WHAT IS A GENTLEMAN?

Previous


Education begins the gentleman; but reading, good company, and reflection must finish him.—Locke.

A man of polished and agreeable manners, as distinguished from the vulgar and clownish.—Worcester.

It would be hard to find two persons that fully agree with regard to what constitutes a gentleman. It is far easier to tell what a gentleman is not than what a gentleman is.

For example, we all agree that the man is not a gentleman that is ignorant of those usages that, by common consent, regulate refined social intercourse; that does not, in his dress, conform, within certain limits at least, to the prevailing modes; that is desirous to attract attention by affecting eccentricities; that bears himself as though he thought himself an object of special attention, i.e., is self-conscious; that has no thought for the comfort, the feelings, or the rights of others. In short, we all agree that no man deserves to be called a gentleman that is not a man of education; i.e., that is not sufficiently acquainted with books and with the usages of refined social intercourse to acquit himself creditably in the society of cultivated people. Not moral worth, nor learning, nor wealth, nor all three combined, can, unaided, make a gentleman, for with all three a man might be coarse, unbred, unschooled in those things that no man can be ignorant of and be welcome in the society of the refined.

A modern English writer says that to formulate the definition of a gentleman in negatives would be easy. “As, for instance,” he says, “we may say that a true gentleman does not soil his conscience with falsehoods, does not waste his time on sensual indulgence, does not endeavor to make the worse appear the better reason, does not ridicule sacred things, does not wilfully give cause of offence to any, does not seek to overreach his neighbor, does not forget the respect due to womanhood, or old age, the feeble or the poor. But, to speak affirmatively,” he continues, “a gentleman is one whose aims are generous, whose trust is constant, whose word is never broken, whose honor is never stained, who is as gentle as brave, and as honest as wise, who wrongs no one by word or deed, and dignifies and embellishes life by nobility of thought, depth of feeling, and grace of manner.”

Thackeray wrote of the gentleman thus: “What is it to be a gentleman? Is it not to be honest, to be gentle, to be generous, to be brave, to be wise, and, possessing all these qualities, to exercise them in the most graceful outward manner? Ought not a gentleman to be a loyal son, a true husband, an honest father? Ought not his life to be decent, his bills to be paid, his tastes to be high and elegant, his aims in life lofty and noble? In a word, ought not the biography of the First Gentleman in Europe to be of such a nature, that it might be read in young ladies’ schools with advantage, and studied with profit in the seminaries of young gentlemen?”

Another English writer says that the primary essentials of what constitutes the true gentleman are Goodness, Gentleness and Unselfishness. “Upon these qualities,” he says, “are based all those observances and customs that we class together under the head of Good Manners. And these good manners, be it remembered, do not consist merely in the art of bowing gracefully, of entering a room properly, of talking eloquently, of being familiar with the minor habits of good society. A man may have all this, know all this, and yet, if he is selfish, or ill-natured, or untruthful, fail of being a gentleman. Good manners are far from being the evidence of good training only; they are also the evidence of a refined nature. They are the fruit of good seed sown on good soil. As a just and elevated thought clearly and gracefully expressed is evidence of a well-trained mind, so every act, however unimportant, and every gesture, however insignificant, is evidence of the kindly, considerate, modest, loyal nature of the true gentleman, or—of the reverse.”

In a story by Spielhagen, the distinguished German novelist, I find the following:

“What do you call a gentleman?” asked the Duke. “Will you give me a definition of the word?”

“That is not so easy, my lord; indeed, I am not sure that it is possible to define the word satisfactorily,” replied Lady De Vere. “By resorting to metaphors, however, I may perhaps be able to outline what we all feel, but are unable fully to describe. A gentleman is one in whom the vigorous and the delicate are happily united. The soft, the refined—all that comes from frequenting the society of women of culture, lies in the ‘gentle;’ the strong, the firm, the stern—all that comes from battling with men, lies in the ‘man;’ ‘gentle’ implies the possession of all the social, ‘man’ of all the civil, virtues; ‘man’ is the fiery wine, ‘gentle’ the tasteful goblet; ‘man’ is the sharp, correct drawing, ‘gentle,’ the warm, soft coloring; ‘gentle’ might be the Sybarite, who is disturbed by the falling of a rose-leaf, ‘man’ is the Brutus, who as judge knows not even his own child. Pericles, the brave, magnanimous, amiable, refined Athenian, might be offered as an example of the true gentleman.”

