Habits of Composition resumed after a long interval—First publication—The interest taken by the Author in the success of her Works.

It may seem extraordinary that Jane Austen should have written so little during the years that elapsed between leaving Steventon and settling at Chawton; especially when this cessation from work is contrasted with her literary activity both before and after that period. It might rather have been expected that fresh scenes and new acquaintance would have called forth her powers; while the quiet life which the family led both at Bath and Southampton must have afforded abundant leisure for composition; but so it was that nothing which I know of, certainly nothing which the public have seen, was completed in either of those places. I can only state the fact, without assigning any cause for it; but as soon as she was fixed in her second home, she resumed the habits of composition which had been formed in her first, and continued them to the end of her life. The first year of her residence at Chawton seems to have been devoted to revising and preparing for the press ‘Sense and Sensibility,’ and ‘Pride and Prejudice’; but between February 1811 and August 1816, she began and completed ‘Mansfield Park,’ ‘Emma,’ and ‘Persuasion,’ so that the last five years of her life produced the same number of novels with those which had been written in her early youth. How she was able to effect all this is surprising, for she had no separate study to retire to, and most of the work must have been done in the general sitting-room, subject to all kinds of casual interruptions. She was careful that her occupation should not be suspected by servants, or visitors, or any persons beyond her own family party. She wrote upon small sheets of paper which could easily be put away, or covered with a piece of blotting paper. There was, between the front door and the offices, a swing door which creaked when it was opened; but she objected to having this little inconvenience remedied, because it gave her notice when anyone was coming. She was not, however, troubled with companions like her own Mrs. Allen in ‘Northanger Abbey,’ whose ‘vacancy of mind and incapacity for thinking were such that, as she never talked a great deal, so she could never be entirely silent; and therefore, while she sat at work, if she lost her needle, or broke her thread, or saw a speck of dirt on her gown, she must observe it, whether there were any one at leisure to answer her or not.’ In that well occupied female party there must have been many precious hours of silence during which the pen was busy at the little mahogany writing-desk, {102} while Fanny Price, or Emma Woodhouse, or Anne Elliott was growing into beauty and interest. I have no doubt that I, and my sisters and cousins, in our visits to Chawton, frequently disturbed this mystic process, without having any idea of the mischief that we were doing; certainly we never should have guessed it by any signs of impatience or irritability in the writer.

As so much had been previously prepared, when once she began to publish, her works came out in quick succession. ‘Sense and Sensibility’ was published in 1811, ‘Pride and Prejudice’ at the beginning of 1813, ‘Mansfield Park’ in 1814, ‘Emma’ early in 1816; ‘Northanger Abbey’ and ‘Persuasion’ did not appear till after her death, in 1818. It will be shown farther on why ‘Northanger Abbey,’ though amongst the first written, was one of the last published. Her first three novels were published by Egerton, her last three by Murray. The profits of the four which had been printed before her death had not at that time amounted to seven hundred pounds.

I have no record of the publication of ‘Sense and Sensibility,’ nor of the author’s feelings at this her first appearance before the public; but the following extracts from three letters to her sister give a lively picture of the interest with which she watched the reception of ‘Pride and Prejudice,’ and show the carefulness with which she corrected her compositions, and rejected much that had been written:—

Chawton, Friday, January 29 (1813).

‘I hope you received my little parcel by J. Bond on Wednesday evening, my dear Cassandra, and that you will be ready to hear from me again on Sunday, for I feel that I must write to you to-day. I want to tell you that I have got my own darling child from London. On Wednesday I received one copy sent down by Falkener, with three lines from Henry to say that he had given another to Charles and sent a third by the coach to Godmersham . . . . The advertisement is in our paper to-day for the first time: 18s. He shall ask 1l. 1s. for my two next, and 1l. 8s. for my stupidest of all. Miss B. dined with us on the very day of the book’s coming, and in the evening we fairly set at it, and read half the first vol. to her, prefacing that, having intelligence from Henry that such a work would soon appear, we had desired him to send it whenever it came out, and I believe it passed with her unsuspected. She was amused, poor soul! That she could not help, you know, with two such people to lead the way, but she really does seem to admire Elizabeth. I must confess that I think her as delightful a creature as ever appeared in print, and how I shall be able to tolerate those who do not like her at least I do not know. There are a few typical errors; and a “said he,” or a “said she,” would sometimes make the dialogue more immediately clear; but “I do not write for such dull elves” as have not a great deal of ingenuity themselves. The second volume is shorter than I could wish, but the difference is not so much in reality as in look, there being a larger proportion of narrative in that part. I have lop’t and crop’t so successfully, however, that I imagine it must be rather shorter than “Sense and Sensibility” altogether. Now I will try and write of something else.’

