  Far up in the hills the Beautiful Lady went daily to the post-office for her mail. It was a long walk, and the path skirted the edge of the forest. Leaving the path one entered upon a world of dim green light, a world of soft whispering sounds, a world of enchantment; and it was into this world that Diana's feet strayed as she came and went. It was here she spent most of her mornings; it was here she found the solitude she craved. The guests at the mountain house called the Beautiful Lady exclusive; but it was an exclusiveness which matched her air of remoteness, and since such friendships as she encouraged were with those who were lonely and tired and sick, she made no enemies by her withdrawal from the conventional life of the place. The lazy folk on the porch who were content to wait for the mail bag which came at noon by carrier always watched with curiosity the departure and re The letters, however, were not always satisfying. They brought such meager news of that which lay so near her heart! Sophie kept persistently away from topics which might be disturbing; Bettina's girlish epistles really told nothing—and Anthony wrote not at all. Yet such scraps as she could glean formed the excitement of Diana's day, and always she had a vague and formless hope—a hope for which she reproached herself. Always she hoped for a letter from Anthony. She knew that he ought not to write. She knew that if he did write she would not answer—but the longing of her heart would not be stilled. As far as possible she forced her mind to thoughts of the future, and it was thus she had evolved the plan which she had written to Sophie. It was the only way in which her life could be linked with Anthony's; they would thus share in a work which might continue in interest to the end of their days. There were times, however, when all of her It was on one of these days of depression that she left behind her the hotel piazza with its chattering crowd, and drifted somewhat languidly across the lawn, past the tennis courts, and out into the mountain path. In her modish frock of gray linen, with a parasol of leaf green, she seemed to merge gradually into the grayness and greenness of the forest beyond. She might have been a dryad returning to her tree, or as an artist in the group on the porch remarked, "a nymph in a Corot setting." How still it was in the forest! Even the birds seemed to respect the silences, and slipped from branch to branch like shadows. The squirrels, flattened heads downward against gray tree trunks, whisked up and out of sight as the intruder advanced. A strayed butterfly went by in a wavering flight, seeking the sunshine and the flowers of the open fields. Diana loved the forest, but more than all she loved the sea. She missed the wild music of the waves and wind. The hills seemed to shut her in; Yet if Anthony married Betty it would be years before she would dare go back. His work was there, and he must stay; she would be exiled from the place she loved. Her steps quickened as if she would fly from the thought. She passed again beyond the edge of the arching trees, and came upon a winding road. Its last curve brought her to a little settlement of which the store, which was also the post-office, was the most imposing building. The postmistress knew her and had the package ready. "Lots of letters, two papers and a half dozen magazines," she said, cheerily. "I don't see how you find time to read so many." "I have nothing to do but read. I am not a lucky busy person like yourself." Diana was smiling as she turned up the corners of each letter to glance at the one beneath. On top was Sophie's daily budget, black-edged and bulky. Bettina's showed a faddish slender monogram. Following was Justin's—she knew that boyish scrawl; a business letter or two, a bill, an advertisement, and then—her heart leaped. On the The little postmistress wondered at the radiance which illumined the face of the lovely lady. Diana, in saying a hurried farewell, sparkled like a girl. "You've given me such wonderful letters this morning," she said, breathlessly. "I must run away and read them." And she did run, literally, when she had passed beyond the limits of the village. Holding up her narrow skirt, her parasol under her arm, her precious burden of mail hugged tightly, she left the path, and again entered upon the enchanted forest. She knew of a place where she would read Anthony's letter, a warm little hollow, with a still silver pool beyond, a pool which, with its upstanding reeds and rushes, was merged at its farthest edge into a blurred purple background. Safe at last in her retreat she opened Anthony's letter, forgetting the others in her eagerness, seeing only the firm, simple script which crowded a dozen pages. He began quietly, but evidently, as he wrote, Anthony had been swayed by emotions which had "Dear Diana: "Sophie has told me of your plan—your wonderful plan which has to do with my work and with me, and which shall link our futures in an interest which shall be above reproach. "It was like you to think of it, and I shall not try to thank you. Indeed you will not want my thanks. You and I are beyond conventional concealments, and you know, as I know, that the thing which you are doing is for your own happiness as well as for mine, and I am glad that it is so, because your happiness is the thing which I most desire. "I have not wanted to think of you up there in the hills. You belong to the sea, dear girl, and I know