C aroline!" Henry D. Thoreau cocked one brindled ear cannily and rapped sharply with his tail on the piazza floor, but there was no other answer to the call. "Caroline!" The insistent voice rang louder; it was a very determined voice. A sleepy Angora cat scowled reprovingly at its violence; a gray and pink parrot mimicked its hortatory note, but after that the midsummer silence settled down again. Only the bees droned heavily among the heavy August roses. "Don't nag her, dear; it doesn't do any good," a sleepy contralto, rich as creamy chocolate, crooned out of a scarlet-fringed hammock. "That's all very well for you, Edith, you don't have the responsibility of her. Her father wants her to read a little history every day, and this is the best time—it's too hot for anything else." "It's not too hot for the Moonstone, I notice! She's been at that since breakfast, steadily. Not a word for any one." "'Moonstone' sounds cool, anyhow," drawled the contralto appeasingly. "Oh, Edith! You're as bad as the child herself!" "She's fourteen, dear." "Fourteen! What is that?" "Anything but a child, when it's you, Sis. You talk to her as if she were ten." "You'd think she was, if you saw her riding that donkey—a great girl like her!" "There it is, dear! One moment she's a baby, the next she's a great girl! It's hard on her, Sis." "But, Edith—that donkey!" "Poor Rose-Marie! I rode him myself—bareback and standing up!—when I was fifteen—at a circus. Do you remember?" The voice chuckled unwillingly. "You always were a tomboy, Deedee! Do you remember Joe's bull fight?" Caroline was not a hundred yards away, sheltering under a heavy arbor vitÆ, flat on her stomach.She was not a hundred yards away from the sister aunts, sheltering under a heavy arbor vitÆ, flat on her stomach, her nose glued to the reprehensible Moonstone: that she had heard the calls and resented them the scowl between her eyebrows exhibited. Behind her, patiently at graze, a small, mouse-colored donkey stood, shifting a pair of quaint panniers from side to side and wagging his scarlet ear tassels thoughtfully. The chapter ended, Caroline rose, peered across to the piazza, nodded to herself at the flow of voices and shrugged her shoulders. "Good old Aunt Deedee!" she muttered, "she choked her off! Now, for heaven's sake, don't bray, Rose-Marie, and perhaps we can get away. I wouldn't dare get over to the house for a luncheon; we'll have to get along with sweet-boughs." She slipped the book into one pannier, a cushion into the other and threw a worn steamer rug "Rise of the Dutch Republic!" she muttered angrily. "I think not!" The chipmunk winked sympathetically. "Your father says it's as interesting as any novel" (with startling mimicry of the piazza voice). "I notice they don't read it!" The chipmunk's place was empty; only a slight stir among the leaves marked his path. Caroline's eyes widened, grew dreamy. She leaned her sharp elbows on Rose-Marie's hairy back and threw her weight on him thoughtfully: he checked and stood like a table. "Do you suppose there really are regular roads through the trees, like the monkeys took Mowgli on?" she queried. Rose-Marie waved his long, hairy ears meditatively, but said nothing. "I don't mean in any fairy way," she explained hastily, "but just scientifically. It might be. Corners and turns and short-cuts—why not? they all know them. He may be running home by a back way, now, to call his children to look Held in a muse, she leaned against the donkey; the moments slipped by. She lost all count of time. Her eyes stared emptily at some sunny flicker, some dappled pattern of leaf work; her ears were filled with the forest drone, the mysterious murmur made up of so many nameless instruments that only the Great Conductor can classify and number them. Time ceased to be. At length she woke with a start, shook herself coltishly, and they pushed on. The wood grew thicker; now and then Rose-Marie had to force his way along the tiny trail; his red tassels caught on the twigs. "I'll tell you what," Caroline began, suddenly, "I'm going to try that wood track to-day and see where it goes, to the very end. It must go somewhere. Where do they haul the wood from, if there isn't some place at the end? Come on, Rose-Marie!" At a point where the trail forked she led the donkey along the wider and less interesting way. "That's a kind of luncheon," she remarked philosophically, "and now we'll start again. I'll go to the end of this, if it takes all day!" They settled down to a dogged pace and after an hour, during which the wood grew thinner by imperceptible degrees, found themselves on a relatively easy track that forked suddenly into a genuine country road, stretching far to left and right of them. It was a new country to Caroline; she found