In his essay in The Century, for October, 1883, on the “Characteristics of London,” W. J. Stillman contrasts the English gentleman with the best American type as follows:

“And it is in this very class that we find here and there that best type of humanity, as the world knows it, the true English gentleman—a being whose exterior decorum may be counterfeited by his emulator, whose inmost gentleness and courtesy may be shadowed forth in peer or peasant—who loves his kind, and feels the common bond of divine birth, but whose most perfect union of noble demeanor and large-heartedness can only be found where the best type of mind has been permitted the largest and richest culture, and the completest freedom of hereditary development in the most favorable external circumstances. There are nobles and noblemen—men who seem to be conscious only that surrounding men are lower than they, and others whose illumination pervades every one near them and brings all up into the same world of light and sweetness. The prestige of nobility is founded on a true human instinct; occasionally one finds an English nobleman who justifies its existence, and makes us snobs in spite of our democracy.

“I could, I am certain, point to Americans who in every substantial trait of the gentleman will stand comparison with any aristocrat born—men in whom gentlehood has grown to hereditary ripeness; the third and fourth generations of men who have cultivated on American soil the virtues of honesty, morality, sincerity, courtesy, self-abnegation, humanity, benevolence; men and women whose babyhood was cradled in those influences that make what we call ‘good breeding,’ and to whom the various vulgarities of our parvenu princes are as foreign as to the bluest-blooded heir of Normandy fortune; and this is to me a more grateful and sympathetic type of humanity than that of its English congener.”

In the writings of a Gallic philosopher, of a former generation, that I lately chanced upon, I find the homme comme il faut—a man that is pretty nearly the counterpart of our gentleman—described essentially as follows:

At the first glance we discover in him nothing that arrests the attention. He is simple, calm, ingenuous, manly rather than graceful, sedate rather than animated. His manner is neither reserved nor demonstrative, but attentive, respectful and guarded; neither obsequious nor imperious, but calm and self-possessed. His politeness appears in acts rather than in protestations. Though he does not despise convention, he is not its slave; he does not allow himself to be hampered by the unimportant, nor does he ever see a heinous offence in a trifling breach of established usage.

His dress is an index of his character: simple, appropriate, harmonious. The man of the world pronounces it tasteful, the man of the people sees in it nothing that is unusual, and the man of sense recognizes in it a certain independence of the newest mode.

Being of those that make haste discreetly, he studies the characters of his acquaintances before giving them his confidence. In conversation, he is neither impatient, restless, nor hurried, and though he is careful in selecting his words, he attaches more importance to the matter of his discourse than to the manner. Made to give the tone, he is content to receive it: he is wont to take as much pains to remain unnoticed as many another takes to make himself seen.

If he appears in a circle where he is not known, the greater number see in him only a quiet, plain man that, despite his simplicity, however, has that about him to which they involuntarily yield their respect. The superficial, the presuming, and the malicious, though ignorant of the cause, are embarrassed by his steady, searching glance; the loyal and the unfortunate, on the contrary, are drawn toward him, feeling that in him they shall find a friend.

He is guarded in speaking ill of others, a thing he never does but with right intentions—as, for example, to unmask a hypocrite, to punish the guilty, or to protect the weak. In speaking of his enemies, he never forgets to be just; he is not of those that are blind to the virtues of even the most unworthy, nor is he of those that are so ungenerous as to deny them.

He is temperate in sustaining his opinions, and opposes only to be better informed, or to enliven the conversation; and often he will suddenly acknowledge his defeat, and confess with generous sincerity that the reasons of his opponent are better than his own. His victories are not less noble. His aim is to enlighten, not to humiliate, much less to offend. If he finds that he is opposed by presumption, obstinacy or ignorance, it is his habit to yield. “You may be right,” he will say; “my way of seeing things is often erroneous, and this, quite likely, is the case now.”

