THE ADVENTURES OF SIMON AND SUSANNA

1. What is the advantage of having the two characters,—Uncle Remus and the little boy?

2. What makes the introduction effective?

3. What advantages are gained by the little boy’s criticisms?

4. Show how the story maintains its interest.

5. What character distinctions are made in the story?

6. Show how the story is made harmonious in every detail.

7. Write a story in which you present an ignorant man of some familiar type telling to a neighbor an exaggerated story founded on a somewhat ordinary event.

THE CROW CHILD

1. Show that the language of The Crow Child is superior to the language of The Adventures of Simon and Susanna.

2. What distinctly literary effects does the author produce?

3. Make a list of the words by which the author prepares the reader for Ruky’s transformation.

4. What is the purpose of the story?

5. Make an outline that will show the principal divisions of the story.

6. Show that every division of the story is necessary.

7. Write an original story in which you transmute a real experience into a wonder story with a moral effect.

THE SOUL OF THE GREAT BELL

1. How does the story show itself to be a legendary tale?

2. How is the simple story given movement and force?

3. Show how the interest is focussed on the bell rather than on the girl.

4. How does the author make the various sounds of the bell effective in the story?

5. Point out the poetic elements in the story.

6. Write, in poetic form, some legend of America, “The Indian Bride of Niagara,” for example.

1. Show in what way the story is highly condensed.

2. Expand any part of the story into the full form it might have if not told in the form of a fable.

3. How might the story have been told differently if it had not aimed at a moral?

4. When is it of advantage to write fables?

5. Write an original fable, no longer than The Ten Trails, about high school students.

WHERE LOVE IS, THERE GOD IS ALSO

1. Make an outline that will show the structure of the story.

2. Why did the author have Avdeitch help more than one person?

3. Show how the use of realistic detail helps the story.

4. What characteristics make the story interesting?

5. Make a list of the epigrammatic expressions that occur in the story. How do they add to the effect?

6. What is the principal lesson taught by the story?

7. Compare this story with Eliot’s Silas Marner, Leigh Hunt’s Abou Ben Adhem, Lowell’s The Vision of Sir Launfal, Longfellow’s The Legend Beautiful, and Henry Van Dyke’s The Other Wise Man.

8. Write an allegorical story of some length, using realistic characters from daily life, leading to an effective climax, and presenting a high ideal of conduct.

WOOD LADIES

1. Point out the different steps in the action.

2. What different persons take up the search? What is the effect of the constant additions to the number of searchers?

3. Why did the author have little children, five and seven years old, play principal parts?

4. Trace the emotions of the mother from the beginning of the story.

5. How did the mother, at different times, explain the child’s absence?

6. Why does the author narrate nothing that is impossible?

7. Point out passages that suggest the supernatural.

8. Tell the story of the little girl in the “greeny sort of dress.”

9. What is the effect of the setting? What gives occasional relief from the setting and thereby emphasizes it all the more?

10. How does the style of the story add to the effect?

11. Show in what ways the story expresses delicate fancy.

12. What is the truth of the story?

13. Write an original story of supernatural beings, using suggestion rather than statement, and avoiding harsh and horrifying events.

ON THE FEVER SHIP

1. Show the steps by which the author makes us realize the soldier’s mental condition. His physical condition.

2. By what means does the author present the setting? The principal plot elements?

3. What previous events are indicated but not told? Why are they merely indicated?

4. Trace the steps by which we are led into full sympathy with the love story.

5. What means does the author take to increase the interest of the story as it nears the end?

6. Characterize the different subordinate characters introduced in the story. Tell why every one is introduced.

7. Show that the ending of the story is entirely appropriate. How is it made emphatic?

8. Write a story in which you show the moving effect of any deep love, such as love for parents, brothers, sisters, or children; or else write a somewhat restrained story of romantic love.

A SOURCE OF IRRITATION

1. What effect is given by the question: “Well, uncle, is there any noos?” at the beginning and at the ending of the story?

