THE SOUL OF ANN RUTLEDGE ABRAHAM LINCOLN'S ROMANCE SECOND IMPRESSION pic THE SOUL OF ANN RUTLEDGE ABRAHAM LINCOLN'S ROMANCE BY BERNIE BABCOCK WITH A FRONTISPIECE IN COLOR BY GAYLE HOSKINS PHILADELPHIA & LONDON COPYRIGHT, 1919, BY J.B. LIPPINCOTT COMPANY PRINTED BY J.B. LIPPINCOTT COMPANY AT THE WASHINGTON SQUARE PRESS PHILADELPHIA, U.S.A. To J AUTHOR'S NOTE In the tremendous output of Lincolniana that has been given to literature, it seems strange that no adequate story has been given of one of the greatest loves in history. Many writers have referred to it and to its moulding power on the lover's after life. Some have thrown sidelights on the character of the woman. Some have mentioned her rare gift of song and her unusual endowment of mind, and one writer has given a careful description of her personal appearance. But so far as careful and exhaustive research shows, all this matter has never been woven into one story. It is also strange that there has been so much controversy regarding the religious views of Abraham Lincoln, and by those whose faith is based on the evidence required by the Great Teacher When He said, "Ye shall know them by their fruits." Nor should it ever have been taken as an evidence of lack of faith because he did not accept the creedal beliefs of his day, for had not the Christ Himself strenuously denied much that was insisted on in His day, Christianity could never have been possible. In this story both the love and the faith of one of earth's noblest souls is simply and intimately told. In an age when the cynical opinion is too often heard, that between men and women there can be no different or more lasting love than the mating instinct of animals, and at a time when the death of millions of the world's best men has brought into fresh insistence the age-long question, "If a man die shall he live again?" a fresh and different setting forth of Abraham Lincoln's master passion for a woman, and his calm and unshakable faith in immortality, may be of more than usual interest and value. CONTENTS
THE SOUL OF ANN RUTLEDGE ONE APRIL DAY "Ann! Ann! Ann Rutledge! Hallo! Hallo!" The cheerful voice belonged to a rosy-cheeked girl who shouted in front of Rutledge Inn, one of the straggling group of log houses that made the village of New Salem, Illinois, in 1831. Pausing in front of the Inn, the animated girl repeated her call lustily as she watched for the closed door to open. "Hallo yourself, Nance Cameron," a clear, musical voice replied from somewhere in the rear of the weather-stained building, and the next moment Ann Rutledge came around the corner. "Look! Springtime has come! Isn't it splendid to be alive in the springtime? I found them in the thicket!" and pausing she held out an armful of plum branches white with their first bloom. In the moment she stood, an artist might have caught an inspiration. On one side of the background was a vista of open garden, perhaps, and meadow, with a glimpse of forest farther back, and over it all the white-flecked, spring-blue sky. On the other side was the solid framework that told of days when there had been no meadow or garden, and of the pioneer labor that had wrought the change. In the foreground of this brown and green and blue setting stood a slender girl in a pink-sprigged calico dress. Her violet eyes were shaded with dark lashes. Her shapely head was crowned with a wealth of golden hair in which a glint of red seemed hiding. A white kerchief was pinned low about her neck, and across her breast were tied the white strings of a ruffled bonnet which dropped on her shoulders behind. She pressed her face for a moment in the armful of blossoms, sniffing deep, and with the joy of youth exclaimed again, "Isn't it splendid to be alive in the springtime!" But Nance Cameron had no eye for the artistic at this moment. "Have you been to the river?" "River? What's going on at the river?" "Didn't Davy tell you, nor your father?" "No, I've just come home across lots from Green's. What's happening at the river?" "Everything, and everybody's down seeing it happen. Let's go." "If you'll wait till I fix my flowers." "Don't wait—drop them or bring them. Everybody but us is there." Nance Cameron had turned to the roadway. Ann was about to join her when she turned back. "Bad luck! Bad luck!" shouted Nance. "Don't go back!" "I forgot to shut the back door." Nance stopped, made a cross in the dirt and spat on it. "You don't pay attention to your signs worth a cent," she said, as Ann rejoined her. "I don't much believe in signs," Ann answered. "That's where you're silly. A black cat ran across Mrs. Armstrong's path no later than yesterday after she had her soap in the kettle. And wasn't that soap a fizzle? And don't Hannah Armstrong know how to make soap? It was the cat did it, and if I hadn't changed your luck just now you'd been in for something awful—might never live to marry John McNeil." Ann laughed, and they started on their way down the road, that stretched the length of New Salem's one street toward Sangamon River. "What's going on at the river?" Ann asked again. "Somebody's ark is stuck on the dam. It got stuck just before dark last night. The crew couldn't get it off and had to wait until morning. They came up to the store to get some drinks. The town men gathered in and you never on this earth heard such roars of laughter as those men let out. Ma couldn't guess what it could be about. When Pa came in he told her there was the funniest tall human being he ever set eyes on with the ark crew. Said his legs reached as high up as a common man's breech belt, his body reached up as high as another man's arms, and his head was up on top of all that. And Pa said he told the funniest stories, and the men nearly died. Pa was laughing yet when he told Ma about it." "Is the boat stuck yet?" "She's stuck yet. Dr. Allan and Mentor Graham just went down and I heard them talking. She's on her way to New Orleans with a load of barreled pork and stuff. Davy's