"To this Society," a well-informed writer has said, "some of our best artists have owed the most priceless of all services that can be rendered to men of genius at the outset of their career—appreciation on the part of an enlightened few—introduction under favourable auspices to the many."

The Society of Arts was established in 1754, chiefly by Mr. William Shipley, a drawing-master; but it was not until 1774 that the institution was fairly located in its own premises, built in handsome style by the Adams', in John Street, Adelphi; the object being denoted by the inscription upon the entablature of the pediment in the front of the mansion, in these words: "Arts and Commerce promoted."

There are many interesting anecdotes of the early awards of this Society. Thus, in 1758, Bacon, the sculptor, received for a small figure of Peace a reward of ten guineas; and the same artist gained the highest premium upon nine different occasions. In 1761, Nollekens received ten guineas for an alto-relievo of Jephtha's Vow; and two years later, fifty guineas for a more important piece of sculpture. Flaxman, in 1768, gained for one of his earliest attempts a grant of ten guineas; and for another work, in 1771, he obtained the Society's gold medal. Lawrence, at the early age of thirteen, received the reward of a silver-gilt palette, with five guineas, for his drawing in crayons of the Transfiguration; and the painter in the height of his subsequent prosperity, was accustomed to speak of the impulse thus given to his love of art. In 1807, Sir William Ross, at the age of twelve, received the Society's silver palette for a drawing of the death of Wat Tyler; Mr. Edwin Landseer gained a similar mark of approbation in 1810, for an etching; and to Mr. Wyon was adjudged the gold medal, in 1818, for a medal die. But to artists there is a feature of still greater interest in the Society's history: it was in its rooms that the first exhibition of paintings in England took place in 1760, which was continued with great success for some years.

Within about ninety years, the Society had distributed more than 100,000l. in premiums. The growth of forest trees was one of its early objects of encouragement; and we find among the recipients of its gold medals the Dukes of Bedford and Beaufort, the Earls of Winterton, Upper Ossory, and Mansfield; and Dr. Watson, Bishop of Llandaff. Then came agriculture, chemistry, manufactures, and mechanics. In the latter, the Society taught us, or at least aided those who did so, the manufacture of Turkey carpet, tapestry, weaving, and weaving to imitate the Marseilles and India quilting; also, how to improve our spinning and lace-making, our paper, and our catgut for musical instruments, our straw-bonnets, and artificial flowers.

The colonies shared in the Society's early encouragement: potash and pearlash were produced by its agent in North America; and it was busily engaged, just before the breaking out of the war of independence, in introducing the culture of the vine, the growth of silk-worms, and the manufacture of ))indigo and vegetable oils. But the rewards given to poor Bethnal-green and Spitalfields weavers, for useful inventions in their calling, illustrate, perhaps even better than any of the foregoing instances, the object of the Society which so honourably distinguishes it from other associations—its readiness to receive, examine, and reward every kind of useful invention that may be brought forward by those who have neither friends nor money to aid them in making their inventions known.

Nor must we forget Barry's grand series of paintings upon the Society's large room; of which Dr. Johnson said, "there is a grasp of mind there, which you will find nowhere else." Upon the walls, too, hang some fine portraits of the early presidents of the Society, painted by Sir Joshua Reynolds.