Weary of himself, Godefroid attempted one day to give a meaning to his life, after meeting a former comrade who had been the tortoise in the fable, while he in earlier days had been the hare. In one of those conversations which arise when schoolmates meet again in after years,—a conversation held as they were walking together in the sunshine on the boulevard des Italiens,—he was startled to learn the success of a man endowed apparently with less gifts, less means, less fortune than himself; but who had bent his will each morning to the purpose resolved upon the night before. The sick soul then determined to imitate that simple action.

“Social existence is like the soil,” his comrade had said to him; “it makes us a return in proportion to our efforts.”

Godefroid was in debt. As a first test, a first task, he resolved to live in some retired place, and pay his debts from his income. To a man accustomed to spend six thousand francs when he had but five, it was no small undertaking to bring himself to live on two thousand. Every morning he studied advertisements, hoping to find the offer of some asylum where his expenses could be fixed, where he might have the solitude a man wants when he makes a return upon himself, examines himself, and endeavors to give himself a vocation. The manners and customs of bourgeois boarding-houses shocked his delicacy, sanitariums seemed to him unhealthy, and he was about to fall back into the fatal irresolution of persons without will, when the following advertisement met his eye:—

Attracted by a certain kindliness concealed beneath these words, and the middle-class air which exhaled from them, Godefroid had, on the afternoon when we found him on the quay, called at four o’clock on the grocer, who told him that Madame de la Chanterie was then dining, and did not receive any one when at her meals. The lady, he said, was visible in the evening after seven o’clock, or in the morning between ten and twelve. While speaking, Monsieur Millet examined Godefroid, and made him submit to what magistrates call the “first degree of interrogation.”

“Was monsieur unmarried? Madame wished a person of regular habits; the gate was closed at eleven at the latest. Monsieur certainly seemed of an age to suit Madame de la Chanterie.”

“How old do you think me?” asked Godefroid.

“About forty!” replied the grocer.

This ingenuous answer threw the young man into a state of misanthropic gloom. He went off and dined at a restaurant on the quai de la Tournelle, and afterwards went to the parapet to contemplate Notre-Dame at the moment when the fires of the setting sun were rippling and breaking about the manifold buttresses of the apsis.

The young man was floating between the promptings of despair and the moving voice of religious harmonies sounding in the bell of the cathedral when, amid the shadows, the silence, the half-veiled light of the moon, he heard the words of the priest. Though, like most of the sons of our century, he was far from religious, his sensibilities were touched by those words, and he returned to the rue Chanoinesse, although he had almost made up his mind not to do so.

The priest and Godefroid were both surprised when they entered together the rue Massilon, which is opposite to the small north portal of the cathedral, and turned together into the rue Chanoinesse, at the point where, towards the rue de la Colombe, it becomes the rue des Marmousets. When Godefroid stopped before the arched portal of Madame de la Chanterie’s house, the priest turned towards him and examined him by the light of the hanging street-lamp, probably one of the last to disappear from the heart of old Paris.

“Have you come to see Madame de la Chanterie, monsieur?” said the priest.

“Yes,” replied Godefroid. “The words I heard you say to that workman show me that, if you live here, this house must be salutary for the soul.”

“Then you were a witness of my defeat,” said the priest, raising the knocker of the door, “for I did not succeed.”

“I thought, on the contrary, it was the workman who did not succeed; he demanded money energetically.”

“Alas!” replied the priest, “one of the great evils of revolutions in France is that each offers a fresh premium to the ambitions of the lower classes. To get out of his condition, to make his fortune (which is regarded to-day as the only social standard), the working-man throws himself into some of those monstrous associations which, if they do not succeed, ought to bring the speculators to account before human justice. This is what trusts often lead to.”

The porter opened a heavy door. The priest said to Godefroid: “Monsieur has perhaps come about the little suite of rooms?”

“Yes, monsieur.”

The priest and Godefroid then crossed a wide courtyard, at the farther end of which loomed darkly a tall house flanked by a square tower which rose above the roof, and appeared to be in a dilapidated condition. Whoever knows the history of Paris, knows that the soil before and around the cathedral has been so raised that there is not a vestige now of the twelve steps which formerly led up to it. To-day the base of the columns of the porch is on a level with the pavement; consequently what was once the ground-floor of the house of which we speak is now its cellar. A portico, reached by a few steps, leads to the entrance of the tower, in which a spiral stairway winds up round a central shaft carved with a grape-vine. This style, which recalls the stairways of Louis XII. at the chateau of Blois, dates from the fourteenth century. Struck by these and other evidences of antiquity, Godefroid could not help saying, with a smile, to the priest: “This tower is not of yesterday.”