Chawton, Thursday, February 4 (1813).

‘My dear Cassandra,—Your letter was truly welcome, and I am much obliged to you for all your praise; it came at a right time, for I had had some fits of disgust. Our second evening’s reading to Miss B. had not pleased me so well, but I believe something must be attributed to my mother’s too rapid way of getting on: though she perfectly understands the characters herself, she cannot speak as they ought. Upon the whole, however, I am quite vain enough and well satisfied enough. The work is rather too light, and bright, and sparkling; it wants shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story; an essay on writing, a critique on Walter Scott, or the history of BuonapartÉ, or something that would form a contrast, and bring the reader with increased delight to the playfulness and epigrammatism of the general style . . . . The greatest blunder in the printing that I have met with is in page 220, v. 3, where two speeches are made into one. There might as well be no suppers at Longbourn; but I suppose it was the remains of Mrs. Bennett’s old Meryton habits.’

The following letter seems to have been written soon after the last two: in February 1813:—

‘This will be a quick return for yours, my dear Cassandra; I doubt its having much else to recommend it; but there is no saying; it may turn out to be a very long and delightful letter. I am exceedingly pleased that you can say what you do, after having gone through the whole work, and Fanny’s praise is very gratifying. My hopes were tolerably strong of her, but nothing like a certainty. Her liking Darcy and Elizabeth is enough. She might hate all the others, if she would. I have her opinion under her own hand this morning, but your transcript of it, which I read first, was not, and is not, the less acceptable. To me it is of course all praise, but the more exact truth which she sends you is good enough . . . . Our party on Wednesday was not unagreeable, though we wanted a master of the house less anxious and fidgety, and more conversable. Upon Mrs. ---’s mentioning that she had sent the rejected addresses to Mrs. H., I began talking to her a little about them, and expressed my hope of their having amused her. Her answer was, “Oh dear yes, very much, very droll indeed, the opening of the house, and the striking up of the fiddles!” What she meant, poor woman, who shall say? I sought no farther. As soon as a whist party was formed, and a round table threatened, I made my mother an excuse and came away, leaving just as many for their round table as there were at Mrs. Grant’s. {107} I wish they might be as agreeable a set. My mother is very well, and finds great amusement in glove-knitting, and at present wants no other work. We quite run over with books. She has got Sir John Carr’s “Travels in Spain,” and I am reading a Society octavo, an “Essay on the Military Police and Institutions of the British Empire,” by Capt. Pasley of the Engineers, a book which I protested against at first, but which upon trial I find delightfully written and highly entertaining. I am as much in love with the author as I ever was with Clarkson or Buchanan, or even the two Mr. Smiths of the city. The first soldier I ever sighed for; but he does write with extraordinary force and spirit. Yesterday, moreover, brought us “Mrs. Grant’s Letters,” with Mr. White’s compliments; but I have disposed of them, compliments and all, to Miss P., and amongst so many readers or retainers of books as we have in Chawton, I dare say there will be no difficulty in getting rid of them for another fortnight, if necessary. I have disposed of Mrs. Grant for the second fortnight to Mrs. ---. It can make no difference to her which of the twenty-six fortnights in the year the 3 vols. lie on her table. I have been applied to for information as to the oath taken in former times of Bell, Book, and Candle, but have none to give. Perhaps you may be able to learn something of its origin where you now are. Ladies who read those enormous great stupid thick quarto volumes which one always sees in the breakfast parlour there must be acquainted with everything in the world. I detest a quarto. Capt. Pasley’s book is too good for their society. They will not understand a man who condenses his thoughts into an octavo. I have learned from Sir J. Carr that there is no Government House at Gibraltar. I must alter it to the Commissioner’s.’

The following letter belongs to the same year, but treats of a different subject. It describes a journey from Chawton to London, in her brother’s curricle, and shows how much could be seen and enjoyed in course of a long summer’s day by leisurely travelling amongst scenery which the traveller in an express train now rushes through in little more than an hour, but scarcely sees at all:—

‘Sloane Street, Thursday, May 20 (1813).

