced, but the gazettes hardly referred to them. From their pages one might have gathered that Paris was entirely absorbed in its pleasures.

The post of November brought to Saint-Fargeau description of the first Court ball and some lines on a new Lit de Justice (November 13th), in which the Prince de CondÉ and his adherents had been declared criminals "de lÈse majestÉ." The December number of the Gazette gave news of the arrest of Retz, who had rallied before the end of the Fronde, and the account of a great marriage with enumeration of gifts and names of donors, exactly as in our modern journals. The January number was made interesting by the accounts of the several successes of Turenne over CondÉ and the Spanish troops, and by the news of the death of an ancient aunt of Mademoiselle who had been in retreat for seven or eight years. The necrological article took a larger space in the gazette of Loret than that absorbed by the warlike and political news together.

The third of the following month the revolutionary era was closed by the triumphal return of Mazarin. Louis XIV. travelled three leagues to meet him,

and took him back in his own carriage to the Louvre, where a sumptuous festival, fireworks, and homage, more or less sincere, from the crowds of courtiers, awaited him.

The attention of the Parisians was at once directed to a grand ballet with mechanical devices and changes of scene, danced three times by the King and the flower of his nobility,[15] before a public analogous to that of the free representations of July 14th in Paris. Places were reserved for the Court and its guests, who really made part of the spectacle, but otherwise all entered who desired. The crowd besieged the doors to see what will probably never again be witnessed: a monarch sufficiently sure of his prestige to dare to pirouet, costumed as a mythological divinity, or stagger as a thief who had drunk too much, before the canaille of his capital.

The following day, a journalist bitterly bewails in his paper having seen nothing at all, although he had stood in line three hours and waited eight hours in the hall. This journalist exacted and obtained consideration; at the second representation, the chronicler before carelessly treated was lead in ceremony to the "reserved places." He was not yet content, not being in front. He showed himself, however, a good fellow and wrote an article admiring all, even a scene in which the joke to-day seems somewhat inhuman. It was a dance of cripples, the contortions of these miserable beings causing much laughter.

Of the abuses which gave rise to the Fronde, no living soul breathed a word. Not one of these abuses had disappeared. For the most part they had been aggravated by the general disorder; but France resembled an invalid who had so far found only charlatans for physicians; it was weary of remedies. "The people of Paris," wrote AndrÉ d'Ormesson, "were disgusted with Princes and did not longer wish to feed upon war."

One might say the same of the Provinces. They remained for the most part troubled and miserable, their hate now turning against the nobility, with whom the four years of anarchy had brought back the manners of the feudal brigands. Deceived on all sides, betrayed by all its pretended saviours, the country began again to put its faith in the central power. It was only necessary that this last should regain its strength day by day, and it was clear to the Parisians as well as to the Provinces that the first use royalty would make of convalescence would be to cripple the nobility so that a revival of the Fronde would be impossible.

The period had passed in which the King could be aided by the nobles according to their own methods not his, as at the time in which they had fought against him, to deliver him from his first minister. Louis XIV. wished now to be served in his own way, which was to be obeyed, and he felt the strength to impose obedience. It required all the naÏvetÉ of Mademoiselle to be able to imagine that she could make the King as an old Frondeur admit the distinctions between M. le Prince whose success one had the right to desire, and the Spanish soldiers led by this same Prince in whom one must not be interested. She had so little realisation of the change which had taken place in sentiments, from the date of her exile, that she did not even attempt to conceal her grief at the news of the victory at Arras brought back by Turenne, August 27, 1654.

The Grande Mademoiselle believed herself in accord with her King and country when she wrote in her MÉmoires: "I have not desired the Spaniards to gain advantage over the French, but I do wish that M. le Prince might do so and I cannot persuade myself that this is against the service of the King." It was then four months since the young monarch had entered, whip in hand, into his Parliament and forbade it to mix itself with his affairs; but his cousin had no more comprehended this warning than the others which had preceded it. It had not once occurred to her that the cadet branches of the royal family were amongst the vanquished and that the relations of the King of France, very far from being in a position to dictate to him, would henceforth be the most strictly held in leash of all his subjects. Only the approach of the great revolution gave them an opportunity to regain their importance and we know how much Louis XVI. and Marie Antoinette were able to congratulate themselves over this fact.

Monsieur Gaston undertook to bring his daughter to a realisation of the truth. It had been said that as long as he lived bitter experiences would come to Mademoiselle through this dangerous Prince.

Gaston d'OrlÉans had disappeared from the stage at the end of the Fronde, like a true hero of comedy. His wife said, half weeping, half laughing, that he seemed to her a Tewlin, a celebrated comic actor who filled the rÔle designated to-day as the "king of operetta."

The return of the Court to Paris had been announced to the Luxembourg by a letter from Louis XIV. This news had entirely upset Monsieur and he blustered with so much appearance of truth that Mademoiselle had once more been convinced. "He was so completely beside himself," relates de Retz, "that one would judge from his manner of speaking, that he was already on horseback, completely armed and ready to cover with blood the plains of St. Denis and Grenelle."

Madame was terrified; she endeavoured to pacify him, but the more she tried the more vigorously he threatened to annihilate everything. His martial ardour vanished when he received a decree of banishment (October 21, 1652). It was at the date the King was entering Paris, and cannon were heard on all sides, the populace, according to the custom of the times, firing in the air as a sign of joy. Nothing, however, could persuade Monsieur, old Parisian as he was, that these charges did not come from the King's guards, and that the palace was not being besieged.

