On the Value and Use of Libraries. All round the room my silent servants wait,— My friends in every season, bright and dim Angels and seraphim Come down and murmur to me, sweet and low, And spirits of the skies all come and go Early and late; From the old world’s divine and distant date, From the sublimer few, Down to the poet who but yester-eve Sang sweet and made us grieve, All come, assembling here in order due. And here I dwell with Poesy, my mate, With Erato and all her vernal sighs, Great Clio with her victories elate, Or pale Urania’s deep and starry eyes. Bryan Waller Procter. A LIBRARY is the scholar’s workshop. To the teacher or professional man, a collection of good books is as necessary as a kit of tools to a carpenter. And yet I am aware that many persons are engaged in teaching, You plead poverty,—the insufficiency of your salary? But do you not spend for other things, entirely unnecessary, much more every year than the cost of a few books? The immediate outlay need not be large, the returns which you will realize will be great in proportion to your good judgment and earnestness. Not only will the possession of a good library add to your means of enjoyment and increase your capacity for doing good, it may, if you are worldly-minded,—and we all are,—put you in the way of occupying a more desirable position and earning a more satisfactory reward for your labors. There are two kinds of books that you will need in your library: first, those which are purely professional, and are in the strictest sense the tools of your craft; second, those which belong to your chosen department of literature, and are to be regarded as your friends, companions, and counsellors. I cannot, of course, dictate to you what these books shall be. The lists given in the chapters which follow this are designed simply as suggestive aids. But in a library of fifty or even thirty well-chosen volumes you may possess infinite riches, and means for a lifetime of enjoyment; while, on the other hand, if your selection is injudicious, you may expend thousands of dollars for a collection of the odds and ends of literature, which will be only an incumbrance and a hindrance to you. “I would urge upon every young man, as the beginning of his due and wise provision for his household,” says John Ruskin, “to obtain as soon as he can, by the severest economy, a restricted, serviceable, and steadily—however slowly—increasing series of books for use through life; making his little library, of all the furniture in his room, the most studied and decorative piece; every volume having its assigned place, like a little And Henry Ward Beecher emphasizes the same thing, remarking that, among the early ambitions to be excited in clerks, workmen, journeymen, and indeed among all that are struggling up in life from nothing to something, the most important is that of forming and continually adding to a library of good books. “A little library, growing larger every year, is an honorable part of a man’s history. It is a man’s duty to have books. A library is not a luxury, but one of the necessaries of life.” “How much do you think we spend altogether on our libraries, public or private, as compared with what we spend on our horses?” asks another enthusiastic lover of books, already quoted. “If a man spends lavishly on his library, you call him mad,—a bibliomaniac. But you never call any one a horse-maniac, though men ruin themselves every day by their horses, and you do not hear of people ruining themselves by their books.... We talk of food for the mind, as of food for “The truest owner of a library,” says the author of “Hesperides,” “is he who has bought each book for the love he bears to it,—who is happy and content to say, ‘Here are my jewels, my choicest material possessions!’—who is proud to crown such assertion thus: “Every man should have a library!” exclaims William Axon. “The works of the grandest masters of literature may now be procured at prices that place them within the reach almost of the very poorest, and we may all put Parnassian singing-birds into our chambers to cheer us with the sweetness of their songs. And when we have got our little library we may look proudly at Shakspeare and Bacon and Bunyan, as they stand in our bookcase with other noble spirits, and one or two of whom the world knows nothing, but whose worth we have often tested. These may cheer and enlighten us, may inspire us Good old George Dyer, the friend of the poet Southey, as learned as he was benevolent, was wont to say: “Libraries are the wardrobes of literature, whence men, properly informed, may bring forth something for ornament, much for curiosity, and more for use.” “Any library is an attraction,” says the venerable A. Bronson Alcott; and Victor Hugo writes— “A library implies an act of faith, Which generations still in darkness hid Sign in their night in witness of the dawn.” John Bright, the great English statesman and reformer, in a speech at the opening of the Birmingham Free Library a short time ago, remarked: “You may have in a house costly pictures and costly ornaments, and a great variety of decoration; yet, so far as my judgment goes, I would prefer to have one comfortable room well stocked with books to all you can give me in the way of decoration which the highest art can supply. The only subject of lamentation is—one feels that Jean Paul Richter, it is said, was always melancholy in a large library, because it reminded him of his ignorance. “A library may be regarded as the solemn chamber in which a man can take counsel of all that have been wise and great and good and glorious amongst the men that have gone before him,” said George Dawson, also at Birmingham. “If we come down for a moment and look at the bare and immediate utilities of a library, we find that here a man gets himself ready for his calling, arms himself for his profession, finds out the facts that are to determine his trade, prepares himself for his examination. The utilities of it are endless and priceless. It is, too, a place of pastime; for man has no amusement more innocent, more sweet, more gracious, more elevating, and more fortifying than he can The author of “Dreamthorpe,” filled with love and enthusiasm, discourses thus: “I go into my library, and all history unrolls before me. I breathe the morning air of the world while the scent of Eden’s roses yet lingers in it, while it vibrates only to the world’s first brood of nightingales and to the laugh of Eve. I see the pyramids building; I hear the shoutings of the armies of Alexander; I feel the ground shake beneath the march of Cambyses. I sit as in a theatre,—the stage is time; the play is the play of the world. What a spectacle it is! What kingly pomp, what processions file past, what cities burn to heaven, what crowds of captives are dragged at the chariot wheels of conquerors! I hiss, or cry ‘Bravo,’ when the great actors come on, shaking the stage. I am a Roman emperor when I look at a Roman coin. I lift Homer, and I shout with Achilles in the trenches. The silence of the unpeopled Assyrian plains, the out-comings and in-goings of the patriarchs,—Abraham and Ishmael, Isaac in the fields at eventide, Rebekah at the well, Jacob’s guile, Esau’s face reddened by desert ORNAMENT ORNAMENT
|