People who like to dream geologic dreams of the figures and forms that moved in the long night of ancient Chaos are fond of tracing out some connection between the Hudson River and its neighbor, the woodland winding Hackensack. Not much narrower than the Tiber, and certainly wider than the little trickles that are left of the classic rivers of Greece, it has little personality for the general inhabitants of New York or New Jersey. Only to those who make friends of the hidden and search out the obscure is revealed the romance of the little river. The Hudson, grown conventional and well turned out, like a handsome mother, accustomed to hotel life, has a daughter, always at her side, yet elusive and wayward. These two, separated by mountain walls and palisade doors and lovely stretches of dreaming hills, meadows and road-crossed flats, have some common secret origin that they cannot alter nor disguise. The nobler river is, however, destined to become the Path of Commerce, the trail of the great white Foot of Civilization, while the little Hackensack, punctuated here and there with history of the Colonials and with midnight escapes and sorties, winding by old sandstone houses with ancient roofs, still keeps reticence, a lovely inaccessibility. Screened Here the blue herons keep their silent vigils, the eagles have nests; here the muskrats drag blue mussel shells along the mossy banks and scatter the tiny pink pearls that sometimes reward hunters, who follow the azure iridescence. The cardinal flower and blue gentian blaze their quiet little trails along the sedges and Indian pipe glimmers in the back thicket. Pitcher plant and sundew, a thousand tiny lanterns of multi-colored berries, all the lush tenting and blossomy fragrance of grapes and hazelnut, and a hundred secret water plants—these are the things that go on living, where the birds bathe and the snakes lie languid and the turtles meet for their boggy conferences. Sard's plan was to make the trip up the Hackensack by themselves. After lunch she stole out to the garage to find Colter, who was washing the depot car. "Anyone using this this afternoon?" Sard indicated the long black body. The man paused. He shut off the hose. "I think not. Judge Bogart has gone off with a friend for golf; Mr. Dunce took the roadster." There were invariably long pauses between Colter's sentences. "You wish to use it?" "Yes." Sard thought a moment. "We want to Squeezing out a sponge, Colter stood there without answering. He looked at the dripping sponge so dazedly that Sard thought he had not heard. "You know how to manage a canoe?" she asked. "We could get along with one boat, going up-stream toward the big race above West Morris. Why, Colter, what is the matter?" "Going up-stream in a boat," repeated Colter thickly. "That's all over; going up a woodland stream in a boat. No—coming down—with him—dead!" The man did not look at her. "Where—where was it?" he asked. He stood clenching his hands, his eyes staring; he turned, not seeing the girl, though his deep fire-blue eyes burnt into hers. "Where was it?" he asked tensely. The thing was so strange in its utter irrelevance that Sard, though she had seen him like this before, could hardly keep from rubbing her eyes. As in a dream she saw Colter's hand go out; it was as if he tried to push something away. "A boat," he muttered, "a boat and a stream that was walled with vines. Wait—wait!" He breathed rapidly, his head lifted as if he desperately tried to recall something; then he suddenly turned his eyes on the girl, shook his head and groaned. He passed his hand over his eyes and looked at her, smiling very gently. "I couldn't get it," he said simply, half apologetic "No—no——" she stammered. He had been like that the day she had found him sitting with his feet in the gutter muttering to himself. She waited with self-possession that surprised her, then asked quietly, "Was it something you wanted to tell me, something that you remembered?" The man looked at her, his eyes now clear and rational. "No," gently, "I did not remember. You see that is my trouble, I do not know. I can remember nothing, nothing connected, not even who I am." "You do not know who you are?" asked the girl awed. "Isn't there a book or a watch or something with your name?" But he seemed not to hear her. He stood there lost in thought; finally, with a sigh, he seemed to give it up and turned to her. "What time shall I have the car around, Miss Bogart?" "At four." The girl watched him for a moment and she said, "We wanted you to go with us. We wanted you to take charge of the expedition." She was a little uncertain. "Certainly, Miss Sard." Colter said it gravely, cheerfully, with the machine-like acquiescence of the trained gardener or chauffeur. Sard turned and