‘My dear Cassandra,

‘Before I say anything else, I claim a paper full of halfpence on the drawing-room mantel-piece; I put them there myself, and forgot to bring them with me. I cannot say that I have yet been in any distress for money, but I chuse to have my due, as well as the Devil. How lucky we were in our weather yesterday! This wet morning makes one more sensible of it. We had no rain of any consequence. The head of the curricle was put half up three or four times, but our share of the showers was very trifling, though they seemed to be heavy all round us, when we were on the Hog’s-back, and I fancied it might then be raining so hard at Chawton as to make you feel for us much more than we deserved. Three hours and a quarter took us to Guildford, where we staid barely two hours, and had only just time enough for all we had to do there; that is, eating a long and comfortable breakfast, watching the carriages, paying Mr. Harrington, and taking a little stroll afterwards. From some views which that stroll gave us, I think most highly of the situation of Guildford. We wanted all our brothers and sisters to be standing with us in the bowling-green, and looking towards Horsham. I was very lucky in my gloves—got them at the first shop I went to, though I went into it rather because it was near than because it looked at all like a glove shop, and gave only four shillings for them; after which everybody at Chawton will be hoping and predicting that they cannot be good for anything, and their worth certainly remains to be proved; but I think they look very well. We left Guildford at twenty minutes before twelve (I hope somebody cares for these minutiÆ), and were at Esher in about two hours more. I was very much pleased with the country in general. Between Guildford and Ripley I thought it particularly pretty, also about Painshill; and from a Mr. Spicer’s grounds at Esher, which we walked into before dinner, the views were beautiful. I cannot say what we did not see, but I should think there could not be a wood, or a meadow, or palace, or remarkable spot in England that was not spread out before us on one side or other. Claremont is going to be sold: a Mr. Ellis has it now. It is a house that seems never to have prospered. After dinner we walked forward to be overtaken at the coachman’s time, and before he did overtake us we were very near Kingston. I fancy it was about half-past six when we reached this house—a twelve hours’ business, and the horses did not appear more than reasonably tired. I was very tired too, and glad to get to bed early, but am quite well to-day. I am very snug in the front drawing-room all to myself, and would not say “thank you” for any company but you. The quietness of it does me good. I have contrived to pay my two visits, though the weather made me a great while about it, and left me only a few minutes to sit with Charlotte Craven. {110} She looks very well, and her hair is done up with an elegance to do credit to any education. Her manners are as unaffected and pleasing as ever. She had heard from her mother to-day. Mrs. Craven spends another fortnight at Chilton. I saw nobody but Charlotte, which pleased me best. I was shewn upstairs into a drawing-room, where she came to me, and the appearance of the room, so totally unschool-like, amused me very much; it was full of modern elegancies.

‘Yours very affec^tly.,
‘J. A.’

The next letter, written in the following year, contains an account of another journey to London, with her brother Henry, and reading with him the manuscript of ‘Mansfield Park’:—

‘Henrietta Street, Wednesday, March 2 (1814).

‘My dear Cassandra,

‘You were wrong in thinking of us at Guildford last night: we were at Cobham. On reaching G. we found that John and the horses were gone on. We therefore did no more than we had done at Farnham—sit in the carriage while fresh horses were put in, and proceeded directly to Cobham, which we reached by seven, and about eight were sitting down to a very nice roast fowl, &c. We had altogether a very good journey, and everything at Cobham was comfortable. I could not pay Mr. Harrington! That was the only alas! of the business. I shall therefore return his bill, and my mother’s 2l., that you may try your luck. We did not begin reading till Bentley Green. Henry’s approbation is hitherto even equal to my wishes. He says it is different from the other two, but does not appear to think it at all inferior. He has only married Mrs. R. I am afraid he has gone through the most entertaining part. He took to Lady B. and Mrs. N. most kindly, and gives great praise to the drawing of the characters. He understands them all, likes Fanny, and, I think, foresees how it will all be. I finished the “Heroine” last night, and was very much amused by it. I wonder James did not like it better. It diverted me exceedingly. We went to bed at ten. I was very tired, but slept to a miracle, and am lovely to-day, and at present Henry seems to have no complaint. We left Cobham at half-past eight, stopped to bait and breakfast at Kingston, and were in this house considerably before two. Nice smiling Mr. Barlowe met us at the door and, in reply to enquiries after news, said that peace was generally expected. I have taken possession of my bedroom, unpacked my bandbox, sent Miss P.’s two letters to the twopenny post, been visited by M^d. B., and am now writing by myself at the new table in the front room. It is snowing. We had some snowstorms yesterday, and a smart frost at night, which gave us a hard road from Cobham to Kingston; but as it was then getting dirty and heavy, Henry had a pair of leaders put on to the bottom of Sloane St. His own horses, therefore, cannot have had hard work. I watched for veils as we drove through the streets, and had the pleasure of seeing several upon vulgar heads. And now, how do you all do?—you in particular, after the worry of yesterday and the day before. I hope Martha had a pleasant visit again, and that you and my mother could eat your beef-pudding. Depend upon my thinking of the chimney-sweeper as soon as I wake to-morrow. Places are secured at Drury Lane for Saturday, but so great is the rage for seeing Kean that only a third and fourth row could be got; as it is in a front box, however, I hope we shall do pretty well—Shylock, a good play for Fanny—she cannot be much affected, I think. Mrs. Perigord has just been here. She tells me that we owe her master for the silk-dyeing. My poor old muslin has never been dyed yet. It has been promised to be done several times. What wicked people dyers are. They begin with dipping their own souls in scarlet sin. It is evening. We have drank tea, and I have torn through the third vol. of the “Heroine.” I do not think it falls off. It is a delightful burlesque, particularly on the Radcliffe style. Henry is going on with “Mansfield Park.” He admires H. Crawford: I mean properly, as a clever, pleasant man. I tell you all the good I can, as I know how much you will enjoy it. We hear that Mr. Kean is more admired than ever. There are no good places to be got in Drury Lane for the next fortnight, but Henry means to secure some for Saturday fortnight, when you are reckoned upon. Give my love to little Cass. I hope she found my bed comfortable last night. I have seen nobody in London yet with such a long chin as Dr. Syntax, nor anybody quite so large as Gogmagolicus.

