The time is coming on now for the King to go in state to the great temple at Karnak to offer sacrifice, and as we go up to the palace to see him come forth in all his glory, let me tell you a little about him and the kind of life he leads. Pharaoh, of course, is not his real name; it is not even his official title; it is just a word which is used to describe a person who is so great that people scarcely venture to call him by his proper name. Just as the Turks nowadays speak of the "Sublime Porte," when they mean the Sultan and his Government, so the Egyptians speak of "Per-o," or Pharaoh, as we call it, which really signifies "Great House," when they mean the King. For the King of Egypt is a very great man indeed; in fact, his people look upon him, and he looks upon himself, as something more than a man. There are At present "the good god" is Ramses II. Of course, that is only one part of his name; for, like all the other Pharaohs, he has a list of titles that would fill a page. His subjects in Thebes have not seen very much of him for a long time, for there has been so much to do away in Syria, that he has built another capital at Tanis, which the Hebrews call Zoan, down between the Delta and the eastern frontier, and spends most of his time there. People who have been down the river tell us great wonders about the beauty of the new town, its great temple, and the huge statue of the King, 90 feet high, which stands before the temple gate. But Thebes is still the centre of the nation's life, and now, when it is growing almost certain that there will be another war with those vile Hittites in the North of Syria, he has come up to the great Outside, the palace is not so very imposing. The Egyptians built their temples to last for ever; but the palaces of their Kings were meant to serve only for a short time. The new King might not care for the old King's home, and so each Pharaoh builds his house according to his own taste, of light materials. It will serve his turn, and his successor may build another for himself. A high wall, with battlements, towers, and heavy gates, surrounds it; for, though Pharaoh is a god, his subjects are sometimes rather difficult to keep in order. Plots against the King have not been unknown in the past; and on at least one occasion, a great Pharaoh of bygone days had to spring from his couch and fight single-handed for his life against a crowd of conspirators who had forced an entrance into the palace while he was enjoying his siesta. So since then Pharaoh has found it better to trust in his strong walls, and in the big broadswords of his faithful Sardinian guardsmen, than in any divinity that may belong to himself. Within the great boundary wall lie pleasant gardens, gay with all sorts of flowers, and an artificial lake shows its gleaming water here and there through the trees and shrubs. The palace itself is all glittering white stucco on the outside. A high central door leads into a great audience hall, glowing with colour, its roof supported by painted pillars in the form of lotus-stalks; and on either side of this lie two smaller halls. Behind the The Son of the Sun has had a busy day already. He has had many letters and despatches to read and consider. Some of the Syrian vassal-princes have sent clay tablets, covered with their curious arrow-headed writing, giving news of the advance of the Hittites, and imploring the help of the Egyptian army; and now the King is about to give audience, and to consider these with his great nobles and Generals. At one end of the reception hall stands a low balcony, supported on gaily-painted wooden pillars which end in capitals of lotus-flowers. The front of this balcony is overlaid with gold, and richly decorated with turquoise and lapis lazuli. Here the King will show himself to his subjects, accompanied by his favourite wife, Queen Nefertari, and some of the young Princes and Princesses. The folding doors of the audience chamber are thrown open, and the barons, the provincial governors, and the high officers of the army and the State throng in to do homage to their master. In a few moments the glittering crowd is duly arranged, a door opens at the back of the balcony, and the King of the Two Lands, Lord of the Vulture and the Snake, steps forth with his Queen and family. In earlier times, whenever the King appeared, the assembled nobles were expected to fall on their faces and kiss the Ramses sweeps his glance over the crowd, singles out the General in command of the Theban troops, and puts a question to him as to the readiness of his division—the picked division of the army. The soldier steps forward with a deep bow; but it is not Court manners for him to answer his lord's question directly. Instead, he begins by reciting a little psalm of praise, which tells of the King's greatness, his valour and skill in war, and asserts that wherever his horses tread his enemies flee before him and perish. This little piece of flattery over, the General begins, "O King, my master," and in a few sensible words gives the information required. So the audience goes on, counsellor after counsellor coming forward at the royal command, reciting his little hymn, and then giving his opinion on such matters as his master suggests to him. At last the council is over, the King gives orders to his equerry to prepare his chariot for the procession to the temple, and, as he turns to leave the audience chamber, the assembled nobles once more bow profoundly, and raise their arms in adoration. After a short delay, the great gates of the boundary wall of the palace are opened; a company of spearmen, in quilted leather kilts and leather skull-caps, marches out, and takes position a short distance from the gateway. Behind them comes a company of the Sardinians The waiting crowd bows to the dust as the sovereign passes; but Pharaoh looks neither to the right hand nor to the left. He stands erect and impassive in the swaying chariot, holding the crook and whip which are the Egyptian royal emblems. On his head he wears the royal war helmet, in the front of which a golden cobra rears its crest from its coils, as if to threaten the enemies of Egypt. His finely-shaped, swarthy features are adorned, or disfigured, by an artificial beard, which is fastened on by a strap passing up in front of the ears. His tall slender body is covered, above his corselet, with a robe of fine white linen, a perfect wonder of pleating; and round his waist passes a girdle of gold and green enamel, whose ends cross and hang down almost to his knees, terminating in two threatening cobra heads (Plate 4 and Cover Picture). On either side of him run the fan-bearers, who manage, by a miracle of skill and activity, to keep their great gaily-coloured fans of perfumed ostrich feathers waving round the royal head even as they run. Behind the King comes a long train of other chariots, only less splendid than that of Ramses. In the first stands Queen Nefertari, languidly sniffing at a lotus- |