The publishers of this interesting volume do not conceive that it requires an elaborate introduction to the reading public. Some brief remarks, however, may not be inappropriate as a preface to THE MAGICIAN'S OWN BOOK, since the "black art," as in lessen lightened ages the practice of all these innocent and interesting feats was termed, is not yet as popularly understood in this country as it is abroad. There is a charm in legerdemain, or sleight of hand, that all, whether young or old, can readily appreciate. There is a mystery in it that piques the understanding as well as provokes the curiosity of the spectator. If the trick be executed with address, it excites our admiration; and the simpler it appears, the more it engages our fancy and fascinates our attention. And it is not only when we are mystified in public, cajoled in great saloons, and in the presence of crowds, that these effects are developed. They are called forth by the performances even of some humble artist in the family circle, whose ingenuity of mind has enabled him to gather up the more available of these practical puzzles. It would seem, therefore, a useful thing to place this source of harmless amusement within the reach of all who can relish its eccentricities, and instead of leaving it in the hands of "professors," as a pecuniary speculation, to enable the domestic group to master and enjoy it in all its ever-varying phases of novelty and gratification. To do this is what the publishers propose in the issue of this volume; and they flatter themselves, that if carefully studied, it will prepare the Young Conjuror to convert the parlor, at any desirable moment, into a place of genuine entertainment for himself and his companions, and ample repay him for the little time and thought he may devote to the acquisition of the necessary skill and dexterity.

Sleight of hand, magic, necromancy, &c., are all terms of art applicable to the same series of performances. The parlor student, therefore, once familiar with the general principles upon which these "experiments" are effected, will find little difficulty in comprehending at a glance, notwithstanding all the show of gorgeous paraphernalia and auxiliary machinery employed, the modus operandi of every one of them he may witness in public. This will be a new source of pleasure to him, independent of his ability to turn "Conjuror" on his own account at home. Nor can we well conceive of any rational objection likely to be urged against a kind of knowledge, so unimpeachable in its nature, and so mirth provoking in its results. Acting Charades are common, even among the most fastidious families. Enigmas and puzzles, in pantomime and speech, afford innoxious amusement to thousands. The publishers only consider THE MAGICIAN'S OWN BOOK a new addition to the current list of entertainments of that character; for what is a sleight of hand feat but an enigma placed before the spectator for solution? What is a trick in "natural magic" but a puzzle repeated to those who behold it, each one of whom is tacitly expected to guess how it is accomplished, while the little practitioner only holds the key to the mystery? In truth, the parlor needs some increase in its means of social amusement. The number it embraces is extremely limited. They soon weary. This weariness creates an appetite for outside attractions, not always wholesome, and too often insidiously pernicious. THE MAGICIAN'S OWN BOOK nicely fills up, therefore, the void in the category of parlor recreations. It may be made to present an ever-changing, always tempting, stay-at-home inducement, and in this shape becomes a moral assistant of no unimportant description, as well as the piquant source of good humored bamboozlement.

In conclusion we would say, that the THE MAGICIAN'S OWN BOOK contains a great variety of curious tricks and deceptions, many of which have never before appeared in print, and for many of which the publishers beg to acknowledge their indebtedness to Mr. John Wyman, Junior, the celebrated magician, that gentleman having kindly furnished clear and simple explanations to many of his most surprising parlor feats and fancies.