He avoids what is likely to create discord, seeks to promote kindly feeling among his fellows, and never pleads the faults of others in extenuation of his own. He is slow to take offence, opposes incivility with urbanity, and passion with moderation. Wrong-doing he accounts a weakness, and he pleads weakness as its excuse; the wrong-doer excites his pity rather than his hate.

He possesses, in a high degree, the happy faculty of adapting himself to others, from whom he expects no more than they can give and from whom he obtains the best they have. “There are few,” he says, “in whom, if we study them, we do not find some estimable qualities. If each has his weaknesses, so each has his virtues, which it is for us to discover.” Herein he excels.

The same day may see him dogmatize with a pedant, reason with a sage, shine in a social circle, console the unfortunate, contend for the rights of humanity, and swear fidelity to the woman of his choice. He talks trade to the shopkeeper, politics to the ambitious, perspective to the painter, play-things to childhood, house affairs to the matron, and probity to all. All he says bears the impress of a benign, humane philosophy that is now grave and now gay, as the time or the place may demand.

In nothing does his prudence more appear than in his pleasures, for be their character what it may, they never see him overstep the limit prescribed by decency and self-respect. That pleasure that injures no one seems to him innocent, and that recreation that follows labor seems to him reasonable.

Honesty with him has become a sort of instinct, which he exercises without reflection. The possibility that he could take an ignoble advantage, be wilfully unjust, or betray a trust, material or confidential, has never crossed his thought.

In the management of his material concerns, he is a model. In large expenditures he is guarded, in order that he may be the better able to be liberal in small ones. He never is guilty of that parsimony in little things that disgraces more than display in great ones ever exalts. It is his special care to be discriminating in his bounties, moderate in his expenditures and punctual in his payments. He often denies himself the pleasures of luxury to indulge in those of benevolence. If misfortune lessens his income, he is prompt to retrench; he knows that the friends and acquaintances he will lose should not be accounted veritable losses. He is modest in prosperity, resigned in adversity, and dignified always.

If he speaks of religion, he chooses carefully the time and the place. Whatever the prevailing belief in the community in which he lives, he considers it as forming a part of the laws, and he respects whatever contributes to stability and order. He attacks abuses only and seeks to destroy only what he can replace. He takes nothing on trust, but examines well before giving his assent; and that religion finds most favor with him that attaches most importance to the doing of good deeds. The man that in his eyes is the most truly religious is he that does most for his fellows. He rejoices that beneficence is held in like esteem by all creeds, however widely may differ their dogmas, and that the various religions of the world repose on the belief in the existence of a Supreme Being that punishes vice and rewards virtue. He has the modesty to think and the honesty to confess that as so many millions are in error, he also may err. Nor has he the presumption, like so many of his fellows, to set himself up as an infallible judge of others. But he pities those presuming motes that live but an instant, come they know not whence, and go they know not where, and yet would judge the whole by a part, and eternity by a span, conclude that all is but the product of chance, assert that what passes their reason is not reasonable, and deny the existence of Him to whom millions of years are but a moment, and millions of miles but a point.

THE END.



BOOKS BY ALFRED AYRES.



Some Ill-used Words. A Manual for the Use of those who Desire to Write and Speak correctly. 18mo. Cloth, $1.00.

The book is leveled specially at some half dozen errors that are made by well-nigh every one who uses the English language.

The OrthoËpist. A Pronouncing Manual, containing about Four Thousand Five Hundred Words, including a considerable number of the names of Foreign Authors, Artists, etc., that are often mispronounced. Revised and enlarged edition. 18mo. Cloth, $1.25.

“It is sufficient commendation of the work to say that for fourteen years this little volume has had no successful rival in its particular field.”—San Francisco Call.

The Verbalist. A Manual devoted to Brief Discussions of the Right and the Wrong Use of Words, and to some other Matters of Interest to those who would Speak and Write with Propriety. Revised and enlarged edition. 18mo. Cloth, $1.25.