no landmarks whatever. The road glared with heat, the dust was powdery, the shade nowhere, once they had cleared the wood. She sighed with fatigue and emptiness; it seemed a long pull, and the harbor far from worth the voyage, when all was said and done. "What did we want to get to this nasty hot road for, Rose-Marie?" she cried pettishly, shifting Rose-Marie turned a patient, clear brown eye toward her and shook his head vaguely. Gnats buzzed about his flexible ears, and with a swishing fanning motion he displaced them. "If my back aches," she warned him callously, "you'll have to take me home, you know! Tired or not. It feels as if it might, any minute. I never used to get tired, this way." A half mile along the road, set off to the left, among cool trees and behind a great well sweep, she perceived suddenly a white farm house. It stood alone, neighborless and well up on a drained, southerly slope; smoke rose languidly from one of its chimneys. "Perhaps they'll give us some milk, Rose-Marie," said Caroline, "and farms usually have cookies. If there are any children there, you can give 'em rides to pay for it!" Rose-Marie nodded and they went on with some spirit. As they turned into the deep front yard Caroline almost wept with comfort and a pathetic "Just wait there, Rose-Marie, till I find out about things," said Caroline, tapping lightly on the door. The house was perfectly silent. She tapped again, and it seemed that something heavy moved across the floor in a farther room, but there was no answer. Pushing the door open gently, she stepped in and stood surprised, for she found herself not in the stiff, unused country "parlor" she had expected, but a neat bedroom. A quaint four-poster with a fluted valance, a polished mahogany chest of drawers, a stand by the bed with a Bible worn to a soft gray and a night lamp Here was a clean, kindly kitchen of the best; a swept floor, a freshly blackened cooking stove, a row of bright tins. It was carpeted with faded oilcloth, but rag rugs, washed dim and soft-toned, lay here and there, and the room was so large that the spread table, standing in an ell, made only a pleasant episode in it, a certainty of restoring food at needful times. It was evidently a sitting room as well, in the primitive, clear fashion that groups all domestic life about the central fire that feeds it; a stand with books, a sewing basket, oil lamps for evening reading, all not too far from brick-shaped pans where unmistakable bread rose under a clean, folded, red cloth. The whole place seemed waiting, quietly, hospitably waiting, for just such an empty, discouraged pilgrim as Caroline. She sank gratefully into a high-backed arm-chair, stuffed to just the hollow of her tired back, "Someone'll come soon," she assured herself, and slipped into the story as a hot swimmer slips off his sunny rock into the waiting blue. Another world, a delicious, smooth element—Romance itself—received her, and of hunger and heat, thirst and the fatigue of the road, she knew no more than the blessed dead themselves.... A sharp tap at the farther door disturbed her, and instinctively she called, "Come in!" A swift, swishing step brushed across the bedroom and a slender, angry-eyed young woman poised like a gull before her. "Can I get something to eat here?" Her voice was at once imperious, irritated, unsure of itself. It could not be that the owner of this voice, dressed with that insolent simplicity that need not consider the costly patience of the work-women, ringed like a dowager with great audacious squares of ruby and white diamond, booted and hatted as one who wears and throws away, with a bag of golden mesh on her wrist "Well—can I?" she repeated, as Caroline stared. "I'm ready to pay, of course." "I don't know—I don't live here," said Caroline shortly. She felt untidy and badly dressed beside this graceful thing standing in a faint cloud of subtle perfume of her own; her sleeves were too short and her heavy shoes knobby and worn. She wanted furiously to smell sweet like that; and the golden bag—oh, to feel it, powerful and careless, on her wrist! "Can you find out?" said the girl, eyeing the room attentively; "my car broke down—the man left it in the road and went to Ogdenville for gasoline. I've got to rest somewhere." With that, and because she was embarrassed and cross and hungry, she opened her book ostentatiously and affected to read busily. The girl frowned angrily a moment, then gave a foreign little shrug of her shoulder and settled herself in a low rocking chair near the bread, her hands loose in her lap. The old clock ticked reprovingly through the hot and conscious silence of the room, but there was no other sound. Caroline could not have lifted her eyes to save her life, and the older girl's