walked away, and he as quietly went back to his work, but through the young being, in that strange phase of a woman's mind and body that we call "intuition," went the baffling cadence of a man's voice, Something of tradition in the girl tried to drown it. Dismayed, she realized how this thing possessed her, how this voice rang in her physical being, "Very well, Miss Sard." She drew herself up. Was she, then, a woman of birth, a girl of two years' college training to be affected by the mere voice of a vagabond, a tramp, an unshaven ne'er-do-well? As the two girls got into their camping things, Sard outlined the afternoon's programme. "And I want to suggest—let's see what you think—I don't suppose we should treat Colter quite like a common person; well, one can see that he's not exactly a man of all work." Minga pinned back the flap of her scarlet tam-o'-shanter. "It would be improper to treat him otherwise," Minga decided with what for her was rather austere decision. "He isn't common exactly, but queer, and that's worse; Sard," went on Minga with an air of superiority, "I don't see how you could have picked him up like that and carted him in your nice clean car to that boarding-house place; Dunce says you all but helped carry him and gave directions and all—Ugh—and then lied to your father, pretending all this about a common workman." Sard's face darkened. "I didn't lie," she said in a low voice. "I picked him up because I had seen him there sitting, hour after hour, with that queer dazed look, so wretched, shaken and awful. I'll admit he looked dreadful, but somehow his eyes didn't look "It's queer, all right," Minga said succinctly, "and so are you." She stuck her scarf inside her boyish little jacket and struck an attitude in her boots and knickerbockers. "Fluffy Fiddlestick, the film heroine, is now going to give the Hackensack the once-over," she announced. "Talk about screen stuff; all this that you say about this tramp man, Sard, is worse than any screen story I ever saw, and you so demure! It isn't lying, but it's letting things lie for you; you got that bank person at Morris to suggest Colter to Judgie. Does Aunt Reely know you're responsible for his being here? A regular Gentleman John, and nobody but you in the secret." Minga, with quite an injured air, picked up her wrist-watch and fastened it on; she eyed herself in the mirror. "Do I need lipstick, no? Would the turtles appreciate red lips?" "Well, you do know he's not a common man?" Sard asked, obstinately. "Mercy, I don't know anything," retreated Minga easily. "Now, how do we get by Auntie's bower in these knickers?" As they slipped together down the back stairs, Sard chuckled. "The funny part of it is Aunt Reely is reconciled to knickers; so is that queer Mrs. Spoyd. You see, they know that the English countesses and princesses wear them, and they sit studying all the different women's knickers in the fashion sheets and secretly wonder if they couldn't wear them themselves. I heard Mrs. Spoyd say, dreamingly, 'Well, my dearrrrr, I suppose we shall soon have stylish Stouts in the—er—camping trousers also,' and Aunt Reely sighed, 'We must try to adapt ourselves.' They are getting to be very popular!" The girls went giggling down the steps and out the kitchen way, Sard glancing at the kitchen clock. "We ought to be able to get up-stream before Dunce and his party; they're starting way down-stream back of Spencerville. I'm going to embark above the West Morris station; here's supper and the tea basket, and I've told Maggie and Dora to have something hot in case we come in late." It was like college days, like bacon bats and beach parties and Saturday hikes, and the girls' spirits rose. They bowed brightly to Colter, appearing with the depot car. In some way the man, clean and shaven, long limbed, clad neatly in faded old shirt and khaki trousers with dark tie carefully tied, was not a disagreeable figure as he gathered up the luncheon things and thermos bottles and waited for Sard's signal. The girl herself took the wheel, and Minga perched beside her. The novelty of the thing worked on the restless mind of the girl under the scarlet tam-o'- "Hush!" Sard turned a sharp corner carefully. "About thirty-seven, maybe forty." The eyes of both the girls widened at this antique possibility, but Sard remembered that there had been a professor at college who had seemed like a boy, almost as young as Dunce, and he was thirty-five. There was a curious lift in Sard's head, in her eyes a flying look of adventure; her figure, light, alert, sat at the steering gear with a look of power and repose; her wistful profile had lines that were resolute and composed, as if waiting for some stuff of life on which to try their power; all about her in the windy press