been up to the store twice. He says the crew have worked like beavers to get the cargo off the big boat, but that the water is running in bad and the barrels are slipping to the end which sticks out over the dam and she's sure to go over. She's going to make a great splash, and I love splashes. Let's hurry!" "I hope nobody gets drowned," Ann said. "Like as not they will, and we'll get to see them fished out. Let's trot a little." With the inspiring hope of hearing a splash and perhaps seeing the first shocking throes of a drowning, the two girls hastened on down the slope that reached to Rutledge Mill, where the dam was. It was true, as Nance had said, New Salem was out to witness the unusual sight of a flat boat on the dam where it had been stuck nearly twenty-four hours. It was a river craft of the usual flat-boat size, about forty feet long by fifteen wide, and sides six feet high. One end was covered with a roof of boards, and there were other boards fitted with ragged sails to hasten the freight-bearer on its long journey of 1800 miles to New Orleans. The crowd on the river bank and the platform of the mill was lavish with suggestions and advice which were shouted to the crew working desperately to save the cargo. Ann Rutledge and Nance Cameron paused a moment to take in the view of the unfortunate boat, whose rear stuck clear of the water and into whose fore the barrels were slowly settling. It seemed nothing could prevent the impending catastrophe. "Let's get out on the platform. I would like to see that funny, tall fellow your father told about," Ann said. Passing through the mill, deserted for the time by the dusty miller, the girls joined the crowd on the platform and Ann found herself standing by a peculiar appearing personage, a small man of uncertain age, who wore foxed breeches and coon-skin cap, and who had but one good eye which just now was fastened on the fore of the imperiled boat. "'Ole Bar's' come back," Ann whispered, punching Nance and turning her eye toward the old man who stood beside her. 'Ole Bar' was a person of interest, and very peculiar. He was chewing some sort of a cud rapidly. When an unusually interesting suggestion was shouted out over the roar of the dam water, he rolled his cud into a hollow made by the loss of two back teeth and kept quiet until the moment of suspense was past, when he made up time working his jaws. Nance only glanced at him now. "I wonder where that tall baboon is?" she said, craning her neck toward the raft. "See that thar patch of something that ain't no color the Lord God ever made nor no shape He ever seen? Well, that's his hat. He's under it, squattin' in the boat, doin' something to get 'er goin'." "What's he doing?" Ann ventured. "Eh—that's it," Ole Bar said with a dry smile. "The rest of the crews runnin' about like chickens with their heads chopped off, and these here galoots along shore is yelping like a pack of coyotes after a buffalo bull. But he's keepin' cool. This kind generally gits something done. Howsomever, that ark's goin' over. I've been numerous in turkey-trottin' and bee-runnin' and bar-killin', but I hain't never before seen an ark in no such fix as this un is." "Look Nance," Ann whispered. "He's rising up—look!" A moment his body partially showed. Then he bent low again. The next moment there was a sudden spurt of water from the bottom of the boat. The water pumping its way out caught the attention of the crowd. "He's emptying her out!" they cried. "How did he do it?" The tall figure under the colorless, shapeless hat had now lifted himself, and, as if to straighten his muscles after a long cramped position, he stretched to a height that seemed to be that of a giant, threw out his chest, reached his long arms to a prodigious expanse and took a deep breath. As he did so Ann felt someone touch her. It was "Ole Bar." "Some huggin' he could do with them arms in matin' season—hey, Molly," he said; and when Ann turned to look at Ole Bar he winked his good eye at her and waited for an answer. A shout from the crowd made any answer to this remark unnecessary. For a moment the towering youth stood before them like a comical picture, slender, angular, barefooted, his faded yellow breeches scarce more than clearing his knees and showing a pair of spindle legs. His uncolored shirt was flung wide open and over one shoulder was stretched a suspender which held one breeches-leg higher than the other. As the water pumped itself out and the boat began to right, they knew that he had bored a hole. The cheers continued, he lifted his shapeless hat and, with the grace of a gentleman, waved it a couple of times at the cheering crowd. Then he pushed back a mop of black hair, clapped his head-covering down on it and turned to help reload the cargo that had been moved into small boats. To bore a hole in the bottom of a water-filled boat was no great physical task. But the crowd cheered uproariously as the boat righted herself. Men shouted, women waved their bonnets and kerchiefs, and Ann Rutledge shook her branches of wild plums. Again the ungainly young giant waved his hat. "He's waving at you, Ann," John McNeil, who had joined the girls, said, coming up behind her. "Wave at him." And she did and laughed as he swung his limp and tattered hat. "Where do you suppose that kind grow?" Nance asked. "He looks like a giant scarecrow, but he's had lessons in manners, the identical same kind Mentor Graham tells about." It took but a short time to reload the boat. As she started on her way the cheers died, and most of the crowd went up the hill to the village. "Let's stay to see the last of it," Ann said to Nance. "You want him to wave at you some more," John McNeil said to Ann. "Well, go ahead—you'll never see him again." The boat sailed on. To those on board who looked back a few moments later, the mill and dam were resolving themselves into an indistinct patch of gray and brown, against which a bit of pink, waving something white, stood