CARDINAL_DE_RETZ. CARDINAL DE RETZ
Showing him in his Coadjuteur days
After the painting by Deveria.

He was overcome with terror; moved to and fro with agitation; sent constantly to inquire what was going on, and finally hastened his departure, which should not have taken place till the next day before dawn. He drew a free breath only upon arriving at the valley of Chevreuse. No one dreamed of retaining him—on the contrary, Mazarin, who governed France from the depths of his exile, was resolved to have no more trouble with him. "Let his Royal Highness depart with his appanage,"[16] wrote he. His Royal Highness having arrived at the ChÂteau of Limours, Michel Le Tellier, Secretary of State and War, hastened to find him, and it was a repetition of the former scenes with Richelieu.

In his final adieus to public life, Gaston d'OrlÉans denounced Retz as before he had denounced Chalais, Montmorency, Cinq-Mars, and many others. When he had said all that he wished, thus preparing the arrest of the Cardinal, who was to astonish Mademoiselle by arriving at Saint-Fargeau, the King permitted him to retire to Blois.[17] Monsieur obeyed with ill-grace; he felt that they were burying him alive.

This was not the first time that he had dwelt at Blois in spite of himself. The forced sojourn made at that place under Louis XIII. had not been disagreeable, constraint aside, because he was not definitely limited, and he succeeded, being young and gay, in living like "a little king of Yvetot." He had rebuilt according to his own taste (1635-1638) a portion of the chÂteau after the plans of FranÇois Mansard, "the cleverest architect of his times,"[18] the uncle of the builder of the Palace of Versailles.

Chambord served him for a country-seat, near at hand, and fruitful for the kitchen garden, with forests teeming with game for hunting-grounds, and amiable people for subjects, who had guarded a monarchical faith and considered themselves much honoured when the brother of the King deigned to flatter them and their daughters.

Saint-Fargeau was steep and gloomy; Blois, on the contrary, with its sky full of caresses, showed itself the worthy forerunner of the Angevine gentleness:

Coteaux riants y sont des deux cÔtÉs, Coteaux non pas si voisins de la nue, Qu'en Limousin, mais coteaux enchantÉs, Belles maisons, beaux parcs et bien plantÉs, PrÉs verdoyants donc ce pays abonde, Vignes et bois, tant de diversitÉs Qu'on croit d'abord Être en un autre monde.[19]

It is a tourist of the time who so speaks, La Fontaine, who visited Blois in 1663, and described it to his wife in a letter half prose, half verse. The city had charmed him on account of its beautiful situation and the amiable manners of its inhabitants: "Life is very polished here, possibly has always been so, the climate and the beauty of the country contributing to its charm; probably the sojourn of Monsieur or the number of pretty women has caused this politeness."

JULIUS_HARDOUIN_MANSART JULIUS HARDOUIN MANSART
After the painting by Vivien

As a man of taste, La Fontaine had admired the portion of the chÂteau of Francis I., without regularity and order; as a good liver he had appreciated the excellent breakfast at the inn. As a good traveller, he had gossiped sufficiently with the people of the place to realise how happy they were under the gentle reign of Gaston.

The traces of the civil wars had been quickly effaced in these fertile and populous provinces. La Fontaine gaily retook his route towards Amboise; he saw the smile of France, and he was made to enjoy it.

In this first time of peaceful enjoyment one of the great pleasures of Monsieur was to pass through his domains as an idle prince; descending here from his carriage to chase a stag, stopping there his boat to dine upon the grass, inviting himself into any dwellings belonging to either nobles or bourgeoisie in which he found pretty women.

He embarked one day on one of those covered boats which the pictures of the seventeenth century show us. They were called "galiotes," and were used in voyaging upon rivers and canals. "Monsieur," relates an eye-witness, "had commanded a second boat in which he put a quantity of provisions, and the officers of his mÉnage, those of the kitchen as well as the wardrobe; the horses were led along the bank."

He took ten or twelve of his suite with himself, and when he reached some beautiful and agreeable island, he disembarked and ordered dinner and supper to be served under the shade.

"Certainly one might say that all cares were banished from our society, that life went on without restraint, playing, drinking, eating, sleeping at will, that time meant nothing; at last the master, although son and brother of great kings, had put himself in the rank of his servants."[20]

Thus they drifted down the stream as far as Brittany. The weather was perfect. The chÂteaux of the Loire defiled before the galiote. These people travelled as if they were poets.

As soon, however, as Richelieu permitted, Gaston rushed to Paris and again plunged into politics; which meant to him only cowardice and betrayals, but which nevertheless fascinated him. This was his favourite vice which nothing would have induced him to correct, for politics gave him a round of new sensations. To hold the life of a friend in one's hand, knowing in advance that he will be delivered to the executioner, and at the same time bitterly to bewail his loss; to realise also that the present grief will surely vanish and that one can joyously take another life in the hand,—such events evidently make days most interesting, when neither conscience nor heart are tender. These excitements had filled the public career of Gaston, and when he found himself again in his chÂteau of Blois, almost twenty years after the radiant voyage down the Loire, for ever deprived, according to all probabilities, of the strong emotions whose savour Le Tellier had permitted him to taste for the last time in the interview at Limours, existence appeared to him intolerably pale and empty.

The good which he could do and actually was doing, did not interest him; he bitterly regretted the evil no longer in his power.

