CONTENTS

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CHAPTER I
THE OBJECT IN VIEW
PAGE
An Inevitable Comparison 3
A Model Lesson in Novel-Writing 5
The Teachable and the Unteachable 9
CHAPTER II
A GOOD STORY TO TELL
Where do Novelists get their Stories from? 12
Is there a Deeper Question? 14
What about the Newspapers? 17
CHAPTER III
HOW TO BEGIN
Formation of the Plot 25
The Agonies and Joys of "Plot-Construction" 28
Care in the Use of Actual Events 31
The Natural History of a Plot 35
Sir Walter Besant on the Evolution of a Plot 40
Plot-Formation in Earnest 43
Characters first: Plot afterwards 45
The Natural Background 47
CHAPTER IV
CHARACTERS AND CHARACTERISATION
The Chief Character 50
How to Portray Character 52
Methods of Characterisation 55
The Trick of "Idiosyncrasies" 58
CHAPTER V
STUDIES IN LITERARY TECHNIQUE
Narrative Art 63
Movement 66
Aids to Description: The Point of View 67
Selecting the Main Features 70
Description by Suggestion 73
Facts to Remember 75
CHAPTER VI
STUDIES IN LITERARY TECHNIQUE—CONTINUED
Colour: Local and Otherwise 79
What about Dialect? 84
On Dialogue 86
Points in Conversation 91
"Atmosphere" 94
CHAPTER VII
PITFALLS
Items of General Knowledge 96
Specific Subjects 98
Topography and Geography 100
Scientific Facts 101
Grammar 103
CHAPTER VIII
THE SECRET OF STYLE
Communicable Elements 105
Incommunicable Elements


HOW TO WRITE A NOVEL


                                                                                                                                                                                                                                                                                                           

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