lips curled scornfully: her eyelids were sullen. After a few moments of this intolerable stillness the same low rumbling sound was heard again, this time moving nearer. Something was advancing to the kitchen from a farther room, and as they looked instinctively at the door it pushed open slowly and a sort of foot rest upon wheels appeared; two large wheels followed, and a woman pushed her chair into the kitchen. "Well, of all things!" she cried eagerly; "how long, 'you been here?" Caroline waited sulkily for her social superior; the girl was undoubtedly a "young lady." Her errand was soon explained, her question asked. "Something to eat?" echoed their delighted hostess. "Well, I should think so! I'm just getting my dinner. Of course I'm all alone, this time o' day, but I always say if I'm good She beamed on them, frankly overjoyed in their company, and in the mellow warmth of that honest pleasure the fog and anger in the room rolled back like mist under a noon sun, and Caroline unbent, named herself, and mentioned her donkey and their woodland journey. "You don't say!" Quick as a flash their hostess was across the room and peering through the window. "Well, of all the funny little fellows! I never saw one before, that I remember. Aren't those red tossels neat, though! I s'pose he's tame?" Caroline put him through his paces, as he "We saw so many of those in Italy," said the older girl. "I rode one in the Alps." The woman's face flushed a deep, quick red; she gripped the arms of her chair and stared at the nervous little jeweled creature before her as if she were a vision of the night. "Have you been to Italy?" she cried eagerly, "not really!" "Me? Oh, yes, I've been all over Europe," said the girl indifferently. "Why? Do you like it?" Now it was the woman who echoed, "Me?" She flashed a whimsical look at Caroline; instinct taught her that they were two to one, here. "Why, dear, I've never been out of Lockwood's Corners in my life!" Simple, rude incredulity pushed out the girl's lip. "Nonsense!" she said brusquely, "that's ridiculous!" "Maybe it is," her hostess answered quietly, "but it's true, all the same. I never have." "You've been to New York, haven't you?" she asked abruptly. "Never," said the woman. "I've been this way since I was seventeen. I'm a pretty heavy woman, you know, and they couldn't put me on a train very well. So—" "There's plenty of room in a drawing-room car." "I guess we couldn't afford that," said the woman simply. There was an awkward pause; Caroline blushed furiously. How horrid it all was! But their hostess brushed it away in a moment. "And here you are hungry!" she cried; "the idea! I'll get this ham right on and fry up some potatoes—I'll do them French! I've got some With incredible swiftness she rolled from table to buttery, from stove to larder. As the pink ham curled and sputtered in its savory juices, she turned an earnest face to the girl who watched her curiously. "Can't you tell us a little about Italy, while we're waiting?" she begged. "It's full of fleas," said the traveler carelessly, "and moldy old places—it's awfully cold, too. I wore my furs a lot of the time. It smells bad nearly everywhere. Do you stay here in the winter, too?" "I've stayed here forty-five winters"—she She chuckled reminiscently and her guests listened, fascinated. "We were caught in a bad storm outside of St. Petersburg, once," Gold-bag volunteered. "If it hadn't been for J. G. we'd have gone out, probably. As it was, the driver lost a finger." "St. Petersburg, Russia?" the woman inquired respectfully, her skillet full of potatoes colored like autumn beech leaves. The girl nodded. "J. G. swore at the man, so he didn't dare die," she continued, with a hard little grin; "and we just about pulled through." "Who is J. G.?" asked Caroline abruptly. "Who's he?" "He's my father, for one thing. I suppose you know who he is as well as anybody else." "I never heard of him," Caroline said carelessly, "are you all ready, now, Mrs. Winterpine?" "He is the greatest mining expert in the world," the girl declared emphatically, "and I don't know where you've lived not to know it. You—" with a look at the woman, "you know him, of course?" "I don't know anybody of that name, no," the woman admitted; "but then, you know, we don't know much, 'way off here, about city people." "There hasn't been a daily paper for ten days that hasn't had his name in it," the girl remarked dryly. Mrs. Winterpine wiped her face, flanked the ham with the potatoes, assembled an incredible array of sweets and relishes in odd, thick little glass dishes, and with a wave of her hand indicated her guests' places. They addressed themselves to the meal, a strange trio. Caroline, usually a hopeless chatterbox, fell somehow and inevitably into