out. As a farewell answer to the waving of the white, the mellow music of the boat horn came floating back. The sun went down behind the forests bordering the smoothly flowing Sangamon; the crude craft passed from view. And yet once again the mellow tones of the primitive horn came floating back over the forest and across the river. "What a good sound!" Ann exclaimed. "It's soft as the first shadows, and it's strong." "Yes, strong as that man's arms in mating season—hey, Molly?" And Nance punched Ann in the side. The girls laughed merrily. "Isn't 'Ole Bar' funny?" Ann said. "He's just back from an awful exciting trip to Arkansas, wherever that is. He'll have lots to tell." "Davy and father will get his stories. But say, Nance, do sounds make you think of smells?" "I never thought of such a thing." "Don't cow-bells make you think of hay and dandelions and grass and the smell of the cow-lot in the evening?" "They do go together." "And don't water running over roots make you think of willow blooms, and water dripping over stones sound like ferns when the stems are crushed? And the sound of crows—don't they bring the smell of the field furrows? And don't bees and honey-locust, and robins and apple blossoms, go together? I could name a hundred sounds that have smells for partners. "Yes, but you're funny, Ann, to think of such things." "Now I have a new pair. The sound of that horn, away off behind the trees, will always make me think of the first plum blossoms. The smell and the sound came together as I shook the branches, and the smell right here seemed to me exactly the same thing told in another way as the sound away over the water. O Nance—don't you love plum blossoms?" "I don't know as they're any better than dogwood or haw blooms and I'm not crazy about any of them." "You're just like John McNeil. John don't like plum blossoms. I nearly cried when he told me he was going to chop out all the plums and wild vines on his place. But those on our place will not be cut. Father has promised me the thicket and the dell on the creek for my flower garden forever." "I'd rather have a new belt-buckle. But let's go." "I'm ready—I'll race you to the top of the bill before the sun drops behind the trees. One—two—three—off," and with her spring flowers in her arms and her bonnet flying, Ann with Nance ran shouting up the hillside in the slanting rays of the April sun. IN CLARY'S GROVE The evening of the day the imprisoned flat boat made its way successfully out of New Salem, the Clary Grove gang had a meeting. Windy Batts was expected to return from Springfield, where he had gone to prove his fitness for fellowship with the Clary Grove Boys by thrashing a Springfield strong man who had cast aspersions on his character as a pugilist. Clary Grove was a settlement of a few log houses near New Salem, so called for Bill Clary, the owner of the grove where the select met to swap stories, discuss news and partake of real liquor. Every new-comer to the vicinity was sized up. If Clary Grove was friendly, so much the better for the new-comer. He might not become a member of the gang. Indeed few were allowed to sit in close fellowship about the fire with the gang, but he would at least be let alone. Windy Batts had expressed a desire to be of the gang. He was, however, looked upon with a degree of suspicion, as he had done some exhorting for the Hard Shells, and Clary Grove looked askance at religion in any form, and while he had boasted of "dingblasting the daylights out of them shoutin' Methodists," Clary Grove was not satisfied that he was proper stuff to fellowship with them and their whiskey. They awaited his return from Springfield, where he was to prove his pugilistic ability, with some interest. The cool, spring air with the tang of frost not yet safely out of it, made a fire comfortable, and a bright blaze burned between the two smooth logs on which the gang roosted. Buck Thompson, the luckiest horse-trader in that section, and Ole Bar were the first to arrive. Ole Bar sat beside the fire, his jaws working industriously and his one good eye shining like a spark. No one of the gang had ever been able to learn what misfortune had befallen the lost eye of Ole Bar. That he had been "cleaned of it right and proper" all agreed. Opinion was divided, however, as to the cause or method, one portion believing a bear had clawed it out, because of his familiarity with bears, and others holding to the opinion that some specimen of womankind was responsible for the loss, because of his oft-expressed unfriendly feeling toward women. Jo Kelsy, a fat and favorite brother of the clan, who was always ready with a new story about a ghost or a witch from his one treasure, an inherited copy of Shakespeare, was the third to arrive. His usual costume was varied slightly. He came hobbling in, one foot encased in a moccasin. Ole Bar glanced at his mismated feet. "What's bit ye, Jo?" he asked. "My wife she dropped a five-gallon crock on my foot," he answered. "Good thing it wasn't your head, for be it known by man and bars, them as mixes up with wimmen has heads softer than their feet." Jo laughed good naturedly. Then the three talked of the raft and the ungainly youth who had resorted to the homely but efficient expedient of boring a hole. "I've seen some legs in my day," Jo Kelsy observed, "but none long as his'n." "Ain't no longer than yours is, Dumplin'," said Old Bar. "Yours reaches to the ground and his'n don't go no further. According to my way of figgerin' his legs wasn't so numerous when it comes to length as his head. That galoot's got a long head." A couple more of the gang dropped in, and the talk continued about the raft and the head raftsman. "Ever see anything like it? Wouldn't think a backwoodsman could tell such stories as he did last night, would ye?" "Nor know enough to get an ark floating when she was stuck so tight that God hisself couldn't stick her no tighter." "McNeil was figgerin' on her cargo to see