On the afternoon of the last day of school several of the girls decorated the hall with garlands and flags. Carpenters erected a stage, and Patience arranged the “properties.” When the great night arrived and Monterey in its best attire crowded the room, no curtain in the sleepy town had ever been regarded with more complacent expectation. The MontereÑas were thoroughly satisfied with their offspring, and performances of any sort were few.

The programme was opened by Manuela, who wore an old pink satin frock of her mother’s cut short and trimmed with a flounce of Spanish lace. Her brown shining face looked good will upon all the world as she recited “The Wreck of the Hesperus.” Then came a dialogue in which all the little participants wore white frocks and crimped hair.

Meanwhile, in the dressing-room, Rosita was limp in Patience’s arms.

“Oh, Patita!” she gasped, “I can’t! I can’t! I’m frightened to death! What shall I do?”

“Do?” cried Patience, angrily, who was so excited herself that she pumped Rosita’s arms up and down as if the unfledged Thespian had just been rescued from the bay. “Do? You must brace up. When you get there you’ll be all right. And you must not get stage fright. Rosita, you must make a success. Remember you’ve got the star part. Don’t, don’t make a fool of yourself.”

“Oh, if you could only hold my hand,” wailed Rosita.

“Well, I can’t, and that’s the end of it. Now! brace up quick.” The prompter was calling in a loud whisper,—

“Miss Thrailkill, be ready when I say, ‘Life.’”

“Ay, dios de mi alma,” almost sobbed Rosita.

Patience dragged her to the wings and held her there. When the cue was spoken she gave her a hard pinch, then a shove. Rosita gasped and disappeared.

Patience slipped round into the audience, her heart in her throat, her eyes black with excitement. If Rosita broke down she felt that she should have hysterics.

At first Rosita had nothing to say. Upon entering she had merely to fling herself upon a divan in an indolent attitude whilst the others carried on a spirited dialogue. Patience saw that she had managed to get to the sofa without falling prone, but also observed that her bosom was heaving. Nevertheless, when her time came she managed to drawl her lines, although with as little expression as she told her rosary. Patience stamped her foot audibly.

But as the play progressed it was evident that Rosita was recovering her poise. When she finally had to come forward she moved with all the indolent grace of her blood, and delivered her little speech with such piquant fire that the audience applauded loudly. And with that clatter of feet and hands a new light sprang into the Spanish girl’s eyes, an expression half of surprise, half of transport. From that time on she acted in a manner which astonished even her instructor.

She looked exquisitely pretty. Her white rounded neck and arms were bare. Her black soft hair hung to her knees, unbound, caught back above one little ear with a pink rose. Her dress was of black Spanish lace covered with natural roses. On her tiny feet she wore a pair of black satin slippers which had belonged to her grandmother and twinkled many a time to the music of El Son.

When, upon being twitted with her indolence, she suddenly sprang to the front of the stage, and after singing an old Spanish love-song to the music of her own guitar, danced El Son with all the rhythmic grace of the beautiful women of the old gay time, she was no longer an actress but an impersonator. The more the delighted audience applauded the more poetically she danced, the more significantly her long eyes flamed. Once when the applause deafened she swayed as if intoxicated. As the dance finished, her red lips were parted. She was panting slightly.

When the curtain fell Patience rushed into the dressing-room and embraced her rapturously. “Rosita!” she cried, “you were simply, mag-nif-icent.”

Rosita, who was trembling violently, hung about Patience’s neck.

“Oh, Patita!” she gasped. “I was in heaven. I never was so happy. You don’t know what it is to have a hundred people thinking of nothing but you and applauding as if they were mad. Oh, I’m going to act, act, act forever! I never want to do anything else. And isn’t my skin white? I wish I had two necks and four arms.”