The Equestrian Pantomime, Little Red Riding Hood.

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The latest addition to the varied attractions of Mr. Myers’ establishment has been a gorgeous spectacular pantomime on the subject of Little Red Riding Hood (Le Petit Chaperon Rouge), which was produced in Paris in April last, at a preliminary outlay of 120,000 francs, and which forms one of the most striking features of the Crystal Palace performances. The charming little story of Perrault has been ingeniously adapted to the equestrian resources of Mr. Myers’ hippodrome. The pantomime opens with a pretty ballet, in which the fairy Good Heart and her attendant fays take part. Little Red Riding Hood next appears, with her basket, and is surprised by the wolf, but is for the time being saved from danger by the appearance of a host of little hunters, whose horns terrify the savage beast, and who chase him on their tiny ponies till they unfortunately lose his track. The wolf then slays and devours the grandmother, and disguises himself in her dress to deceive more effectually his intended victim; but she is saved, of course, by the entrance of the young prince, who captures the wolf, and encloses him with some trouble in a great cage. A grand bal champÊtre follows, given by the fairy Good Heart in honour of Little Red Riding Hood. The circus is transformed into a garden, with copses, alleys, flowers, tended by little gardeners. Little Red Riding Hood, transformed by the fairy into a princess, appears; guests of all nations, and all classes of society, arrive, in appropriate dresses.

Distinguished Orientals, comprising the Shah of Persia and Chinese and Japanese ambassadors, are intermingled with dukes and duchesses, marquises and marchionesses, of the Western world. Waltzes, quadrilles, and galops are the order of the day. A skipping-rope dance by Little Red Riding Hood succeeds, in which time is kept to the music with wonderful precision and exquisite grace. Now appear the gala chariots, to convey away the prince and princess. A procession of miniature chariots, richly gilded, each bearing two footmen, sumptuously dressed and heavily powdered, are drawn in, each by six Lilliputian horses with lavishly plated harness, and conducted by little coachmen. The arrival of the great allegorical chariot, drawn by six magnificent horses, all arrayed in dazzling silver-plated harness, and bearing the colours of various nations, forms a suitable finale to a spectacle which consists of a series of tableaux of more than an hour’s duration, which have never been surpassed in originality and richness, and which will surely be more effective in the Crystal Palace than it was in the great court of the Magasins RÉunis.

W. G.

Note.—This little book aims merely at giving a short account of the rise, progress, and magnitude of Mr. Myers’ Great Hippodrome, and a brief abstract of the entertainments which will at various times be offered to the public during his visit. It will be readily understood from its contents, that his resources are so vast, that it would be utterly impracticable to use more than a portion on one day, and that the programme will from time to time be selected from the items of which the foregoing is but a rÉsumÉ.

CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS.

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