No one, even amongst his enemies, has ever accused him of being wicked. Only physicians can analyse such morbid natures. Monsieur had commenced by struggling against ennui. He had collected a fine library and had attracted literary people to his court, in the hopes of refinding the taste for literature which had animated his youth. He recalled his collections of objects of art and curiosities, continued them and began new. Nothing, however, really interested him, except a botanical garden with which he occupied himself with pleasure.

Everything seemed infinitely puerile to a man who had contributed so long to the making of history; it had become impossible for him to attach any importance to the little verses of his "beaux esprits," or to become impassioned over impaled birds or even an antique medal.

Weary of war, he threw himself into devotion. The gazette of Loret made this fact part of the official news of France and kept the country informed of his progress in the path of piety. The first sign which he gave of his conversion was to correct himself of a fault which had formerly brought from Richelieu useless remonstrances. This Prince with so refined a taste, cursed and swore abominably. The habit had been caught by those near him; we know that Mademoiselle herself used lively words in moments of irritation. In December, 1652, oaths and blasphemies were severely forbidden at the court of Blois, and Monsieur insisted upon obedience.

To-day, reports the gazette[21]:

Aucun de ceux qui sont À lui, Quelque malheur qui lui survienne, N'oserait jurer la mordienne.

One learns, afterwards, that these fine beginnings were not belied, and that Monsieur was now "less often at home than in the church." The Parisians and the Court of France had much difficulty in believing that repentance should have come to a spirit so free and so skeptical. His piety would have been entirely estimable "if his laziness had not in some portion aided his virtue." But however this may be, the devotion of Gaston was not the less sincere. He reformed his life, and succeeded in finding, at the foot of the altar, not perhaps contentment, but some patience and resignation.

This did not come, however, for a long time; the beginning of his definite exile was filled with miserable agitations and complaints without dignity. Madame rejoined him with their little flock of daughters.[22] This Princess did not add to the animation of the chÂteau. Entirely occupied with her own health, she lived shut up, without any other distraction than that of eating from morning till night, "in order to cure her melancholies," relates the Grande Mademoiselle, "but which really increases her ills." She gave no orders, only sent for her daughters ten minutes in the morning and evening, never spoke to them except to say "Hold yourselves erect, raise your head"; this was her sole instruction. She never saw them again during the day and never inquired what they were doing.

The governess in her turn neglected her pupils, who were abandoned to the care of inferiors. Their father found nothing to criticise in these educational methods; Anne of Austria had not brought up her sons very differently. Besides, Monsieur was a submissive husband. He considered his wife's judgment good, and that she possessed much more intelligence than was indicated by her large, frightened eyes.

"This one," said Tallemant, "is a poor idiot, who nevertheless has intelligence." Mme. de Motteville judged her exactly the same. Madame was not loved because she was not amiable, but no one was astonished at her ascendancy over her husband.

Gaston's court, contrary to that of his daughter, was almost deserted. Disgrace for this couple had been the signal for general abandonment. During the first years, Gaston took the trouble to entertain his guests; he became again, for some hours, the incomparable talker, who knew a thousand beautiful tales and found charming methods of telling them.[23] Chapelle and Bachaumont were received at the chÂteau on their passage to Blois in 1656, and brought back the pleasantest remembrances of the dinners of the Duc d'OrlÉans.

La d'une obligeante maniÈre, D'un visage ouvert et riant, Il nous fit bonne et grande chÈre, Nous donnant a son ordinaire Tout ce que Blois a de friand.

"The table arrangements were the neatest possible, not even a crumb of bread was allowed on the table. Well polished glasses of all sorts stood upon the buffet, and ice was abundant. The hall was prepared for the evening dance, all the beauties of the neighbouring cities invited, all the violins from the provinces collected."[24] After a short time, however, the effort of entertaining became a burden upon Monsieur. He cared for nothing but repose, and he would have passed the remainder of his days in sleeping with open eyes, if it had not been for his daughter of Saint-Fargeau, the terrible Mademoiselle, from whom he had separated at Paris after a painful explanation, and who had never left him in peace since that time.

She had commenced by coming to seek him in spite of frequent commands, to which she paid not the least attention. The Grande Mademoiselle, openly allied to CondÉ, was a compromising guest for a Prince possessed at this epoch with the desire to retake his place near the throne. In vain she declared that she had recalled her troops from the army of the Prince, her father knew very well that she was mocking him, and received her coldly on the evening of her first arrival (December, 1652). "He came to meet me at the door of his room, and said, 'I do not dare to come out because I have a swollen cheek.'" A moment after Monsieur heard from afar a joyous voice; it was Mademoiselle relating the adventures during her flight to Saint-Fargeau. Monsieur could hold out no longer. He approached, made her recommence, and laughed with the others. The ice was broken. The fourth day, however, he said to PrÉfontaine, the man of confidence of Mademoiselle, while walking in the park of Chambord, "I love my daughter very much, but I have many obligations, and shall be easier if she stays here but little."

Mademoiselle departed the next day. The following month (January, 1653), Monsieur and Madame made a sojourn at OrlÉans. In spite of new orders, Mademoiselle came to pass a day with them. "I did not wait for escort," wrote she, "I departed suddenly from Saint-Fargeau and went to OrlÉans."

