"TERRY!" Evening came heavily, the river, flattened to an unearthly yellow calm, had thrown back all day field-heaviness, the prolific scent of grasses. The house was hot, the trees held lax droop of layered leaves. Languidly in the tepid air moved hundreds of unseen little ships of pollen, bringing to human breathing a thickness as of a new element. The fire-flies carrying their lanterns slowly up from dark grass, clotted beneath a shrub, or hung in tiny constellations by a tree; while out on the roadways the black automobiles rolled pompously like haughty monsters whose eyes, scornful and contemptuous, looked far ahead past all poetry of tree and water toward future summer nights when all the world should be a shattering brilliance of moving engines. The house seemed to ache with loneliness and the desolation of souls at variance. There was no noisy gathering of the Bunch on the porch of the Judge's home. Miss Aurelia worried over the absence of Minga and Dunstan. She had retired early to "collect her thoughts," she told herself, supporting this enterprise by taking with her a novel by which her friend, Mrs. Spoyd, set great store and which, so its owner told Miss Aurelia, contained "not one unpleasant thing." "Why?" asked Miss Aurelia, yawning and settling down for the night. "Why don't more people write pleasant books and plays like this? I think all writers who write disagreeable things should be snubbed and made to feel uncomfortable, they should not be asked to dinner nor treated politely in any way until they stop writing about slums and dirty people and of unpleasant married problems. That," said Miss Aurelia, putting out the light, "would soon discourage them from writing horrid books, and then life would become normal and we should forget the things we don't want to think about. I should think," soliloquized Miss Aurelia, putting her handkerchief under her pillow, It was after ten, but Sard had not gone up-stairs, yet the figure of the Judge, sitting aloof in one corner of the piazza, smoking and staring at the river, magnetized while it antagonized her. Her father had not spoken to her since the day Colter went away. The girl believed that he knew in some way that she had met Colter after his forbidding it. She could explain the seeming disobedience of this final interview. She wanted to explain it. With all the misery of her young heart she wanted to explain. Sard, moving wistfully under the great trees, looked up into the branches spread over her. "What are your laws?" she asked as of old. The girl, hot with surging new things, with new blind impulses and passions, asked but one thing, to be true to a law, to the highest laws of all, yet the great law that called men and women fiercely, insistently to each other seemed to be set forever at variance with other laws, laws that those same men and women themselves had made and sustained. What should one be faithful to, what repudiate? "What shall be my laws?" whispered the girl. She felt trembling that fierce law of blood and ardent spirit that bade her follow Colter now, get to him if she could, this night! Sard looked up, her eyes wide, her body swept on the tidal streams of summer night, her tremulous being still vibrated to the remembered clasp of a man's hand, of the sense of mystery surrounding The isolation of youth, such as Sard's, is very great. No human hand can help it. It walks a way of loneliness that glimmers and is drenched with strange lights that bewilder and if it comes to any help at all it is the knowledge of the glory of loneliness, the glory of the fighter, who at last prefers the sense of ambush and the hazard of the wrong trail. Who prefers to pierce the jungle and fight his way out into a clearing—alone. Yet to those who question the night, that time when the earth is abandoned by its one angel, the sun, there comes inevitably out of the dreaming quiet the one word, Patience. "Our law is Patience," said the trees to Sard. The girl, a swift hand passed over her eyes, went in by way of the terrace; she passed the dark form sitting there; half pushing herself, half afraid she tiptoed toward it, to make peace, to ask forgiveness. Then, as softly, she tiptoed back; for deep in her heart Sard knew that there would be only one condition of forgiveness, that she repudiate the best and dearest thing that had come into her life, she must give up Colter. Now passion swept over against any calm she could win, the girl saw vehemently that one man's face with the look of gentleness and dumb pain. "I can't give him up," she said fiercely. Sard drew a long breath; she began climbing slowly up-stairs to bed. As she stood at the foot of the tower room stairs the hall clock struck eleven; there was a sudden whir of Like a spell the summer night was breathless and Sard was aware of heat and suffocation in her own throat; the telephone began ringing, a man's voice speaking with the Judge. Her father's questions and commands were issued curt, annoyed, angry and then finally hushed and with a knife-like anxiety the girl flew to the head of the lower stair; there were slow footsteps coming up into the upper hall. The light fell upon a stretcher,—Dunstan—his boyish head bloody, his mouth slightly open. Two men climbing gently with something collapsed and, stricken in their arms, the little huddled form of Minga. Suddenly from the kitchen Dora's piercing wail, "Terry! Terry!" |