what it was worth." "Trust McNeil for figgerin' the worth of a cargo—or anything else." "Ann Rutledge—eh?" They laughed. Then one said, "I heard him tellin' Hill him and Ann was goin' to marry and have a big infare. But her Pappy won't let her till next year. She has to git more schoolin'." "He better git while gittin's good. John Rutledge is fixed, and he sets more store by Ann than the whole other eight of 'em." "McNeil knows all that. But here comes Kit Parsons. Wonder what's kept him late? Kit, you're late." "Yeh," and he sat down by the fire. "What's extry? Been stealin' anything or gettin' religion?" "Same thing as gettin' religion," he said. "Been fulfillin' the Scripture injunction." "Which one?" "Been replenishin' and multiplyin'." "Mollie got another litter?" Ole Bar asked with a show of interest. "Just one this year. But I calculate that a man what grubs for three which arrives in two years is somewhat religious." "Bars is that religious," the one-eyed man observed, "only when they pursue the course of Nature they don't blame it on religion." After a laugh Ole Bar said solemnly to Kit, "If you young fellers knew what was good fer you you'd let wimmin alone." "Where'd you learn so much about wimmin?" Jo asked. "From bars. Bars rub noses at matin' time and tears the ears offen each other when the cubs has to be fed. Let wimmin alone and save the wear on your noses and ears." "How's a body going to leave any ancestry if he don't never git no place near a woman?" Buck Thompson asked. "Ancestry?" repeated Ole Bar. "Well, what under heaven is these little, wet-nosed ancestry good fer anyhow? Never had no ancestry myself and I'm gettin' along all right—got along all right while I was in Arkansas, and anybody that can do that don't need to worry about leavin' no ancestry." "Tell us about Arkansas," was the next demand. Ole Bar shifted his cud into its receptacle and said, "Wall, as you all know, in bar hunts I've been numerous, but I hain't never seen no such bars as grow in Arkansas. The bars in Arkansas is the most promiscuous I've ever seen and don't give a damn for nobody. But, Squire, lets licker up. I'm gettin' so dry I'm takin' the rattles," and he reached for the bottle which was passed around. "Bars in Arkansas grows so fat they can't wobble. You fellers here that think you're gettin' the real thing when you bag the chipper-growlers and shite pokers of these parts don't know nothin' about what's growing in Arkansas. Them bars rear up into the heavens high as that feller that plugged the ark." "That smells rather tall," Buck Thompson observed, but Ole Bar paid no attention. "The woods in Arkansas is ankle deep with acorns and berries and other bar food. Everybody there eats bar, bar-ham and bar-sassage. The beds is covered with bar-skins. They don't use small skins like wild cat fer nothin' 'cept piller covers." "Do they have hoss tradin' in them parts?" Buck Thompson inquired. "Hoss tradin'? Well, I should say 'Yeh.' You galoots think you swap hosses, but in Arkansas——" "Hallo, fellers," shouted someone in the outer circle of light. "It's Windy Batts," several declared at once, and immediately the man whose qualifications to become a member of the charmed group had been put to the test, entered the circle of light. He was scrutinized and with not an altogether approving eye. His arm was done up in a sling. The forefinger of his right hand was wrapped in a red, calico handkerchief. Something like a knob stuck out back of one ear which was covered with a square of muslin, giving it the appearance of a pat of butter. One eye was black and both legs seemed to be stiff. Greetings were brief. The main question was. "Who whipped?" "Yeh—who hollered?" was asked. Windy drew near the fire. "It was a great fight," he began. "The greatest fight that was ever fought in Springfield. We rolled over and over, him sometimes on top and me sometimes under. It was a fearful fight. Court turned out to see it and an Indian Chief was there. He said he never seen nothing like it." "Who whipped?" was again asked. "Yeh—who hollered?" Ignoring these questions, Windy continued. "The big Indian and the Judge of the Court both said they hadn't never seen such sledge-hammer blows as I hit. It was them blows that put my shoulder out of joint. But I fixed his eye. You couldn't have told it from a knot-hole in a burnt tree. Time he aimed a second socdologer at me I was ready. The crowd roared like a camp-meeting. We fell to it. He got a straddle of my head and chawed my finger. There wasn't no place for me to git holt owing to the fact my head was pinned in twix his legs. Jean britches didn't taste well and was ungodly tough. But I was resolute. I found the right place and I chawed like hell. But would he let go of my finger? No, and I finally had to knock half his teeth out to git my finger out his mouth." "You tanned him—hey?" "You mauled him, Windy?" "You beat the Springfield stuffing out of him?" "And nobody parted you?" Ignoring these questions, Windy took a fresh start. "And there's no telling how long it might have lasted, us two going 'round and 'round and up and down and every which way. I was eternally mauling the ding-blasted daylights out of him when the Judge got hold of me and asked as a favor if I wouldn't put off the finish till next day. He said he couldn't get nobody into court if I didn't and so I—I hollered." There was a moment of profound silence. Windy shifted his weight from one stiff leg to the other, stroked his bandaged arm and sighed. "Spit in his ashes!" It was the voice of Jack Armstrong that broke the painful stillness. Immediately every man emptied the contents of his mouth, with no small force, into the fire, which voiced its protest by a vigorous spitting and sputtering. Then Windy was given some advice. "This ain't no place fer you. You go join them Hard Shells that's fixin' fer a ten days' fightin' match with the devil. They have the same runnin' off at the mouth as you