“A great deal that is worth knowing, and of which not even all educated people are aware, is to be learned from this well-digested little book.”—Philadelphia North American.

The Mentor. A Little Book for the Guidance of such Men and Boys as would Appear to Advantage in the Society of Persons of the Better Sort. New and revised edition. 18mo. Cloth, $1.00.

“In every respect one of the most admirable books on manners and manner. It possesses high literary merit.”—Chicago Evening Journal.

Acting and Actors; Elocution and Elocutionists. A Book about Theater Folk and Theater Art. With Preface by Harrison Grey Fiske; Introduction by Edgar S. Werner; Prologue by James A. Waldron. 16mo. Cloth, $1.25.

“A book which has exceeding interest. The author talks in a very agreeable and instructive way about the art of acting, and while his book has a peculiar charm for those who sit in the orchestra chairs, it has a special value for the ladies and gentlemen of the stage.”—New York Herald.

The English Grammar of William Cobbett. Carefully revised and annotated by Alfred Ayres. With Index. 18mo. Cloth, $1.00.

“It is grammar without a master and without tears, unless they are tears of laughter.”—New York Churchman.


HANDBOOKS OF SOCIAL USAGES.

THE COMPLETE BACHELOR. Manners for Men. By the author of “As Seen by Him” Papers. 18mo. Cloth, with Index, $1.25.

This book is by a well-known New York clubman, an acknowledged authority on all questions of etiquette. There are chapters on the etiquette of club life, the etiquette of various pastimes, on men’s dress, and on clothes, their care, and the cost of replenishing a wardrobe, as well as others giving suggestions for all kinds of bachelor entertainments and stag parties.

SOCIAL ETIQUETTE OF NEW YORK. Rewritten and enlarged. 18mo. Cloth, gilt, $1.00.

Special pains have been taken to make this work represent accurately existing customs in New York society.

DON’T; or, Directions for avoiding Improprieties in Conduct and Common Errors of Speech. By Censor. Parchment-Paper Edition, square 18mo, 30 cents. Vest-Pocket Edition, cloth, flexible, gilt edges, red lines, 30 cents. Boudoir Edition (with a new chapter designed for young people), cloth, gilt, 30 cents. 138th thousand.

“Don’t” deals with manners at the table, in the drawing-room, and in public, with taste in dress, with personal habits, with common mistakes in various situations in life, and with ordinary errors of speech.

WHAT TO DO. A Companion to “Don’t.” By Mrs. Oliver Bell Bunce. Small 18mo, cloth, gilt, uniform with Boudoir Edition of “Don’t,” 30 cents.

A dainty little book, containing helpful and practical explanations of social usages and rules.

HINTS ABOUT MEN’S DRESS: Right Principles Economically Applied. By a New York Clubman. 18mo. Parchment-paper, 30 cents.

A useful manual, especially for young men desirous of dressing economically and yet according to the canons of good taste.

“GOOD FORM” IN ENGLAND. By An American, resident in the United Kingdom. 12mo. Cloth, $1.50.


NEW EDITION OF ENGLISH ODES. Selected by Edmund W. Gosse. With Frontispiece on India paper from a design by Hamo Thornycroft, A. R. A. Forty-two Head and Tail Pieces from Original Drawings by Louis Rhead. 16mo. Cloth, special design in gold, $1.50. Same, in parchment, $1.75.

NEW EDITION OF ENGLISH LYRICS. Uniform with “English Odes.” With nearly Eighty Head and Tail Pieces from Original Drawings by Louis Rhead. 16mo. Cloth, special design in gold, $1.50. Same, in parchment, $1.75.

THE MUSIC SERIES. Consisting of Biographical and Anecdotical Sketches of the Great German Composers; The Great Italian and French Composers; Great Singers; Great Violinists and Pianists. Five volumes, 18mo. Bound in half white and red sides, $3.50 per set; half calf, $8.00.