the listener's seat. Their hostess could no longer be denied: her thirst gleamed in her eyes, and flesh and blood could not have withstood her plea for tidings of those distant, rosy lands whose laden wharves she could never see, nor ever glimpse their tiled roofs under foreign sunsets, their white spires beneath mysterious moons. Their clothes: was it true that the French wore wooden shoes? She had read that men in Italy walked in gay capes, colored like birds. Was there water in the streets, and were boats really their carriages? Did soldiers, red-coated, demand passports? Had her guest seen the snow tops of green slopes? Did dogs drag milk carts for white-capped women? The girl, sulky at first, yielded finally, and in quick, nervous phrases poured out of her full budget. Taken from her convent school in California at fifteen, she had roamed the world "Why do you call your father 'J. G.'?" Caroline demanded suddenly. "Do you like 'Klondike Jim' any better? That's his other name," Gold-bag shot at her defiantly. Then came strange tales of a flaring, glaring mining camp: lights and liquor and bared knives, rough men and rougher words, and in the midst a thin, big-eyed little creature in the hand of a burly, red-shirted miner, with the very gift of gold under his matted hair, the scent for it in his blunt nostrils, the feel for it in his callous finger tips. Klondike Jim! He had made for his Klondike as a bloodhound makes for the quarry; he could not be mistaken. Night and day she had been with him, his first claim named for her—the Madeline And then, money and money and more money. Rivers of it, ponds of it. "If J. G. said there was copper under Fifth Avenue, they'd dig it up to-morrow!" "You must be real proud of him," said Mrs. Winterpine genially. "I used to be," the girl answered, with her mouth a little awry. "My dear, my dear!" "Oh, yes," she cried angrily, pushing back her chair and facing them; "all very well, but who are we? Who was my mother? Who was my grandfather? Where did we come from? Will a sapphire bracelet answer me that, do you think? Who knows us? 'Miss Maddy Money Bags'! How long do you think I'd stay in that convent? Who does J. G. know? Hotelmen and barkeeps and presidents of things! If you could see the counts he wanted me to marry! If you could hear the couriers laugh at him!" "But think of all the traveling you've done, dear! What things to remember! How happy—" Something in the look she cast around the warm, clean kitchen struck the woman suddenly. "You don't mean you'd rather live here—here?" she exclaimed amazedly. "Don't you like it?" queried Madeline sharply. Mrs. Winterpine considered a moment. "You see, it's my home," she began. The girl's dry laugh interrupted her. "That's just it. It's your home," she repeated. "We haven't any. That's the idea. What's the use of traveling if you can't come home? And we can't, ever. Unless we go back to the Klondike," she added satirically. There was a long pause. It seemed that the girl was slowly undressing herself before them: travel and money and gold bag and scented linings slipped from her like so many petticoats and left her thin and cold between them, warm as they were in their solid homespun of kin and hearth. Lean and empty, a houseless, flitting, little shadow, she had scoured the world and Mrs. Winterpine gathered the dishes with accustomed hands and piled them by a pan of hot, soapy water. Caroline, sobered, rose to help her with the instinctive courtesy of the home-trained child, but drew back at her shaken head and waving finger, and followed her glance toward her other guest, who stared morosely into the dooryard, her chin in her ringed, brown hand. She was evidently not far from tears—in a nervous crisis. "I wonder if you'd help me with these dishes, Madeline?" said the woman quietly, and with a start the girl rose, stood meekly while a checked apron was tied about her waist and received the moist, shining ware from the plump hands without a word. She appeared to have utterly forgotten Caroline. After a few moments of rhythmical click and splash, a few journeys from sink to dresser, the tension broke quietly and the air was aware of it, as when a threatened thunderstorm goes by above and dissipates in wind. Feeling this, Mrs. Winterpine began to talk softly, half to herself "All my life I've been crazy for travel. I used to read my geography book till I wore it out nearly; the exports and the imports, you know? And the pictures of those Arabian men with white turbans, and the South Sea Islanders riding on surf boards—I can see 'em now. There was a castle for Germany, with the moon behind it and the Rhine—do you know 'Bingen on the Rhine'? I love the sound of that. And the Black Forest! Think of it!" She paused with a