of their speed was the buoyant look of physical action, green trees, brown vital roads like veins full of the blood of Wanderlust and adventure; like them, the girl was ardent, fresh, a thing pure and intense as fire, yet sober and clean as water. In her belted coat and rough hat and the flying strands of hair, she drove in confident direction, over the damp woodland roads, over the swamps and bridges of the Morris turnpike, a very figure of Advance, so thought a man, who stood to let them pass, then let his arm fly up in hasty flourish. "Winged Victory!" he breathed. "Hello!" Watts' hand flew to his hat and he waved it; then as the girls, with friendly greeting, slowed down, he turned back to parley. "Hold up your hands," he ordered gruffly. "Give me your wristwatches; no quarter." It was all part of their feeling of quest and adventure, and they liked the tall lawyer for the little highway gesture as he stood there, his face lined with dust and sunburn, his costume showing rents and wrinkles of cross-country walking. The two wideawake faces smiled at him as he glanced tentatively at the gray-clad figure at the back of the car, but there was no introduction, though the lawyer paused for it. The man sitting there did not turn, but had a quiet position of relaxation. Sard reddened slightly. "We're off on a lark," they explained. "Have you seen Dunce and his gang? We hope we've stolen a march on them; we're further up the river, we think." "Going for some of those little pink pearls," explained Minga, "and we want to get ahead of 'em." Shipman's amused eyes ran over the outfit. The excited girls, the silent man with tea basket and the thermos bottles; he looked sympathetic. "Little pink pearls?" eyeing Minga teasingly, "are you going to pick them off the trees, or take them out of the turtles' mouths? How much food have you there, anything substantial?" "Loads," they assured him; "we're stocked up for the Bible multitude; we have loaves and fishes and everything." Still the older man hesitated. It was a little audacious, but he tried his luck at playing "young." "Take me with you?" glancing at the averted face of Colter and questioningly raising his eyebrows. The two girls accepted his self-invitation gaily. "Take you, won't we though? We need another man." Sard glanced back at the figure in the back. "This is Colter, whom we brought to help us with the boat and all that; he knows the Hackensack." Watts Shipman nodded in his usual friendly way, and Minga, wide-eyed, observed that Colter's recognition was of the same order, a quiet, courteous friendliness. The little figure in the scarlet cap leaned eagerly toward the famous lawyer. Shipman and Minga seemed on surprisingly good terms. Purposely the lawyer kept any memory of their last encounter out of his manner and eyes. "Do you really know where the pink pearls are?" For answer Watts, standing in the road, took a little phial from his pocket and displayed it. On a bed of cotton were four or five tiny seed pearls of cream color and soft rose. The two girls opened their eyes with delight. "Goodness," the worldly Minga was impressed. "Why don't Tiffany or somebody come up and get these? There might be a fortune in the Hackensack." "They've had men up here," interposed Colter quietly, "but there wasn't enough in it for them." The party turned and looked at him questioningly; Colter took the phial Shipman handed him. "You "Just the same, it will be fun to hunt for them." Shipman was as eager as a boy. "I have an extra skiff at that little house you see by the bridge up yonder; suppose I bring that; we can have a flotilla," he nodded to Colter, who nodded back. "Surely," he agreed. The voice, courteous of inflection, assured in enunciation, arrested the lawyer's attention as it had arrested Sard's. As the girls slipped to the ground, moving about the car, captivating in their trim camping costumes, the lawyer, his eye taking in their assured grace, the lithe precision of their movements, swept a curious eye over their companion. The newly-shaven chin, the dark red hair brushed back and hands with nails that had once been well-shaped and cared for, mystified him with the sense of hidden identity, and yet he got no sense of purposeful concealment. Somehow the man seemed like a person who moved in a dream; what he said and did was done automatically, as if the Self had no abiding interest in his activities. The lawyer was conscious of a certain sense of mystery as he turned to assist with the tea basket and things. "Can I help?" "Thanks, if you'll bear a hand with those bottles." As Shipman grasped the things held out to him he looked for a moment full into the other's eyes, eyes "I am a gentleman," said those eyes—"do you know me, have you ever seen me—who am I?" |