APPENDIX I. THE CATHEDRAL ORGAN. |
The following brief account of this fine instrument, furnished by the Rev. the Precentor, may be interesting to many:— At a very early period the Cathedral or Conventual Church contained an organ or organs: this clearly appears from records preserved among the muniments of the Chapter; and at the dissolution of the Abbey we read that there were "two pair of organs in the Quire, and one pair in the Lady Chapel." It is highly probable, from indications in the stone-work, that one, at least, of these Pre-Reformation organs was placed in the triforium of the present nave, on the north side. It is well known that the Quire at that period extended westward across the Octagon: the organ therefore was situated near the gates, and above the stalls of the ancient Quire, nearly as it is now in the modern Quire. The Great Rebellion swept away organs from Ely, as from all other English Cathedrals; and during this dreary period the Choral Service was suppressed and prohibited. After the Restoration, viz., about the year 1685, a new organ was erected by the celebrated Harris; and it is remarkable that this organ remained in daily use up to the year 1831, without material alteration, not even a swell having been added to the original great and choir. It is worthy of mention, that during the extensive repairs of the Cathedral, conducted by the able architect, Essex, about the middle of the last century, a proposition to place the organ at the eastern end of the Quire was seriously urged by him on the consideration of the Dean and Chapter. He alleged that the instrument would "conceal much cold unornamented wall!" The condition of Harris' organ had become dangerously crazy when Messrs. Elliot and Hill were employed to rebuild it, or rather to insert a new instrument in the old case. This they did with great ability and success, and the organ which comprised ten stops in the great, five in each of choir and swell, and one set of pedal pipes, was a fine specimen of the art as it was understood and practised about forty years ago. When the restorations were commenced which have resulted in the present splendid embellishment of the Cathedral, the organ-screen was removed; and in 1851 the organ was re-modelled and altered to the CC compass, enclosed in its costly and exquisite case of carved oak, and suspended from the triforium of the Choir, above the stalls on the north, or (at Ely) Decani side. Provision was made for an adequate pedal organ, lodged in the triforium gallery, where an admirable site was also secured for the swell-box: the choir organ is beneath the great, and behind it, in a picturesque stone tribune or loft, the organist was seated at the manuals. Three stops, viz. a manual Double of wood and metal, 16 feet tone; a metal Quint of 6 feet; and a Posaune of 8 feet; were added to the great organ, which then possessed a tone of great power and beauty. By the liberality of the Chapter, the completion and great enlargement of the organ was effected in the year 1867. Messrs. Hill have introduced a new swell of 13 stops throughout, with a pedal organ of adequate dimensions. To this pedal organ the principal inhabitants of the city of Ely contributed the important addition of a Sub-base of 32 feet tone, at a cost of upwards of £80. The whole instrument has 40 sounding stops, and it will be seen from an inspection of the list that every stop, even to the clarionet, is complete and entire, extending through the full compass of its manual. The tone of the full organ, with swell coupled, is very grand. The reeds, like all the stops of this class manufactured by Messrs. Hill, are positively models of smoothness, equality, and power. The two 8 feet reeds of the great, and the 16 feet reed, with the Horn, of the swell, are specimens of which the builders may well be somewhat proud. All the compound stops are very brilliant. Equal temperament has been applied to the tuning. Great Organ—CC to F in Alt. | Ft. | Pipes. | 1. Double Diapason, open metal to GG, 12 feet stopt wood below | 16 | 54 | 2. Open Diapason, metal | 8 | 54 | 3. Open Diapason, metal | 8 | 54 | 4. Stopt Diapason, wood | 8 | 54 | 5. Principal, metal | 4 | 54 | 6. Harmonic Flute, metal (vice Quint) | 4 | 54 | 7. Twelfth, metal | 2 | 54 | 8. Fifteenth, metal | 2 | 54 | 9. Sesquialtera, iii ranks, metal | — | 162 | 10. Mixture, iii ranks, metal | — | 162 | 11. Posaune, metal | 8 | 54 | 12. Trumpet, metal | 8 | 54 | 13. Clarion, metal | 4 | 54 | | | 918 | Swell Organ—CC to F in Alt. | Ft. | Pipes. | 1. Double Diapason, open metal to Gamut G, 6 feet, stopt wood below. | 16 | 54 | 2. Open Diapason, metal | 8 | 54 | 3. Salcional, metal | 8 | 54 | 4. Stopt Diapason, wood | 8 | 54 | 5. Principal, metal | 4 | 54 | 6. Lieblich Flute, metal | 4 | 54 | 7. Fifteenth, metal | 2 | 54 | 8. Mixture, iv ranks | 2 | 216 | 9. Double Trumpet, metal and wood | 16 | 54 | 10. Horn, metal | 8 | 54 | 11. Trumpet, metal | 8 | 54 | 12. Oboe, metal | 8 | 54 | 13. Clarion, metal | 4 | 54 | | | 864 | Choir Organ—CC to F in Alt. | Ft. | Pipes. | 1. Open Diapason, metal to 6 feet, open wood below | 8 | 54 | 2. Dulciana, metal | 8 | 54 | 3. Stopt Diapason, wood | 8 | 54 | 4. Principal, metal | 4 | 54 | 5. Flute, wood | 4 | 54 | 6. Gamba, metal | 4 | 54 | 7. Clarionet, metal | 8 | 54 | | | 378 | Pedal Organ—CCC to E. 1. Sub-bass, wood | 32 | tone | 29 | 2. Open wood | 16 | | 29 | 3. Open metal | 16 | | 29 | 4. Bourdon, wood | 16 | tone | 29 | 5. Octave, metal | 8 | | 29 | 6. Mixture, iii ranks, metal | 4 | | 87 | 7. Trombone, wood | 16 | | 29 | | | | 261 | Couplers. 1. Swell to Great. 2. Great to Pedal. 3. Ditto by the foot. 4. Choir to Pedal. 5. Swell to Pedal.
| Six composition pedals, three to the Great, acting simultaneously on Pedal: three to Swell. Total number of Pipes, 2421.
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