Among Mr. Work’s famous war songs, none have captured so wide an audience, or held their own so well since the war, as Marching through Georgia. I think it is the foraging idea, so happily expressed, that, more than anything else except the contagious music which starts the most rheumatic foot to keeping time, has given this song its popular sway. There was something so reckless and romantic in Sherman’s cutting loose from his base of supplies and depending on the country through which he marched for food for his army, that the song which expressed this seized the imagination of the people.

General Sherman in his Memoirs says: “The skill and success of the men in collecting forage was one of the features of this march. Each brigade commander had authority to detail a company of foragers, usually about fifty men with one or two commissioned officers, selected for their boldness and enterprise. This party would be despatched before daylight with a knowledge of the intended day’s march and camp, would proceed on foot five or six miles from the route traveled by their brigade, and then visit every plantation and farm within range. They would usually procure a wagon, or family carriage, load it with bacon, cornmeal, turkeys, chickens, ducks, and everything that could be used as food or forage, and would then regain the main road, usually in advance of their train. When this came up, they would deliver to the brigade commissary the supplies thus gathered by the way. Often would I pass these foraging parties at the roadside, waiting for their wagons to come up, and was amused at their strange collections—mules, horses, even cattle, packed with old saddles and loaded with hams, bacon, bags of cornmeal, and poultry of every character and description. Although this foraging was attended with great danger and hard work, there seemed to be a charm about it that attracted the soldiers, and it was a privilege to be detailed on such a party. Daily they returned mounted on all sorts of beasts, which were at once taken from them and appropriated to the general use; but the next day they would start out again on foot, only to repeat the experience of the day before.”

Bishop Ames, of the Methodist Episcopal Church, used to greatly enjoy relating how he was invited to share the carriage of a German Baron on the occasion of the great military review in Washington at the close of the war. They had a favorable position for viewing the procession. Hour after hour the soldiers marched by. There rumbled the field artillery; there crowded by, with dripping sides and champing mouths, the cavalry, and after them tramped the unwearying infantry. At one time there passed a brigade clothed in brand-new uniforms, specially brought out for the occasion. Every uniform was clean and beautiful, every bayonet and sword polished and gleaming. The drill was perfect. The men were at the highest point of condition. Every motion and look bespoke the well-drilled soldier. As they marched by the Baron turned around excitedly to Bishop Ames and said, “Pishop, those men can whip the world.”

SHERMAN BURNS ATLANTA AND MARCHES TOWARD THE SEA
SHERMAN BURNS ATLANTA AND MARCHES TOWARD THE SEA

Immediately following them, purposely to bring out the strong contrast, was a brigade of old veterans, just as they came from their long campaign in the South. They were some of the men who had marched with Sherman to the sea—the men who had picked up the ducks and the cornmeal by the wayside. They were soiled and ragged. One man had one leg of his trousers patched out by strange cloth; another had no coat; another had a teakettle swung on his gun over his shoulder; another had part of a ham on his bayonet. So they represented the march through Georgia. They rolled along with an easy, swinging gait, chatting, laughing, occasionally imitating some animal, giving a bark, or a howl, or a screech, yet every man a soldier and keeping step to the music and in line. As these men with their tattered uniforms and torn and stained flags went by, the Baron sprang up, and with tears rolling down his cheeks, threw his arms around Bishop Ames and cried: “Mein Gott! Pishop, these men could whip the devil!”

General Sherman himself was never enthusiastic over the song that has immortalized his famous march. I have been unable to find in his Memoirs a single reference to it; but he quotes there in full a fine song by Adjutant S. H. M. Byers which he evidently would have been very glad to have had replace the simpler lines of Mr. Work. But Work had the key to the people’s heart, and his song will live as long as the American flag. Mr. Byers’ song, however, is a splendid piece of work and well worth repeating here. General Sherman says that on the afternoon of February 17, 1865, on overhauling his pockets, according to custom, to read more carefully the various notes and memoranda received during the day, he found a paper which had been given him by a Union prisoner who had escaped from Columbia. “It proved,” writes the General, “to be the song of Sherman’s March to the Sea, which had been composed by Adjutant S. H. M. Byers, of the Fifth Iowa Infantry, when a prisoner in the asylum at Columbia, which had been beautifully written off by a fellow-prisoner, and handed to me in person. This appeared to me so good that I at once sent for Byers, attached him to my staff, provided him with horse and equipment, and took him as far as Fayetteville, North Carolina, whence he was sent to Washington as bearer of despatches.”

The writing of this song was a good thing for Byers, as it secured him the lifelong friendship of General Sherman, and through his kindly support he was afterward made consul at Zurich, Switzerland. Adjutant Byers said that there was among the prisoners at Columbia an excellent glee club who used to sing it well, with an audience, often, of rebel ladies. It is truly a fine poem:—

Plymouth Rock
Plymouth Rock

ROBERT EDWARD LEE
ROBERT EDWARD LEE