(From Ladies’ Realm Magazine.) The Great Druidical Temple, or (as some hold) Phoenician Observatory, composed of gigantic, beautifully-coloured, hewn stones, stands in the middle of Salisbury Plain. These stones have been measured, counted, defaced, praised, depreciated, commented upon, by numerous authorities on countless occasions, but (to my knowledge) no account of their poetical and picturesque aspects, at different seasons of the year, has been attempted. I shall feel satisfied if I succeed in conveying feebly in words what David Cox (the artist) did ably in colours, with his glowing brush. I do not propose to enter into any statistics, as to the “Market value of Stonehenge to the nation,” or to tell you the number of There is always a constant surprise and delight to me in the manner in which Stonehenge bursts upon one, approach it as one may, from various points across the undulating Plain which surrounds it. Starting upon one’s “Pilgrim’s Path” to visit it, from any side, at first there is nothing to be seen but the crisp crackling grass underfoot, and the white glittering roads; then, as one advances nearer, unexpectedly, dark, mysterious forms seem to start up, which gradually shape themselves into the incompleted circle we call “Stonehenge.” The late spring, and early summer, are enchanting periods; myriads of starry white flowers, and gorgeous yellow and blue ones, wave together with a glowing harmony of colour, as they are swayed by soft breezes, whilst a “Hallelujah Chorus” of skylarks sing overhead, making the air full of scent and sound. In this setting, the old stones seem all yellow and grey in the brilliant sunshine. Picturesque shepherds, wrapped in their great dark-blue cloaks, appear upon the horizon; tinkling sheep bells are heard, reminding one of the Roman Campagna; evening falling, brings a sense of peace and stillness, chimes from the old Church at Amesbury float across the valley. The light comes and goes, and the world seems far away. Stonehenge and a Great Trilithon * * * * * To my mind the magic of Stonehenge is never more powerfully felt than during the wild, tempestuous autumnal gales, that usually sweep across the Plain in October. Great clouds roll above, enfolding the circle in a shadowy purple mantle, sometimes tipped with gold. Thoughts rise up suddenly, of the many tragedies, feasts, sacrifices, mysterious rites that must have been enacted here in far-off bygone days. One wonders if beautiful golden-haired Guinevere passed this way, on her flight to safety, at the Convent at “Ambresbury” (the Land of Ambrosius), or if sad King Arthur tarried there on his lonely homeward journey? Florence Caroline Mathilde Antrobus. In approaching’ the momentous and deeply interesting subject of Stonehenge, I considered it best and wisest to collect the thoughts and opinions of several learned authors on this subject, and submit them to the reader, who thus will have an opportunity of comparing for himself the truth and merits of the different theories presented to him for judgment. Various explanations of the name “Stonehenge” have been forthcoming; but the true etymological significance seems to be: A.S. “StÀn,” used as an adjective, and “henge,” from A.S. “hÒn” i.e., stone hanging-places, from the groups of stones resembling a gallows. This was long ago suggested by Wace, the Anglo-Norman poet, who writes:—
As to the date of Stonehenge, opinions vary. It is supposed HecatÆus (500 B.C.) mentioned it as the “Round HecatÆus, the Milesian, and others, have handed down to us the following story:—“Over against Gaul, in the great ocean stream, is an island not less in extent than Sicily, stretching towards the north. The inhabitants are called Hyperboreans, because their abode is more remote from us than that wind we call Boreas. It is said that the soil is very rich and fruitful, and the climate so favourable that there are two harvests in every year. Their fables say that Latona was born in this island, and on that account they worship Apollo (Apollo would signify the sun to the Latins) before all other divinities, and celebrate his praise in daily hymns, conferring the highest honours upon their bards, as being his priests. There is in this island a magnificent temple to this god, circular in form, and adorned with many splendid offerings. And there is also a city sacred to Apollo, inhabited principally by harpers, who in his temple sing sacred verses to the god, accompanied by the harp, in honour of his deeds. “The language of the Hyperboreans is peculiar, and they are singularly well affected towards the Greeks, and have been so from the most remote times, especially to those of Athens and Delos. It is even said that some Greeks have travelled thither, and presented offerings at their temple inscribed with Grecian characters. They also say that Abaris in former times went thence to Greece, to renew their ancient friendship with the Delians. It is related, moreover, that in this island the moon appears but a short way from the earth, and to have little hills upon it. Once in nineteen years (and this period is what we call the Great Year) they say that their god visits the island; and from the Vernal Equinox to the rising of the Pleiades, all the night through, expresses his satisfaction at his own exploits by dances and by playing on the harp. “Both the City and the Temple are presided over by the Boreadoe, the descendants of Boreas, and they hand down the power in regular succession in their family.” The first author who is considered to make unmistakable mention of Stonehenge is Henry of Huntingdon (twelfth century). In his Chronicle he speaks of it as the second Among more modern authors, may be quoted Sir Philip Sidney’s lines:—
Then Wharton’s sonnet:—
To descend to prose. Langtoft, in his Chronicle, says:—“A wander wit of Wiltshire, rambling to Rome, to gaze at antiquities, and there screwing himself into the company of antiquarians, they entreated him to illustrate unto them that famous monument in his country called Stonage. His answer was that he had never seen it. Whereupon they kicked him out of doors, and bade him go home and see Stonage.” The immortal Pepys says the stones are “as prodigious as The archÆologist, Mr. Edmund Story Maskelyne, fixes the date of Stonehenge at 900 or 1000 B.C. I quote what he says from a lecture, read 1897, “On the Age and Purpose of Stonehenge”:—
Mr. Story Maskelyne’s reasons for his theory that Stonehenge was built by the Phoenicians are as follows:—
Mr. Story Maskelyne considers the Greeks reformed the Temple later on. “Within 500 years of the latest of the above-mentioned dates the Phoenician or Tyrian Empire had ceased to exist, and her numerous colonies had been absorbed by the nationalities surrounding them. About B.C. 400 the Greeks supplanted the Phoenicians in their trade with Britain, and probably for some time continued to use the same mart and sea route the latter had used—we may assume from Cherbourg to Poole or Christchurch, whence they bore away the tin in their coracles from Cornwall. Now commenced a new era for Stonehenge. It must have been a noted Temple, and I cannot doubt that HecatÆus did allude to it as cited by Strabo, when he The stone and flint implements discovered at Stonehenge during the excavations in 1902 |