This determination to impose herself upon people whom she saw with but little pleasure, is difficult to explain. Monsieur and Madame, who feared her, welcomed her, and her father said in bidding her farewell, "The affairs of your minority have never been settled. I wish to close this business. Give orders for this to your people."

Mademoiselle did not wait for a second request. "In consequence I wrote to Paris, then to Blois, a host of writings which were somewhat wearisome." Monsieur had his own projects. It was the single opportunity to extract a little money for the daughters by his second wife.

These young princesses had nothing to expect from their own mother, and very little from their father, whose pensions and appointments were destined to disappear with him. Madame was preoccupied with this situation.

For a long time [reports one of their intimates][25] Madame has skilfully urged Monsieur to think of his affairs, and to put some solid property aside for her children, telling him that he possessed nothing in the world not reversible to the crown in case he had no male children, and that their daughters would be left to the mercy of the court and the ministers for their subsistence.

Until Gaston's disgrace, Madame had obtained nothing, and for cause. Her husband ruined himself at play; he had been seen to lose a half-million francs to the famous Chevalier de Gramont. He reformed only at Blois, too late to begin to save; his debts crushed him, and his pensions were paid most irregularly. The fortune of Mademoiselle presented itself as the sole means of floating the House of OrlÉans, and the accounts of her minority were the troubled waters in which it was proposed to fish. Monsieur did not suspect how much the exile and the influence of PrÉfontaine had changed his daughter.

The PrÉfontaine type has disappeared with the ancient rÉgime. There is no place in our democratic society for these men at once servants and friends; friends however who remained in the background. Persons of this kind were frequently met with in the great families of former times, and nothing appeared more natural than the dog-like devotion to their masters, always exacting and often ungrateful. The Grande Mademoiselle was not ungrateful but she was violent, and it was always upon the patient PrÉfontaine that she vented her anger. He was the counsellor, the factotum shrewd and firm, to whom all affairs came, the confidant who knew her most secret projects of marriage without ceasing to be the domestic of no account.

His mistress could do nothing without him, and she does not even tell us—she who loses herself in the smallest details when they concerned people of quality in her suite—at what date this precious man entered her service. She mentions him for the first time in 1651, without saying who he is or where he comes from. From that date she never ceased to speak of him as long as the troubled times lasted, but left him in the shadow nevertheless in her MÉmoires. When we have said that he was a gentleman, that there was no reason for his devotion to Mademoiselle but his own choice, we have told all we know about him. He had found the affairs of his mistress in a very bad condition, and so he warned her; Monsieur, her father, had been a negligent guardian and what is more an untrustworthy one. At first Mademoiselle would not listen to PrÉfontaine. It was at Paris in the midst of the fire of the Fronde, and she had other things to think of.

PrÉfontaine returned to the charge at Saint-Fargeau, where time abounded, and was better received. A new sentiment had awakened in Mademoiselle. She commenced to love money. She took interest in her affairs, and skilfully applied herself to economising with so much success that she would have soon risen to be a Countess Pimbesche.

Ideas of order and economy, rarely found with princesses of this epoch, occurred to her. "It is not sufficient," said she one day to PrÉfontaine, "to have an eye upon my legal affairs and the increase of my revenues; but it is also necessary to supervise the expenses of my house. I am convinced that I am robbed, and to prevent this, I wish to be accounted to as if I were a private person."

This was not beneath a great Princess. Examination proved that she was robbed by her people. After being assured of this, she took upon herself the duty of supervising all the accounts twice a week, "even to the smallest."

She knew the price of everything; "who could have predicted when I lived at Court, that I should ever know how much bricks, lime, plaster, carriages cost, what are the daily wages of the workmen, in fine all the details of a building, and that every Saturday I should myself settle the accounts: every one would have been skeptical." And still more the people at large; it was really almost incredible. She quickly perceived that Monsieur had not taken his duties as guardian very seriously. It was in his belief both the right and duty of the chief of the OrlÉans family to advance the general interests of the House, even at the expense of individual members. The daughter by the first marriage was enormously rich. What could be more just than to use her fortune for the common good? What more natural than to throw upon her the burden of debts contracted to add to the Éclat of the family? or to give a little of her superfluity to her young sisters in view of their establishment?

Gaston sent to his daughter for signature an act conceived in this spirit, and received the clearest refusal. Very respectfully but with firmness Mademoiselle assured him that henceforth she intended to hold to her legal rights, which guaranteed the integrity of her fortune. Monsieur threw himself into a great rage, but knew not what more to do. Politics gave him unexpected aid. A gentleman sent as courier by CondÉ into France had just been arrested. Among other letters was found one without address, but evidently destined for Mademoiselle and most compromising for her.

Mazarin charged the Archbishop of Embrun to take a copy of this to Gaston. The dispatch in which the prelate renders account of his mission has been preserved. Here is one of the significant passages:

Blois, March 31, 1653.

Monseigneur:

I arrived Sunday evening in this city where I was received most warmly by Monsieur.... Immediately upon arrival I had a conference of an hour with him alone in his cabinet. I pointed out to him through the letter addressed to Mademoiselle her relations to M. le Prince, the Spaniards, and M. de Lorraine, which were all visibly marked in the letter. He declared himself very ill satisfied with Mademoiselle, but that the Queen knew that they had never been eight hours at a time together: and that at this moment she was trying to cause trouble in demanding account of his care of her wealth when he was guardian, and that it was thus impossible to doubt his anger. I told him that I had orders to beseech his Royal Highness to make two observations upon the letter; the first: that Mademoiselle as long as she enjoyed the free possession of her immense wealth could assist any party she pleased, and that the King in order to check this had resolved to place administrators or a commission over her property to preserve it for her own use, but without permitting its abuse. His Royal Highness should be left the choice of these commissioners.

