The trade of printer is rich in technical terms available for the writer of epitaphs, as will be seen from the following examples.
Our first inscription is from St. Margaret’s Church, Westminster, placed in remembrance of England’s benefactor, the first English printer:—
To the memory of
William Caxton,
who first introduced into Great Britain
the Art of Printing;
And who, A.D. 1477 or earlier, exercised that art in the
Abbey of Westminster.
This Tablet,
In remembrance of one to whom the literature of this
country is so largely indebted, was raised,
anno Domini MDCCCXX.,
by the Roxburghe Club,
Earl Spencer, K.G., President.
In St. Giles’ Cathedral Church, Edinburgh, is the Chepman aisle, founded by the man who introduced printing into North Britain. Dr. William Chambers, by whose munificence this stately church was restored, had placed in the aisle, bearing Chepman’s name, a brass tablet having the following inscription:—
To the Memory of
Walter Chepman,
designated the Scottish Caxton,
who under the auspices of James IV.
and his Queen, Margaret, introduced
the art of printing into Scotland
1507 [symbol] founded this aisle in
honour of the King, Queen, and
their family, 1513. Died 1532.
This tablet is gratefully inscribed by
William Chambers, ll.d.
The next is in memory of one Edward Jones, ob. 1705, Æt. 53. He was the “Gazette” Printer of the Savoy, and the following epitaph was appended to an elegy, entitled, “The Mercury Hawkers in Mourning,” and published on the occasion of his death:—
Here lies a Printer, famous in his time,
Whose life by lingering sickness did decline.
He lived in credit, and in peace he died,
And often had the chance of Fortune tried.
Whose smiles by various methods did promote
Him to the favour of the Senate’s vote;
And so became, by National consent,
The only Printer of the Parliament.
Thus, by degrees, so prosp’rous was his fate,
He left his heirs a very good estate. |
It has been truthfully said that the life of Benjamin Franklin is stranger than fiction. He was a self-made man, gaining distinction as a printer, journalist, author, electrician, natural philosopher, statesman, and diplomatist. The “Autobiography and Letters of Benjamin Franklin” has been extensively circulated, and must ever remain a popular book; young men and women cannot fail to peruse its pages without pleasure and profit.
In collections of epitaphs and books devoted to literary curiosities, a quaint epitaph said to have been written by Franklin frequently finds a place. He was not, however, the original composer of the epitaph, but imitated it for himself. Jacob Tonson, a famous bookseller, died in 1735, and a Latin epitaph was written on him by an Eton scholar. It is printed in the Gentleman’s Magazine, February, 1736, with a diffuse paraphrase in English verse. The following is at all events a conciser version:—
The volume
of
his life being finished
here is the end of
Jacob Tonson.
Weep authors and break your pens;
Your Tonson effaced from the book,
is no more,
but print the last inscription on the title
page of death,
for fear that delivered to the press
of the grave
the Editor should want a title:
Here lies a bookseller,
The leaf of his life being finished,
Awaiting a new edition,
Augmented and corrected.
The following is Franklin’s epitaph for himself:
The body
of
Benjamin Franklin,
Printer
(Like the cover of an old book,
its contents torn out,
And stript of its lettering and gilding),
Lies here, food for worms.
But the work itself shall not be lost,
For it will, as he believed, appear once more,
In a new and more elegant edition,
Revised and corrected
By
The Author.
But it is not at all certain that Franklin was not the earlier writer, for the epitaph was certainly a production of the first years of manhood—probably 1727. There are other epitaphs from which he may have taken the idea; that, on the famous John Cotton at Boston, for instance, in which he is likened to a Bible:—
A living, breathing Bible; tables where
Both covenants at large engraven were;
Gospel and law in his heart had each its column,
His head an index to the sacred volume!
His very name a title-page; and, next,
His life a commentary on the text.
Oh, what a moment of glorious worth,
When in a new edition he comes forth!
Without errata, we may think ’twill be,
In leaves and covers of Eternity. |
There is a similar conceit in the epitaph on John Foster, the Boston printer. Franklin would probably have seen both of these.
On the 17th April, 1790, at the age of eighty-four years, passed away the sturdy patriot and sagacious writer. His mortal remains rest with those of his wife in the burial-ground of Christ Church, Philadelphia. A plain flat stone covers the grave, bearing the following simple inscription:—
| Benjamin | } |
| AND | Franklin. |
| Deborah |
| 1790. |
This is the inscription which he directed, in his will, to be placed on his tomb. We give a picture of the quiet corner where the good man and his worthy wife are buried. English as well as American visitors to the city usually wend their way to the last resting-place of the famous man we delight to honour.
FRANKLIN’S GRAVE.
A printer’s sentiment inscribed to the memory of Franklin is worth reproducing:—
Benjamin Franklin, the * of his profession; the type of honesty; the ! of all; and although the ? of death put a . to his existence, each § of his life is without a "".