have, but they hain't never drawed no devil's blood yet, and that's your crowd." Windy's lips moved as if to speak. "Roll in your molasses sucker and trampoose," was the order. "Yeh—trampoose," was the repeated order. "Go fight the devil." "The devil—that's the Clary Grove gang," he muttered as he turned away. "Devil-fighter," some one said as his limping figure disappeared in the darkness. "If the devil pays any more heed to him than he would to a skit-fly he's a blame bigger ass than I've ever took him to be," Ole Bar observed. "Let's licker up." THE RAILSPLITTER It was two months after the flat boat stuck on the dam at New Salem and the day following a quiet election in the village, that Nance Cameron ran over to Rutledge Inn with news of great importance for Ann. "Long Shanks has arrived," she announced without ceremony. "Long Shanks?" Ann questioned. "Who is Long Shanks?" "The giant scarecrow, the big baboon," Nance answered. "Baboon," Ann repeated. "Nance what are you talking about?" "My land, Ann Rutledge, have you forgotten the unhinged giant you waved plum blossoms at—the captain of the flat boat who looked like sin, but knew how to use his hat like a gentleman?" "Oh!" answered Ann. "Has he come?" "Yes. He got here yesterday. They didn't have anybody to help at election. Mentor Graham asked him if he could write. He said he could make his rabbit's foot, and so he helped. Mr. Graham says he can write well. Besides, he told them stories, and they liked that. Last night he came to our house." "Tell me about him. What does he look like close to?" "He's the homeliest man God ever put breath into. His legs run down into feet so long he can't find anything big enough to stick them under, and his arms are nearly as long as his legs. He has a big head, big nose, big mouth, big ears, lots of black hair, and he's hard and horny and knotty like a tree—and as green, too." "Did he talk to you?" "No, he didn't pay me any heed at all, but he and Ma got to be good friends before he'd been in the house an hour. She was tired half to death putting up berries and trying to get supper. She put Johnnie watching the baby and he let him roll down the steps. The new man heard him crying and went right out and got him. In five minutes the baby was laughing. This made Ma feel better and she got talking, and first thing I knew he was helping her wash dishes and telling her about what he saw in New Orleans and down the Mississippi. He talks better than he looks." "How does he talk? Has he a big, deep voice and mellow, like the sound of the horn over the tree and river?" "No, indeed. He sets out thin sounding, but his voice seems to work down into his chest as he talks and he sounds pretty good. After supper Pa brought in the cider. Mr. Graham came over and Dr. Allen, and they got Long Shanks talking and didn't want him to quit. Mentor Graham took a great liking to him. He lived in Kentucky once and then Indiana. He asked about the folks in these parts and when he heard Jo Kelsy owns a Shakespeare he said he was going to try to borrow it, said he's read the Bible till he knew it by heart and the Constitution and some other things but never seen a Shakespeare. When Mr. Graham told him he had fifty books his dull, gray eyes turned bright as new candles. He's terrible interested in books, but he don't have any time for girls." "How do you know?" "'Cause. Ma asked him if he saw the girl waving at him, when the boat stuck? He said, 'Yes'm—wasn't it kind of her?'" "Ma said, 'She's the prettiest girl in town.'" "He said, 'Yes'm—isn't that nice?'" "Ma said, 'She's the smartest girl in town.'" "He said, 'Yes'm—it's worth while to be smart!'" "Ma told him you was going to marry John McNeil. He said, 'They all do it.' And he never even asked your name." "I tell you what; you drop past to-morrow afternoon before supper. He'll be there then. He won't look at you, he's so funny. But you can see him." It was with as much interest as a person goes to a show that Ann Rutledge went to the Cameron home the next afternoon. She was doomed to disappointment. "He's gone," Nance informed her. "Where?" "Gone out to split rails for some folks that have come in from Indiana and are taking a homestead near Turtle Ford. He's going to split enough rails to fence the clearing. He's to get one yard of brown jeans dyed with white walnut bark for every four hundred rails. It's to make some new breeches." "That's an awful lot of work for a pair of pants." "Yes, but look at the length of his legs. A fellow with legs like that will always have to work extra to keep them covered." "I wanted to see him." "He's coming back. I heard him telling Pa he was going to open a store here for a man named Offutt. His wares haven't come yet. They will be here by the time the new breeches are ready. Then you can see him. You'll think him half-baboon and half-giraffe and he won't even notice you only to say 'Yes'm' and pull off his hat." "Does he have any name? You didn't tell it." "Name? O yes," and Nance laughed. "He's named after Abraham, of the Abraham, Isaac and Jacob family. The rest of his name is Lincoln." "Abraham Lincoln," Ann repeated. "I don't think that's such a bad sounding name." John McNeil called at the Rutledge home the night young Lincoln went to Turtle Ford to earn his new pants. After the family had gone to bed and Ann was left to say good-night to the young man she was engaged to, he said, "Ann, I thought that fellow was captain of the boat and maybe owned some of the cargo. He's nothing but a railsplitter." "He didn't use his hat like a railsplitter." "He's picked up a few lessons in manners somewhere—maybe saw somebody doing it in New Orleans." "No—because it was on his way down that he lifted his hat." "Well, I don't know where he got it, but he's only a railsplitter just the same. Hasn't a cent in the world. Didn't know it was a railsplitter waving to you, did you?" "It wasn't me he waved at. He never heard of me and don't know yet that I