‘Yours aff^ly.,
‘J. Austen.’

CHAPTER VII.

Seclusion from the literary world—Notice from the Prince Regent—Correspondence with Mr. Clarke—Suggestions to alter her style of writing.

Jane Austen lived in entire seclusion from the literary world: neither by correspondence, nor by personal intercourse was she known to any contemporary authors. It is probable that she never was in company with any person whose talents or whose celebrity equalled her own; so that her powers never could have been sharpened by collision with superior intellects, nor her imagination aided by their casual suggestions. Whatever she produced was a genuine home-made article. Even during the last two or three years of her life, when her works were rising in the estimation of the public, they did not enlarge the circle of her acquaintance. Few of her readers knew even her name, and none knew more of her than her name. I doubt whether it would be possible to mention any other author of note, whose personal obscurity was so complete. I can think of none like her, but of many to contrast with her in that respect. Fanny Burney, afterwards Madame D’Arblay, was at an early age petted by Dr. Johnson, and introduced to the wits and scholars of the day at the tables of Mrs. Thrale and Sir Joshua Reynolds. Anna Seward, in her self-constituted shrine at Lichfield, would have been miserable, had she not trusted that the eyes of all lovers of poetry were devoutly fixed on her. Joanna Baillie and Maria Edgeworth were indeed far from courting publicity; they loved the privacy of their own families, one with her brother and sister in their Hampstead villa, the other in her more distant retreat in Ireland; but fame pursued them, and they were the favourite correspondents of Sir Walter Scott. Crabbe, who was usually buried in a country parish, yet sometimes visited London, and dined at Holland House, and was received as a fellow-poet by Campbell, Moore, and Rogers; and on one memorable occasion he was Scott’s guest at Edinburgh, and gazed with wondering eyes on the incongruous pageantry with which George IV. was entertained in that city. Even those great writers who hid themselves amongst lakes and mountains associated with each other; and though little seen by the world were so much in its thoughts that a new term, ‘Lakers,’ was coined to designate them. The chief part of Charlotte BrontË’s life was spent in a wild solitude compared with which Steventon and Chawton might be considered to be in the gay world; and yet she attained to personal distinction which never fell to Jane’s lot. When she visited her kind publisher in London, literary men and women were invited purposely to meet her: Thackeray bestowed upon her the honour of his notice; and once in Willis’s Rooms, {117} she had to walk shy and trembling through an avenue of lords and ladies, drawn up for the purpose of gazing at the author of ‘Jane Eyre.’ Miss Mitford, too, lived quietly in ‘Our Village,’ devoting her time and talents to the benefit of a father scarcely worthy of her; but she did not live there unknown. Her tragedies gave her a name in London. She numbered Milman and Talfourd amongst her correspondents; and her works were a passport to the society of many who would not otherwise have sought her. Hundreds admired Miss Mitford on account of her writings for one who ever connected the idea of Miss Austen with the press. A few years ago, a gentleman visiting Winchester Cathedral desired to be shown Miss Austen’s grave. The verger, as he pointed it out, asked, ‘Pray, sir, can you tell me whether there was anything particular about that lady; so many people want to know where she was buried?’ During her life the ignorance of the verger was shared by most people; few knew that ‘there was anything particular about that lady.’