2. Show how the character of old Sam Gates is essential in the story.

3. Show how every part of the story is possible and probable.

4. Why did the aviator take Sam Gates with him?

5. Point out the characteristics of Sam’s captors.

6. Show that Sam’s character and actions are consistent.

7. Show that realism and local color give important contributions to the story.

8. How is Sam unknowingly made an important person? What is the value of this importance as a part of the story?

9. Why should Sam so quietly resume work on his return home?

10. Write a story in which some person of quiet, secluded life is suddenly placed in an unusual setting and in unusual circumstances.

1. Point out all that contributes to local color.

2. Point out all that shows ultimate knowledge of elephants.

3. Show how the author has made the work humorous.

4. Show that the story has a definite course of action that leads to a climax.

5. Show in what ways the story is highly original.

6. Write an original story in which you use local color as a background for a story of animal life. You may write about a horse, or cat, or dog, but in any case you must make your story have action and lead to climax.

GULLIVER THE GREAT

1. What advantage is gained by having the story told in the club?

2. How is the dog made the central figure?

3. What is the climax of the story?

4. Give the steps in the presentation of the dog’s character.

5. Tell how we are made to sympathize with the dog.

6. What suggestive effect is gained at the end of the story?

7. Write a story in which you awaken sympathy for some dumb animal by suggesting that it has almost human emotions.

SONNY’S SCHOOLIN’

1. What is the advantage of the monologue form?

2. How is conversation indicated?

3. Point out the separate incidents that make up the story.

4. What advantage is gained by the use of dialect?

5. Point out elements of goodness in Sonny.

6. What is the character of the father? How is it presented?

7. Tell why Miss Phoebe Kellog’s school was superior to all the others.

8. Show in what way the author has produced humorous effects.

9. Write an original story in which you tell what happened to Sonny when he came to your school.

HER FIRST HORSE SHOW

1. Why does the author introduce us to his characters in the midst of the horse show?

2. How does the author, in the beginning of the story, make the situation entirely clear?

3. What speeches and actions in the early part of the story serve to make the action in the latter part of the story seem natural?

4. How is the girl’s daring act emphasized?

5. In what ways does the author make it seem probable that the girl could gain opportunity to ride the high-spirited horse at the horse show?

6. Show in what ways the conclusion is particularly effective.

7. Write an original story concerning a school athletic meet or contest in which one of the students, by unexpected skill and courage, wins the day.

MY HUSBAND’S BOOK

1. What is the character of the husband (a) as seen by himself? (b) as seen by the wife? (c) as seen by the reader?

2. What is the character of the wife?

3. What produces the humor of the story?

4. What is the advantage of having the wife so slow to see her husband’s real weakness?

5. What is the effect of the last sentence?

6. At what is the satire directed?

7. Write an original story in which you satirize, in a kindly manner, some common failing in high school boys or girls.

WAR

1. How are we made to sympathize with the young man?

2. What is the effect of the detailed description?

3. How is the emotion of the story presented?

4. How does the author make the story increase in emphasis?

5. Why is the incident of the apples introduced?

6. Why is “the man with the ginger beard” brought into the story?

7. What impression does the story leave upon the reader?

8. Write a story in which you arouse indignation at some great world evil by making the reader realize its effect on one individual.

THE BATTLE OF THE MONSTERS

1. What is the purpose of the physician’s notes at the beginning and at the ending of the story?

2. Show how the author has given story-interest to scientific material.

3. Point out the characteristics of the different characters.

4. Trace the development of the story to its climax.

5. By what means does the author make his scientific material clear?

6. How does the author arouse our sympathy?

7. Point out the ways in which this story differs from most others.

8. Write an original story in which you turn some scientific information into story form by making definite characters perform a series of actions that lead to a climax. You may choose something as simple as the pumping of water from a well, the action of electricity in lighting a lamp, or the burning of a piece of coal.