you are missing it, as we are missing you. I know, too, that, as you read this, you will say: 'He is overstepping bounds. He must not write these things to me.' But I am going to write them, Diana, for the time has come when we must face the big truths, and let the half-truths go. "The big truth is this—that you and I love each other. The half-truth is—that Bettina loves me, and that I must not break her heart. "I am troubled about Bettina. Certainly the child is not happy. All of her brightness has left her. She is pale and thin, and I am too wise a physician of bodies not to know something, too, of hearts. You may say that my attitude has affected her; that she had felt instinctively the difference in me. But "Perhaps I should wait until her letter comes, but I cannot wait. You are so vividly with me at this moment, Diana, that I can almost hear your voice calling above the noise of the wind and waves. I can see you as I like you best—all in white. I can feel your presence as I felt it that night in the empty house as you stood on the threshold of that moonlighted room. "Oh, dear girl, come back to me. I must have you in my life. Otherwise it will be a thwarted life—and a lonely one. For whether you marry me or not, I will not marry Betty. I do not love her, and she shall not spend her days as the unloved wife of one whose thoughts are all with a wonder-woman up in the hills. "Can't you see it as I do? We must not so profane marriage, Betty and I. There is no idea of honor so false as that which holds a man or a woman to a promise which has ceased to have a vital and a vivid meaning. "No man has a right to plan for a home unless Love is to be the corner-stone. These things are sacred, and not to be spoken of except to those who understand. But my love for you and your love for me would form a barrier against all the sweet and tender meanings for Betty of wifehood and motherhood. "That's the plain truth of it. I'm a blunt man, and I've said it as it has come to me after days of pondering. "I am not saying these things that I may marry you. I am saying them because they are true. Surely we can find a way to make Bettina happy. Her youth and loveliness must always win love. The hearts of the boys at the club are all under her little feet, and Justin—oh, if I only dared hope that she could care for Justin—— "But marry her I will not, even if I go alone through life. "For me you are the One Woman, Diana. In these days of separation from you I have thought of many things, but of none more than this: that we men, having loved one woman, deceive ourselves, when we lose her, with the thought that another like her may be found—but she is never found, and so we go through life half-men, unsatisfied, with hungry hearts. "There's a big storm coming. I wish you might go down to the beach and walk with me in the wind. How often we have walked together in beating storms, Diana, and have gloried in them—so we would face the storms of life together; so I cannot face them with any other—or alone. "Oh, girl, come back to me. I need you. I must have you. I will have you. You are mine. Anthony. The letter dropped from her fingers. She hid her face in her hands. His call echoed thunderingly in her ears. But she must not listen; she must not. She yielded for the moment, however, to the sweetness of his insistent demand. Curled up in The other letters lay unheeded at her feet. All friendship seemed futile at such a time. What could Sophie, or Bettina or Justin say which could match those burning words of her lover? THE OTHER LETTERS LAY UNHEEDED The sun, rising higher, filtered through the branches and fell like golden rain upon the surface of the pool—the purple shadows gave way to emerald vistas; a trail of honey-bees traveled unerringly toward a hidden honey store. It was high noon in the forest! Diana, waking to the fact that the hours had flown, gathered up her other letters, and opened the one on top of the pile. It was Justin's. What could he have to say to her, this boy who lived his life so lightly? But when she had read the scrawled words she sat staring at them, hardly believing the things which had been written. "Dear Lady: "Betty Dolce told me last night of her engagement to Anthony. But it was too late. You see it has come to this: that there isn't any one in "But she won't break her promise, and last night I left her crying, and I can't stand the thought of it. I just can't stand it. When it was only I who suffered, I could get along, but now—why, it's Betty's happiness against all the rest. "Am I doing a dishonorable thing, Diana, when I ask her to tell Anthony the truth? "You shall decide for us. I cannot think clearly; I love her too much. Justin. What had inspired Justin to write to her like that? Did Betty know? Did Sophie? She went to the reading of the other letters eagerly, and when at last they lay before her, and the whole pitiful little story was revealed, the tears were running down her cheeks. Oh, the unhappiness of the dear young hearts—and the happiness which was to come! Those who had assembled on the porch of the hotel in the before-luncheon hour were struck by something unusual in the bearing of the Beautiful Lady as she came toward them. All the listlessness of the morning had gone. Her head was up and she walked swiftly, lightly. "She makes me think of the 'Winged Vic At other times Diana had rather resented the inspection of the people on the porch. But to-day all of the faces looked