It was not till towards the close of her life, when the last of the works that she saw published was in the press, that she received the only mark of distinction ever bestowed upon her; and that was remarkable for the high quarter whence it emanated rather than for any actual increase of fame that it conferred. It happened thus. In the autumn of 1815 she nursed her brother Henry through a dangerous fever and slow convalescence at his house in Hans Place. He was attended by one of the Prince Regent’s physicians. All attempts to keep her name secret had at this time ceased, and though it had never appeared on a title-page, all who cared to know might easily learn it: and the friendly physician was aware that his patient’s nurse was the author of ‘Pride and Prejudice.’ Accordingly he informed her one day that the Prince was a great admirer of her novels; that he read them often, and kept a set in every one of his residences; that he himself therefore had thought it right to inform his Royal Highness that Miss Austen was staying in London, and that the Prince had desired Mr. Clarke, the librarian of Carlton House, to wait upon her. The next day Mr. Clarke made his appearance, and invited her to Carlton House, saying that he had the Prince’s instructions to show her the library and other apartments, and to pay her every possible attention. The invitation was of course accepted, and during the visit to Carlton House Mr. Clarke declared himself commissioned to say that if Miss Austen had any other novel forthcoming she was at liberty to dedicate it to the Prince. Accordingly such a dedication was immediately prefixed to ‘Emma,’ which was at that time in the press.

Mr. Clarke was the brother of Dr. Clarke, the traveller and mineralogist, whose life has been written by Bishop Otter. Jane found in him not only a very courteous gentleman, but also a warm admirer of her talents; though it will be seen by his letters that he did not clearly apprehend the limits of her powers, or the proper field for their exercise. The following correspondence took place between them.

Feeling some apprehension lest she should make a mistake in acting on the verbal permission which she had received from the Prince, Jane addressed the following letter to Mr. Clarke:—

‘Nov. 15, 1815.

‘Sir,—I must take the liberty of asking you a question. Among the many flattering attentions which I received from you at Carlton House on Monday last was the information of my being at liberty to dedicate any future work to His Royal Highness the Prince Regent, without the necessity of any solicitation on my part. Such, at least, I believed to be your words; but as I am very anxious to be quite certain of what was intended, I entreat you to have the goodness to inform me how such a permission is to be understood, and whether it is incumbent on me to show my sense of the honour, by inscribing the work now in the press to His Royal Highness; I should be equally concerned to appear either presumptuous or ungrateful.’

The following gracious answer was returned by Mr. Clarke, together with a suggestion which must have been received with some surprise:—

‘Carlton House, Nov. 16, 1815.

‘Dear Madam,—It is certainly not incumbent on you to dedicate your work now in the press to His Royal Highness; but if you wish to do the Regent that honour either now or at any future period I am happy to send you that permission, which need not require any more trouble or solicitation on your part.

‘Your late works, Madam, and in particular “Mansfield Park,” reflect the highest honour on your genius and your principles. In every new work your mind seems to increase its energy and power of discrimination. The Regent has read and admired all your publications.

‘Accept my best thanks for the pleasure your volumes have given me. In the perusal of them I felt a great inclination to write and say so. And I also, dear Madam, wished to be allowed to ask you to delineate in some future work the habits of life, and character, and enthusiasm of a clergyman, who should pass his time between the metropolis and the country, who should be something like Beattie’s Minstrel—

Silent when glad, affectionate tho’ shy,
And in his looks was most demurely sad;
And now he laughed aloud, yet none knew why.

Neither Goldsmith, nor La Fontaine in his “Tableau de Famille,” have in my mind quite delineated an English clergyman, at least of the present day, fond of and entirely engaged in literature, no man’s enemy but his own. Pray, dear Madam, think of these things.

‘Believe me at all times with sincerity
and respect, your faithful and obliged servant,
‘J. S. Clarke, Librarian.’

The following letter, written in reply, will show how unequal the author of ‘Pride and Prejudice’ felt herself to delineating an enthusiastic clergyman of the present day, who should resemble Beattie’s Minstrel:—

‘Dec. 11.