A DILEMMA

1. Point out all the ways in which the author prepares for the puzzle at the end of the story.

2. Show in what way the author makes the story seem reasonable.

3. Show in what way character description adds to the interest of the story.

4. How does the author emphasize the puzzle?

5. Write a sequel to the story, giving a solution for opening the box, but leading to a new problem as difficult as the first.

THE RED-HEADED LEAGUE

1. How does the opening lead one to think the story has unusual interest?

2. Show how the author manages to keep the mystery to the end.

3. Outline the parts of the story.

4. Point out touches of unusual originality.

5. What are the characteristics of Sherlock Holmes?

6. What is the author’s method in telling the story?

7. Show how the author uses conversation.

8. Write an original story involving mystery, leading, with sufficient action, to a climax, and depending upon the use of deductive reasoning.

ONE HUNDRED IN THE DARK

1. Point out the advantages derived from the setting.

2. How much of the story depends upon character?

3. What is your opinion of the literary theories presented?

4. How does this story differ from A Dilemma?

5. How many separate stories are contained in One Hundred in the Dark?

6. Give the several possible solutions of the principal story.

7. What part did Peters play in the principal story?

8. Of what value are the hearers’ comments on the story?

9. How does the story differ from most other stories?

10. Write a story of school life, presenting a problem capable of several solutions, but leaving the reader to make the final solution.

A RETRIEVED REFORMATION

1. Show in what way the first few paragraphs give an unusual amount of information in small space.

2. What is our first impression of Jimmy Valentine?

3. What are Jimmy Valentine’s good characteristics as seen in the early part of the story?

4. What are the characteristics of Ben Price?

5. By what method does the author give the characteristics of the minor characters?

6. How do you account for Jimmy Valentine’s reformation?

7. How did Ben Price find where Jimmy Valentine lived?

8. How does the author give the impression of a contest?

9. Why did Jimmy Valentine ask for Annabel’s rose?

10. What forces are brought into full play at the end of the story?

11. Why do we admire both Ben Price and Jimmy Valentine?

12. Write an original story in which you show the full establishment of naturally good characteristics, and the development of a spirit of sacrifice. Make your story rise to a surprising conclusion.

BROTHER LEO

1. In what way is the style appropriate to the theme?

2. Show how the author has gained unity.

3. What makes the story seem true to life?

4. How does Brother Leo differ from other men?

5. What ideals does the story present?

6. Why did the author make the events of the story so simple?

7. Write a character study of some person who has unworldly ideals,—an old lady, a sister of charity, a member of the Salvation Army, a missionary, or a devoted scientist.

A FIGHT WITH DEATH

1. What advantage is gained by the use of dialect?

2. How is the story made to appeal to our sympathies?

3. How is the country doctor made heroic?

4. Point out all the ways in which the doctor’s character is emphasized.

5. How much of the worth of the story is due to local color?

6. Point out examples of pathos; of humor. Why have both been used?

7. Write a story of heroism in ordinary life. Use the slang, or the dialect of daily life as you have actually heard it, as a means of increasing the effect. Be sure to make your story tell of action as well as of character. Make it rise to a climax.

THE DÀN-NAN-RÒN

1. Why is personal appearance emphasized in the beginning of the story?

2. Point out examples of poetic fancy.

3. Show how the author’s style of writing contributes to the effect the story produces.

4. Show how great a part belief in the supernatural is made to play.

5. How much of the story depends upon character?

6. What is the effect of the verse?

7. What keeps the story from being merely sensational?

8. What part does madness play in the story?

9. What is the author’s purpose in using so much Gaelic?

10. Show in what ways the story is true to ordinary mental action.

11. How do you account for all the events that take place?

12. How does the author give the strong atmospheric effects?

13. In what ways is the story unusual?

14. What gives the story its great power?

15. How does the story affect you?

16. Write an original story in which you make conscience play a great part, especially when spurred on by superstitious fears.