platter dripping in her hand, her eyes fixed; and so strong was the compulsion of her vision that to Caroline, vibrant as a wind harp to such suggestion, the splash of the water in the tin was the very tinkle of Undine's mystic stream and KÜhleborn, that wicked uncle-brook dashed in cold floods over the belated knight in the dark German wood! "I dreamed once about an Indian temple," the woman went on, "and you'd really think I'd been there, I saw it so plain. Fat priests and that big idol that sits cross-legged, all made of She poured away the dish water, wiped the pan and began rinsing her towels and cloths in a small wooden tub bound with tin. The girl moved aimlessly about the room, fingering the worn furniture. "That clock looks awfully old," she said abruptly, pausing before a square high Dutch affair with a ridiculous picture of Mount Vernon, wobbly-columned, let in at the bottom. "Goodness, yes! That clock—why, that clock was a wedding present to Lorenzo's great aunt Valeria—she was a Swedenborgian, I believe. She used to have trances and she could tell you where things were lost. That chair by the window was her mother's. It's made with wooden nails, dowels, they call 'em." "Did she live here, too?" "Yes, indeed. The Winterpines are great "'Here, Esther, here's a fifty-pound sack of Old Gov'ment Javvy for ye, green, and fit for the president's table as soon's it gits ripe,' he says, 'and you won't have to nurse me long;' and we got his boots off and helped him to bed. He never left it. He brought me a parrot, that trip, sort of indigo color and pink. It used to set me thinking of the hot countries and pineapples and natives, and those tall trees with all the leaves on top—palms, I guess I mean. It seems the stars are lower, there, and look bigger; did you ever see the Southern Cross?" "Oh, yes. It's like any other stars. The first officer on the P & O line always asks me to come and see it. Then he proposes. J. G. plays poker The strange dialogue went on for what might have been an hour. Far ports and foreign streets, full sails and thronged inns, the fountains of paved courts, the market squares of dark and vivid nations, blossomed from the tongue of this chair-bound woman in her farmhouse prison; and from the blind, unhappy voyager came halting, telegraphic phrases: climate and train schedules and over-lavish fees, miles and meals and petty miseries. No sunset had stained her hurried way, no handed flowers from shy street children had sweetened it. And ever and again she returned insistently to the barnyard interests of the Winterpines! "See here!" she burst out suddenly, "I'll tell you what I'll do! I told J. G. that I wouldn't go another step with him—mascot or no mascot. He wants to go over the Himalayas—to start next week—he has an idea. But if you'll go, I'll take you! What do you say? My guest, of course: it don't cost you a penny." The woman turned utterly white. Where her "Me? Me?" she whispered. Her eyes fell to her helpless knees. "Oh, you needn't think of that at all," said Madeline. "I knew a man who didn't have any legs, even, that went round the world and up the Pyramids. He had money." The woman looked wildly about. Her eyes fell on Caroline and this seemed to bring her into some sort of focus again; the color came back to her face. "That was lovely for you to think of, dear," she said, breathlessly yet; "but—but—for a moment I forgot.... I—I didn't think of Lorenzo!" "Oh, we'll get a housekeeper for Lorenzo," Madeline said lightly; "he'll do very well, won't he? One man can't be much to take care of—you haven't any children?" The easy, equal tone, the bright, dry impudence of this little air plant, this rootless, aimless bubble skipping over the bottomless deeps of life, brought the dazzled woman quickly "No," she said gravely, her hands unconsciously flying to her deep breast; "we haven't any children. And he's not much to take care of—for his wife. But he wouldn't care for a housekeeper." "Oh!" her eyes fell uneasily. "Then we'll take him along!" She recovered herself. Mrs. Winterpine sent her chair with a swift push close to the girl and laid one hand on her hot forehead, pushing back the thick hair. "What a gen'rous little thing you are!" she cried wonderingly. "But where were you brought up, child? Lorenzo can't jump and run off to the Himalaya Mountains like that! It takes him a long time to make up his mind. He—he don't care for travel, besides. He's a regular Winterpine. And there's the stock. No. I guess I'll keep on doing my traveling at home. That book you said you'd send...." "I'll send a dozen—fifty!" the girl cried impulsively. "I'll bring them up from New York to-morrow! I'll bring some pictures, too. The Alps and Venice and the snapshots I took on the "Yes, I