The second remark was, that it was to be feared, according to the news in the letter, that if M. le Prince advanced, Mademoiselle would join him, and that the King in this difficulty demanded counsel of him as the person most interested in the conduct of Mademoiselle. Gaston replied: that he had ordered his daughter to join him at OrlÉans, Tuesday of Holy Week; and he would bring her back to Blois, and keep her near him.

I have also, my Lord, talked over the same subjects with Madame as with Monsieur, knowing that she was very intelligent, and also that Monsieur deferred much to her opinions.

Mazarin took no action upon this communication of the Archbishop of Embrun.

It was sufficient to intimate to Monsieur that he was authorised not to worry himself about a rebel, and Gaston on his side asked nothing better.

Sure of being for the present under Court protection, he poured forth bitter words and threats against this disobedient and heartless daughter, who forgot her duty. Sometimes he wrote to her that "if she did not willingly give everything he demanded he would take possession of all the property and only give her what he pleased."

Sometimes he cast fire and flame between her and the public: "She does not love her sisters; says they are beggars; that after my death she will see them demand alms, without giving a penny. She wishes to see my children in the poor-house," and other sentiments of the same kind, which were repeated at Saint-Fargeau.

Mademoiselle herself dreamed one day that Monsieur thought of enclosing her in a convent, "that this was the intention of the King," and that she must prepare for his coming. At the same time she was warned from Paris that her father had promised the Court to arrest her as soon as she arrived at Blois. Things reached such a pass that Gaston could no longer hear the name of his daughter without flying into a passion.

The Princess had at first showed herself fearless. Knowing that the letter of CondÉ did not have any address, she denied that it was meant for her and took a high hand with her father; "I assert that they cannot take away my property unless I am proved either mad or criminal and I know very well that I am neither one nor the other."

Reflection, however, diminished her assurance. The idea of "being arrested" terrified her, and it was this fate, in the opinion of her ladies, which awaited her at Blois—for which reason Monsieur, having previously forbidden her to come, now ordered her to meet him.

She wept torrents of tears; she was ill when she was obliged to obey and she confesses that on arriving at Blois she quite lost her head from terror. It was the story of the hare and the frogs. The projects of Gaston, whatever they may have been, vanished at sight of this agitated person and he had no other thought than of calming his daughter and avoiding scenes.

For this he exerted all his grace, which was much, and forced Mademoiselle, reassured and calmed, to acknowledge that her father could be "charming."

The days rolled by and the question of their differences was not touched upon. "I wanted one day to speak to him about my affairs and he fled and would pay no attention."

Mademoiselle felt the delights of a country covered with superb chÂteaux in which she was fÊted, and amiable cities which fired cannon in her honour. She made excursions during a large part of the summer (1653) and finally separated from her father most amicably. Eight days after, the situation however was more sombre than before her departure for Blois. The demands of Monsieur had not diminished, his language became still more hard and menacing.

These differences lasted many years. Mademoiselle lets it be understood that it was a question of considerable sums. She relates sadly the progress of the ill-will of her father; how painful her sojourn at Blois had been, so that she wept from morning till night; how without the influence of PrÉfontaine she would have retired into a Carmelite convent; "not to be a religieuse, God having never given me that vocation, but to live away from the world for some years." The ennui of the cloister life would have been compensated by the thought that it was an economical one. "I should save much money," said she; and this thought consoled her. Once it was believed that an amicable solution was imminent. The father and daughter had submitted themselves to the arbitration of the maternal grandmother of Mademoiselle, the old Mme. de Guise, who had made them promise in writing to sign "all that she wished without reading the stipulations."

The only result was a more definite embroilment. Mme. de Guise[26] "was devoted to her House,"[27] that ambitious and intriguing House of Lorraine into which she had married, and with which she was again connected through the second wife of Gaston, sister of the Duke Henri.[28] When Mademoiselle, after "signing without reading," realised the force of the "transaction" into which she had been led by her grandmother, she declared that Mme. de Guise had despoiled her with shocking bad faith, in order that her half-sisters, the little Lorraines, should no longer be menaced with the "poor-house." The love of family had extinguished with Mme. de Guise, as with Monsieur, all considerations of justice and sense of duty towards her own granddaughter. All this happened at OrlÉans in the month of May, 1655. Mademoiselle, indignant, ran to her grandmother:

I told her that it was evident that she loved the House of Lorraine better than the House of Bourbon; that she was right in seeking to give money to my sisters, that they would have little from Madame, and this showed me, indeed, to be a lady of great wealth, enough to provide for others, and that the fortune of my family should be established upon what could be seized from me; but as I was so much above them that they could receive my benefactions, it would serve them better to depend upon my liberality rather than to attempt to swindle me; that this would be better before both God and man.

This scene lasted three hours. The same day Monsieur was warned that Mademoiselle refused to be "duped." He gave a precipitate order for departure, and declined to receive his daughter. In the disorder that ensued Madame almost went dinnerless and appeared much disconcerted.