‘Dear Sir,—My “Emma” is now so near publication that I feel it right to assure you of my not having forgotten your kind recommendation of an early copy for Carlton House, and that I have Mr. Murray’s promise of its being sent to His Royal Highness, under cover to you, three days previous to the work being really out. I must make use of this opportunity to thank you, dear Sir, for the very high praise you bestow on my other novels. I am too vain to wish to convince you that you have praised them beyond their merits. My greatest anxiety at present is that this fourth work should not disgrace what was good in the others. But on this point I will do myself the justice to declare that, whatever may be my wishes for its success, I am strongly haunted with the idea that to those readers who have preferred “Pride and Prejudice” it will appear inferior in wit, and to those who have preferred “Mansfield Park” inferior in good sense. Such as it is, however, I hope you will do me the favour of accepting a copy. Mr. Murray will have directions for sending one. I am quite honoured by your thinking me capable of drawing such a clergyman as you gave the sketch of in your note of Nov. 16th. But I assure you I am not. The comic part of the character I might be equal to, but not the good, the enthusiastic, the literary. Such a man’s conversation must at times be on subjects of science and philosophy, of which I know nothing; or at least be occasionally abundant in quotations and allusions which a woman who, like me, knows only her own mother tongue, and has read little in that, would be totally without the power of giving. A classical education, or at any rate a very extensive acquaintance with English literature, ancient and modern, appears to me quite indispensable for the person who would do any justice to your clergyman; and I think I may boast myself to be, with all possible vanity, the most unlearned and uninformed female who ever dared to be an authoress.

‘Believe me, dear Sir,
‘Your obliged and faithful hum^bl Ser^t.
‘Jane Austen.’ {122}

Mr. Clarke, however, was not to be discouraged from proposing another subject. He had recently been appointed chaplain and private English secretary to Prince Leopold, who was then about to be united to the Princess Charlotte; and when he again wrote to express the gracious thanks of the Prince Regent for the copy of ‘Emma’ which had been presented, he suggests that ‘an historical romance illustrative of the august House of Cobourg would just now be very interesting,’ and might very properly be dedicated to Prince Leopold. This was much as if Sir William Ross had been set to paint a great battle-piece; and it is amusing to see with what grave civility she declined a proposal which must have struck her as ludicrous, in the following letter:—

‘My dear Sir,—I am honoured by the Prince’s thanks and very much obliged to yourself for the kind manner in which you mention the work. I have also to acknowledge a former letter forwarded to me from Hans Place. I assure you I felt very grateful for the friendly tenor of it, and hope my silence will have been considered, as it was truly meant, to proceed only from an unwillingness to tax your time with idle thanks. Under every interesting circumstance which your own talents and literary labours have placed you in, or the favour of the Regent bestowed, you have my best wishes. Your recent appointments I hope are a step to something still better. In my opinion, the service of a court can hardly be too well paid, for immense must be the sacrifice of time and feeling required by it.

‘You are very kind in your hints as to the sort of composition which might recommend me at present, and I am fully sensible that an historical romance, founded on the House of Saxe Cobourg, might be much more to the purpose of profit or popularity than such pictures of domestic life in country villages as I deal in. But I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or at other people, I am sure I should be hung before I had finished the first chapter. No, I must keep to my own style and go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.

‘I remain, my dear Sir,

‘Your very much obliged, and sincere friend,
‘J. Austen.

‘Chawton, near Alton, April 1, 1816.’

Mr. Clarke should have recollected the warning of the wise man, ‘Force not the course of the river.’ If you divert it from the channel in which nature taught it to flow, and force it into one arbitrarily cut by yourself, you will lose its grace and beauty.

But when his free course is not hindered,
He makes sweet music with the enamelled stones,
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage:
And so by many winding nooks he strays
With willing sport.

All writers of fiction, who have genius strong enough to work out a course of their own, resist every attempt to interfere with its direction. No two writers could be more unlike each other than Jane Austen and Charlotte BrontË; so much so that the latter was unable to understand why the former was admired, and confessed that she herself ‘should hardly like to live with her ladies and gentlemen, in their elegant but confined houses;’ but each writer equally resisted interference with her own natural style of composition. Miss BrontË, in reply to a friendly critic, who had warned her against being too melodramatic, and had ventured to propose Miss Austen’s works to her as a study, writes thus:—

‘Whenever I do write another book, I think I will have nothing of what you call “melodrama.” I think so, but I am not sure. I think, too, I will endeavour to follow the counsel which shines out of Miss Austen’s “mild eyes,” to finish more, and be more subdued; but neither am I sure of that. When authors write best, or, at least, when they write most fluently, an influence seems to waken in them which becomes their master—which will have its way—putting out of view all behests but its own, dictating certain words, and insisting on their being used, whether vehement or measured in their nature, new moulding characters, giving unthought of turns to incidents, rejecting carefully elaborated old ideas, and suddenly creating and adopting new ones. Is it not so? And should we try to counteract this influence? Can we indeed counteract it?’ {126}

The playful raillery with which the one parries an attack on her liberty, and the vehement eloquence of the other in pleading the same cause and maintaining the independence of genius, are very characteristic of the minds of the respective writers.