THE HOUSEHOLD BOOK OF POETRY. By Charles A. Dana. Entirely new edition, from new stereotype plates, enlarged and brought down to the present time. With nearly Two Hundred additional Poems. Illustrated with Steel Engravings. Royal 8vo. Cloth, gilt extra, $5.00; half calf, $8.00; morocco, antique, $10.00; tree calf, $12.00.

FIFTY PERFECT POEMS. A Collection of Fifty acknowledged Masterpieces, by English and American Poets, selected and edited by Charles A. Dana and Rossiter Johnson. With 72 Illustrations, printed on Japanese silk paper, and mounted on the page. Large 8vo. Bound in white silk, $10.00; morocco, $15.00.

POEMS OF NATURE. By William Cullen Bryant. Profusely illustrated by Paul de LongprÉ. 8vo. Cloth, gilt, $4.00.

PUNCTUATION. With Chapters on Hyphenization, Capitalization, Spelling, etc. By F. Horace Teall, author of “English Compound Words and Phrases,” etc. 16mo. Cloth, $1.00.

“The rules and directions for the use of the various marks of punctuation are brief, clear, and founded on common sense. They are calculated to assist, and there seems no danger that they will contuse.”—Boston Herald.

“It seems to be one of the most sensible and practical works on the subject that has come under notice.”—Cleveland Plain Dealer.

FRENCH STUMBLING-BLOCKS AND ENGLISH STEPPING-STONES. By Francis Tarver, M. A., late Senior French Master at Eton College. 12mo. Cloth, $1.00.

“A most valuable book for advanced students of French as well as beginners.... The book is one of the most useful of the many good books that appear on this subject.”—San Francisco Bulletin.

“One can hardly commend it too highly.”—Boston Herald.

“A work which will be of great help to the reader and student of French, and which fully meets the promise of its title.”—Chicago Evening Post.

DON’T; or, Directions for avoiding Improprieties in Conduct and Common Errors of Speech. By Censor. Parchment-Paper Edition, square i8mo, 30 cents. Vest-Pocket Edition, cloth, flexible, gilt edges, red lines, 30 cents. Boudoir Edition (with a new chapter designed for young people), cloth, gilt, 30 cents. 138th thousand.

“Don’t” deals with manners at the table, in the drawing-room, and in public, with taste in dress, with personal habits, with common mistakes in various situations in life, and with ordinary errors of speech.

WHAT TO DO. A Companion to “Don’t.” By Mrs. Oliver Bell Bunce. Small 18mo, cloth, gilt, uniform with Boudoir Edition of “Don’t,” 30 cents.

A dainty little book, containing helpful and practical explanations of social usages and rules.

ERRORS IN THE USE OF ENGLISH. By the late William B. Hodgson, LL. D., Fellow of the College of Preceptors, and Professor of Political Economy in the University of Edinburgh. 12mo. Cloth, $1.50.


New Volumes in the International Education Series.

BIBLIOGRAPHY OF EDUCATION. By Will S. Monroe, A. B., Department of Pedagogy and Psychology, State Normal School, Westfield, Mass. $2.00.

This book will prove of great use to normal schools, training schools for teachers, and to educational lecturers and all special students seeking to acquaint themselves with the literature of any particular department. It will be of especial value to librarians in the way of assisting them to answer two questions: (a) What books has this library on any special educational theme? (b) What books ought it to obtain to complete its collection in that theme?

FROEBEL’S EDUCATIONAL LAWS FOR ALL TEACHERS. By James L. Hughes, Inspector of Schools, Toronto. $1.50.

The aim of this book is to give a simple exposition of the most important principles of Froebel’s educational philosophy, and to make suggestions regarding the application of these principles to the work of the schoolroom in teaching and training. It will answer the question often propounded, How far beyond the kindergarten can Froebel’s principles be successfully applied?

SCHOOL MANAGEMENT AND SCHOOL METHODS. By Dr. J. Baldwin, Professor of Pedagogy in the University of Texas; Author of “Elementary Psychology and Education” and “Psychology applied to the Art of Teaching.” $1.50.