friendly—she felt that she would like to say to them all, "I am going home to be happy." But what she really did was to bow somewhat shyly, and to go on with flaming cheeks. The artist looked after her. "I wonder if she knows that she belongs to the goddess type of the Golden Age," he said, and sighed. It was just at dusk that Diana stepped once more within the borders of the enchanted forest, and sought the warm little hollow beside the pool. In her filmy gown of midnight blue she moved like a shadow among deeper shadows—her neck and shoulders gleaming white. About her were all the eerie noises of the dark, the little, little sounds of little, little things. "Good-bye," Diana whispered, "good-bye—dear forest." The sounds seemed to swell triumphantly into a love song—the weird and wonderful song of the So the Beautiful Lady left behind her the sheltered hollow in the wood, and turned her face toward the sea with its beating storms, and she turned with gladness. It was late the next afternoon when she came at last to her home on the harbor. Sophie, warned by a telegram, was waiting for her. "Oh, dearest dear," she said, as they embraced each other in the garden, "you beauty! Why, Diana, you don't look a day over twenty." "I'm so happy, Sophie. Happy women are always young. Oh, I've so much to tell you. Your letter came with all the other letters. How silly we have been! That's the way with half the troubles in life. How easy it would be to be happy if only we could look into the minds of other people." Peter Pan, hearing Diana's voice, came to them, tumultuously, leaping above the nasturtium borders and the brilliant flower beds. Diana picked him up. "Think of it, Peter," she said, in her thrilling voice; "you're going to live up the road with me for all the rest of your life Sophie gasped. "Oh, has it come to that?" "It has come to everything that means happiness," Diana answered. "Let's go up-stairs, Sophie, where we can talk." As they entered the house Delia came to meet them. Her face lacked its usual beaming welcome. "Oh, my dear," she said, "I'm glad to see you so much better, but it is a sad errand which has brought you." "Sad—what do you mean, Delia?" The two women exchanged glances, and Sophie faltered, "Didn't you get my telegram, Diana?" "Telegram—no, I've heard nothing." "It's Justin. He's dreadfully hurt. His air-ship fell, and Anthony has him at Harbor Light." She sketched the details. "Betty is there. Anthony won't let any one see him. But he thinks Betty should be within call." "Oh, Sophie, is it as bad as that——?" "It is about as bad as it can be, Diana." When they had talked it over, it was decided that Diana should call up Anthony and ask to see Betty at Harbor Light; when she had given the tele She was told, however, that Dr. Blake was out on an important case; that he would not be back until late. "Perhaps I'd better wait until he returns before I make any plans," Diana told Sophie, and then Sara came in—a subdued Sara, with much of her sharpness modified, and they had dinner together, and were served by the adoring Delia. After dinner Diana grew restless, and, wandering alone in the garden, found her feet straying in the direction of Anthony's house on the rocks. Peter Pan followed her, and waited for her when she went in, having learned caution from his last imprisonment. Diana knew where the key was kept, and felt for it behind a cornice. She let herself in and shut the door behind her. The lights from the street lamps showed that some pieces of furniture had been placed since her last visit. There were rugs beneath her feet. On the table in the hall was the end of a candle in a quaint silver holder, and a cup contained matches. She lighted the candle, and made a tour of the lower floor. In the living-room she set two big chairs side by side on the hearth and laughed a little, fancying her head and Anthony's close together. In the dining-room were treasures of china—the White Canton in unchipped dozens. She set two places on the polished table, and drank Anthony's health in a mystical cup of tea. She ascended the stairs. There were massive beds and massive highboys and lowboys and tables and chairs everywhere, but in the room to which she had brought the lilacs there was nothing but a little old-fashioned piano, and the gray pottery bowl which had held her flowers. Evidently Anthony had changed his plans, and this place which he had dedicated to her was to be used simply as a sitting-room or music room for Bettina. The candle flared and went out. Diana sat down on the old-fashioned round stool in front of the little piano. Anthony's mother had played on that little piano. It had been his father's gift to his bride. With her hands resting on the keys she sat and looked out over her beloved harbor. There was a little silver moon—Diana's moon, the crescent of the huntress. Well, it was Diana's night! Her fingers struck softly the chords of the music she had created. Music_score On the other side of the street, a tired man, coming out of a house where a sick woman had needed his services, halted and held up his head. He crossed the road and entered the house. The rugs deadened the sound of his steps. He stopped on the threshold of that upper room. He could see the faint outlines of the tall white figure; he knew the voice, the song. "Diana, my dear girl!" She turned and stood up. "Anthony—oh, Anthony, I have come back—to you." |
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