Dr. Franklin’s parents were buried in one grave in the old Grancey Cemetery, beside Park Street Church, Boston, Mass. He placed a marble monument to their memory, bearing the following inscription:—
Josiah Franklin
and
Abiah, his wife,
Lie here interred.
They lived lovingly together, in wedlock,
Fifty-five years;
And without an estate, or any gainful employment,
By constant labour and honest industry
(With God’s blessing),
Maintained a large family comfortably;
And brought up thirteen children and seven
grand-children
Reputably.
From this instance, reader,
Be encouraged to diligence in thy calling,
And distrust not Providence.
He was a pious and prudent man,
She a discreet and virtuous woman.
Their youngest son,
In filial regard to their memory,
Places this stone.
J. F., Born 1655; Died 1744 ÆT 89.
A. F., Born 1667; Died 1752 ÆT 85.
It is satisfactory to learn that, when the stone became dilapidated, the citizens of Boston replaced it with a granite obelisk.
A notable epitaph was that of George Faulkner, alderman and printer, of Dublin, who died in 1775:—
Here sleeps George Faulkner, printer, once so dear
To humorous Swift, and Chesterfield’s gay peer;
So dear to his wronged country and her laws;
So dauntless when imprisoned in her cause;
No alderman e’er graced a weighter board,
No wit e’er joked more freely with a lord.
None could with him in anecdotes confer;
A perfect annal-book, in Elzevir.
Whate’er of glory life’s first sheets presage,
Whate’er the splendour of the title-page,
Leaf after leaf, though learned lore ensues;
Close as thy types and various as thy news;
Yet, George, we see that one lot awaits them all,
Gigantic folios, or octavos small;
One universal finis claims his rank,
And every volume closes in a blank. |
In the churchyard of Bury St. Edmunds, Suffolk, is a good specimen of a typographical epitaph, placed in remembrance of a noted printer, who died in the year 1818. It reads as follows:—
Here lie the remains of L. Gedge, Printer.
Like a worn-out character, he has returned to the Founder,
Hoping that he will be re-cast in a better and
more perfect mould.
Our next example is profuse of puns, some of which are rather obscure to younger readers, owing to the disuse of the old wooden press. It is the epitaph of a Scotch printer:—
Sacred to the memory of
Adam Williamson,
Pressman-printer, in Edinburgh,
Who died Oct. 3, 1832,
Aged 72 years.
All my stays are loosed;
My cap is thrown off; my head is worn out;
My box is broken;
My spindle and bar have lost their power;
My till is laid aside;
Both legs of my crane are turned out of their path;
My platen can make no impression;
My winter hath no spring;
My rounce will neither roll out nor in;
Stone, coffin, and carriage have all failed;
The hinges of my tympan and frisket are immovable;
My long and short ribs are rusted;
My cheeks are much worm-eaten and mouldering
away:
My press is totally down:
The volume of my life is finished,
Not without many errors;
Most of them have arisen from bad composition, and
are to be attributed more to the chase than the
press;
There are also a great number of my own;
Misses, scuffs, blotches, blurs, and bad register;
But the true and faithful Superintendent has undertaken
to correct the whole.
When the machine is again set up
(incapable of decay),
A new and perfect edition of my life will appear,
Elegantly bound for duration, and every way fitted
for the grand Library of the Great Author.
The next specimen is less satisfactory, because devoid of the hope that should encircle the death of the Christian. It is the epitaph which Baskerville, the celebrated Birmingham printer and type founder, directed to be placed upon a tomb of masonry in the shape of a cone, and erected over his remains:—
Stranger
Beneath this cone, in unconsecrated ground,
A friend to the liberties of mankind
Directed his body to be inurned.
May the example contribute to emancipate thy mind
from the idle fears of superstition, and the
wicked arts of priestcraft.
It is recorded that “The tomb has long since been overturned, and even the remains of the man himself desecrated and dispersed till the final day of resurrection, when the atheism which in his later years he professed will receive assuredly so complete and overwhelming a refutation.”
In 1599 died Christopher Barker, one of the most celebrated of the sixteenth century typographers, printer to Queen Elizabeth—to whom, in fact, the present patent held by Eyre and Spottiswoode can be traced back in unbroken succession.
Here Barker lies, once printer to the Crown,
Whose works of art acquired a vast renown.
Time saw his worth, and spread around his fame,
That future printers might imprint the same.
But when his strength could work the press no more
And his last sheets were folded into store,
Pure faith, with hope (the greatest treasure given),
Opened their gates, and bade him pass to heaven. |
We will bring to a close our examples of typographical epitaphs with the following, copied from the graveyard of St. Michael’s, Coventry, on a worthy printer who was engaged over sixty years as a compositor on the Coventry Mercury:—
Here
lies inter’d
the mortal remains
of
John Hulm,
Printer,
who, like an old, worn-out type,
battered by frequent use,
reposes in the grave.
But not without a hope that at some future time
he might be cast in the mould of righteousness,
And safely locked-up
in the chase of immortality.
He was distributed from the board of life
on the 9th day of Sept., 1827,
Aged 75.
Regretted by his employers,
and respected by his fellow artists.
