  THE SPECIFIC USE OF CRAYON MATERIALS. MOUNTING CRAYON PAPER AND PLATINUM AND SILVER ENLARGEMENTS. MOUNTING BROMIDE ENLARGEMENTS. FOUR METHODS OF MAKING THE BACKGROUND. FREE-HAND CRAYONS AND THOSE MADE FROM PHOTOGRAPHIC ENLARGEMENTS. FILLING IN THE FREE-HAND CRAYON. BACKGROUNDS GENERAL PRINCIPLES. FIRST METHOD OF MAKING THE BACKGROUND STUMP EFFECT. SECOND METHOD OF MAKING THE BACKGROUND. THIRD METHOD OF MAKING THE BACKGROUND LINE EFFECT. FOURTH METHOD OF MAKING THE BACKGROUND STIPPLE EFFECT. FINISHING BROMIDE ENLARGEMENTS. Transparent Liquid Water Colors for Coloring Photographs. TRANSPARENT LIQUID WATER COLORS FOR COLORING PHOTOGRAPHS (2) INSTRUCTIONS FOR USING LIQUID WATER COLORS. FINISHING PHOTOGRAPHS IN INDIA INK. FREE-HAND CRAYON MADE ON STEINBACH CRAYON PAPER—STIPPLE EFFECT IN FACE, BROKEN LINE EFFECT IN BACKGROUND. BY J. A. BARHYDT. FREE-HAND CRAYON MADE ON STEINBACH CRAYON PAPER—STIPPLE EFFECT IN FACE, BROKEN LINE EFFECT IN BACKGROUND. BY J. A. BARHYDT. CRAYON PORTRAITUREComplete Instructions for Making Crayon Copyright, 1886 and 1892 ROBERT DRUMMOND, PRINTER, NEW YORK |
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