am living. It was the flowers he liked and I'm glad he likes flowers if he is a railsplitter." "I'd like to know, Ann, why you take on so over flowers. What are they good for?" "Good for? What a funny question. What is the song of birds good for and the fragrance of flowers and the beauty of ferns? What is the music of running brooks good for and the splendor of gold and red sunsets—what are any of them good for?" "That's just what I'm asking," John McNeil said seriously. "What are they good for? Can't eat them, can you? Can't wear them, can you? Can't sell them, can you? or trade them or swap them for anything? Women are such funny folks and don't know a thing about values. But I'm going to leave the plum thicket another year and the corner in the pasture where the blue flowers grow you like to pick." "Thank you, John—thank you a whole lot"; and happy because of his promise, Ann kissed John McNeil good-night. THE PILGRIM A few days after Abraham Lincoln had entered service to split rails for a new pair of breeches, he came to town late one afternoon to get an ax. After tarrying a short time to tell a story or two, he started back about sun-down, his ax, on the handle of which was swung a bundle, over his shoulder. As twilight gathered, the ungainly youth took his way along the road that ran not far from the smoothly flowing Sangamon. His strides were long and easy, and, away from the small habitations and contrivances of mankind, he seemed to become one with the big things of nature, and what was sometimes considered lack of grace seemed now an easy expression of reserve force. The roar of the mill-dam sounded musical as if the twilight were softening its daytime boisterous tumult. The falling dew seemed loosening up the fragrance of the woods, the subtle breath of tangled vines and trailing roses, with sometimes a more decided fragrance, as when the full-sized foot of the pedestrian brushed into a bed of wild mint. As he rounded the skirt of the bluff, the rosy tinted sky seemed suddenly to withdraw itself, and the timbers upon the summit to move themselves slowly against the crimson and fading gold, like a row of shadowy sentinels gathered for the night. A tinkling gurgle from an irregular, dark spot against the foot of the bluff told of a ravine, and the running stream, whose musical babble, as it made its way to the river, sounded like the prattle of a child compared to the river's volume falling by the mill. As he took his way in the gathering gray of night, the long-limbed youth cast giant shadows, subtle, indistinct shadows far across the road and into other shadows, where they merged into the formless gloom and were lost. While yet rounding the bluff he heard the barking of a dog and then the tinkle of a cow-bell. Common sounds these were, but coming on the stillness from the heights above they lent a sort of musical enchantment to the quiet and the enfolding mystery of night. Then a human voice was heard, a woman's voice that seemed to burst suddenly into the flower of a full blown song. The youth slowed up a bit and listened. The words thrown out by the ringing voice sounded clearly: I'm a pilgrim The young man stopped. The song was to him unusual. The clear voice took the notes unhesitatingly and rolled them in melodious movement as she sang the words "p-i-l-grim" and "s-t-r-a-n-ger," and then hurrying on gladly, as if it were a matter for great rejoicing that she could tarry but a night. The youth dropped his ax and bundle to the ground and turned his face toward the bluff casting its long shadows. The bell tinkled a moment in the gathering gloom. Then the voice rang out again on the evening hush: Do not detain me, Again there was the peculiar rolling fall and rise on the syllables. Again the gladness of some exultation, then the refrain "I'm a pilgrim" with its confidence and its melody. The voice was nearer now. There was no sound or sight of any moving object on the bluff, but she was somewhere there and seemed coming nearer. The tinkle of the cow-bell made an interlude. Then again the voice of singing, whether nearer or farther now he did not question. He was listening to the words: Of that country The mysterious singer on the heights was farther away now. The voice was growing fainter as the refrain rang into the stillness, "I'm a pilgrim—and I'm a stranger—I can tarry—I can tarry——" The youth leaned forward and listened, breathlessly. But the voice was dying and the tinkle of the bell came on the stillness, faint as a memory. After standing a moment, the listener in the shadows made ready to go on. When he turned to pick up his ax and bundle, he found his hat in his hands. When he had removed it he did not remember. Mechanically he placed it on his head and started on his way. The red and purple of the earlier evening showing through the trunks of the trees crowning the bluff was giving way now to the silvery green of the rising moon. With his ax over his shoulder the figure paused a moment for a last look upward and then moved on. But he did not feel the same. He had undergone some change. What was it? Within his breast the song had raised something intensely alive—something like hunger, fierce yet very tender; something like strange pain; something like wild joy; something like unsatisfied longing, together with unmeasured satisfaction. What was it? He did not know. Mysterious to him as was the singer, was now the effect of the singing. Yet out of the mingled sensation of unrest and satisfaction, suddenly stirred into life, there came to the youth thoughts of his mother. His mother had been a pilgrim on a journey. He had heard her say so many times. But the burden of her song had been "Earth is a desert drear." He had heard her sometimes try to sing. But she did not go shouting. She suffered on the way, endured, was patient, and at the last she reached a groping hand for something strong to hold her back from that country to which she believed she was going. It was