This is eminently an everyday working book for teachers; practical, suggestive, inspiring. It presents clearly the best things achieved, and points the way to better things. School organization, school control, and school methods are studies anew from the standpoint of pupil betterment. The teacher is led to create the ideal school, embodying all that is best in school work, and stimulated to endeavor earnestly to realize the ideal.

PRINCIPLES AND PRACTICE OF TEACHING. By James Johonnot. Revised by Sarah Evans Johonnot. $1.50.

This book embodies in a compact form the results of the wide experience and careful reflection of an enthusiastic teacher and school supervisor. Mr. Johonnot as an educational reformer helped thousands of struggling teachers who had brought over the rural school methods into village school work. He made life worth living to them. His help, through the pages of this book, will aid other thousands in the same struggle to adopt the better methods that are possible in the graded school. The teacher who aspires to better his instruction will read this book with profit.


GEORGE H. ELLWANGER’S BOOKS.

THE GARDEN’S STORY; or, Pleasures and Trials of an Amateur Gardener. With Head and Tail Pieces by Rhead. 16mo. Cloth, extra, $1.50.

“This dainty nugget of horticultural lore treats of the pleasures and trials of an amateur gardener. From the time when daffodils begin to peer and the ‘secret of the year’ comes in to mid October, Mr. Ellwanger provides an outline of hardy flower-gardening that can be carried on and worked upon by amateurs....”—Philadelphia Public Ledger.

“One of the most charming books of the season.... It is in no sense a text book, but it combines a vast deal of information with a great deal of out-of-door observation, and exceedingly pleasant and sympathetic writing about flowers and plants.”—Christian Union.

“A dainty, learned, charming, and delightful book.”—New York Sun.

THE STORY OF MY HOUSE. With an Etched Frontispiece by Sidney L. Smith, and numerous Head and Tail Pieces by W. C. Greenough. 16mo. Cloth, extra, $1.50.

“An essay on the building of a house, with all its kaleidoscopic possibilities in the way of reform, and its tantalizing successes before the fact, is always interesting; and the author is not niggardly in the good points he means to secure.... The book aims only to be agreeable; its literary flavor is pervasive, its sentiment kept well in hand.”—New York Evening Post.

“When the really perfect book of its class comes to a critic’s hands, all the words he has used to describe fairly satisfactory ones are inadequate for his new purpose, and he feels inclined, as in this case, to stand aside and let the book speak for itself. In its own way, it would be hardly possible for this daintily printed volume to do better.”—Art Amateur.

IN GOLD AND SILVER. With Illustrations by W. Hamilton Gibson, A. B. Wenzell, and W. C. Greenough. 16mo. Cloth, $2.00. Also, limited Édition de luxe, on Japanese vellum, $5.00.

Contents: The Golden Rug of KermanshÂh; Warders of the Woods; A Shadow upon the Pool; The Silver Fox of Hunt’s Hollow.

“After spending a half-hour with ‘In Gold and Silver,’ one recalls the old saying, ‘Precious things come in small parcels.’”—Christian Intelligencer.

“One of the handsomest gift books of the year.”—Philadelphia Inquirer.

“The whole book is eminently interesting, and emphatically deserving of the very handsome and artistic setting it has received.”—New York Tribune.


OUTINGS AT ODD TIMES. By Charles C. Abbott, author of “Days out of Doors” and “A Naturalist’s Rambles about Home.” 16mo. Cloth, gilt top, $1.25.

“A charming little volume, literally alone with Nature, for it discusses seasons and the fields, birds, etc., with the loving freedom of a naturalist born. Every page reads like a sylvan poem; and for the lovers of the beautiful in quiet outdoor and out-of-town life, this beautifully bound and attractively printed little volume will prove a companion and friend.”—Rochester Union and Advertiser.

A NATURALIST’S RAMBLES ABOUT HOME. By Charles C. Abbott. 12mo. Cloth, $1.50.

