QUIET WATERS

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“Like playhouse scenes the shore slid past.”

KIPLING.

Lovable as is the open sea when the spray drenches the scanty clothing of the steersman and rains upon his lips salty salutation, yet is there rare delightsomeness in reverse of the wet frolic.

A few minutes past the deck glistened in the sun as each rollicking billow sent its herald over the bows, and here the surface of the river is almost rippleless. Shallows and uncertainties perplex its union with the ocean. Sombre green mangroves screen its muddy banks at full tide and trail leathery leaves and the tips of spindly fruit on its placid surface. Pendant roots and immersed branches create on each hand a continuous scroll of wavering ridges and eddies bordered with the living tints of the steadfast wall of leafage. The sun so burnishes the midstream ribbon that the boat seems to float on an invisible element. Though the topmost leaves of the mangroves fail to disclose any movement in the air, an unceasing and inharmonious hum tells of the sea idly shouldering the orange-hued sands outside.

The original inhabitants of the country knew the stream as Marang. None call it so; but half stranded on the bank at the mouth lies a raft typical of the past, and of the ease and resource with which those of the day are wont to avail themselves of Nature's suggestions in the art of crossing flooded waters. The name of the river has gone, but not that of the three buoyant logs lashed together with strips of cane which with sullen lurch, take the wash of the boat. The boys jerk their heads in the direction and murmur “wur-gun,” and speculate on the last user. The day is young. For the time being the best the ancient river has to show—the quintessence of the season, superb October—shall be ours. The cloudless sky is richly blue, lighter in shade than the shapely mountain which seems to block the way miles ahead. The sun gives a taste of its quality, not to fret or discomfort, but merely to add a slightly richer tint to skin glowing with previous marks of his fervour and favour.

All the sounds of the little engine are maliciously exaggerated as the boat forges ahead. The silent green river has become vociferous with echoes, which snap and grunt, groan and hiss, in mockery of inevitable and earnest doings. Out at sea the merry moods of the boat and hasty and determined throbs of the engine are manifestations of something accomplished in the overcoming of distance. Here it is all mere idle fancy, while the echoes jeer. Surely the uncouth imps of the dimly-lit jungles need not proclaim their spite with such exaggerated fuss.

With but little effort of imagination the boat becomes stationary on a shining ribbon with strips of dark green on each side, and the banks glide past with never so gentle undulations. The tide screens most of the mud on which the many-rooted trees stand. Some are in full bloom, the hawthorn-like flowers breathing perfume as from an orangery soliciting the raids of millions of bees. Scents cling to the placid surface. It is as a stream of scent, bounded and confined by changeful tints as the sun toys with the shadows, and curve after curve, reach after reach, slip by. Sometimes the chattering boat heads due east. South she knows too, and then she bows her duty to the west, along reaches which run straight and clean as a canal; and round hairpin bends she sweeps with disdainful air, as if conscious of besoiling banks.

Gradually the monopolistic mangroves become more tolerant of the rights of other vegetation. Tea-trees with white papery bark and pale yellow flowers dripping with spirity nectar, the sunflower-tree with its masses of gold, an occasional wattle, and slim palms mirror themselves, and here and there compact jungle, with its entanglement of ponderous vines and smothering creepers, shoulders away the salt-loving plants. Scents may vary as the river's fringe; but only a delicate blend is recognised—the breathings of honey-secreting flowers and of sapful plants free from all uncleanliness. Many trees endure sadly the decoration of orchids in full flower, some lovely to look on and deliciously scented. The snowy plumes of one species sway gently, as if offering friendly greeting. A worthy similitude to the lily of the valley clings to a decaying limb, and a passing smudge of lustrous brown is but the reflection from a mass of the commonest of the Dendrobiums which encumbers a long-suffering host. Where forest trees and wattles guard the bank the water is of a different hue, as if the face of the river had absorbed less of the actualities of the sun. The screen of vegetation is not only higher, but it is varied and impresses its individuality. Only during the pelting rains of the wet season may this delightful stream be monotonous, for at intervals brief and narrow vistas open out on patches of yellowing grass, and beyond lie forest-clad hills.

All save the boat is wonderfully still. The birds are silent, for this is the first hot day of the season, and they have retired to the patches of jungle where shade and dimness afford relief from the sunlight spaces. For many a mile a cormorant, lacking valour to double on its tracks, has fled before the boat, settling out of sight ever and anon, only to be scared further from its nest. A mangrove bittern sitting humpbacked on a root and roused from its night thoughts has flown ahead, following the bends of the stream until it crossed a familiar loop and so evaded incessant harrying.

No murmur of the sea is audible, though the water is as briny as at the mouth. Mangroves still reinforce the muddy banks at intervals, and big barramundi swirl aside to give the boat precedence in the narrow way. If in no impetuous haste, one might drift with the tide up and down with but little exertion except during periods of flood, which quickly rise and quickly subside. Drifters become familiar with characteristics of the stream unknown to those who hurry up and down in an echo-rousing motor-boat. They see crocodiles basking on their sides, as many as seven on a sunny morning in the cool season, and many curse them in De Quincey's phrase as “miscreated gigantic vermin” because the rifle happens to be unavailable. Crocodiles have their moods. Sometimes they are lazy and indifferent and will not be disturbed though the boat may clink and chatter as it passes, and the then easygoing man disposes of them. More often the faculties of the crocodile are disappointingly acute. He is visible for such a fragment of time that the authoritative man who has promised sport looks foolish and tries to relieve the strain by the relation of anecdotes in which circumstances have not been all in favour of the illusive creature. He tells of the slumbering one which lay on a mud-bank with its jaws distended, weary of the monotony of the mangroves, and took but sleepy notice when upbraided for being a sluggard. And of that other monstrous beast which, with eyelids like saucers and a bulk which filled a narrow tributary of the river, floundered, splashed, and flurried into deep water, while the awestruck individual with the rifle was too astounded to fire a shot. He may tell, too, of another instance of good luck on the part of the crocodile. How, drifting down silently with the ebb, the black boy indicated the presence of game on a slide overhung by a deep verandah of mud; how a shot was fired and a big log splashed into the water and the little one remained bearing the bullet-wound, the real having been too big and impressive for sight.

The day is well spent among strange plants. Here is a tall hibiscus with coarse leaves, diversely lobed, and great pink, fragile flowers, each with a blotch of maroon at the base and each containing a fat and lumbering bee spangled with maroon-tinted pollen. A trailing eugenia bears dark red flowers shaped like a mop, and a tiny white lily with petals and strangely protuberant anthers scents the air as with honey and almonds.

The tide ebbs fast. All the country teems with entertainment, and the river, cool in the dusk, and black, reflects the dead mangroves, white and spectral, on its brink.

This breathless night the sea is as tetchy as petrol. Trailing fingers are terminals which ignite living flames, and the propeller of the little boat creates an avengeful commotion of light which trails far astern. Blobs of light are cast off from her bows as she rounds the familiar sandspit and glides to her moorings.


                                                                                                                                                                                                                                                                                                           

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