“It sustained, they say, an assault of the Normans, and probably formed part of the first palace of the kings of Paris; but, according to actual tradition, it was certainly the dwelling of the famous Canon Fulbert, the uncle of Heloise.”

As he ended these words, the priest opened the door of the apartment which appeared now to be the ground-floor of the house, but was in reality towards both the front and back courtyard (for there was a small interior court) on the first floor.

In the antechamber a maid-servant, wearing a cambric cap with fluted frills for its sole decoration, was knitting by the light of a little lamp. She stuck her needles into her hair, held her work in her hand, and rose to open the door of a salon which looked out on the inner court. The dress of the woman was somewhat like that of the Sisters of Mercy.

“Madame, I bring you a tenant,” said the priest, ushering Godefroid into the salon, where the latter saw three persons sitting in armchairs near Madame de la Chanterie.

These three persons rose; the mistress of the house rose; then, when the priest had drawn up another armchair for Godefroid, and when the future tenant had seated himself in obedience to a gesture of Madame de la Chanterie, accompanied by the old-fashioned words, “Be seated, monsieur,” the man of the boulevards fancied himself at some enormous distance from Paris,—in lower Brittany or the wilds of Canada.

Silence has perhaps its own degrees. Godefroid, already penetrated with the silence of the rues Massillon and Chanoinesse, where two carriages do not pass in a month, and grasped by the silence of the courtyard and the tower, may have felt that he had reached the very heart of silence in this still salon, guarded by so many old streets, old courts, old walls.

This part of the Ile, which is called “the Cloister,” has preserved the character of all cloisters; it is damp, cold, and monastically silent even at the noisiest hours of the day. It will be remarked, also, that this portion of the Cite, crowded between the flank of Notre-Dame and the river, faces the north, and is always in the shadow of the cathedral. The east winds swirl through it unopposed, and the fogs of the Seine are caught and retained by the black walls of the old metropolitan church. No one will therefore be surprised at the sensations Godefroid felt when he found himself in this old dwelling, in presence of four silent human beings, who seemed as solemn as the things which surrounded them.

He did not look about him, being seized with curiosity as to Madame de la Chanterie, whose name was already a puzzle to him. This lady was evidently a person of another epoch, not to say of another world. Her face was placid, its tones both soft and cold; the nose aquiline; the forehead full of sweetness; the eyes brown; the chin double; and all were framed in silvery white hair. Her gown could only be called by its ancient name of “fourreau,” so tightly was she sheathed within it, after the fashion of the eighteenth century. The material—a brown silk, with very fine and multiplied green lines—seemed also of that period. The bodice, which was one with the skirt, was partly hidden beneath a mantle of poult-de-soie edged with black lace, and fastened on the bosom by a brooch enclosing a miniature. Her feet, in black velvet boots, rested on a cushion. Madame de la Chanterie, like her maid, was knitting a stocking, and she, too, had a needle stuck through her white curls beneath the lace of her cap.

“Have you seen Monsieur Millet?” she said to Godefroid, in the head voice peculiar to the dowagers of the faubourg Saint-Germain, observing that her visitor seemed confused, and as if to put the words into his mouth.

“Yes, madame.”

“I fear that the apartment will scarcely suit you,” she said, noticing the elegance and newness of his clothes.

Godefroid was wearing polished leather boots, yellow gloves, handsome studs, and a very pretty gold chain passed through the buttonhole of his waistcoat of black silk with blue flowers. Madame de la Chanterie took a little silver whistle from her pocket and blew it. The serving-woman came.

“Manon, my child, show this gentleman the apartment. Would you, my dear vicar, be so kind as to accompany him?” she said, addressing the priest. “If by chance,” she added, rising and again looking at Godefroid, “the apartment suits you, we will talk of the conditions.”

Godefroid bowed and went out. He heard the rattle of keys which Manon took from a drawer, and he saw her light the candle in a large brass candlestick. Manon went first, without uttering a word. When Godefroid found himself again on the staircase, winding up two flights, he doubted the reality of life, he dreamed awake, he saw with his eyes the fantastic world of romances he had read in his idle hours. Any Parisian leaving, as he did, the modern quarter, with its luxury of houses and furniture, the glitter of its restaurants and theatres, the tumult and movement of the heart of Paris, would have shared his feeling.

