"I'm not a bit blasÉ," remarked Helena, "but I'd like to be engaged for a change—not to last, of course. Only I can't make up my mind which of the four; and whichever I choose the other three will be so disagreeable. If I could only let them know I didn't mean it,—at least wouldn't later,—but that would never do, because I shouldn't enjoy myself unless I really thought I was in earnest. Besides, I haven't been able to fall in love with any of them yet." "You don't really mean what you say when you talk that way, do you, Helena?" asked MagdalÉna, with much concern. "It would be so—so unprincipled; and I can't bear to think that of you." "But, 'LÉna dearest, I should be in earnest for the time being; I'm just talking from the outside, as it were. At the time I should think I really meant it. Otherwise I'd be bored to death, and the engagement wouldn't last five minutes after I was. I'm simply wild to fall in love, if only to see what it's like. You won't tell me; anyhow, I don't think that would satisfy all my curiosity if you did. I wish some new man would come along." "Alan Rush is charming." "He's too much in love with me." "Mr. Fort keeps your wits on the jump." "My wits are in my brain, not my heart." "Mr. Howard?" "He has so much tact that he has no sincerity." "There is still Mr. Webster." "Poor Dolly!" "What do you want?" Helena was moving restlessly about her boudoir,—a bower of pearl-grey embroidered with wild roses, in which she reclined luxuriously when free from social duties, and improved her mind. A volume of Motley lay on the floor. Walter Pater's "Imaginary Portraits" was slipping off the divan, and there was a pile of Reviews on the table. She was biting the corner of a volume of Herrick. "I haven't any ideal, if that's what you mean. I think it would have to be a man of the world, for conversation so soon gives out with the men of this village. Mr. Fort takes refuge in epigrams. If I married—became engaged to him—I should feel as if I were living on pickles. I think that one reason why Alan Rush and Mr. Howard are so determined to make love to me is because they have nothing left to talk about." "You've told me twice what you don't want, but you don't seem to know what you do. 'A man of the world' is not very definite." "No; he must be capable of falling violently in love with me, and at the same time not make himself ridiculous; to keep his head except when I particularly want him to lose it. Of course I want to inspire a grand passion as well as to feel one, but I don't want to be surrounded by it; and the first time he looked ridiculous would be the last of him as far as I was concerned. I might be in the highest stages of the divine passion, and that would cure me." "Well! is that all? Some men could not be ridiculous if they tried." "You are thinking of Mr. Trennahan, of course. If he did, I do believe you wouldn't see it. But I should; I have a hideous sense of the ridiculous. Well, lemme see. He must have read and travelled and thought a lot, so that he would know more than I, and I could look up to him; also that subjects of conversation would not give out. The platitudes of love! That would be fatal." "I don't believe they ever sound like platitudes." "Hm! I won't undertake to discuss that point, knowing my limitations. What next? He must have suffered. That gives a man weight, as the sculptors say. My quartette will be much more interesting to the next divinity than they are to me. Then of course he must have charming manners and an agreeable voice: I could not stand the brain of a Bismark in the skull of an Apollo if he had a nasal American voice. I believe that's all. I'm not so particular about looks, so long as he's neither small nor fat." "And if you found all that wouldn't you marry it?" "N-o-o—I don't know—but I'd be engaged a good long time. You see I want to be a belle for years and years." "And what is to become of the poor men when you are through with them?" "Oh, they'll get over it. I shall. Why shouldn't they?" "I thought you said once you wanted to marry a statesman." "Sometimes I do, and sometimes I don't. I'll consider that question ten years hence. I want to be a perfectly famous belle first." "You are that already." "Oh, I must have a season in New York, and another in Washington, and another in London. The gods have given me all the gifts, and I intend to make the most of them. Now let's read a chapter of Motley out loud, and if I jump off to other things you jerk me back. Let's finish Pater, though. It's like lying under a cascade of bubbles on a hot summer's day. My brains are addled between trying to be well read and trying to keep four men from proposing. You read aloud, and I'll brush my hair. No, I'll embroider on papa's mouchoir case; I've been at it for thirteen months. Oh, by the bye, I didn't tell you that I had a brilliant idea. It darted into my head just as I was dropping off last night. I forgot to speak about it to papa this morning, but I will to-night. It's this: I'm going to give a ball at Del Monte. Take everybody down on a special train. Don't you think it will be a change? The spring has come so early that we can have the grounds lit up with Chinese lanterns; and there may be some Eastern men there. There often are. So much the better for my ball—and me. Now read." |