The attendants intervened to save appearances at least, and a formal leave was taken, but this was all; the complete rupture was consummated. Upon the return to Saint-Fargeau, Mademoiselle at once learned that Monsieur had taken away her men of business, including the indispensable PrÉfontaine, and had left her without even a secretary. This gives a vision of the authority possessed by the chief of a family, and its limitations, with the princely houses of this epoch. We perceive how much better the fortune of Mademoiselle was defended against her father than her person and her independence. Monsieur did not dare to take away her money without a free and formal assent; he knew that if things were not done regularly "in a hundred years the heirs of Mademoiselle could torment the children of Monsieur." In revenge for this disability he tyrannised over her household. And here he was in his full right.

He could shut her up in a convent or in the ChÂteau of Amboise, as many counselled him to do, and this again would be within his legal powers. If he did nothing of the kind, it was only because, being nervous and impressionable, he dreaded feminine tears.

Mademoiselle realised that she was at his mercy; it did not occur to her to contest the parental authority—outside of the question of money. She wept, "suffered much," but she did not attempt to save PrÉfontaine.

The years which followed were sad ones for her. Until this time she had had but two days of grief a week, those upon which the courier arrived, on account of the business letters which must be read and answered. She confined herself to her study to conceal her red eyes, but her correspondence once sent off, "I only thought," says she, "of amusing myself."

Conditions changed when she was forced to understand that Monsieur, that father so contemptible, from whom she had suffered so much since her infancy, but so amiable that she admired and loved him notwithstanding, had no kind of affection for her. Very sensitive, in spite of her brusqueness, Mademoiselle experienced a profound grief at this reflection. Her temper gave way in a moment in which the young ladies of her suite, commencing to find the exile long, and to regret Paris, were ill-disposed to patience. There was coldness, frictions, and finally that domestic war, the account of which fills a large space in the MÉmoires of Mademoiselle.

Petty griefs, small intrigues, and much gossip rendered insupportable to one another persons condemned to daily intercourse. Affairs became so strained between some of the parties that communication was impossible, and this state of things lasted until the most discontented, Mmes. de Fiesque and de Frontenac, had formed the determination to return to Paris.

These quarrels had the effect of spoiling for Mademoiselle Saint-Fargeau, inclining her to submission to the Court; but mere mention is sufficient, and we shall not again refer to them.

Mademoiselle commenced to be convinced of the imprudence of being at odds with the Court and her father at the same time. Her obstinacy in sustaining CondÉ had ended by seriously vexing Mazarin. The nobility felt this attitude and showed less fondness for the Princess. In 1655 she approached to six leagues from Paris. She counted much upon visitors; very few appeared. "I was responsible for so many illnesses," says she wittily, "for all those who did not dare to confess that they feared to embroil themselves with the Court, feigned maladies or accidents in extraordinary numbers."

The third day she received an order to "return." This misadventure enlightened her; Mademoiselle admitted the necessity of making peace with royalty. Just at this period the Prince de CondÉ grew less interesting to her, as his chances of becoming a widower diminished. Mme. la Princesse became gradually re-established in health, and each of her steps towards recovery made Mademoiselle a little less warm for M. le Prince. This latter perceived the change, and at once altered his tone. "There is no rupture," says the Duc d'Aumale, "but one can perceive the progress of the coolness and its accordance with certain news."

A letter from CondÉ, received after the journey to the environs of Paris, gave warning of the end of a friendship which on one side at least was entirely political.

Brussels, March 6, 1655.

... As to this change which you declare to perceive in me, you do me much injustice and it seems to me that I have more right to reproach you than you me. Since your long silence the tone of your letters plainly indicates how different your present sentiments are from those of past times. This is not true of my own; they remain always the same and if you believe otherwise and if you lend faith to the rumours which my enemies start, it is my misfortune, not crime; for I protest there is nothing in them, that affairs are not in this state, and if they were I should never listen to a proposition without full consideration for your interests and satisfaction, also not without your consent and participation.

You will recognise the truth of this statement through my conduct and not one of my actions will ever give the lie to the words which I now give you, even if you should have forgotten all the fine sentiments you had when you came to see our army, which I can hardly consider possible for a generous person like you.

I knew that you came to LÉsigny and that, the Court disapproving of this, you received orders to return, which fact gave me much displeasure.

Mademoiselle did not longer want a pretext for withdrawing her pin from the game. The embroilment with her father furnished it. She immediately prayed CondÉ to write to her no more. "It is necessary to hold back," said she to herself, "and if I am able without baseness to come into accord with the Cardinal Mazarin, I will do it in order to withdraw myself from the persecutions of his Royal Highness."

Some days later the Comte de Bethune transmitted to the Cardinal overtures of peace from the Grande Mademoiselle. The Cardinal desired pledges. She sent a recall for the companies from the Spanish army, upon which M. le Prince without warning "held the soldiers and put the officers in prison."

In vain the indignation of Mademoiselle. "It is seven or eight years," wrote CondÉ to one of the agents, "since I have really had the favour of Mademoiselle; I formerly possessed her good graces, but if she now wishes to withdraw them I must accept, without desperation."[29] Here is a man liberated rather than grieved.

Thus failed, one after the other, the menaces directed by the Fronde against royalty. The project of alliance between the two cadet branches of the House of Bourbon had been inspired in Mademoiselle by the desire to marry. Few of the ideas of all those which menaced the throne which had entered into the brain of the revolutionary leaders seemed so dangerous and caused so much care to Mazarin. We must recollect that he would have been ready, in order to appease the cadet branches, to marry the little Louis XIV. to his great cousin.