with a twitching of his muscles and a quiver of the big strong mouth he thought of the passing on of his mother. But here was a pilgrim happy, shouting, even jubilant. Who was she? What manner of person could she be? His curiosity was aroused. As he strode on toward Turtle Ford the falling waters of the dam softened their roar into an indistinct murmur, and then like the voice of the singer and the tinkle of the bell, blended into the quiet, broken only by the call of a whip-poor-will or the whirr of a bat's wing. The moon rose above the lacey darkness of the timber-line. The railsplitter had had no supper. Once he stopped and gathered some berries. But he was not thinking of food. The eternal mystery of the awakening of one's other self had both breathed through and enfolded him. He was not hungry. He tossed the berries down by the roadside. His pace quickened as he neared the clearing. He did not understand, but for some reason he himself experienced a lifted-up sensation. It was as if the conquering confidence and joy of the unknown singer had been contagious. At the edge of the clearing he stopped. The shack and pig-pen and few rail-fences stood out in the moonlight like the skeleton of something to be clothed with a body. The dogs came out and barked, but crept back satisfied at sight of the tall figure. He stepped up to the door of the shack. The snoring of a man told him his approach had not disturbed the sleeping family. He turned toward the end of the cabin where a ladder stood, which he mounted. At the square opening which served as door and window to the loft, he paused and looked in, and by the moon's indistinct light he saw the three boys of the family lying on a pallet. The dull hum of mosquitoes sounded. He turned back to the ladder, and on its top, with his back resting against the cabin, he sat and looked out into the night. In the light all was beautiful; even the piles of brush were softened until they looked like the gray and silver tendrils of giant vines piled by titanic fairies, and the trunks of trees were columns in some mysterious and endless cathedral canopied with silvered green. Across the wilds of the forest, which in the magic of night and the moon were so beautiful, the thoughts of the youth again traveled back to his childhood and its mysteries, and he seemed to see again a very small grave in a lonesome spot beside which his mother cried and declared with tears and choking voice that she could not go away and leave it forever. To the boy who looked on, this had seemed strange. Why should she weep because she could not take a grave from Kentucky to Indiana, the new home, and such a tiny little grave? It had been a mystery. Later he came to answer the mystery of it by calling it "mother love." He thought of that grave, far away in Kentucky, as he sat on the ladder. Then he thought of the grave of the mother who had wept beside the little grave—two graves. Some time he too would fill a grave somewhere—and so would the singer on the heights. What was life after all? Its end was the same for all—whether a tiny grave or one long enough even for him? The question seemed to mock itself and laugh. Then the voice of the singer rang clear again—a pilgrim rejoicing, shouting—such a glad pilgrim, and again he felt himself impelled to the heights from which it had come—felt himself a creature of some fresh-born force he could no more fathom than explain. A wild cat screamed down the creek. The three boys thumped the floor, seeking in their sleep to destroy the mosquitoes. The dogs scratched under the house. The man snored. Once the baby cried and the mother soothed it. These voices and sounds seemed a part of the secrets of the night and of the strange awakening that possessed him with the pleasure and pain of its mystery. There was a sound, however, that came with the first pink of the morning that seemed in some unknown way to hold the key to the mystery of his strangely aroused hunger—a hunger born whether for good or ill he knew not. With the first stirring of life at the new day, a song bird just at the edge of the clearing sent out its call, clear as the voice of the singer on the bluff and, in the imagination of the inquiring youth, like it, glad and unafraid. But the bird was calling for a mate—one of its own kind—one which would answer its call. Again the call rang out penetrating and joyful. The young man listened. Then a smile of satisfaction lit his homely face, for from somewhere down in the tangle of the creek banks, one of its own kind was answering the call. The hidden singer in the clearing called again, even throwing more life and gladness into the song. Again the answer came from the unseen one of like kind, a little closer now. They were moving toward each other. The silent listener had not made a study of birds. Yet now he was quite sure that somewhere they would meet in the wide expanse of over-laced branches and would mate. Again his mind went back to the singer of the bluff—and her challenging call. Who or what manner of woman was she? He wondered. When the man who had been snoring awoke with the first streaks of day, the ringing of an ax sounded on his ear. "If he don't beat anything to bite them trees down and eat them up, I'm a liar. He must have been at it all night." "He needs breeches—needs them powerful bad," his wife replied. "Must want to go a courtin'," was his comment. "Courtin' or no courtin', he'll be ketched by the sheriff if he don't git some new breeches right soon. His is fixin' to leave him. I'm skeered every time he jumps over the fence." SWAPPING HOSSES Not more than a fortnight after Windy Batts had been weighed in the balance by the Clary Grove boys, Mrs. Mirandy Benson ran over to Rutledge's to discuss a few news items. Mrs. Benson was Phoebe Jane Benson's mother. Phoebe Jane Benson had never been kissed by a human man—her mother the authority for the statement. "No start, no finish," was Mrs. Benson's oft-quoted statement