The suggestions which Jane received as to the sort of story that she ought to write were, however, an amusement to her, though they were not likely to prove useful; and she has left amongst her papers one entitled, ‘Plan of a novel according to hints from various quarters.’ The names of some of those advisers are written on the margin of the manuscript opposite to their respective suggestions.

‘Heroine to be the daughter of a clergyman, who after having lived much in the world had retired from it, and settled on a curacy with a very small fortune of his own. The most excellent man that can be imagined, perfect in character, temper, and manner, without the smallest drawback or peculiarity to prevent his being the most delightful companion to his daughter from one year’s end to the other. Heroine faultless in character, beautiful in person, and possessing every possible accomplishment. Book to open with father and daughter conversing in long speeches, elegant language, and a tone of high serious sentiment. The father induced, at his daughter’s earnest request, to relate to her the past events of his life. Narrative to reach through the greater part of the first volume; as besides all the circumstances of his attachment to her mother, and their marriage, it will comprehend his going to sea as chaplain to a distinguished naval character about the court; and his going afterwards to court himself, which involved him in many interesting situations, concluding with his opinion of the benefits of tithes being done away with . . . . From this outset the story will proceed, and contain a striking variety of adventures. Father an exemplary parish priest, and devoted to literature; but heroine and father never above a fortnight in one place: he being driven from his curacy by the vile arts of some totally unprincipled and heartless young man, desperately in love with the heroine, and pursuing her with unrelenting passion. No sooner settled in one country of Europe, than they are compelled to quit it, and retire to another, always making new acquaintance, and always obliged to leave them. This will of course exhibit a wide variety of character. The scene will be for ever shifting from one set of people to another, but there will be no mixture, all the good will be unexceptionable in every respect. There will be no foibles or weaknesses but with the wicked, who will be completely depraved and infamous, hardly a resemblance of humanity left in them. Early in her career, the heroine must meet with the hero: all perfection, of course, and only prevented from paying his addresses to her by some excess of refinement. Wherever she goes, somebody falls in love with her, and she receives repeated offers of marriage, which she refers wholly to her father, exceedingly angry that he should not be the first applied to. Often carried away by the anti-hero, but rescued either by her father or the hero. Often reduced to support herself and her father by her talents, and work for her bread; continually cheated, and defrauded of her hire; worn down to a skeleton, and now and then starved to death. At last, hunted out of civilised society, denied the poor shelter of the humblest cottage, they are compelled to retreat into Kamtschatka, where the poor father quite worn down, finding his end approaching, throws himself on the ground, and after four or five hours of tender advice and parental admonition to his miserable child, expires in a fine burst of literary enthusiasm, intermingled with invectives against the holders of tithes. Heroine inconsolable for some time, but afterwards crawls back towards her former country, having at least twenty narrow escapes of falling into the hands of anti-hero; and at last, in the very nick of time, turning a corner to avoid him, runs into the arms of the hero himself, who, having just shaken off the scruples which fettered him before, was at the very moment setting off in pursuit of her. The tenderest and completest Éclaircissement takes place, and they are happily united. Throughout the whole work heroine to be in the most elegant society, and living in high style.’

Since the first publication of this memoir, Mr. Murray of Albemarle Street has very kindly sent to me copies of the following letters, which his father received from Jane Austen, when engaged in the publication of ‘Emma.’ The increasing cordiality of the letters shows that the author felt that her interests were duly cared for, and was glad to find herself in the hands of a publisher whom she could consider as a friend.

Her brother had addressed to Mr. Murray a strong complaint of the tardiness of a printer:—

‘23 Hans Place, Thursday, November 23 (1815).

‘Sir,—My brother’s note last Monday has been so fruitless, that I am afraid there can be but little chance of my writing to any good effect; but yet I am so very much disappointed and vexed by the delays of the printers, that I cannot help begging to know whether there is no hope of their being quickened. Instead of the work being ready by the end of the present month, it will hardly, at the rate we now proceed, be finished by the end of the next; and as I expect to leave London early in December, it is of consequence that no more time should be lost. Is it likely that the printers will be influenced to greater dispatch and punctuality by knowing that the work is to be dedicated, by permission, to the Prince Regent? If you can make that circumstance operate, I shall be very glad. My brother returns “Waterloo” with many thanks for the loan of it. We have heard much of Scott’s account of Paris. {130} If it be not incompatible with other arrangements, would you favour us with it, supposing you have any set already opened? You may depend upon its being in careful hands.