Reassured at length by the promises of Mademoiselle, who engaged herself to have nothing more to do with M. le Prince, Mazarin took the trouble to overcome his wrath and permitted her to expect the recompense for her submission.

In general, Mazarin had shown himself easy with the repentant Frondeurs. The Prince de Conti had been fÊted at the Louvre in 1654. It is true that he accepted the hand of a niece of Mazarin in marriage, Anne Marie Martinozzi, on conditions which put him in bad odour with the public. "This marriage," wrote d'Ormesson,[30] "is one of the most signal marks of the inconsistency of human affairs and the fickleness of the French character to be seen in our times."

After Conti, another Prince, Monsieur, in person, entirely submerged as he was in laziness and devotions, exerted himself sufficiently to come to Court. The welcome involved conditions which contained nothing hard nor unusual for Gaston d'OrlÉans; it cost him nothing but the abandonment of some last friends. In truth, he received but little in exchange. When he came to salute the King everyone made him feel that he was already "in the ranks of the dead," according to the expression of Mme. de Motteville. The ill-humour caused by this impression quickly sent him back to Blois, which was precisely what was wished.

It was the men of business who profited above all by this reconciliation. They had greater freedom to harass Mademoiselle, and left her neither time nor repose. Their end was to make her execute the transaction signed at OrlÉans, but she held her own, without counsel or secretary. She only suffered from an enormous labour, of which her minority accounts were only a chapter, and not the most considerable. The administration of the immense domains had fallen entirely upon herself. It was now Mademoiselle who opened the mass of letters arriving from her registers, foresters, controllers, lawyers, farmers, and single subjects—in short, from all who in the principalities of Dombes or of Roche-sur-Yonne, in the duchies of Montpensier or of Catellerault, had an account to settle with her, an order to demand of her, or a claim to submit.

It was Mademoiselle herself who replied; she who followed the numerous lawsuits necessitated by the paternal management; she who terminated the great affair of Champigny, of which the echo was wide-spread on account of the rank of the parties and of the remembrances awakened by the pleaders.

Champigny was a productive territory situated in Touraine, and an inheritance of Mademoiselle. Richelieu had despoiled her of it when she was only a child, through a forced exchange for the ChÂteau of Bois-le-Vicomte, in the environs of Meaux.

Become mistress of her own fortune, Mademoiselle summoned the heirs of the Cardinal to give restitution, and had just gained her suit when Monsieur took away PrÉfontaine. The decree returning Champigny to her allowed her also damages, the amount to be decided by experts, for buildings destroyed and woods spoiled. Mademoiselle estimated that these damages might reach a large sum; she knew that with her father at Blois the rumour ran that she had been placed in cruel embarrassments and that it would be repeated to all comers that she had obtained almost nothing from this source. This report excited her to action. The moment arrived; Mademoiselle went to Champigny, and remained there during several weeks, spending entire days upon the heels of eighteen experts, procurers, lawyers, gentlemen, masons, carpenters, wood merchants, collected together to value the damages. She had long explanations with that "good soul Madelaine," counsellor of the Parliament, and charged with directing the investigation, who was confounded at the knowledge of the Princess. He said to her: "You know our business better than we ourselves, and you talk of affairs like a lawyer." Operations finished, Mademoiselle had the pleasure of writing to Blois that this doubtful affair from which she was supposed to receive only "50,000 francs, really amounted to 550,000." She came out less generously from her litigation with her father. Mazarin rendered Mademoiselle the bad service of having her suit introduced by the King's counsellor. A decree confirmed the decision of Mme. de Guise, and there was nothing to do but to obey. Mademoiselle signed, "furiously" weeping, the act which despoiled her, and submitted with despair to the departure for Blois.

She was going to visit her father, after having the thought flash through her mind that he could order her assassination. It is said there had been some question of this at Blois. "Immersed in melancholy reveries, I dreamed that his Royal Highness was a son of the MÉdicis, and I even reflected that the poison of the MÉdicis must have already entered my veins and caused such thoughts."

Her father, on the other hand, was going to overwhelm her with tenderness after having permitted it to be said without protest that Mademoiselle was preparing a trap, with the purpose of poisoning one of his gentlemen.

Considering the times and the family, this was a situation only a little "strained"; but Mademoiselle was so little a "MÉdicis" that she made her journey a prey to a poignant grief, which was plainly to be read upon her countenance by the attendants at her arrival at Blois.

"Upon my arrival I felt a sudden chill. I went directly to the chamber of Monsieur; he saluted me and told me he was glad to see me. I replied that I was delighted to have this honour. He was much embarrassed." Neither the one nor the other knew what more to say. Mademoiselle silently forced back her tears. Monsieur, to give himself composure, caressed the greyhounds of his daughter, La Reine and Madame Souris. Finally he said: "Let us go to seek Madame."

"She received me very civilly and made many friendly remarks. As soon as I was in my own chamber, Monsieur came to see me and talked as if nothing disagreeable had passed between us." A single quarter of an hour had sufficed to bring back to him his freedom of spirit, and he made an effort to regain the affections of his daughter.

She had never known him to continue to be severe; Monsieur counted upon this fact. He was attentive, flattered her weaknesses great and small, amused her with projects of marriage, and treated her greyhounds as personages of importance; he could be seen at midnight in the lower court in the midst of the dunghill, inquiring about Madame Souris, who had met with an accident. He did still better; he wrote to Mazarin asking for an accommodation with Mademoiselle.

