CHAPTER I | THE OBJECT IN VIEW | PAGE | An Inevitable Comparison | 3 | A Model Lesson in Novel-Writing | 5 | The Teachable and the Unteachable | 9 | | CHAPTER II | A GOOD STORY TO TELL | Where do Novelists get their Stories from? | 12 | Is there a Deeper Question? | 14 | What about the Newspapers? | 17 | | CHAPTER III | HOW TO BEGIN | Formation of the Plot | 25 | The Agonies and Joys of "Plot-Construction" | 28 | Care in the Use of Actual Events | 31 | The Natural History of a Plot | 35 | Sir Walter Besant on the Evolution of a Plot | 40 | Plot-Formation in Earnest | 43 | Characters first: Plot afterwards | 45 | The Natural Background | 47 | | CHAPTER IV | CHARACTERS AND CHARACTERISATION | The Chief Character | 50 | How to Portray Character | 52 | Methods of Characterisation | 55 | The Trick of "Idiosyncrasies" | 58 | | CHAPTER V | STUDIES IN LITERARY TECHNIQUE | Narrative Art | 63 | Movement | 66 | Aids to Description: The Point of View | 67 | Selecting the Main Features | 70 | Description by Suggestion | 73 | Facts to Remember | 75 | | CHAPTER VI | STUDIES IN LITERARY TECHNIQUE—CONTINUED | Colour: Local and Otherwise | 79 | What about Dialect? | 84 | On Dialogue | 86 | Points in Conversation | 91 | "Atmosphere" | 94 | | CHAPTER VII | PITFALLS | Items of General Knowledge | 96 | Specific Subjects | 98 | Topography and Geography | 100 | Scientific Facts | 101 | Grammar | 103 | | CHAPTER VIII | THE SECRET OF STYLE | Communicable Elements | 105 | Incommunicable Elements |
HOW TO WRITE A NOVEL
| |
|