as touching the delicate question of the preservation of female virtue. "For this reason, Mis' Rutledge, I'm dead set against huggin'. There's never no tellin' where huggin' will end, and Phoebe Jane shan't get no opportunity." But it was not of hugging that she now talked. "Mis' Rutledge," she said, "Windy Batts has been dipped and is going to set out preachin' for the Hard Shells and will hold a meetin' near New Salem. It's set to his credit, I say, that he chose to unite with the Hard Shells instead of the Clary Grove gang. Since Windy Batts has been keepin' company with Phoebe Jane, I've been uncommon interested. He has a powerful flow of language, and will make a famous exhorter." A second topic of conversation was the tall clerk who was in charge of the new store opened by Offutt. "He's the one that helped Mentor Graham election day and has been chopping rails since on Turtle Ford. "Everybody in town's been in the store, and the men hang around every evenin'. Phoebe Jane, she's been, too. He's an awful friendly fellow, scraped up a speakin' with Phoebe Jane and asked her who in these parts could sing. She told him she could sing, bass or tenor, either he liked. Phoebe Jane was quite took up with him and wanted to ask him to meetin'. But he's too friendly. These friendly young fellows must be watched. He might be all right. Then again he mightn't, and if he should take a huggin' spell like some young fellows takes, with them arms no tellin' what might happen. I told Phoebe Jane not to let out too much rope, especially since Windy Batts got religion." It was true the new clerk at Offutt's store had inquired who about New Salem could sing. Having been unable to learn anything satisfactory from the girl he had asked, he put the question to several men who chanced to be in the store. The only result of his questioning was to bring out a story about a girl in New Salem who had a "singin'" in her head for which a plaster of "psalm tunes," applied to the feet to draw the singing down, had been prescribed. Unsatisfied, young Lincoln determined to keep his ears open and try to discover for himself. Meantime there were many to get acquainted with, and when Bill Clary himself invited the new man to the Grove, he at once accepted the invitation. Ole Bar, Buck Thompson, Jo Kelsy and several others had gathered early and were discussing the guest that was to arrive shortly. Buck Thompson was especially interested. He was in possession of a horse with a head three times too large and legs four times too small for his bony body. Some fatal defect in the horse made him, as Buck Thompson confidently told the crowd, "not worth a chaw," and this horse he was going to try to swap Lincoln, "sights unseen." Speculation has just started as to the outcome of Buck's horse-trade when Clary and the tall stranger arrived. "His name is Abe Lincoln," Clary advised. "'Linkhorn' is what they called me over in Indiana." "Paws, Abry Linkhorn," Ole Bar said, extending his hand and casting his one good eye with approval on the stranger. The few brief formalities having been dispensed with, the group settled down to stories and discussions, Ole Bar leading off with a graphic description of many of the wonders of Arkansas, and its riches of soil and abundance of game. "There was one feller down thar had a sow," he declared gravely. "She stole an ear of corn and took it down whar she slept at night. She spilt a grain or two on the ground, and then she lay on them. And, gentlemen, believe it or not, before morning the corn shot up, pushed on right through her and the percussion killed her. Next morning she was found flat as a pancake and three-inch corn sticking like green har through her spotted hide." "I swear!" exclaimed Jo Kelsy. "Don't cuss; jes go down to that country and see," was Ole Bar's comment. When Abe Lincoln's time came he was asked for the lizard story he had told at the store the night the flat boat stuck on the dam. In an inimitable way he told the story, joining heartily with the others in the boisterous laughter it called forth, but neither this nor any other of the stories told diverted the mind of Buck Thompson from the main question, this being, "Is he as green as he looks? Will he swap hosses?" "Don't happen to have a hoss you want to trade, do ye?" Buck at last indifferently questioned. The interest of the company was at once centered on the answer. "Want to swap hosses?" Abe Lincoln asked good naturedly. "Well, I dunno. Do you happen to own a hoss of any kind?" "Yep," answered the visitor. "Such as it is, I own a hoss." An expression of pleasure showed on the face of Buck Thompson. "What sort is he?" Buck asked. "Who said it was a 'he'?" The crowd laughed. "What kind is she?" Buck corrected. "Well," answered the youth as if weighing the matter, "she ain't nothing extra on looks, but she can stand up under as much hard work as any hoss in these parts." "How old is she?" "I dunno to a day—not very old." "Stand without hitchin'?" "Never's been hitched to anything in her life." "Saddle hoss, I take it. Ain't any mustang is it?" "Not a drop of mustang in the critter, I swear it." "Ain't blind in one eye, is she?" "No." "How's her legs?" "Can't lie partner. She's stiff in the legs." "Stiff in the legs, eh? How about her teeth?" "Haven't counted them." "Ever had the botts?" "Not as I know of." "Or winded?" "Not since I've had her." "Want to swap hosses?" Buck asked. "What you got?" Abe Lincoln asked with interest. "I got one what'll stand hitched. I'm goin' to be honest as you and tell you my hoss has stiff legs. From what I git, my hoss is just about such a hoss as your hoss. How'll you swap, sight unseen?" Abe Lincoln aked a few questions which proved beyond a doubt to Buck Thompson that the lanky youth was as green as he looked on the horse-trading proposition, and he was delighted both for the stakes involved and the effect of his deal on the Clary Grove Boys, when Abe Lincoln agreed to the trade. |