After the rupture with CondÉ, it was evident from signs not to be mistaken that the hour was approaching in which the all-powerful minister would pardon the heroine of OrlÉans and of Porte Saint-Antoine. In the month of July, 1656, Mademoiselle went to the baths of Forges, in Normandy. She had passed in sight of Paris; had sojourned in the suburbs without anxiety, and her name this time had not made "every one ill."

Visitors had flocked. Mademoiselle had entertained at dinner all the princesses and duchesses then in Paris; and she drew the conclusion, knowing the Court and the courtiers, that her exile was nearing an end. "In truth," says she, "I do not feel as much joy at the thought as I should have believed. When one reaches the end of a misery like mine, its remembrance lasts so long and the grief forms such a barrier against joy that it is long before the wall is sufficiently melted to permit happiness to be again enjoyed."

Nevertheless the news of the letter from her father to Mazarin put her in a great agitation. The Court of France was then in the east of France where Turenne made his annual campaign against M. le Prince and the Spaniards. Mademoiselle resolved to approach in order to sooner receive the response of the Cardinal.

She quitted Blois as she had arrived there, a stranger. One single thing could have touched her: the recall of PrÉfontaine and of her other servitors struck down for having been faithful. This Monsieur had absolutely refused; his exaggerated politeness and his grimaces of tenderness had only the result of alienating his daughter. She felt that he detested her and she no longer loved him.

Upon the route to Paris she doubled the length between her stopping-places. Impatience gained as she neared the end and the "barrier of grief" permitted itself gradually to be penetrated by joy.

She again saw, in passing, Étampes[31] and its ruins, which already dated back five years and were found untouched by La Fontaine in 1663. So long and difficult in certain regions was the uplifting of France, after the wars of the Fronde, never taken very seriously by historians, doubtless because too many women were concerned in them.

"We looked with pity at the environs of Étampes," wrote La Fontaine.[32] "Imagine rows of houses without roofs, without windows, pierced on all sides; nothing could be more desolate and hideous." He talked of it during an entire evening, not having the soul of a heroine of the Fronde, but Mademoiselle had traversed with indifference these same ruins in which the grass flourished in default of inhabitants to wear it away. No remorse, no regret, however light, for her share in the responsibility for the ruin of this innocent people, had touched her mind, and yet she was considered to possess a tender heart.

She learned at Saint-Cloud that she had been invited to rejoin the Court at Sedan. Mademoiselle took a route through Reims. She thus traversed Champagne, which had been a battle-field during the more than twenty years of the wars with Spain[33]; and which appeared the picture of desolation. The country was depopulated, numbers of villages burned, and the cities ruined by pillage and forced contributions of war.

More curious in regard to things which interest la canaille, Mademoiselle might have heard from the mouths of the survivors that of all the enemies who had trampled upon and oppressed this unfortunate people, the most cruel and barbarous had been her ally, the Prince de CondÉ, with whom were always found her own companies. She would not the less have written in her MÉmoires, entirely unconsciously, apropos of her trouble in obtaining pardon from the Court: "I had really no difference with the Court, and I was criminal only because I was the daughter of his Royal Highness."

We have hardly the right to reproach her with this monstrous phrase. To betray one's country was a thing of too frequent occurrence to cause much embarrassment. The only men of this epoch who reached the point of considering the common people[34] and attaching the least importance to their sufferings were revolutionary spirits or disciples of St. Vincent de Paul.

Mademoiselle had no leaning towards extremes. Neither her birth nor the slightly superficial cast of her mind fostered free opinions. During her journey in Champagne, she was delighted to hear again the clink of arms and the sound of trumpets. Mazarin had sent a large escort. The skirmishers of the enemy swept the country even to the environs of Reims. A number of the people of the Court, seizing the occasion, joined themselves to her, in order to profit by her gens d'armes and light riders.

Colbert also placed himself under her protection with chariots loaded with money which he was taking to Sedan, and this important convoy was surrounded by the same "military pomp, as if it had guarded the person of the King."

The great precautions were, perhaps, on account of the chariots of money; the honours, however, were for Mademoiselle, and they much flattered her vanity. The commandant of the escort demanded the order from her. When she appeared the troops gave the military salute. A regiment which she met on her route solicited the honour of being presented to her. She examined it closely, as a warlike Princess who understood military affairs, and of whom the grand CondÉ had said one day, apropos of a movement of troops, that "Gustavus Adolphus could not have done better." A certain halt upon the grass in a meadow through which flowed a stream left an indelible impression. Mademoiselle offered dinner this day to all the escort and almost all the convoy. The sight of the meadow crowded with uniformed men and horses recalled to her the campaigns of her fine heroic times. "The trumpets sounded during dinner; this gave completely the air of a true army march." She arrived at Sedan intoxicated by the military spectacle of her route, and her entry showed this. Considering her late exile the lack of modesty might well be criticised. The Queen, Anne of Austria, driving for pleasure in the environs of Sedan, saw a chariot appear with horses at full gallop surrounded by a mass of cavalry: "I arrived in this field at full speed with gens d'armes and light riders, their trumpets sounding in a manner sufficiently triumphant."

The entire Court of France recognised the Grande Mademoiselle before actually seeing her. Exile had not changed her, and this entrance truly indicated her weaknesses.


                                                                                                                                                                                                                                                                                                           

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