“The home about which Dr. Abbott rambles is clearly the haunt of fowl and fish, of animal and insect life; and it is of the habits and nature of these that he discourses pleasantly in this book. Summer and winter, morning and evening, he has been in the open air all the time on the alert for some new revelation of instinct, or feeling, or character on the part of his neighbor creatures. Most that he sees and hears he reports agreeably to us, as it was no doubt delightful to himself. Books like this, which are free from all the technicalities of science, but yet lack little that has scientific value, are well suited to the reading of the young. Their atmosphere is a healthy one for boys in particular to breathe.”—Boston Transcript.

DAYS OUT OF DOORS. By Charles C. Abbott. 12mo. Cloth, $1.50.

“‘Days out of Doors’ is a series of sketches of animal life by Charles C. Abbott, a naturalist whose graceful writings have entertained and instructed the public before now. The essays and narratives in this book are grouped in twelve chapters, named after the months of the year. Under ‘January’ the author talks of squirrels, muskrats, water-snakes, and the predatory animals that withstand the rigor of winter; under ‘February,’ of frogs and herons, crows and blackbirds; under ‘March,’ of gulls and fishes and foxy sparrows; and so on appropriately, instructively, and divertingly through the whole twelve.”—New York Sun.

THE PLAYTIME NATURALIST. By Dr. J. E. Taylor, F. L. S., editor of “Science Gossip.” With 366 Illustrations. 12mo. Cloth, $1.50.

“The work contains abundant evidence of the author’s knowledge and enthusiasm, and any boy who may read it carefully is sure to find something to attract him. The style is clear and lively, and there are many good illustrations.”—Nature.

THE ORIGIN OF FLORAL STRUCTURES through Insects and other Agencies. By the Rev. George Henslow, Professor of Botany, Queen’s College. With numerous Illustrations. 12mo. Cloth, $1.75.



BOOKS BY FRANK M. CHAPMAN.



Bird Studies with a Camera.

With Introductory Chapters on the Outfit and Methods of the Bird Photographer. By Frank M. Chapman, Associate Curator of Vertebrate Mammalogy and Ornithology in the American Museum of Natural History; Author of “Handbook of Birds of Eastern North America” and “Bird-Life.” Illustrated with over 100 Photographs from Nature by the Author. 12mo. Cloth, $1.75.

Bird-Life.

A Guide to the Study of our Common Birds. With 75 full-page uncolored plates and 25 drawings in the text, by Ernest Seton-Thompson. Library Edition. 12mo. Cloth, $1.75.

Two Editions in Colors, with 75 lithographic plates, representing 100 birds in their natural colors. 8vo. Cloth, $5.00. 12mo. Cloth, $2.00 net; postage, 18 cents additional.

Teachers’ Edition. Same as Library Edition, but containing an Appendix with new matter designed for the use of teachers, and including lists of birds for each month of the year. 12mo. Cloth, $2.00.

Teachers’ Manual. To accompany Portfolios of Colored Plates of “Bird-Life.” Contains the same text as the Teachers’ Edition of “Bird-Life,” but is without the 75 uncolored plates. Sold only with the Portfolios, as follows:

Portfolio No. I.—Permanent Residents and Winter Visitants. 32 plates.

Portfolio No. II.—March and April Migrants. 34 plates.

Portfolio No. III.—May Migrants, Types of Birds’ Eggs, Types of Birds’ Nests from Photographs from Nature. 34 plates.

Price of Portfolios, each, $1.25; with Manual, $2.00. The three Portfolios with Manual, $4.00.

Handbook of Birds of Eastern North America.

With 200 Illustrations. 12mo. Library Edition. Cloth, $3.00. Pocket Edition, flexible morocco, $3.50.



BY F. SCHUYLER MATHEWS.



Familiar Flowers of Field and Garden.

New edition. With 12 orthochromatic photographs of characteristic flowers by L. W. Brownell, and over 200 drawings by the Author. 12mo. Cloth, $1.40 net; postage, 18 cents additional.

The new photography’s revelations of nature have found perfect expression in Mr. Brownell’s remarkable pictures. The beautiful series included in this new edition will be appreciated by every one, and prized by students and nature-lovers.

Familiar Trees and their Leaves.