know, I know...." the woman repeated dreamily. "Don't you want to go?" Madeline urged curiously. Again Mrs. Winterpine turned white. "Then why don't you?" "Child, child!" cried she of the chair, "didn't I tell you he don't care for travel? We can't do as we like in this world—we don't live alone. We're placed. There's a hundred things.... Where were you brought up?" Madeline's face flushed a dark, heavy red. Her light confidence drowned in it; she dropped her eyes. "In the Klondike!" she said sullenly, "I told you." A loud, whirring horn cut through the country quiet. A great rattle of gear and chain stormed along the road. "There's the machine!" the girl said sulkily; "I must go. It's fifteen miles to Ogdenville, She moved to the door. "If I can't come—I change my mind awfully—I'll send them just the same, and—and—" a curious sense of struggle, a visible effort at thought for another, an attempt to grasp an alien point of view, dawned in the defiant dark eyes—"I'll write to you from India, if you want. Would you like it? I can take snap shots...." "You're real gen'rous, dear," said her hostess, and wheeling quickly to her, kissed her warmly. She was gone in a cloud of dust. Caroline and the woman sat in silence. At last Rose-Marie yawned pitifully and his mistress got up with reluctance. "Good-by, Mrs. Winterpine," she said soberly; "I have to go home. They'll be anxious about me. But I'll come again." "Do, my dear," said the other; "this'll be a wonderful summer for me, with so much company. Wonderful. He'll be interested. But you run right on: don't let the folks worry. I never Caroline and the donkey walked slowly off toward the wood, which cast cool shadows. They vanished into its depths, and Mrs. Winterpine sat and watched them kindly from her chair, as one watches off the traveler bound for far and golden countries. "He'd have liked that young one," she said softly. T he following pages contain advertisements of a few of the Macmillan novels. logo NOVELS, ETC., BY "BARBARA"(MABEL OSGOOD WRIGHT)Each, in decorated cloth binding, $1.50 The Garden of a Commuter's Wife Illustrated"Reading it is like having the entry into a home of the class that is the proudest product of our land, a home where love of books and love of nature go hand in hand with hearty, simple love of 'folks.' ... It is a charming book."—The Interior. People of the Whirlpool Illustrated"The whole book is delicious, with its wise and kindly humor, its just perspective of the true values of things, its clever pen pictures of people and customs, and its healthy optimism for the great world in general."—Philadelphia Evening Telegraph. The Woman Errant"The book is worth reading. It will cause discussion. It is an interesting fictional presentation of an important modern question, treated with fascinating feminine adroitness."—Miss Jeannette Gilder in the Chicago Tribune. At the Sign of the Fox"Her little pictures of country life are fragrant with a genuine love of nature, and there is fun as genuine in her notes on rural character."—New York Tribune. The Garden, You and I"This volume is simply the best she has yet put forth, and quite too deliciously torturing to the reviewer, whose only garden is in Spain.... The delightful humor which pervaded the earlier books, and without which Barbara would not be Barbara, has lost nothing of its poignancy."—Congregationalist. The Open Window. Tales of the Months."A little vacation from the sophistication of the commonplace."—Argonaut. Poppea of the Post-Office"A rainbow romance, ... tender yet bracing, cheerily stimulating ... its genial entirety refreshes like a cooling shower."—Chicago Record-Herald. Princess Flower Hat Just ReadyA Comedy from the Perplexity Book of Barbara the Commuter's Wife. THE MACMILLAN COMPANYPublishers 64-66 Fifth Avenue New YorkBy ZONA GALEFriendship Village Cloth, 12mo, $1.50"As charming as an April day, all showers and sunshine, and sometimes both together, so that the delighted reader hardly knows whether laughter or tears are fittest for his emotions.... This book especially makes for higher thinking and better living and emphasizes the existence of these virtues in lowly places as well as high."—New York Times. "The characters are like an orchestra, each instrument holding a part of its own, all interwoven to a harmonious whole; an orchestra of strings, be it added, for even the Proudfits' motor fails to introduce a note of brass.... With the wholesome pungency of humor that pervades it all, the book cannot fail to find a welcome."—New York Post. "There is not a trace of sarcasm or even grotesqueness; her villagers are not caricatures; they are efficient, useful men and women whose individualities have been crystallized into distinct outlines by their limited environments and intimate relations. The book is happily optimistic, presenting, indeed, the commonplaces of narrow lives but breathing also the underlying spirit of poetry and romance."