The candle carried by the woman feebly lighted the winding stair, where spiders swung their draperies gray with dust. Manon wore a petticoat with heavy plaits of a coarse woollen stuff; the bodice was square before and square behind, and all her clothes seemed to hang together. When she reached the second floor, which, it will be remembered, was actually the third, Manon stopped, turned a key in an ancient lock, and opened a door painted in a coarse imitation of mahogany.

“This is it,” she said, entering first.

Was it a miser, was it an artist dying in penury, was it a cynic to whom the world was naught, or some religious soul detached from life, who had occupied this apartment? That triple question might well be asked by one who breathed the odor of that poverty, who saw the greasy spots upon the papers yellow with smoke, the blackened ceilings, the dusty windows with their casement panes, the discolored floor-bricks, the wainscots layered with a sort of sticky glaze. A damp chill came from the chimneys with their mantels of painted stone, surmounted by mirrors in panels of the style of the seventeenth century. The apartment was square, like the house, and looked out upon the inner court, which could not now be seen because of the darkness.

“Who has lived here?” asked Godefroid of the priest.

“A former councillor of the parliament, a great-uncle of madame, Monsieur de Boisfrelon. After the Revolution he fell into dotage; but he did not die until 1832, at the age of ninety-six. Madame could not at first make up her mind to let his rooms to a stranger, but she finds she cannot afford to lose the rent.”

“Madame will have the apartment cleaned and furnished in a manner to satisfy monsieur,” said Manon.

“That will depend on the arrangement you make with her,” said the priest. “You have here a fine parlor, a large sleeping-room and closet, and those little rooms in the angle will make an excellent study. It is the same arrangement as in my apartment below, also in the one overhead.”

“Yes,” said Manon, “Monsieur Alain’s apartment is just like this, only his has a view of the tower.”

“I think I had better see the rooms by daylight,” said Godefroid, timidly.

“Perhaps so,” said Manon.

The priest and Godefroid went downstairs, leaving the woman to lock the doors. When they re-entered the salon, Godefroid, who was getting inured to the surroundings, looked about him while discoursing with Madame de la Chanterie, and examined the persons and things there present.

The salon had curtains at its windows of old red damask, with lambrequins, tied back at the sides with silken cords. The red-tiled floor showed at the edges of an old tapestry carpet too small to cover the whole room. The woodwork was painted gray. The plastered ceiling, divided in two parts by a heavy beam which started from the fireplace, seemed a concession tardily made to luxury. Armchairs, with their woodwork painted white, were covered with tapestry. A paltry clock, between two copper-gilt candlesticks, decorated the mantel-shelf. Beside Madame de la Chanterie was an ancient table with spindle legs, on which lay her balls of worsted in a wicker basket. A hydrostatic lamp lighted the scene. The four men, who were seated there, silent, immovable, like bronze statues, had evidently stopped their conversation with Madame de la Chanterie when they heard the stranger returning. They all had cold, discreet faces, in keeping with the room, the house, the quarter of the town.

Madame de la Chanterie admitted the justice of Godefroid’s observations; but told him that she did not wish to make any change until she knew the intentions of her lodger, or rather her boarder. If he would conform to the customs of the house he could become her boarder; but these customs were widely different from those of Paris. Life in the rue Chanoinesse was like provincial life: the lodger must always be in by ten o’clock at night; they disliked noise; and could have no women or children to break up their customary habits. An ecclesiastic might conform to these ways. Madame de la Chanterie desired, above all, some one of simple life, who would not be exacting; she could afford to put only the strictest necessaries into the apartment. Monsieur Alain (here she designated one of the four men present) was satisfied, and she would do for a new tenant just as she did for the others.

“I do not think,” said the priest, “that monsieur is inclined to enter our convent.”

“Eh! why not?” said Monsieur Alain; “we are all well off here; we have nothing to complain of.”

“Madame,” said Godefroid, rising, “I shall have the honor of calling again to-morrow.”

Though he was a young man, the four old men and Madame de la Chanterie rose, and the vicar accompanied him to the portico. A whistle sounded. At that signal the porter came with a lantern, guided Godefroid to the street, and closed behind him the enormous yellow door,—ponderous as that of a prison, and decorated with arabesque ironwork of a remote period that was difficult to determine.

Though Godefroid got into a cabriolet, and was soon rolling into the living, lighted, glowing regions of Paris, what he had seen still appeared to him a dream, and his impressions, as he made his way along the boulevard des Italiens, had already the remoteness of a memory. He asked himself, “Shall I to-morrow find those people there?”