New edition. With pictures of representative trees in colors, and over 200 drawings from nature by the Author. With the botanical name and habitat of each tree and a record of the precise character and color of its leafage. 8vo. Cloth, $1.75 net; postage, 18 cents additional.

Mr. Mathews has executed careful and truthful paintings of characteristic trees, which have been admirably reproduced in colors. The great popularity of his finely illustrated and useful book is familiar to nature-lovers. The new edition in colors forms a beautiful and indispensable guide to a knowledge of foliage and of trees.

Familiar Life in Field and Forest.

With many Illustrations. 12mo. Cloth, $1.75.

“The book is one that is apt to please the young naturalist, as it is not overcrowded with scientific words of such dimensions as are usually a bugbear to the young student. The information is given in a pleasant way that is attractive as well as instructive.”—Minneapolis Tribune.

Familiar Features of the Roadside.

With 130 Illustrations by the Author. 12mo. Cloth, $1.75.

“Which one of us, whether afoot, awheel, on horseback, or in comfortable carriage, has not whiled away the time by glancing about? How many of us, however, have taken in the details of what charms us? We see the flowering fields and budding woods, listen to the notes of birds and frogs, the hum of some big bumblebee, but how much do we know of what we sense? These questions, these doubts have occurred to all of us, and it is to answer them that Mr. Mathews sets forth. It is to his credit that he succeeds so well. He puts before us in chronological order the flowers, birds, and beasts we meet on our highway and byway travels, tells us how to recognize them, what they are really like, and gives us at once charming drawings in words and lines, for Mr. Mathews is his own illustrator.”—Boston Journal.



LITERATURES OF THE WORLD.

Edited by EDMUND GOSSE,

Hon. M. A. of Trinity College, Cambridge.



A series of attractive volumes dealing with the history of literature in each country. Each volume will contain about three hundred and fifty 12mo pages, and will treat an entire literature, giving a uniform impression of its development, history, and character, and of its relation to previous and to contemporary work.



Each, 12mo, cloth, $1.50.

NOW READY.

Chinese Literature. By Herbert A. Giles, A. M., LL. D. (Aberd.), Professor of Chinese in the University of Cambridge.

Sanskrit Literature. By A. A. Macdonell, M. A., Deputy Boden Professor of Sanskrit at the University of Oxford.

Russian Literature. By K. Waliszewski.

Bohemian Literature. By Francis, Count LÜtzow, author of “Bohemia: An Historical Sketch.”

Japanese Literature. By W. G. Aston, C. M. G., M. A., late Acting Secretary at the British Legation, Tokio.

Spanish Literature. By J. Fitzmaurice Kelly, Member of the Spanish Academy.

Italian Literature. By Richard Garnett, C. B., LL. D., Keeper of Printed Books in the British Museum.

Ancient Greek Literature. By Gilbert Murray, M. A., Professor of Greek in the University of Glasgow.

French Literature. By Edward Dowden, D. C. L., LL. D., Professor of English Literature at the University of Dublin.

Modern English Literature. By the Editor.

IN PREPARATION.

American Literature. By Prof. W. B. Trent, of Columbia University.

German Literature.

Hungarian Literature. By Dr. ZoltÁn BeÖthy, Professor of Hungarian Literature at the University of Budapest.

Latin Literature. By Dr. Arthur Woolgar-Verrall, Fellow and Senior Tutor of Trinity College, Cambridge.

Modern Scandinavian Literature. By Dr. Georg Brandes, of Copenhagen.


D. APPLETON AND COMPANY, NEW YORK.


TRANSCRIBER’S NOTE

Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources.

Footnote [A], the only footnote, is referenced twice from page 189.

Except for those changes noted below, all misspellings in the text, and inconsistent or archaic usage, have been retained. For example, button-hole, buttonhole; well bred, well-bred; inclosed; bespatter; bullyism; coxcombry.

Pg 19, ‘watch, in apppearance’ replaced by ‘watch, in appearance’.
Pg 132, ‘small deer’ replaced by ‘small beer’.
Pg 136, ‘light speches’ replaced by ‘light speeches’.





<
                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page