‘I remain, Sir, your ob^t. humble Se^t.
‘J. Austen.’

‘Hans Place, December 11 (1815).

‘Dear Sir,—As I find that “Emma” is advertised for publication as early as Saturday next, I think it best to lose no time in settling all that remains to be settled on the subject, and adopt this method as involving the smallest tax on your time.

‘In the first place, I beg you to understand that I leave the terms on which the trade should be supplied with the work entirely to your judgment, entreating you to be guided in every such arrangement by your own experience of what is most likely to clear off the edition rapidly. I shall be satisfied with whatever you feel to be best. The title-page must be “Emma, dedicated by permission to H.R.H. the Prince Regent.” And it is my particular wish that one set should be completed and sent to H.R.H. two or three days before the work is generally public. It should be sent under cover to the Rev. J. S. Clarke, Librarian, Carlton House. I shall subjoin a list of those persons to whom I must trouble you to forward also a set each, when the work is out; all unbound, with “From the Authoress” in the first page.

‘I return you, with very many thanks, the books you have so obligingly supplied me with. I am very sensible, I assure you, of the attention you have paid to my convenience and amusement. I return also “Mansfield Park,” as ready for a second edition, I believe, as I can make it. I am in Hans Place till the 16th. From that day inclusive, my direction will be Chawton, Alton, Hants.

‘I remain, dear Sir,

‘Y^r faithful humb. Serv^t.
‘J. Austen.

‘I wish you would have the goodness to send a line by the bearer, stating the day on which the set will be ready for the Prince Regent.’

‘Hans Place, December 11 (1815).

‘Dear Sir,—I am much obliged by yours, and very happy to feel everything arranged to our mutual satisfaction. As to my direction about the title-page, it was arising from my ignorance only, and from my having never noticed the proper place for a dedication. I thank you for putting me right. Any deviation from what is usually done in such cases is the last thing I should wish for. I feel happy in having a friend to save me from the ill effect of my own blunder.

‘Yours, dear Sir, &c.
‘J. Austen.’

‘Chawton, April 1, 1816.

‘Dear Sir,—I return you the “Quarterly Review” with many thanks. The Authoress of “Emma” has no reason, I think, to complain of her treatment in it, except in the total omission of “Mansfield Park.” I cannot but be sorry that so clever a man as the Reviewer of “Emma” should consider it as unworthy of being noticed. You will be pleased to hear that I have received the Prince’s thanks for the handsome copy I sent him of “Emma.” Whatever he may think of my share of the work, yours seems to have been quite right.

‘In consequence of the late event in Henrietta Street, I must request that if you should at any time have anything to communicate by letter, you will be so good as to write by the post, directing to me (Miss J. Austen), Chawton, near Alton; and that for anything of a larger bulk, you will add to the same direction, by Collier’s Southampton coach.

‘I remain, dear Sir,

‘Yours very faithfully,
‘J. Austen.’

About the same time the following letters passed between the Countess of Morley and the writer of ‘Emma.’ I do not know whether they were personally acquainted with each other, nor in what this interchange of civilities originated:—

The Countess of Morley to Miss J. Austen.

‘Saltram, December 27 (1815).

‘Madam,—I have been most anxiously waiting for an introduction to “Emma,” and am infinitely obliged to you for your kind recollection of me, which will procure me the pleasure of her acquaintance some days sooner than I should otherwise have had it. I am already become intimate with the Woodhouse family, and feel that they will not amuse and interest me less than the Bennetts, Bertrams, Norrises, and all their admirable predecessors. I can give them no higher praise.

‘I am, Madam, your much obliged
‘F. Morley.’

Miss J. Austen to the Countess of Morley.

‘Madam,—Accept my thanks for the honour of your note, and for your kind disposition in favour of “Emma.” In my present state of doubt as to her reception in the world, it is particularly gratifying to me to receive so early an assurance of your Ladyship’s approbation. It encourages me to depend on the same share of general good opinion which “Emma’s” predecessors have experienced, and to believe that I have not yet, as almost every writer of fancy does sooner or later, overwritten myself.

‘I am, Madam,

‘Your obliged and faithful Serv^t.
‘J. Austen.’

‘December 31, 1815.’