—Baltimore Sun. The Loves of Pelleas and Etarre Cloth, 12mo, $1.50"To all who know the hidden sources of human joy and have neither grown old in cynicism nor gray in utilitarianism, Miss Gale's charming love stories, full of fresh feeling and grace of style, will be a draught from the fountain of youth."—Outlook. "The achievement is unusual for delicacy, subtlety, and the ... felicitous tenderness which brood over the book like a golden autumnal haze which dims the outlines of common things and beautifies them.... The story is indeed unique in this, that it is an idyl for the aged—a romance of seventy."—Chicago Tribune. "It is an ideal book for husband and wife to read aloud together.... Its picture of steadfast love in old age is the best kind of idealism."—Chicago Record Herald. PUBLISHED BYTHE MACMILLAN COMPANY64-66 Fifth Avenue, New YorkMr. JAMES LANE ALLEN'S NOVELSEach, cloth, 12mo, $1.50 The Choir InvisibleThis can also be had in a special edition illustrated by Orson Lowell, $2.50 "One reads the story for the story's sake, and then re-reads the book out of pure delight in its beauty. The story is American to the very core.... Mr. Allen stands to-day in the front rank of American novelists. The Choir Invisible will solidify a reputation already established and bring into clear light his rare gifts as an artist. For this latest story is as genuine a work of art as has come from an American hand."—Hamilton Mabie in The Outlook. The Reign of Law. A Tale of the Kentucky Hempfields"Mr. Allen has a style as original and almost as perfectly finished as Hawthorne's, and he has also Hawthorne's fondness for spiritual suggestion that makes all his stories rich in the qualities that are lacking in so many novels of the period.... If read in the right way, it cannot fail to add to one's spiritual possessions."—San Francisco Chronicle. The Mettle of the Pasture"It may be that The Mettle of the Pasture will live and become a part of our literature; it certainly will live far beyond the allotted term of present-day fiction. Our principal concern is that it is a notable novel, that it ranks high in the range of American and English fiction, and that it is worth the reading, the re-reading, and the continuous appreciation of those who care for modern literature at its best."—By E.F.E. in the Boston Transcript. Summer in Arcady. A Tale of Nature Cloth, $1.25"This story by James Lane Allen is one of the gems of the season. It is artistic in its setting, realistic and true to nature and life in its descriptions, dramatic, pathetic, tragic, in its incidents; indeed, a veritable masterpiece that must become classic. It is difficult to give an outline of the story; it is one of the stories which do not outline; it must be read."—Boston Daily Advertiser. Shorter Stories
THE MACMILLAN COMPANYPUBLISHERS, 64-66 FIFTH AVENUE, NEW YORKMr. ROBERT HERRICK'S NOVELSCloth, extra, gilt tops, each, $1.50 The Gospel of Freedom"A novel that may truly be called the greatest study of social life, in a broad and very much up-to-date sense, that has ever been contributed to American fiction."—Chicago Inter-Ocean. The Web of Life"It is strong in that it faithfully depicts many phases of American life, and uses them to strengthen a web of fiction, which is most artistically wrought out."—Buffalo Express. The Real World"The title of the book has a subtle intention. It indicates, and is true to the verities in doing so, the strange dreamlike quality of life to the man who has not yet fought his own battles, or come into conscious possession of his will—only such battles bite into the consciousness."—Chicago Tribune. The Common Lot"It grips the reader tremendously.... It is the drama of a human soul the reader watches ... the finest study of human motive that has appeared for many a day."—The World To-day. The Memoirs of an American Citizen. Illustratedwith about fifty drawings by F.B. Masters. "Mr. Herrick's book is a book among many, and he comes nearer to reflecting a certain kind of recognizable, contemporaneous American spirit than anybody has yet done."—New York Times. "Intensely absorbing as a story, it is also a crisp, vigorous document of startling significance. More than any other writer to-day he is giving us the American novel."—New York Globe. Together"Journeys end in lovers meeting," says the old saw; so all novels used to end—in marriage. Yet Mr. Herrick's interesting new novel only begins there; the best brief description of it is, indeed,—a novel about married people for all who are married. THE MACMILLAN COMPANYPUBLISHERS, 64-66 FIFTH AVENUE, NEW YORK |