FROM "EPIPSYCHIDION."

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Emily,
A ship is floating in the harbor now;
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,—
No keel has ever ploughed that path before;
The halcyons1 brood around the foamless isles;
The treacherous ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross whose nest
Is a far Eden of the purple east;
And we between her wings will sit, while Night
And Day and Storm and Calm pursue their flight,
Our ministers, along the boundless sea,
Treading each other's heels, unheededly.
It is an isle under Ionian2 skies,
Beautiful as a wreck of paradise;
And, for3 the harbors are not safe and good,
This land would have remained a solitude
But for some pastoral people native there,
Who from the elysian, clear, and golden air
Draw the last spirit of the age of gold,4
Simple and spirited, innocent and bold.
The blue Ægean girds this chosen home,
With ever-changing sound and light and foam
Kissing the sifted sands and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide.
There are thick woods where sylvan forms abide;
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air. And far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails,
Accompany the noonday nightingales.
And all the place is peopled with sweet airs.5
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep,
And dart their arrowy odor through the brain,
Till you might faint with that delicious pain.
And every motion, odor, beam, and tone,
With that deep music is in unison:
Which is a soul within the soul,—they seem
Like echoes of an antenatal dream.6
It is an isle 'twixt heaven, air, earth, and sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden, Lucifer,7
Washed by the soft blue oceans of young air.8
It is a favored place. Famine or blight,
Pestilence, war, and earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way.
The wingÈd storms, chaunting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight:
Which sun or moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess.
Yet, like a buried lamp, a soul no less
Burns in the heart of this delicious isle,
An atom of the Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices.
This isle and house are mine, and I have vowed
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden eastern air,
And level with the living winds which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn; and therefore still
Nature with all her children haunts the hill.
The ringdove in the embowering ivy yet
Keeps up her love-lament; and the owls flit
Round the evening tower; and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate; and the slow silent night
Is measured by the pants of their calm sleep.
Be this our home in life; and, when years heap
Their withered hours like leaves on our decay,
Let us become the overhanging day,
The living soul, of this elysian isle—
Conscious, inseparable, one. Meanwhile
"A clever but disreputable professor at Pisa one day related to Shelley the sad story of a beautiful and noble lady, the Contessina Emilia Viviani, who had been confined by her father in a dismal convent of the suburbs, to await her marriage with a distasteful husband." Shelley, fired as ever by a tale of tyranny, was eager to visit the fair captive. The professor accompanied him and Medwin to the convent parlor, where they found her more lovely than even the most glowing descriptions had led them to expect. Nor was she only beautiful. Shelley soon discovered that she had "cultivated her mind beyond what I have ever met with in Italian women"; and a rhapsody composed by her upon the subject of Uranian Love—"Il Vero Amore"—justifies the belief that she possessed an intellect of more than ordinary elevation. He took Mrs. Shelley to see her; and both did all they could to make her convent prison less irksome by frequent visits, by letters, by presents of flowers and books. It was not long before Shelley's sympathy for this unfortunate lady took the form of love, which, however spiritual and Platonic, was not the less passionate. The result was the composition of "Epipsychidion," the most unintelligible of all his poems to those who have not assimilated the spirit of Plato's Symposium and Dante's Vita Nuova.—J. A. Symonds.

W. M. Rossetti characterizes this poem as "a pure outpouring of poetry; a brimming and bubbling fountain of freshness and music, magical with its own spray rainbows."

A year after its composition, Shelley wrote: "The 'Epipsychidion' I cannot look at. If you are curious, however, to hear what I am and have been, it will tell you something thereof. It is an idealized history of my life and feelings."

Epipsychidion. From Gr. epi, upon, and psyche, the soul. This poem is addressed "to the noble and unfortunate Lady Emilia Viviani, now imprisoned in the Convent of St. Anne, Pisa," and was written in 1821.1. halcyons. Kingfishers. Halcyone was the daughter of Æolus and wife of Ceyx. When her husband died she was changed into a bird,—the kingfisher,—and, floating over the sea, she still calls for the lost Ceyx in tones full of plaining and tears. And "whensoever she makes her nest, a law of nature brings round what is called Halcyon's weather—days distinguishable among all others for their serenity."2. Ionian. Greek. See the expression "Under the roof of blue Ionian weather," below. Explain its meaning.3. for. Since, because.

elysian. Heavenly. Pertaining to Elysium, the islands of the blest, the Elysian fields.4. age of gold. Compare Milton, "Hymn on the Nativity" (see note 36, page 192. See, also, poem by John Lydgate, page 275).5. peopled with sweet airs. Filled with sweet music. 6. antenatal dream. See Wordsworth's "Ode on the Intimations of Immortality" (also, note 13, page 47).

7. Lucifer. Venus when seen in the morning, rising before the sun is called Lucifer, the light-bearer. From Lat. lux, light, and fero, to bear (see note 18, page 189). The same star when seen in the evening, following the sun, is called Hesperus.8. blue oceans of young air. Explain.9. paramour. See Milton's "Ode on the Nativity," stanza i.

"It was no reason then for her
To wanton with the sun, her lusty paramour."

Milton makes the sun the paramour of the earth; Shelley, the earth the paramour of the sky.


                                                                                                                                                                                                                                                                                                           

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